The gold sheets in question are effectively 2D. I’m surprised they haven’t named them ‘goldene’ as everything else that’s 2D seems to have an ‘ene’ suffix (e.g. graphene, germanene, tellurene).
Of course, these gold sheets are not composed of single atoms but of two according to an August 6, 2019 news item on Nanowerk,
Scientists at the University of Leeds [UK] have created a new form of gold which is just two atoms thick – the thinnest unsupported gold ever created.
The researchers measured the thickness of the gold to be 0.47 nanometres – that is one million times thinner than a human finger nail. The material is regarded as 2D because it comprises just two layers of atoms sitting on top of one another. All atoms are surface atoms – there are no ‘bulk’ atoms hidden beneath the surface.
I’m pretty sure they’ve added colour to those images and not just in the background; they’ve likely added a gold colour to the gold.
The material could have wide-scale applications in the medical device and electronics industries – and also as a catalyst to speed up chemical reactions in a range of industrial processes.
Laboratory tests show that the ultra-thin gold is 10 times more efficient as a catalytic substrate than the currently used gold nanoparticles, which are 3D materials with the majority of atoms residing in the bulk rather than at the surface.
Scientists believe the new material could also form the basis of artificial enzymes that could be applied in rapid, point-of-care medical diagnostic tests and in water purification systems.
The announcement that the ultra-thin metal had been successfully synthesised was made in the journal Advanced Science.
The lead author of the paper, Dr Sunjie Ye, from Leeds’ Molecular and Nanoscale Physics Group and the Leeds Institute of Medical Research, said: “This work amounts to a landmark achievement.
“Not only does it open up the possibility that gold can be used more efficiently in existing technologies, it is providing a route which would allow material scientists to develop other 2D metals.
“This method could innovate nanomaterial manufacturing.”
The research team are looking to work with industry on ways of scaling-up the process.
Synthesising the gold nanosheet takes place in an aqueous solution and starts with chloroauric acid, an inorganic substance that contains gold. It is reduced to its metallic form in the presence of a ‘confinement agent’ – a chemical that encourages the gold to form as a sheet, just two atoms thick.
Because of the gold’s nanoscale dimensions, it appears green in water – and given its shape, the researchers describe it as gold nanoseaweed.
Professor Stephen Evans, head of the Leeds’ Molecular and Nanoscale Research Group who supervised the research, said the considerable gains that could be achieved from using these ultra-thin gold sheets are down to their high surface-area to volume ratio.
He said: “Gold is a highly effective catalyst. Because the nanosheets are so thin, just about every gold atom plays a part in the catalysis. It means the process is highly efficient.”
Standard benchmark tests revealed that gold nanoscale sheets were ten times more efficient than the gold nanoparticles conventionally used in industry.
Professor Evans said: “Our data suggests that industry could get the same effect from using a smaller amount of gold, and this has economic advantages when you are talking about a precious metal.”
Similar benchmark tests revealed that the gold sheets could act as highly effective artificial enzymes.
The flakes are also flexible, meaning they could form the basis of electronic components for bendable screens, electronic inks and transparent conducting displays.
Professor Evans thinks there will inevitably be comparisons made between the 2D gold and the very first 2D material ever created – graphene, which was fabricated at the University of Manchester in 2004.
He said: “The translation of any new material into working products can take a long time and you can’t force it to do everything you might like to. With graphene, people have thought that it could be good for electronics or for transparent coatings – or as carbon nanotubes that could make an elevator to take us into space because of its super strength.
“I think with 2D gold we have got some very definite ideas about where it could be used, particularly in catalytic reactions and enzymatic reactions. We know it will be more effective than existing technologies – so we have something that we believe people will be interested in developing with us.”
Here’s a link to and a citation for the paper,
Sub‐Nanometer Thick Gold Nanosheets as Highly Efficient Catalysts by Sunjie Ye, Andy P. Brown, Ashley C. Stammers, Neil H. Thomson, Jin Wen, Lucien Roach, Richard J. Bushby, Patricia Louise Coletta, Kevin Critchley, Simon D. Connell, Alexander F. Markham, Rik Brydson, Stephen D. Evans. Advnaced Science https://doi.org/10.1002/advs.201900911 First published: 06 August 2019
Scientists at Northwestern University (Chicago, Illinois) and the California Institute of Technology (CalTech) have developed what could be a more sustainable way to produce electricity. From a July 31, 2019 news item on Nanowerk,
Scientists from Northwestern University and Caltech have produced electricity by simply flowing water over extremely thin layers of inexpensive metals, including iron, that have oxidized. These films represent an entirely new way of generating electricity and could be used to develop new forms of sustainable power production.
The films have a conducting metal nanolayer (10 to 20 nanometers thick) that is insulated with an oxide layer (2 nanometers thick). Current is generated when pulses of rainwater and ocean water alternate and move across the nanolayers. The difference in salinity drags the electrons along in the metal below.
“It’s the oxide layer over the nanometal that really makes this device go,” said Franz M. Geiger, the Dow Professor of Chemistry in Northwestern’s Weinberg College of Arts and Sciences. “Instead of corrosion, the presence of the oxides on the right metals leads to a mechanism that shuttles electrons.”
The films are transparent, a feature that could be taken advantage of in solar cells. The researchers intend to study the method using other ionic liquids, including blood. Developments in this area could lead to use in stents and other implantable devices.
“The ease of scaling up the metal nanolayer to large areas and the ease with which plastics can be coated gets us to three-dimensional structures where large volumes of liquids can be used,” Geiger said. “Foldable designs that fit, for instance, into a backpack are a possibility as well. Given how transparent the films are, it’s exciting to think about coupling the metal nanolayers to a solar cell or coating the outside of building windows with metal nanolayers to obtain energy when it rains.”
The study, titled “Energy Conversion via Metal Nanolayers,” was published this week [on July 29, 2019] in the journal Proceedings of the National Academy of Sciences (PNAS).
Geiger is the study’s corresponding author; his Northwestern team conducted the experiments. Co-author Thomas Miller, professor of chemistry at Caltech, led a team that conducted atomistic simulations to study the device’s behavior at the atomic level.
