Category Archives: Future

Toronto’s ArtSci Salon hosts October 16, 2023 and October 27, 2023 events and the Fourth Annual Small File Media Festival in Vancouver (Canada) Oct. 20 – 21, 2023

An October 5, 2023 announcement (received via email) from Toronto’s ArtSci Salon lists two events coming up in October 2023,

These two Events are part of the international Leonardo LASER series
LASER Toronto is hosted by Nina Czegledy and Roberta Buiani

The Anthropocene Cookbook on October 16, 2023

[downloaded from: https://artscisalon.com/coms4208/]

From the Toronto ArtSci Salon October 5, 2023 announcement,

Oct 16 [2023], 3:30 PM [ET] 
The Anthropocene cookbook

with authors 
Zane Cerpina & Stahl Stenslie
Cerpina and Stenslie are the authors of
The Anthropocene Cookbook. How to survive in the age of catastrophes 

Join us to welcome Cerpina and Stenslie as they introduce us to their
book and discuss the future cuisine of humanity. To sustain the
soon-to-be 9 billion global population we cannot count on Mother
Earth’s resources anymore. The project explores innovative and
speculative ideas about new foods in the field of arts, design, science
& technology, rethinking eating traditions and food taboos, and
proposing new recipes for survival in times of ecological catastrophes.

To match the topic of their talk, attendees will be presented with
“anthropocene snacks” and will be encouraged to discuss food
alternatives and new networks of solidarity to fight food deserts,
waste, and unsustainable consumption.

This is a Hybrid event: our guests will join us virtually on zoom.
Join us in person at Glendon Campus, rm YH190 (the studio next to the
Glendon Theatre) for a more intimate community experience and some
anthropocene snacks. If you wish to join us on Zoom, please

register here

This event is part of a series on Emergent Practices in Communication,
featuring explorations on interspecies communication and digital
networks; land-based justice and collective care. The full program can be found here

This initiative is supported by York University’s Teaching Commons Academic Innovation Fund

Zane Cerpina is a multicultural and interdisciplinary female author,
curator, artist, and designer working with the complexity of
socio-political and environmental issues in contemporary society and in
the age of the Anthropocene. Cerpina earned her master’s degree in
design from AHO – The Oslo School of Architecture and Design and a
bachelor’s degree in Art and Technology from Aalborg University. She
resides in Oslo and is a project manager/curator at TEKS (Trondheim
Electronic Arts Centre). She is also a co-founder and editor of EE:
Experimental Emerging Art Journal. From 2015 to 2019, Cerpina was a
creative manager and editor at PNEK (Production Network for Electronic
Art, Norway).

Stahl Stenslie works as an artist, curator and researcher specializing
in experimental media art and interaction experiences. His aesthetic
focus is on art and artistic expressions that challenge ordinary ways of
perceiving the world. Through his practice he asks the questions we tend
to avoid – or where the answers lie in the shadows of existence.
Keywords of his practice are somaesthetics, unstable media,
transgression and numinousness. The technological focus in his works is
on the art of the recently possible – such as i) panhaptic
communication on Smartphones, ii) somatic and immersive soundspaces, and
iii) design of functional and lethal artguns, 3D printed in low-cost
plastic material.He has a PhD on Touch and Technologies from The School
of Architecture and Design, Oslo, Norway. Currently he heads the R&D
department at Arts for Young Audiences Norway.

If you’re interested in the book, there’s the anthropocenecookbook.com, which has more about the book and purchase information,

The Anthropocene Cookbook is by far the most comprehensive collection of ideas about future food from the perspective of art, design, and science. It is a thought-provoking book about art, food, and eating in the Anthropocene –The Age of Man– and the age of catastrophes.

Published by The MIT Press [MIT = Massachusetts Institute of Technology]
| mitpress.mit.edu

Supported by TEKS
Trondheim Electronic Arts Centre
| www.teks.no

*Date changed* Streaming Carbon Footprint on October 27, 2023

Keep scrolling down to Date & location changed for Streaming Carbon Footprint subhead.

From the Toronto ArtSci Salon October 5, 2023 announcement,

Oct 27, [2023] 5:00-7:00 PM  [ET]
Streaming Carbon Footprint

with 
Laura U. Marks
and
David Rokeby

Room 230
The Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto

We are thrilled to announce this dialogue between media Theorist Laura U. Marks and Media Artist David Rokeby. Together, they will discuss a well known elephant in the room of media and digital technologies: their carbon footprint. As social media and streaming media usage increases exponentially, what can be done to mitigate their impact? are there alternatives?

This is a live event: our guests will join us in person.

if you wish to join us on Zoom instead, a link will be circulated on our website and on social media a few days before the event. The event will be recorded

Laura U. Marks works on media art and philosophy with an intercultural focus, and on small-footprint media. She programs experimental media for venues around the world. As Grant Strate University Professor, she teaches in the School for the Contemporary Arts at Simon Fraser University in Vancouver, Canada. Her upcoming book The Fold: From Your Body to the Cosmos will be published I March 2024 by Duke University Press. 