The new method produces voltages and currents comparable to graphene-based devices reported to have efficiencies of around 30% — similar to other approaches under investigation (carbon nanotubes and graphene) but with a single-step fabrication from earth-abundant elements instead of multistep fabrication. This simplicity allows for scalability, rapid implementation and low cost. Northwestern has filed for a provisional patent.
Of the metals studied, the researchers found that iron, nickel and vanadium worked best. They tested a pure rust sample as a control experiment; it did not produce a current.
The mechanism behind the electricity generation is complex, involving ion adsorption and desorption, but it essentially works like this: The ions present in the rainwater/saltwater attract electrons in the metal beneath the oxide layer; as the water flows, so do those ions, and through that attractive force, they drag the electrons in the metal along with them, generating an electrical current.
“There are interesting prospects for a variety of energy and sustainability applications, but the real value is the new mechanism of oxide-metal electron transfer,” Geiger said. “The underlying mechanism appears to involve various oxidation states.”
The team used a process called physical vapor deposition (PVD), which turns normally solid materials into a vapor that condenses on a desired surface. PVD allowed them to deposit onto glass metal layers only 10 to 20 nanometers thick. An oxide layer then forms spontaneously in air. It grows to a thickness of 2 nanometers and then stops growing.
“Thicker films of metal don’t succeed — it’s a nano-confinement effect,” Geiger said. “We have discovered the sweet spot.”
When tested, the devices generated several tens of millivolts and several microamps per centimeter squared.
“For perspective, plates having an area of 10 square meters each would generate a few kilowatts per hour — enough for a standard U.S. home,” Miller said. “Of course, less demanding applications, including low-power devices in remote locations, are more promising in the near term.”
Here’s a link to and a citation for the paper,
Energy conversion via metal nanolayers by Mavis D. Boamah, Emilie H. Lozier, Jeongmin Kim, Paul E. Ohno, Catherine E. Walker, Thomas F. Miller III, and Franz M. Geiger. PNAS DOI: https://doi.org/10.1073/pnas.1906601116 First published July 29, 2019
Researchers at Columbia University and University of California, San Diego, have introduced a novel “multi-messenger” approach to quantum physics that signifies a technological leap in how scientists can explore quantum materials.
The findings appear in a recent article published in Nature Materials, led by A. S. McLeod, postdoctoral researcher, Columbia Nano Initiative, with co-authors Dmitri Basov and A. J. Millis at Columbia and R.A. Averitt at UC San Diego.
“We have brought a technique from the inter-galactic scale down to the realm of the ultra-small,” said Basov, Higgins Professor of Physics and Director of the Energy Frontier Research Center at Columbia. Equipped with multi-modal nanoscience tools we can now routinely go places no one thought would be possible as recently as five years ago.”
The work was inspired by “multi-messenger” astrophysics, which emerged during the last decade as a revolutionary technique for the study of distant phenomena like black hole mergers. Simultaneous measurements from instruments, including infrared, optical, X-ray and gravitational-wave telescopes can, taken together, deliver a physical picture greater than the sum of their individual parts.
The search is on for new materials that can supplement the current reliance on electronic semiconductors. Control over material properties using light can offer improved functionality, speed, flexibility and energy efficiency for next-generation computing platforms.
Experimental papers on quantum materials have typically reported results obtained by using only one type of spectroscopy. The researchers have shown the power of using a combination of measurement techniques to simultaneously examine electrical and optical properties.
The researchers performed their experiment by focusing laser light onto the sharp tip of a needle probe coated with magnetic material. When thin films of metal oxide are subject to a unique strain, ultra-fast light pulses can trigger the material to switch into an unexplored phase of nanometer-scale domains, and the change is reversible.
By scanning the probe over the surface of their thin film sample, the researchers were able to trigger the change locally and simultaneously manipulate and record the electrical, magnetic and optical properties of these light-triggered domains with nanometer-scale precision.
The study reveals how unanticipated properties can emerge in long-studied quantum materials at ultra-small scales when scientists tune them by strain.
“It is relatively common to study these nano-phase materials with scanning probes. But this is the first time an optical nano-probe has been combined with simultaneous magnetic nano-imaging, and all at the very low temperatures where quantum materials show their merits,” McLeod said. “Now, investigation of quantum materials by multi-modal nanoscience offers a means to close the loop on programs to engineer them.”
A July 26, 2019 news item on Nanowerk takes us into the world of quantum physics and graphene (Note: Links have been removed),
A team of researchers from the Universities of Manchester, Nottingham and Loughborough have discovered quantum phenomena that helps to understand the fundamental limits of graphene electronics.
As published in Nature Communications (“Strong magnetophonon oscillations in extra-large graphene”), the work describes how electrons in a single atomically-thin sheet of graphene scatter off the vibrating carbon atoms which make up the hexagonal crystal lattice.
By applying a magnetic field perpendicular to the plane of graphene, the current-carrying electrons are forced to move in closed circular “cyclotron” orbits. In pure graphene, the only way in which an electron can escape from this orbit is by bouncing off a “phonon” in a scattering event. These phonons are particle-like bundles of energy and momentum and are the “quanta” of the sound waves associated with the vibrating carbon atom. The phonons are generated in increasing numbers when the graphene crystal is warmed up from very low temperatures.
By passing a small electrical current through the graphene sheet, the team were able to measure precisely the amount of energy and momentum that is transferred between an electron and a phonon during a scattering event.
Their experiment revealed that two types of phonon scatter the electrons: transverse acoustic (TA) phonons in which the carbon atoms vibrate perpendicular to the direction of phonon propagation and wave motion (somewhat analogous to surface waves on water) and longitudinal acoustic (LA) phonons in which the carbon atoms vibrate back and forth along the direction of the phonon and the wave motion; (this motion is somewhat analogous to the motion of sound waves through air).
The measurements provide a very accurate measure of the speed of both types of phonons, a measurement which is otherwise difficult to make for the case of a single atomic layer. An important outcome of the experiments is the discovery that TA phonon scattering dominates over LA phonon scattering.
The observed phenomena, commonly referred to as “magnetophonon oscillations”, was measured in many semiconductors years before the discovery of graphene. It is one of the oldest quantum transport phenomena that has been known for more than fifty years, predating the quantum Hall effect. Whereas graphene possesses a number of novel, exotic electronic properties, this rather fundamental phenomenon has remained hidden.
Laurence Eaves & Roshan Krishna Kumar, co-authors of the work said: “We were pleasantly surprised to find such prominent magnetophonon oscillations appearing in graphene. We were also puzzled why people had not seen them before, considering the extensive amount of literature on quantum transport in graphene.”
Their appearance requires two key ingredients. First, the team had to fabricate high quality graphene transistors with large areas at the National Graphene Institute. If the device dimensions are smaller than a few micrometres the phenomena could not be observed.
Piranavan Kumaravadivel from The University of Manchester, lead author of the paper said: “At the beginning of quantum transport experiments, people used to study macroscopic, millimetre sized crystals. In most of the work on quantum transport on graphene, the studied devices are typically only a few micrometres in size. It seems that making larger graphene devices is not only important for applications but now also for fundamental studies.”
The second ingredient is temperature. Most graphene quantum transport experiments are performed at ultra-cold temperatures in-order to slow down the vibrating carbon atoms and “freeze-out” the phonons that usually break quantum coherence. Therefore, the graphene is warmed up as the phonons need to be active to cause the effect.
Mark Greenaway, from Loughborough University, who worked on the quantum theory of this effect said: “This result is extremely exciting – it opens a new route to probe the properties of phonons in two-dimensional crystals and their heterostructures. This will allow us to better understand electron-phonon interactions in these promising materials, understanding which is vital to develop them for use in new devices and applications.”
Here’s a link to and a citation for the paper,
Strong magnetophonon oscillations in extra-large graphene by P. Kumaravadivel, M. T. Greenaway, D. Perello, A. Berdyugin, J. Birkbeck, J. Wengraf, S. Liu, J. H. Edgar, A. K. Geim, L. Eaves & R. Krishna Kumar. ature Communicationsvolume 10, Article number: 3334 (2019) DOI: https://doi.org/10.1038/s41467-019-11379-3 Published 26 July 2019
A July 25, 2019 news item on Nanowerk provides a description of Moore`s Law and some ‘watery’ research that may upend it,
Moore’s law – which says the number of components that could be etched onto the surface of a silicon wafer would double every two years – has been the subject of recent debate. The quicker pace of computing advancements in the past decade have led some experts to say Moore’s law, the brainchild of Intel co-founder Gordon Moore in the 1960s, no longer applies. Particularly of concern, next-generation computing devices require features smaller than 10 nanometers – driving unsustainable increases in fabrication costs.
Biology creates features at sub-10nm scales routinely, but they are often structured in ways that are not useful for applications like computing. A Purdue University group has found ways of transforming structures that occur naturally in cell membranes to create other architectures, like parallel 1nm-wide line segments, more applicable to computing.
Inspired by biological cell membranes, Purdue researchers in the Claridge Research Group have developed surfaces that act as molecular-scale blueprints for unpacking and aligning nanoscale components for next-generation computers. The secret ingredient? Water, in tiny amounts.
“Biology has an amazing tool kit for embedding chemical information in a surface,” said Shelley Claridge, a recently tenured faculty member in chemistry and biomedical engineering at Purdue, who leads a group of nanomaterials researchers. “What we’re finding is that these instructions can become even more powerful in nonbiological settings, where water is scarce.”
In work just published in Chem, sister journal to Cell, the group has found that stripes of lipids can unpack and order flexible gold nanowires with diameters of just 2 nm, over areas corresponding to many millions of molecules in the template surface.
“The real surprise was the importance of water,” Claridge said. “Your body is mostly water, so the molecules in your cell membranes depend on it to function. Even after we transform the membrane structure in a way that’s very nonbiological and dry it out, these molecules can pull enough water out of dry winter air to do their job.”
Their work aligns with Purdue’s Giant Leaps celebration, celebrating the global advancements in sustainability as part of Purdue’s 150th anniversary. Sustainability is one of the four themes of the yearlong celebration’s Ideas Festival, designed to showcase Purdue as an intellectual center solving real-world issues.
The research team is working with the Purdue Research Foundation Office of Technology Commercialization to patent their work. They are looking for partners for continued research and to take the technology to market. [emphasis mine]
I wonder how close they are to taking this work to market. Usually they say it will be five to 10 years but perhaps we’ll see water-based computers in the near future. In the meantime, here’s a link to and a citation for the paper,
Once you get past the technical language (there’s a lot of it), you’ll find that they make the link between biomimicry and memristors explicit. Admittedly I’m not an expert but if I understand the research correctly, the scientists are suggesting that the algorithms used in machine learning today cannot allow memristors to be properly integrated for use in true neuromorphic computing and this work from Russia and Greece points to a new paradigm. If you understand it differently, please do let me know in the comments.
Lobachevsky University scientists together with their colleagues from the National Research Center “Kurchatov Institute” (Moscow) and the National Research Center “Demokritos” (Athens) are working on the hardware implementation of a spiking neural network based on memristors.
The key elements of such a network, along with pulsed neurons, are artificial synaptic connections that can change the strength (weight) of connection between neurons during the learning (Microelectronic Engineering, “Yttria-stabilized zirconia cross-point memristive devices for neuromorphic applications”).
For this purpose, memristive devices based on metal-oxide-metal nanostructures developed at the UNN Physics and Technology Research Institute (PTRI) are suitable, but their use in specific spiking neural network architectures developed at the Kurchatov Institute requires demonstration of biologically plausible learning principles.
The biological mechanism of learning of neural systems is described by Hebb’s rule, according to which learning occurs as a result of an increase in the strength of connection (synaptic weight) between simultaneously active neurons, which indicates the presence of a causal relationship in their excitation. One of the clarifying forms of this fundamental rule is plasticity, which depends on the time of arrival of pulses (Spike-Timing Dependent Plasticity – STDP).
In accordance with STDP, synaptic weight increases if the postsynaptic neuron generates a pulse (spike) immediately after the presynaptic one, and vice versa, the synaptic weight decreases if the postsynaptic neuron generates a spike right before the presynaptic one. Moreover, the smaller the time difference Δt between the pre- and postsynaptic spikes, the more pronounced the weight change will be.