David Rokeby is an installation artist based in Toronto, Canada. He has been creating and exhibiting since 1982. For the first part of his career he focussed on interactive pieces that directly engage the human body, or that involve artificial perception systems. In the last decade, his practice has expanded to included video, kinetic and static sculpture. His work has been performed / exhibited in shows across Canada, the United States, Europe and Asia.

Awards include the first BAFTA (British Academy of Film and Television Arts) award for Interactive Art in 2000, a 2002 Governor General’s award in Visual and Media Arts and the Prix Ars Electronica Golden Nica for Interactive Art 2002. He was awarded the first Petro-Canada Award for Media Arts in 1988, the Prix Ars Electronica Award of Distinction for Interactive Art (Austria) in 1991 and 1997.

I haven’t been able to dig up any information about registration but it will be added here should I stumble across any in the next few weeks. I did, however, find more information about Marks’s work and a festival in Vancouver (Canada).

Fourth Annual Small File Media Festival (October 20 -21, 2023) and the Streaming Carbon Footprint

First, let’s flip back in time to a July 27, 2021 Simon Fraser University (SFU) news release (also published as a July 27, 2021 news item on phys.org) by Tessa Perkins Deneault,

When was the last time you watched a DVD? If you’re like most people, your DVD collection has been gathering dust as you stream movies and TV from a variety of on-demand services. But have you ever considered the impact of streaming video on the environment?

School for the Contemporary Arts professor Laura Marks and engineering professor Stephen Makonin, with engineering student Alejandro Rodriguez-Silva and media scholar Radek Przedpełski, worked together for over a year to investigate the carbon footprint of streaming media supported by a grant from the Social Sciences and Humanities Research Council of Canada.

“Stephen and Alejandro were there to give us a reality check and to increase our engineering literacy, and Radek and I brought the critical reading to it,” says Marks. “It was really a beautiful meeting of critical media studies and engineering.”

After combing through studies on Information and Communication Technologies (ICT) and making their own calculations, they confirmed that streaming media (including video on demand, YouTube, video embedded in social media and websites, video conferences, video calls and games) is responsible for more than one per cent of greenhouse gas emissions worldwide. And this number is only projected to rise as video conferencing and streaming proliferate.

“One per cent doesn’t sound like a lot, but it’s significant if you think that the airline industry is estimated to be 1.9 per cent,” says Marks. “ICT’s carbon footprint is growing fast, and I’m concerned that because we’re all turning our energy to other obvious carbon polluters, like fossil fuels, cars, the airline industry, people are not going to pay attention to this silent, invisible carbon polluter.”

One thing that Marks found surprising during their research is how politicized this topic is.

Their full report includes a section detailing the International Energy Association’s attack on French think tank The Shift Project after they published a report on streaming media’s carbon footprint in 2019. They found that some ICT engineers state that the carbon footprint of streaming is not a concern because data centres and networks are very efficient, while others say the fast-rising footprint is a serious problem that needs to be addressed. Their report includes comparisons of the divergent figures in engineering studies in order to get a better understanding of the scope of this problem.

The No. 1 thing Marks and Makonin recommend to reduce streaming’s carbon footprint is to ensure that our electricity comes from renewable sources. At an individual level, they offer a list of recommendations to reduce energy consumption and demand for new ICT infrastructure including: stream less, watch physical media including DVDs, decrease video resolution, use audio-only mode when possible, and keep your devices longer—since production of devices is very carbon-intensive.    

Promoting small files and low resolution, Marks founded the Small File Media Festival [link leads to 2023 programme], which will present its second annual program [2021] of 5-megabyte films Aug. 10 – 20. As the organizers say, movies don’t have to be big to be binge-worthy.

Learn more about Marks’ research and the Small File Media Festival: https://www.sfu.ca/sca/projects—activities/streaming-carbon-footprint.html

And now for 2023, here’s a video promoting the upcoming fourth annual festival,

The Streaming Carbon Footprint webpage on the SFU website includes information about the final report and the latest Small File Media Festival. Although I found the Small File Media Festival website also included a link for purchasing tickets,

The Small File Media Festival returns for its fourth iteration! We are delighted to partner with The Cinematheque to present over sixty jewel-like works from across the globe. These movies are small in file size, but huge in impact: by embracing the aesthetics of compression and low resolution (glitchiness, noise, pixelation), they lay the groundwork for a new experimental film movement in the digital age. This year, six lovingly curated programs traverse brooding pixelated landscapes, textural paradises, and crystalline infinities.

TICKETS AND FESTIVAL INFO

Join us Friday, October 20 [2023] for the opening-night program followed by a drinks reception in the lobby and a dance party in the cinema, featuring music by Vancouver electronic artist SAN. We’ll announce the winner of the coveted Small-File Golden Mini Bear during Saturday’s [October 21, 2023] award ceremony! As always, the festival will stream online at small​file​.ca after the live events.

We’re most grateful to our future-forward friends at the Social Sciences and Humanities Research Council of Canada, Canada Council for the Arts, and SFU Contemporary Arts. Thanks to VIVO Media Arts, Cairo Video Festival, and The Hmm for generous distribution and exhibition awards, and to UKRAïNATV, a partner in small-file activism.

Cosmically healthy, community-building, and punk AF, small-file ecomedia will heal the world, one pixel at a time.