According to one of the researchers, Head of the UNN PTRI laboratory Alexei Mikhailov, in order to demonstrate the STDP principle, memristive nanostructures based on yttria-stabilized zirconia (YSZ) thin films were used. YSZ is a well-known solid-state electrolyte with high oxygen ion mobility.
“Due to a specified concentration of oxygen vacancies, which is determined by the controlled concentration of yttrium impurities, and the heterogeneous structure of the films obtained by magnetron sputtering, such memristive structures demonstrate controlled bipolar switching between different resistive states in a wide resistance range. The switching is associated with the formation and destruction of conductive channels along grain boundaries in the polycrystalline ZrO2 (Y) film,” notes Alexei Mikhailov.
An array of memristive devices for research was implemented in the form of a microchip mounted in a standard cermet casing, which facilitates the integration of the array into a neural network’s analog circuit. The full technological cycle for creating memristive microchips is currently implemented at the UNN PTRI. In the future, it is possible to scale the devices down to the minimum size of about 50 nm, as was established by Greek partners. Our studies of the dynamic plasticity of the memoristive devices, continues Alexey Mikhailov, have shown that the form of the conductance change depending on Δt is in good agreement with the STDP learning rules. It should be also noted that if the initial value of the memristor conductance is close to the maximum, it is easy to reduce the corresponding weight while it is difficult to enhance it, and in the case of a memristor with a minimum conductance in the initial state, it is difficult to reduce its weight, but it is easy to enhance it.
According to Vyacheslav Demin, director-coordinator in the area of nature-like technologies of the Kurchatov Institute, who is one of the ideologues of this work, the established pattern of change in the memristor conductance clearly demonstrates the possibility of hardware implementation of the so-called local learning rules. Such rules for changing the strength of synaptic connections depend only on the values of variables that are present locally at each time point (neuron activities and current weights).
“This essentially distinguishes such principle from the traditional learning algorithm, which is based on global rules for changing weights, using information on the error values at the current time point for each neuron of the output neural network layer (in a widely popular group of error back propagation methods). The traditional principle is not biosimilar, it requires “external” (expert) knowledge of the correct answers for each example presented to the network (that is, they do not have the property of self-learning). This principle is difficult to implement on the basis of memristors, since it requires controlled precise changes of memristor conductances, as opposed to local rules. Such precise control is not always possible due to the natural variability (a wide range of parameters) of memristors as analog elements,” says Vyacheslav Demin.
Local learning rules of the STDP type implemented in hardware on memristors provide the basis for autonomous (“unsupervised”) learning of a spiking neural network. In this case, the final state of the network does not depend on its initial state, but depends only on the learning conditions (a specific sequence of pulses). According to Vyacheslav Demin, this opens up prospects for the application of local learning rules based on memristors when solving artificial intelligence problems with the use of complex spiking neural network architectures.
A July 19, 2019 news item on phys.org describes research that may result in a substantive change for information technology,
A team of researchers from Tokyo Institute of Technology has gained unprecedented insight into the inner workings of an atomic switch. By investigating the composition of the tiny metal ‘bridge’ that forms inside the switch, their findings may spur the design of atomic switches with improved performance.
Atomic switches are hailed as the tiniest of electrochemical switches that could change the face of information technology. Due to their nanoscale dimensions and low power consumption, they hold promise for integration into next-generation circuits that could drive the development of artificial intelligence (AI) and Internet of Things (IoT) devices.
Although various designs have emerged, one intriguing question concerns the nature of the metallic filament, or bridge, that is key to the operation of the switch. The bridge forms inside a metal sulfide layer sandwiched between two electrodes [see figure below], and is controlled by applying a voltage that induces an electrochemical reaction. The formation and annihilation of this bridge determines whether the switch is on or off.
Now, a research group including Akira Aiba and Manabu Kiguchi and colleagues at Tokyo Institute of Technology’s Department of Chemistry has found a useful way to examine precisely what the bridge is composed of.
By cooling the atomic switch enough so as to be able to investigate the bridge using a low-temperature measurement technique called point contact spectroscopy (PCS) , their study revealed that the bridge is made up of metal atoms from both the electrode and the metal sulfide layer. This surprising finding controverts the prevailing notion that the bridge derives from the electrode only, Kiguchi explains.
The team compared atomic switches with different combinations of electrodes (Pt and Ag, or Pt and Cu) and metal sulfide layers (Cu2S and Ag2S). In both cases, they found that the bridge is mainly composed of Ag.
The reason behind the dominance of Ag in the bridge is likely due to “the higher mobility of Ag ions compared to Cu ions”, the researchers say in their paper published in ACS Applied Materials & Interfaces.
They conclude that “it would be better to use metals with low mobility” for designing atomic switches with higher stability.
Much remains to be explored in the advancement of atomic switch technologies, and the team is continuing to investigate which combination of elements would be the most effective in improving performance.
Technical terms  Atomic switch: The idea behind an atomic switch — one that can be controlled by the motion of a single atom — was introduced by Donald Eigler and colleagues at the IBM Almaden Research Center in 1991. Interest has since focused on how to realize and harness the potential of such extremely small switches for use in logic circuits and memory devices. Over the past two decades, researchers in Japan have taken a world-leading role in the development of atomic switch technologies.  Point contact spectroscopy: A method of measuring the properties or excitations of single atoms at low temperature.
For anyone who might need a bit of a refresher for the chemical elements, Pt is platinum, Ag is silver, and Cu is copper. So, with regard to the metal sulfide layers Cu2S is copper sulfide and Ag2S is silver sulfide.
There are three (or more?) possible applications including neuromorphic computing for this new optoelectronic technology which is based on black phophorus. A July 16, 2019 news item on Nanowerk announces the research,
Researchers from RMIT University [Australia] drew inspiration from an emerging tool in biotechnology – optogenetics – to develop a device that replicates the way the brain stores and loses information.
Optogenetics allows scientists to delve into the body’s electrical system with incredible precision, using light to manipulate neurons so that they can be turned on or off.
The new chip is based on an ultra-thin material that changes electrical resistance in response to different wavelengths of light, enabling it to mimic the way that neurons work to store and delete information in the brain.