TICKETS

There we have it. And then, we didn’t

*Date & location change* for Streaming Carbon Footprint event

From an October 27, 2023 ArtSci Salon notice,

Nov 7, [2023] 5:00-7:00 PM 
Streaming Carbon Footprint

with 
Laura U. Marks
and
David Rokeby
 

Tuesday, November 7 [2023]
5:00-7:00 pm
The BMO Lab
15 King’s College Circle, room H-12
Toronto, Ontario M5S 3H7

Good luck to the organizers. It must have been nervewracking to change the date so late in the game.

Implantable living pharmacy

I stumbled across a very interesting US Defense Advanced Research Projects Agency (DARPA) project (from an August 30, 2021 posting on Northwestern University’s Rivnay Lab [a laboratory for organic bioelectronics] blog),

Our lab has received a cooperative agreement with DARPA to develop a wireless, fully implantable ‘living pharmacy’ device that could help regulate human sleep patterns. The project is through DARPA’s BTO (biotechnology office)’s Advanced Acclimation and Protection Tool for Environmental Readiness (ADAPTER) program, meant to address physical challenges of travel, such as jetlag and fatigue.

The device, called NTRAIN (Normalizing Timing of Rhythms Across Internal Networks of Circadian Clocks), would control the body’s circadian clock, reducing the time it takes for a person to recover from disrupted sleep/wake cycles by as much as half the usual time.

The project spans 5 institutions including Northwestern, Rice University, Carnegie Mellon, University of Minnesota, and Blackrock Neurotech.

Prior to the Aug. 30, 2021 posting, Amanda Morris wrote a May 13, 2021 article for Northwestern NOW (university magazine), which provides more details about the project, Note: A link has been removed,

The first phase of the highly interdisciplinary program will focus on developing the implant. The second phase, contingent on the first, will validate the device. If that milestone is met, then researchers will test the device in human trials, as part of the third phase. The full funding corresponds to $33 million over four-and-a-half years. 

Nicknamed the “living pharmacy,” the device could be a powerful tool for military personnel, who frequently travel across multiple time zones, and shift workers including first responders, who vacillate between overnight and daytime shifts.

Combining synthetic biology with bioelectronics, the team will engineer cells to produce the same peptides that the body makes to regulate sleep cycles, precisely adjusting timing and dose with bioelectronic controls. When the engineered cells are exposed to light, they will generate precisely dosed peptide therapies. 

“This control system allows us to deliver a peptide of interest on demand, directly into the bloodstream,” said Northwestern’s Jonathan Rivnay, principal investigator of the project. “No need to carry drugs, no need to inject therapeutics and — depending on how long we can make the device last — no need to refill the device. It’s like an implantable pharmacy on a chip that never runs out.” 

Beyond controlling circadian rhythms, the researchers believe this technology could be modified to release other types of therapies with precise timing and dosing for potentially treating pain and disease. The DARPA program also will help researchers better understand sleep/wake cycles, in general.

“The experiments carried out in these studies will enable new insights into how internal circadian organization is maintained,” said Turek [Fred W. Turek], who co-leads the sleep team with Vitaterna [Martha Hotz Vitaterna]. “These insights will lead to new therapeutic approaches for sleep disorders as well as many other physiological and mental disorders, including those associated with aging where there is often a spontaneous breakdown in temporal organization.” 

For those who like to dig even deeper, Dieynaba Young’s June 17, 2021 article for Smithsonian Magazine (GetPocket.com link to article) provides greater context and greater satisfaction, Note: Links have been removed,

In 1926, Fritz Kahn completed Man as Industrial Palace, the preeminent lithograph in his five-volume publication The Life of Man. The illustration shows a human body bustling with tiny factory workers. They cheerily operate a brain filled with switchboards, circuits and manometers. Below their feet, an ingenious network of pipes, chutes and conveyer belts make up the blood circulatory system. The image epitomizes a central motif in Kahn’s oeuvre: the parallel between human physiology and manufacturing, or the human body as a marvel of engineering.

An apparatus in the embryonic stage of development at the time of this writing in June of 2021—the so-called “implantable living pharmacy”—could have easily originated in Kahn’s fervid imagination. The concept is being developed by the Defense Advanced Research Projects Agency (DARPA) in conjunction with several universities, notably Northwestern and Rice. Researchers envision a miniaturized factory, tucked inside a microchip, that will manufacture pharmaceuticals from inside the body. The drugs will then be delivered to precise targets at the command of a mobile application. …

The implantable living pharmacy, which is still in the “proof of concept” stage of development, is actually envisioned as two separate devices—a microchip implant and an armband. The implant will contain a layer of living synthetic cells, along with a sensor that measures temperature, a short-range wireless transmitter and a photo detector. The cells are sourced from a human donor and reengineered to perform specific functions. They’ll be mass produced in the lab, and slathered onto a layer of tiny LED lights.

The microchip will be set with a unique identification number and encryption key, then implanted under the skin in an outpatient procedure. The chip will be controlled by a battery-powered hub attached to an armband. That hub will receive signals transmitted from a mobile app.