Research team leader Dr Sumeet Walia said the technology moves us closer towards artificial intelligence (AI) that can harness the brain’s full sophisticated functionality.
“Our optogenetically-inspired chip imitates the fundamental biology of nature’s best computer – the human brain,” Walia said.
“Being able to store, delete and process information is critical for computing, and the brain does this extremely efficiently.
“We’re able to simulate the brain’s neural approach simply by shining different colours onto our chip.
“This technology takes us further on the path towards fast, efficient and secure light-based computing.
“It also brings us an important step closer to the realisation of a bionic brain – a brain-on-a-chip that can learn from its environment just like humans do.”
Dr Taimur Ahmed, lead author of the study published in Advanced Functional Materials, said being able to replicate neural behavior on an artificial chip offered exciting avenues for research across sectors.
“This technology creates tremendous opportunities for researchers to better understand the brain and how it’s affected by disorders that disrupt neural connections, like Alzheimer’s disease and dementia,” Ahmed said.
The researchers, from the Functional Materials and Microsystems Research Group at RMIT, have also demonstrated the chip can perform logic operations – information processing – ticking another box for brain-like functionality.
Developed at RMIT’s MicroNano Research Facility, the technology is compatible with existing electronics and has also been demonstrated on a flexible platform, for integration into wearable electronics.
How the chip works:
Neural connections happen in the brain through electrical impulses. When tiny energy spikes reach a certain threshold of voltage, the neurons bind together – and you’ve started creating a memory.
On the chip, light is used to generate a photocurrent. Switching between colors causes the current to reverse direction from positive to negative.
This direction switch, or polarity shift, is equivalent to the binding and breaking of neural connections, a mechanism that enables neurons to connect (and induce learning) or inhibit (and induce forgetting).
This is akin to optogenetics, where light-induced modification of neurons causes them to either turn on or off, enabling or inhibiting connections to the next neuron in the chain.
To develop the technology, the researchers used a material called black phosphorus (BP) that can be inherently defective in nature.
This is usually a problem for optoelectronics, but with precision engineering the researchers were able to harness the defects to create new functionality.
“Defects are usually looked on as something to be avoided, but here we’re using them to create something novel and useful,” Ahmed said.
“It’s a creative approach to finding solutions for the technical challenges we face.”
A team of scientists are seeking to kick-start a wearable technology revolution by creating flexible fibres and adding acids from red wine.
Extracting tannic acid from red wine, coffee or black tea, led a team of scientists from The University of Manchester to develop much more durable and flexible wearable devices. The addition of tannins improved mechanical properties of materials such as cotton to develop wearable sensors for rehabilitation monitoring, drastically increasing the devices lifespan.
The team have developed wearable devices such as capacitive breath sensors and artificial hands for extreme conditions by improving the durability of flexible sensors. Previously, wearable technology has been subject to fail after repeated bending and folding which can interrupt the conductivity of such devices due to tiny micro cracks. Improving this could open the door to more long-lasting integrated technology.
Dr Xuqing Liu who led the research team said: “We are using this method to develop new flexible, breathable, wearable devices. The main research objective of our group is to develop comfortable wearable devices for flexible human-machine interface.
“Traditional conductive material suffers from weak bonding to the fibers which can result in low conductivity. When red wine, or coffee, or black tea, is spilled on a dress, it’s difficult to get rid of these stains. The main reason is that they all contain tannic acid, which can firmly adsorb the material on the surface of the fiber. This good adhesion is exactly what we need for durable wearable, conductive devices.”
The new research published in the journal Small demonstrated that without this layer of tannic acid, the conductivity is several hundred times, or even thousands of times, less than traditional conductive material samples as the conductive coating becomes easily detached from the textile surface through repeated bending and flexing.
There’s a very good November 11, 2019 article by Natalie Angier for the New York Times on carbon nanotubes (CNTs) and the colour black,
On a laboratory bench at the National Institute of Standards and Technology was a square tray with two black disks inside, each about the width of the top of a Dixie cup. Both disks were undeniably black, yet they didn’t look quite the same.
Solomon Woods, 49, a trim, dark-haired, soft-spoken physicist, was about to demonstrate how different they were, and how serenely voracious a black could be.
“The human eye is extraordinarily sensitive to light,” Dr. Woods said. Throw a few dozen photons its way, a few dozen quantum-sized packets of light, and the eye can readily track them.
Dr. Woods pulled a laser pointer from his pocket. “This pointer,” he said, “puts out 100 trillion photons per second.” He switched on the laser and began slowly sweeping its bright beam across the surface of the tray.
On hitting the white background, the light bounced back almost unimpeded, as rude as a glaring headlight in a rearview mirror.
The beam moved to the first black disk, a rondel of engineered carbon now more than a decade old. The light dimmed significantly, as a sizable tranche of the incident photons were absorbed by the black pigment, yet the glow remained surprisingly strong.
Finally Dr. Woods trained his pointer on the second black disk, and suddenly the laser’s brilliant beam, its brash photonic probe, simply — disappeared. Trillions of light particles were striking the black disk, and virtually none were winking back up again. It was like watching a circus performer swallow a sword, or a husband “share” your plate of French fries: Hey, where did it all go?
N.I.S.T. disk number two was an example of advanced ultra-black technology: elaborately engineered arrays of tiny carbon cylinders, or nanotubes, designed to capture and muzzle any light they encounter. Blacker is the new black, and researchers here and abroad are working to create ever more efficient light traps, which means fabricating materials that look ever darker, ever flatter, ever more ripped from the void.
The N.I.S.T. ultra-black absorbs at least 99.99 percent of the light that stumbles into its nanotube forest. But scientists at the Massachusetts Institute of Technology reported in September the creation of a carbon nanotube coating that they claim captures better than 99.995 of the incident light.
… The more fastidious and reliable the ultra-black, the more broadly useful it will prove to be — in solar power generators, radiometers, industrial baffles and telescopes primed to detect the faintest light fluxes as a distant planet traverses the face of its star.
Psychology and metaphors
It’s not all technical, Angier goes on to mention the psychological and metaphorical aspects,
Psychologists have gathered evidence that black is among the most metaphorically loaded of all colors, and that we absorb our often contradictory impressions about black at a young age.
Reporting earlier this year in the Quarterly Journal of Experimental Psychology, Robin Kramer and Joanne Prior of the University of Lincoln in the United Kingdom compared color associations in a group of 104 children, aged 5 to 10, with those of 100 university students.
The researchers showed subjects drawings in which a lineup of six otherwise identical images differed only in some aspect of color. The T-shirt of a boy taking a test, for example, was switched from black to blue to green to red to white to yellow. The same for a businessman’s necktie, a schoolgirl’s dress, a dog’s collar, a boxer’s gloves.
Participants were asked to link images with traits. Which boy was likeliest to cheat on the test? Which man was likely to be in charge at work? Which girl was the smartest in her class, which dog the scariest?
Again and again, among both children and young adults, black pulled ahead of nearly every color but red. Black was the color of cheating, and black was the color of cleverness. A black tie was the mark of a boss, a black collar the sign of a pit bull. Black was the color of strength and of winning. Black was the color of rage.
Then, there is the world of art,
For artists, black is basal and nonnegotiable, the source of shadow, line, volume, perspective and mood. “There is a black which is old and a black which is fresh,” Ad Reinhardt, the abstract expressionist artist, said. “Lustrous black and dull black, black in sunlight and black in shadow.”
So essential is black to any aesthetic act that, as David Scott Kastan and Stephen Farthing describe in their scholarly yet highly entertaining book, “On Color,” modern artists have long squabbled over who pioneered the ultimate visual distillation: the all-black painting.
Was it the Russian Constructivist Aleksandr Rodchenko, who in 1918 created a series of eight seemingly all-black canvases? No, insisted the American artist Barnett Newman: Those works were very dark brown, not black. He, Mr. Newman, deserved credit for his 1949 opus, “Abraham,” which in 1966 he described as “the first and still the only black painting in history.”
But what about Kazimir Malevich’s “Black Square” of 1915? True, it was a black square against a white background, but the black part was the point. Then again, the English polymath Robert Fludd had engraved a black square in a white border back in 1617.
Clearly, said Alfred H. Barr, Jr., the first director of the Museum of Modern Art, “Each generation must paint its own black square.”
Solomon and his NIST colleagues and the MIT scientists are all trying to create materials with structural colour, in this case, black. Angier goes on to discuss structural colour in nature mentioning bird feathers and spiders as examples of where you might find superblacks. For anyone unfamiliar with structural colour, the colour is not achieved with pigment or dye but with tiny structures, usually measured at the nanoscale, on a bird’s wing, a spider’s belly, a plant leaf, etc. Structural colour does not fade or change . Still, it’s possible to destroy the structures, i.e., the colour, but light and time will not have any effect since it’s the tiny structures and their optical properties which are producing the colour . (Even after all these years, my favourite structural colour story remains a Feb. 1, 2013 article, Color from Structure, by Cristina Luiggi for The Scientist magazine. For a shorter version, I excerpted parts of Luiggi’s story for my February 7, 2013 posting.)
The examples of structural colour in Angier’s article were new to me. However, there are many, many examples elsewhere,. You can find some here by using the terms ‘structural colour’ or ‘structural color’ in the blog’s search engine.
Angier’s is a really good article and I strongly recommend reading it if you have time but I’m a little surprised she doesn’t mention Vantablack and the artistic feud. More about that in a moment,
Massachusetts Institute of Technology and a ‘blacker black’
According to MIT (Massachusetts Institute of Technology), they have the blackest black. It too is courtesy of carbon nanotubes.
What you see in the above ‘The Redemption of Vanity’ was on show at the New York Stock Exchange (NYSE) from September 13 – November 29, 2019. It’s both an art piece and a demonstration of MIT’s blackest black.
With apologies to “Spinal Tap,” it appears that black can, indeed, get more black.
MIT engineers report today that they have cooked up a material that is 10 times blacker than anything that has previously been reported. The material is made from vertically aligned carbon nanotubes, or CNTs — microscopic filaments of carbon, like a fuzzy forest of tiny trees, that the team grew on a surface of chlorine-etched aluminum foil. The foil captures at least 99.995 percent* of any incoming light, making it the blackest material on record.
The researchers have published their findings today in the journal ACS-Applied Materials and Interfaces. They are also showcasing the cloak-like material as part of a new exhibit today at the New York Stock Exchange, titled “The Redemption of Vanity.”
The artwork, conceived by Diemut Strebe, an artist-in-residence at the MIT Center for Art, Science, and Technology, in collaboration with Brian Wardle, professor of aeronautics and astronautics at MIT, and his group, and MIT Center for Art, Science, and Technology artist-in-residence Diemut Strebe, features a 16.78-carat natural yellow diamond from LJ West Diamonds, estimated to be worth $2 million, which the team coated with the new, ultrablack CNT material. The effect is arresting: The gem, normally brilliantly faceted, appears as a flat, black void.
Wardle says the CNT material, aside from making an artistic statement, may also be of practical use, for instance in optical blinders that reduce unwanted glare, to help space telescopes spot orbiting exoplanets.
“There are optical and space science applications for very black materials, and of course, artists have been interested in black, going back well before the Renaissance,” Wardle says. “Our material is 10 times blacker than anything that’s ever been reported, but I think the blackest black is a constantly moving target. Someone will find a blacker material, and eventually we’ll understand all the underlying mechanisms, and will be able to properly engineer the ultimate black.”
Wardle’s co-author on the paper is former MIT postdoc Kehang Cui, now a professor at Shanghai Jiao Tong University.
Into the void
Wardle and Cui didn’t intend to engineer an ultrablack material. Instead, they were experimenting with ways to grow carbon nanotubes on electrically conducting materials such as aluminum, to boost their electrical and thermal properties.
But in attempting to grow CNTs on aluminum, Cui ran up against a barrier, literally: an ever-present layer of oxide that coats aluminum when it is exposed to air. This oxide layer acts as an insulator, blocking rather than conducting electricity and heat. As he cast about for ways to remove aluminum’s oxide layer, Cui found a solution in salt, or sodium chloride.