If a soldier wishes to reset their internal clock, they’ll simply grab their phone, log onto the app and enter their upcoming itinerary—say, a flight departing at 5:30 a.m. from Arlington, Virginia, and arriving 16 hours later at Fort Buckner in Okinawa, Japan. Using short-range wireless communications, the hub will receive the signal and activate the LED lights inside the chip. The lights will shine on the synthetic cells, stimulating them to generate two compounds that are naturally produced in the body. The compounds will be released directly into the bloodstream, heading towards targeted locations, such as a tiny, centrally-located structure in the brain called the suprachiasmatic nucleus (SCN) that serves as master pacemaker of the circadian rhythm. Whatever the target location, the flow of biomolecules will alter the natural clock. When the solider arrives in Okinawa, their body will be perfectly in tune with local time.

The synthetic cells will be kept isolated from the host’s immune system by a membrane constructed of novel biomaterials, allowing only nutrients and oxygen in and only the compounds out. Should anything go wrong, they would swallow a pill that would kill the cells inside the chip only, leaving the rest of their body unaffected.

If you have the time, I recommend reading Young’s June 17, 2021 Smithsonian Magazine article (GetPocket.com link to article) in its entirety. Young goes on to discuss, hacking, malware, and ethical/societal issues and more.

There is an animation of Kahn’s original poster in a June 23, 2011 posting on openculture.com (also found on Vimeo; Der Mensch als Industriepalast [Man as Industrial Palace])

Credits: Idea & Animation: Henning M. Lederer / led-r-r.net; Sound-Design: David Indge; and original poster art: Fritz Kahn.

Incorporating human cells into computer chips

What are the ethics of incorporating human cells into computer chips? That’s the question that Julian Savulescu (Visiting Professor in biomedical Ethics, University of Melbourne and Uehiro Chair in Practical Ethics, University of Oxford), Christopher Gyngell (Research Fellow in Biomedical Ethics, The University of Melbourne), and Tsutomu Sawai (Associate Professor, Humanities and Social Sciences, Hiroshima University) discuss in a May 24, 2022 essay on The Conversation (Note: A link has been removed),

The year is 2030 and we are at the world’s largest tech conference, CES in Las Vegas. A crowd is gathered to watch a big tech company unveil its new smartphone. The CEO comes to the stage and announces the Nyooro, containing the most powerful processor ever seen in a phone. The Nyooro can perform an astonishing quintillion operations per second, which is a thousand times faster than smartphone models in 2020. It is also ten times more energy-efficient with a battery that lasts for ten days.

A journalist asks: “What technological advance allowed such huge performance gains?” The chief executive replies: “We created a new biological chip using lab-grown human neurons. These biological chips are better than silicon chips because they can change their internal structure, adapting to a user’s usage pattern and leading to huge gains in efficiency.”

Another journalist asks: “Aren’t there ethical concerns about computers that use human brain matter?”

Although the name and scenario are fictional, this is a question we have to confront now. In December 2021, Melbourne-based Cortical Labs grew groups of neurons (brain cells) that were incorporated into a computer chip. The resulting hybrid chip works because both brains and neurons share a common language: electricity.

The authors explain their comment that brains and neurons share the common language of electricity (Note: Links have been removed),

In silicon computers, electrical signals travel along metal wires that link different components together. In brains, neurons communicate with each other using electric signals across synapses (junctions between nerve cells). In Cortical Labs’ Dishbrain system, neurons are grown on silicon chips. These neurons act like the wires in the system, connecting different components. The major advantage of this approach is that the neurons can change their shape, grow, replicate, or die in response to the demands of the system.

Dishbrain could learn to play the arcade game Pong faster than conventional AI systems. The developers of Dishbrain said: “Nothing like this has ever existed before … It is an entirely new mode of being. A fusion of silicon and neuron.”

Cortical Labs believes its hybrid chips could be the key to the kinds of complex reasoning that today’s computers and AI cannot produce. Another start-up making computers from lab-grown neurons, Koniku, believes their technology will revolutionise several industries including agriculture, healthcare, military technology and airport security. Other types of organic computers are also in the early stages of development.

Ethics issues arise (Note: Links have been removed),

… this raises questions about donor consent. Do people who provide tissue samples for technology research and development know that it might be used to make neural computers? Do they need to know this for their consent to be valid?

People will no doubt be much more willing to donate skin cells for research than their brain tissue. One of the barriers to brain donation is that the brain is seen as linked to your identity. But in a world where we can grow mini-brains from virtually any cell type, does it make sense to draw this type of distinction?

… Consider the scandal regarding Henrietta Lacks, an African-American woman whose cells were used extensively in medical and commercial research without her knowledge and consent.

Henrietta’s cells are still used in applications which generate huge amounts of revenue for pharmaceutical companies (including recently to develop COVID vaccines. The Lacks family still has not received any compensation. If a donor’s neurons end up being used in products like the imaginary Nyooro, should they be entitled to some of the profit made from those products?

Another key ethical consideration for neural computers is whether they could develop some form of consciousness and experience pain. Would neural computers be more likely to have experiences than silicon-based ones? …

This May 24, 2022 essay is fascinating and, if you have the time, I encourage you to read it all.

If you’re curious, you can find out about Cortical Labs here, more about Dishbrain in a February 22, 2022 article by Brian Patrick Green for iai (Institute for Art and Ideas) news, and more about Koniku in a May 31, 2018 posting about ‘wetware’ by Alissa Greenberg on Medium.