At the time, Wardle’s group was using salt and other pantry products, such as baking soda and detergent, to grow carbon nanotubes. In their tests with salt, Cui noticed that chloride ions were eating away at aluminum’s surface and dissolving its oxide layer.
“This etching process is common for many metals,” Cui says. “For instance, ships suffer from corrosion of chlorine-based ocean water. Now we’re using this process to our advantage.”
Cui found that if he soaked aluminum foil in saltwater, he could remove the oxide layer. He then transferred the foil to an oxygen-free environment to prevent reoxidation, and finally, placed the etched aluminum in an oven, where the group carried out techniques to grow carbon nanotubes via a process called chemical vapor deposition.
By removing the oxide layer, the researchers were able to grow carbon nanotubes on aluminum, at much lower temperatures than they otherwise would, by about 100 degrees Celsius. They also saw that the combination of CNTs on aluminum significantly enhanced the material’s thermal and electrical properties — a finding that they expected.
What surprised them was the material’s color.
“I remember noticing how black it was before growing carbon nanotubes on it, and then after growth, it looked even darker,” Cui recalls. “So I thought I should measure the optical reflectance of the sample.
“Our group does not usually focus on optical properties of materials, but this work was going on at the same time as our art-science collaborations with Diemut, so art influenced science in this case,” says Wardle.
Wardle and Cui, who have applied for a patent on the technology, are making the new CNT process freely available to any artist to use for a noncommercial art project.
“Built to take abuse”
Cui measured the amount of light reflected by the material, not just from directly overhead, but also from every other possible angle. The results showed that the material absorbed at least 99.995 percent of incoming light, from every angle. In other words, it reflected 10 times less light than all other superblack materials, including Vantablack. If the material contained bumps or ridges, or features of any kind, no matter what angle it was viewed from, these features would be invisible, obscured in a void of black.
The researchers aren’t entirely sure of the mechanism contributing to the material’s opacity, but they suspect that it may have something to do with the combination of etched aluminum, which is somewhat blackened, with the carbon nanotubes. Scientists believe that forests of carbon nanotubes can trap and convert most incoming light to heat, reflecting very little of it back out as light, thereby giving CNTs a particularly black shade.
“CNT forests of different varieties are known to be extremely black, but there is a lack of mechanistic understanding as to why this material is the blackest. That needs further study,” Wardle says.
The material is already gaining interest in the aerospace community. Astrophysicist and Nobel laureate John Mather, who was not involved in the research, is exploring the possibility of using Wardle’s material as the basis for a star shade — a massive black shade that would shield a space telescope from stray light.
“Optical instruments like cameras and telescopes have to get rid of unwanted glare, so you can see what you want to see,” Mather says. “Would you like to see an Earth orbiting another star? We need something very black. … And this black has to be tough to withstand a rocket launch. Old versions were fragile forests of fur, but these are more like pot scrubbers — built to take abuse.”
[Note] An earlier version of this story stated that the new material captures more than 99.96 percent of incoming light. That number has been updated to be more precise; the material absorbs at least 99.995 of incoming light.
Here’s an August 29, 2019 news release from MIT announcing the then upcoming show. Usually I’d expect to see a research paper associated with this work but this time it seems to an art exhibit only,
The MIT Center for Art, Science &Technology (CAST) and the New York Stock Exchange (NYSE) will present The Redemption of Vanity,created by artist Diemut Strebe in collaboration with MIT scientist Brian Wardle and his lab, on view at the New York Stock Exchange September 13, 2019 -November 25, 2019. For the work, a 16.78 carat natural yellow diamond valued at $2 million from L.J.West was coated using a new procedure of generating carbon nanotubes (CNTs), recently measured to be the blackest black ever created, which makes the diamond seem to disappear into an invisible void. The patented carbon nanotube technology (CNT) absorbs more than 99.96% of light and was developed by Professor Wardle and his necstlablab at MIT.
“Any object covered with this CNT material loses all its plasticity and appears entirely flat, abbreviated/reduced to a black silhouette. In outright contradiction to this we see that a diamond,while made of the very same element (carbon) performs the most intense reflection of light on earth.Because of the extremely high light absorbtive qualities of the CNTs, any object, in this case a large diamond coated with CNT’s, becomes a kind of black hole absent of shadows,“ explains Strebe.“The unification of extreme opposites in one object and the particular aesthetic features of the CNTs caught my imagination for this art project.”
“Strebe’s art-science collaboration caused us to look at the optical properties of our new CNT growth, and we discovered that these particular CNTs are blacker than all other reported materials by an order of magnitude across the visible spectrum”, says Wardle. The MIT team is offering the process for any artist to use. “We do not believe in exclusive ownership of any material or idea for any artwork and have opened our method to any artist,” say Strebe and Wardle.“
The project explores material and immaterial value attached to objects and concepts in reference to luxury, society and to art. We are presenting the literal devaluation of a diamond, which is highly symbolic and of high economic value.It presents a challenge to art market mechanisms on the one hand, while expressing at the same time questions of the value of art in a broader way. In this sense it manifests an inquiry into the significance of the value of objects of art and the art market,” says Strebe. “We are honored to present this work at The New York Stock Exchange, which I believe to be a most fitting location to consider the ideas embedded in The Redemption of Vanity.”
“The New York Stock Exchange, a center of financial and technological innovation for 227 years, is the perfect venue to display Diemut Strebe and Professor Brian Wardle’s collaboration. Their work brings together cutting-edge nanotube technology and a natural diamond, which is a symbol of both value and longevity,” said John Tuttle, NYSE Group Vice Chairman & Chief Commercial Officer.
“We welcome all scientists and artists to venture into the world of natural color diamonds. The Redemption of Vanity exemplifies the bond between art, science, and luxury. The 16-carat vivid yellow diamond in the exhibit spent millions of years in complete darkness, deep below the earth’s surface. It was only recently unearthed —a once-in-a-lifetime discovery of exquisite size and color. Now the diamond will relive its journey to darkness as it is covered in the blackest of materials. Once again, it will become a reminder that something rare and beautiful can exist even in darkness,”said Larry West.
The “disappearing” diamond in The Redemption of Vanity is a $2 Million Fancy Vivid Yellow SI1 (GIA), Radiant shape, from color diamond specialist, L.J. West Diamonds Inc. of New York.
The Redemption of Vanity, conceived by Diemut Strebe, has been realized with Brian L. Wardle, Professor of Aeronautics and Astronautics and Director of necstlab and Nano-Engineered Composite aerospace STructures (NECST) Consortium and his team Drs. Luiz Acauan and Estelle Cohen, in conjunction with Strebe’s residency at MIT supported by the Center for Art, Science & Technology (CAST).
ABOUT THE ARTISTS
Diemut Strebe is a conceptual artist based in Boston, MA and a MIT CAST Visiting Artist. She has collaborated with several MIT faculty, including Noam Chomsky and Robert Langer on Sugababe (2014), Litmus (2014) and Yeast Expression(2015); Seth Lloyd and Dirk Englund on Wigner’s Friends(2014); Alan Guth on Plötzlich! (2018); researchers in William Tisdale’s Lab on The Origin of the Works of Art(2018); Regina Barzilay and Elchanan Mossel on The Prayer (2019); and Ken Kamrin and John Brisson on The Gymnast (2019). Strebe is represented by the Ronald Feldman Gallery.
Brian L. Wardle is a Professor of Aeronautics and Astronautics at MIT and the director of the necstlab research group and MIT’s Nano-Engineered Composite aerospace STructures (NECST) Consortium. Wardle previously worked with CAST Visiting Artist Trevor Paglen on The Last Picturesproject (2012).
ABOUT THE MIT CENTER FOR ART, SCIENCE & TECHNOLOGY
A major cross-school initiative, the MIT Center for Art, Science & Technology (CAST) creates new opportunities for art, science and technology to thrive as interrelated, mutually informing modes of exploration, knowledge and discovery. CAST’s multidisciplinary platform presents performing and visual arts programs, supports research projects for artists working with science and engineering labs, and sponsors symposia, classes, workshops, design studios, lectures and publications. The Center is funded in part by a generous grant from the Andrew W. Mellon Foundation. Evan Ziporyn is the Faculty Director and Leila W. Kinney is the Executive Director.Since its inception in 2012, CAST has been the catalyst for more than 150 artist residencies and collaborative projects with MIT faculty and students, including numerous cross-disciplinary courses, workshops, concert series, multimedia projects, lectures and symposia. The visiting artists program is a cornerstone of CAST’s activities, which encourages cross-fertilization among disciplines and intensive interaction with MIT’s faculty and students. More info at https://arts.mit.edu/cast/ .
HISTORY OF VISITING ARTISTS AT MIT
Since the late 1960s, MIT has been a leader in integrating the arts and pioneering a model for collaboration among artists, scientists and engineers in a research setting. CAST’s Visiting Artists Program brings internationally acclaimed artists to engage with MIT’s creative community in ways that are mutually enlightening for the artists and for faculty, students and research staff at the Institute. Artists who have worked extensively at MIT include Mel Chin, Olafur Eliasson, Rick Lowe, Vik Muniz, Trevor Paglen, Tomás Saraceno, Maya Beiser, Agnieszka Kurant, and Anicka Yi.
ABOUT L.J. WEST DIAMONDS
L.J. West Diamonds is a three generation natural color diamond whole sale rfounded in the late 1970’s by Larry J. West and based in New York City. L.J. West has established itself as one of the world’s prominent houses for some of the most rare and important exotic natural fancy color diamonds to have ever been unearthed. This collection includes a vast color spectrum of rare pink, blue, yellow, green, orange and red diamonds. L.J. West is an expert in every phase of the jewelry process –from sourcing to the cutting, polishing and final design. Each exceptional jewel is carefully set to become a unique work of art.The Redemption of Vanity is on view at the New York Stock Exchange by appointment only.
Press viewing: September 13, 2019 at 3pmNew York Stock Exchange, 11 Wall Street, New York, NY 10005RSVP required. Please check-in at the blue tent at 2 Broad Street(at the corner of Wall and Broad Streets). All guests are required to show a government issued photo ID and go through airport-like security upon entering the NYSE.NYSE follows a business casual dress code -jeans & sneakers are not permitted.
No word yet if there will be other showings.
An artistic feud (of sorts)
Earlier this year, I updated a story on Vantablack. It was the blackest black, blocking 99.8% of light when I featured it in a March 14, 2016 posting. The UK company making the announcement, Surrey NanoSystems, then laid the groundwork for an artistic feud when it granted exclusive rights to their carbon nanotube-based coating, Vantablack, to Sir Anish Kapoor mentioned here in an April 16, 2016 posting.
This exclusivity outraged some artists notably, Stuart Semple. In his first act of defiance, he created the pinkest pink. Next, came a Kickstarter campaign to fund Semple’s blackest black, which would be available to all artists except Anish Kapoor. You can read all about the pinkest pink and blackest black as per Semple in my February 21, 2019 posting. You can also get a bit of an update in an Oct. 17, 2019 Stuart Semple proffile by Berenice Baker for Verdict,
… so I managed to hire a scientist, Jemima, to work in the studio with me. She got really close to a super black, and we made our own pigment to this recipe and it was awesome, but we couldn’t afford to put it into manufacture because it cost £25,000.”
Semple launched a Kickstarter campaign and was amazed to raise half a million pounds, making it the second most-supported art Kickstarter of all time.
The ‘race to the blackest’ is well underway, with MIT researchers recently announcing a carbon nanotube-based black whose light absorption they tested by coasting a diamond. But Semple is determined that his black should be affordable by all artists and work like a paint, not only perform in laboratory conditions. He’s currently working with Jemima and two chemists to upgrade the recipe for Black 3.2.
I don’t know how Semple arrived at his blackest black. I think it’s unlikely that he achieved the result by working with carbon nanotubes since my understanding is that CNTs aren’t that easy to produce.
Interesting, eh? In just a few years scientists have progressed from achieving a 99.8% black to 99.999%. It doesn’t seem like that big a difference to me but with Solomon Woods, at the beginning of this post, making the point that our eyes are very sensitive to light, an artistic feud, and a study uncovering deep emotions, getting the blackest black is a much more artistically fraught endeavour than I had imagined.