As for Henrietta Lacks, there’s this from my May 13, 2016 posting,

*HeLa cells are named for Henrietta Lacks who unknowingly donated her immortal cell line to medical research. You can find more about the story on the Oprah Winfrey website, which features an excerpt from the Rebecca Skloot book “The Immortal Life of Henrietta Lacks.”’ …

I checked; the excerpt is still on the Oprah Winfrey site.

h/t May 24, 2022 Nanowerk Spotlight article

Futures exhibition/festival with fish skin fashion and more at the Smithsonian (Washington, DC), Nov. 20, 2021 to July 6, 2022

Fish leather

Before getting to Futures, here’s a brief excerpt from a June 11, 2021 Smithsonian Magazine exhibition preview article by Gia Yetikyel about one of the contributors, Elisa Palomino-Perez (Note: A link has been removed),

Elisa Palomino-Perez sheepishly admits to believing she was a mermaid as a child. Growing up in Cuenca, Spain in the 1970s and ‘80s, she practiced synchronized swimming and was deeply fascinated with fish. Now, the designer’s love for shiny fish scales and majestic oceans has evolved into an empowering mission, to challenge today’s fashion industry to be more sustainable, by using fish skin as a material.

Luxury fashion is no stranger to the artist, who has worked with designers like Christian Dior, John Galliano and Moschino in her 30-year career. For five seasons in the early 2000s, Palomino-Perez had her own fashion brand, inspired by Asian culture and full of color and embroidery. It was while heading a studio for Galliano in 2002 that she first encountered fish leather: a material made when the skin of tuna, cod, carp, catfish, salmon, sturgeon, tilapia or pirarucu gets stretched, dried and tanned.

The history of using fish leather in fashion is a bit murky. The material does not preserve well in the archeological record, and it’s been often overlooked as a “poor person’s” material due to the abundance of fish as a resource. But Indigenous groups living on coasts and rivers from Alaska to Scandinavia to Asia have used fish leather for centuries. Icelandic fishing traditions can even be traced back to the ninth century. While assimilation policies, like banning native fishing rights, forced Indigenous groups to change their lifestyle, the use of fish skin is seeing a resurgence. Its rise in popularity in the world of sustainable fashion has led to an overdue reclamation of tradition for Indigenous peoples.

In 2017, Palomino-Perez embarked on a PhD in Indigenous Arctic fish skin heritage at London College of Fashion, which is a part of the University of the Arts in London (UAL), where she received her Masters of Arts in 1992. She now teaches at Central Saint Martins at UAL, while researching different ways of crafting with fish skin and working with Indigenous communities to carry on the honored tradition.

Yetikyel’s article is fascinating (apparently Nike has used fish leather in one of its sports shoes) and I encourage you to read her June 11, 2021 article, which also covers the history of fish leather use amongst indigenous peoples of the world.

I did some digging and found a few more stories about fish leather. The earlier one is a Canadian Broadcasting Corporation (CBC) November 16, 2017 online news article by Jane Adey,

Designer Arndis Johannsdottir holds up a stunning purse, decorated with shiny strips of gold and silver leather at Kirsuberjatred, an art and design store in downtown Reykjavik, Iceland.

The purse is one of many in a colourful window display that’s drawing in buyers.

Johannsdottir says customers’ eyes often widen when they discover the metallic material is fish skin. 

Johannsdottir, a fish-skin designing pioneer, first came across the product 35 years ago.

She was working as a saddle smith when a woman came into her shop with samples of fish skin her husband had tanned after the war. Hundreds of pieces had been lying in a warehouse for 40 years.

“Nobody wanted it because plastic came on the market and everybody was fond of plastic,” she said.

“After 40 years, it was still very, very strong and the colours were beautiful and … I fell in love with it immediately.”

Johannsdottir bought all the skins the woman had to offer, gave up saddle making and concentrated on fashionable fish skin.

Adey’s November 16, 2017 article goes on to mention another Icelandic fish leather business looking to make fish leather a fashion staple.

Chloe Williams’s April 28, 2020 article for Hakkai Magazine explores the process of making fish leather and the new interest in making it,

Tracy Williams slaps a plastic cutting board onto the dining room table in her home in North Vancouver, British Columbia. Her friend, Janey Chang, has already laid out the materials we will need: spoons, seashells, a stone, and snack-sized ziplock bags filled with semi-frozen fish. Williams says something in Squamish and then translates for me: “You are ready to make fish skin.”

Chang peels a folded salmon skin from one of the bags and flattens it on the table. “You can really have at her,” she says, demonstrating how to use the edge of the stone to rub away every fiber of flesh. The scales on the other side of the skin will have to go, too. On a sockeye skin, they come off easily if scraped from tail to head, she adds, “like rubbing a cat backwards.” The skin must be clean, otherwise it will rot or fail to absorb tannins that will help transform it into leather.

Williams and Chang are two of a scant but growing number of people who are rediscovering the craft of making fish skin leather, and they’ve agreed to teach me their methods. The two artists have spent the past five or six years learning about the craft and tying it back to their distinct cultural perspectives. Williams, a member of the Squamish Nation—her ancestral name is Sesemiya—is exploring the craft through her Indigenous heritage. Chang, an ancestral skills teacher at a Squamish Nation school, who has also begun teaching fish skin tanning in other BC communities, is linking the craft to her Chinese ancestry.

Before the rise of manufactured fabrics, Indigenous peoples from coastal and riverine regions around the world tanned or dried fish skins and sewed them into clothing. The material is strong and water-resistant, and it was essential to survival. In Japan, the Ainu crafted salmon skin into boots, which they strapped to their feet with rope. Along the Amur River in northeastern China and Siberia, Hezhen and Nivkh peoples turned the material into coats and thread. In northern Canada, the Inuit made clothing, and in Alaska, several peoples including the Alutiiq, Athabascan, and Yup’ik used fish skins to fashion boots, mittens, containers, and parkas. In the winter, Yup’ik men never left home without qasperrluk—loose-fitting, hooded fish skin parkas—which could double as shelter in an emergency. The men would prop up the hood with an ice pick and pin down the edges to make a tent-like structure.

On a Saturday morning, I visit Aurora Skala in Saanich on Vancouver Island, British Columbia, to learn about the step after scraping and tanning: softening. Skala, an anthropologist working in language revitalization, has taken an interest in making fish skin leather in her spare time. When I arrive at her house, a salmon skin that she has tanned in an acorn infusion—a cloudy, brown liquid now resting in a jar—is stretched out on the kitchen counter, ready to be worked.

Skala dips her fingers in a jar of sunflower oil and rubs it on her hands before massaging it into the skin. The skin smells only faintly of fish; the scent reminds me of salt and smoke, though the skin has been neither salted nor smoked. “Once you start this process, you can’t stop,” she says. If the skin isn’t worked consistently, it will stiffen as it dries.

Softening the leather with oil takes about four hours, Skala says. She stretches the skin between clenched hands, pulling it in every direction to loosen the fibers while working in small amounts of oil at a time. She’ll also work her skins across other surfaces for extra softening; later, she’ll take this piece outside and rub it back and forth along a metal cable attached to a telephone pole. Her pace is steady, unhurried, soothing. Back in the day, people likely made fish skin leather alongside other chores related to gathering and processing food or fibers, she says. The skin will be done when it’s soft and no longer absorbs oil.

Onto the exhibition.

Futures (November 20, 2021 to July 6, 2022 at the Smithsonian)

A February 24, 2021 Smithsonian Magazine article by Meilan Solly serves as an announcement for the Futures exhibition/festival (Note: Links have been removed),

When the Smithsonian’s Arts and Industries Building (AIB) opened to the public in 1881, observers were quick to dub the venue—then known as the National Museum—America’s “Palace of Wonders.” It was a fitting nickname: Over the next century, the site would go on to showcase such pioneering innovations as the incandescent light bulb, the steam locomotive, Charles Lindbergh’s Spirit of St. Louis and space-age rockets.

“Futures,” an ambitious, immersive experience set to open at AIB this November, will act as a “continuation of what the [space] has been meant to do” from its earliest days, says consulting curator Glenn Adamson. “It’s always been this launchpad for the Smithsonian itself,” he adds, paving the way for later museums as “a nexus between all of the different branches of the [Institution].” …

Part exhibition and part festival, “Futures”—timed to coincide with the Smithsonian’s 175th anniversary—takes its cue from the world’s fairs of the 19th and 20th centuries, which introduced attendees to the latest technological and scientific developments in awe-inspiring celebrations of human ingenuity. Sweeping in scale (the building-wide exploration spans a total of 32,000 square feet) and scope, the show is set to feature historic artifacts loaned from numerous Smithsonian museums and other institutions, large-scale installations, artworks, interactive displays and speculative designs. It will “invite all visitors to discover, debate and delight in the many possibilities for our shared future,” explains AIB director Rachel Goslins in a statement.

“Futures” is split into four thematic halls, each with its own unique approach to the coming centuries. “Futures Past” presents visions of the future imagined by prior generations, as told through objects including Alexander Graham Bell’s experimental telephone, an early android and a full-scale Buckminster Fuller geodesic dome. “In hindsight, sometimes [a prediction is] amazing,” says Adamson, who curated the history-centric section. “Sometimes it’s sort of funny. Sometimes it’s a little dismaying.”

Futures That Work” continues to explore the theme of technological advancement, but with a focus on problem-solving rather than the lessons of the past. Climate change is at the fore of this section, with highlighted solutions ranging from Capsula Mundi’s biodegradable burial urns to sustainable bricks made out of mushrooms and purely molecular artificial spices that cut down on food waste while preserving natural resources.

Futures That Inspire,” meanwhile, mimics AIB’s original role as a place of wonder and imagination. “If I were bringing a 7-year-old, this is probably where I would take them first,” says Adamson. “This is where you’re going to be encountering things that maybe look a bit more like science fiction”—for instance, flying cars, self-sustaining floating cities and Afrofuturist artworks.

The final exhibition hall, “Futures That Unite,” emphasizes human relationships, discussing how connections between people can produce a more equitable society. Among others, the list of featured projects includes (Im)possible Baby, a speculative design endeavor that imagines what same-sex couples’ children might look like if they shared both parents’ DNA, and Not The Only One (N’TOO), an A.I.-assisted oral history project. [all emphases mine]

I haven’t done justice to Solly’s February 24, 2021 article, which features embedded images and offers a more hopeful view of the future than is currently the fashion.

Futures asks: Would you like to plan the future?

Nate Berg’s November 22, 2021 article for Fast Company features an interactive urban planning game that’s part of the Futures exhibition/festival,

The Smithsonian Institution wants you to imagine the almost ideal city block of the future. Not the perfect block, not utopia, but the kind of urban place where you get most of what you want, and so does everybody else.

Call it urban design by compromise. With a new interactive multiplayer game, the museum is hoping to show that the urban spaces of the future can achieve mutual goals only by being flexible and open to the needs of other stakeholders.

The game is designed for three players, each in the role of either the city’s mayor, a real estate developer or an ecologist. The roles each have their own primary goals – the mayor wants a well-served populace, the developer wants to build successful projects, and the ecologist wants the urban environment to coexist with the natural environment. Each role takes turns adding to the block, either in discrete projects or by amending what another player has contributed. Options are varied, but include everything from traditional office buildings and parks to community centers and algae farms. The players each try to achieve their own goals on the block, while facing the reality that other players may push the design in unexpected directions. These tradeoffs and their impact on the block are explained by scores on four basic metrics: daylight, carbon footprint, urban density, and access to services. How each player builds onto the block can bring scores up or down.

To create the game, the Smithsonian teamed up with Autodesk, the maker of architectural design tools like AutoCAD, an industry standard. Autodesk developed a tool for AI-based generative design that offers up options for a city block’s design, using computing power to make suggestions on what could go where and how aiming to achieve one goal, like boosting residential density, might detract from or improve another set of goals, like creating open space. “Sometimes you’ll do something that you think is good but it doesn’t really help the overall score,” says Brian Pene, director of emerging technology at Autodesk. “So that’s really showing people to take these tradeoffs and try attributes other than what achieves their own goals.” The tool is meant to show not how AI can generate the perfect design, but how the differing needs of various stakeholders inevitably require some tradeoffs and compromises.

Futures online and in person

Here are links to Futures online and information about visiting in person,

For its 175th anniversary, the Smithsonian is looking forward.

What do you think of when you think of the future? FUTURES is the first building-wide exploration of the future on the National Mall. Designed by the award-winning Rockwell Group, FUTURES spans 32,000 square feet inside the Arts + Industries Building. Now on view until July 6, 2022, FUTURES is your guide to a vast array of interactives, artworks, technologies, and ideas that are glimpses into humanity’s next chapter. You are, after all, only the latest in a long line of future makers.

Smell a molecule. Clean your clothes in a wetland. Meditate with an AI robot. Travel through space and time. Watch water being harvested from air. Become an emoji. The FUTURES is yours to decide, debate, delight. We invite you to dream big, and imagine not just one future, but many possible futures on the horizon—playful, sustainable, inclusive. In moments of great change, we dare to be hopeful. How will you create the future you want to live in?

Happy New Year!

FrogHeart casts an eye back to 2021 then looks forward to 2022 and contronyms

Casting an eye back isn’t one of my strong points. Thankfully I can’t be forced into making a top 10 list of some kind. Should someone be deeply disappointed (tongue in cheek) that I failed to mention one of the big 2021 stories featured here, please leave a note in the Comments for this blog and I’ll do my best to add it.

Note: I very rarely feature space exploration unless there’s a nanotechnology or other emerging technology angle to it. There are a lot of people who do a much better job of covering space exploration than I can. (If you’re interested in an overview from a Canadian on the international race to space, you can start with this December 29, 2021 posting “Looking back at a booming year in space” by Bob McDonald of CBC’s [Canadian Broadcasting Corporation] Quirks & Quarks science radio programme.)

Now, onto FrogHeart’s latest year.

2021

One of the standout stories in 2020/21 here and many, many places was the rise of the biotechnology community in British Columbia and elsewhere in Canada. Lipid nanoparticles used in COVID-19 vaccines became far better known than they ever had before and AbCellera took the business world by storm as its founder became a COVID billionaire.

Here is a sampling of the BC biotechnology/COVID-19 stories featured here,

  • “Avo Media, Science Telephone, and a Canadian COVID-19 billionaire scientist” December 30, 2020 posting
  • “Why is Precision Nanosystems Inc. in the local (Vancouver, Canada) newspaper?” January 22, 2021 posting Note: The company is best known for its work on lipid nanoparticles
  • “mRNA, COVID-19 vaccines, treating genetic diseases before birth, and the scientist who started it all” March 5, 2021 posting Note: This posting also notes a Canadian connection in relation mRNA in the subsection titled “Entrepreneurs rush in”
  • “Getting erased from the mRNA/COVID-19 story” August 20, 2021 posting Note: This features a fascinating story from Nathan Vardi (for Forbes) of professional jealousies, competitiveness, and a failure to recognize opportunity when she comes visiting.
  • “Who’s running the life science companies’ public relations campaign in British Columbia (Vancouver, Canada)?” August 23, 2021 posting Note: This explores the biotech companies, the network, and provincial and federal funding, as well as, municipal (City of Vancouver) support and more.

Sadly, I did not have time to feature this September 14, 2021 article (The tangled history of mRNA vaccines; Hundreds of scientists had worked on mRNA vaccines for decades before the coronavirus pandemic brought a breakthrough.) by Elie Dolgin for Nature magazine.

Dolgin starts the story in 1987 and covers many players that were new to me although I did recognize some of the more recent and Canadian players such as Pieter Cullis and Ian MacLachlan. *ETA January 3 ,2021: Cullis and MacLachlan are both mentioned in my ‘Getting erased ..” August 20, 2021 posting.* Fun fact: Pieter Cullis was just named an Officer to the Order of Canada (from the Governor General’s December 29, 2021 news release),

Pieter Cullis, O.C.
Vancouver, British Columbia

For his contributions to the advancement of biomedical research and drug development, and for his mentorship of the next generation of scientists and entrepreneurs.

Back to this roundup, I got interested in greener lithium mining, given its importance for batteries in electric vehicles and elsewhere,

2021 seems to have been the year when the science community started podcasting in a big way. Either the podcast was started this year or I stumbled across it this year (meaning it’s likely a podcast that is getting publicized because they had a good first year and they want more listeners for their second year),

  • “New podcast—Mission: Interplanetary and Event Rap: a one-stop custom rap shop Kickstarter” April 30, 2021 posting
  • “Superstar engineers and fantastic fiction writers podcast series” June 28, 2021 posting
  • “Periodically Political: a Canadian podcast from Elect STEM” August 16, 2021 posting
  • “Unlocking Science: a new podcast series launches on November 16, 2021” November 16, 2021 posting
  • “Lost Women of Science” December 2, 2021 posting
  • “Nerdin’ About and Science Diction: a couple of science podcasts” Note: Not posted but maybe one day. Meanwhile, here they are:
    • Nerdin’ About describes itself as, “… a podcast where passionate nerds tell us about their research, their interests, and what they’ve been Nerdin’ About lately. A spin-off of Nerd Nite Vancouver, a community lecture series held in a bar, Nerdin’ About is here to explore these questions with you. Hosted by rat researcher Kaylee Byers (she/her) and astronomy educator Michael Unger (he/him). Elise Lane (she/her) is our Mixing Engineer. Music by Jay Arner. Artwork by Armin Mortazavi.”
    • Science Diction is a podcast offshoot of Science Friday (SciFri), a US National Public Radio (NPR) programme. “… Hosted by SciFri producer and self-proclaimed word nerd Johanna Mayer, each episode of Science Diction digs into the origin of a single word or phrase, and, with the help of historians, authors, etymologists, and scientists, reveals a surprising science connection. Did you know the origin of the word meme has more to do with evolutionary biology than lolcats? Or that the element cobalt takes its name from a very cheeky goblin from German folklore? …”
  • Podcast episode from the Imperial College London features women’s hearts, psychedelic worldviews, and nanotechnology for children” Note: Not posted but maybe one day.
  • Alberta-based podcast explores AI (Artificial Intelligence)” Note 1: You’ll find season one and two on the page I’ve linked to; just keep scrolling. Note 2: Not posted but maybe one day.
  • Own the Science Podcast/À vous la science balado” Note: Not posted but maybe one day.

Integrating the body with machines is an ongoing interest of mine, these particular 2021 postings stood out but there are other postings (click on the Human Enhancement category or search the tag ‘machine/flesh’),

I wrote a few major (long) pieces this year,

  • “Interior Infinite: carnival & chaos, a June 26 – September 5, 2021 show at Polygon Art Gallery (North Vancouver, Canada)” July 26, 2021 posting Note: While this isn’t an art/sci posting it does touch on a topic near and dear to my heart, writers. In particular, the literary theorist, Mikhail Mikhailovich Bakhtin.
  • “The metaverse or not” October 22, 2021 posting Note: What can I say? The marketing hype got to me.
  • “True love with AI (artificial intelligence): The Nature of Things explores emotional and creative AI (long read)” December 3, 2021 posting

2022 and contronyms

I don’t make psychic predictions. As far as I’m concerned, 2022 will be a continuation of 2021, albeit with a few surprises.

My focus on nanotechnology and emerging technologies will remain. I expect artificial intelligence, CRISPR and gene editing (in general), quantum computing (technical work and commercialization), and neuromorphic computing will continue to make news. As for anything else, well, it wouldn’t be a surprise if you knew it was coming.

With regard to this blog, I keep thinking about cutting back so I can focus on other projects. Whether I finally follow through this year is a mystery to me.

Because words and writing are important to me, I’d like to end the year with this, which I found in early December 2021. From “25 Words That Are Their Own Opposites” on getpocket.com by Judith Herman originally written for “Mental Floss and … published June 15, 2018,”

Here’s an ambiguous sentence for you: “Because of the agency’s oversight, the corporation’s behavior was sanctioned.” Does that mean, “Because the agency oversaw the company’s behavior, they imposed a penalty for some transgression,” or does it mean, “Because the agency was inattentive, they overlooked the misbehavior and gave it their approval by default”? We’ve stumbled into the looking-glass world of contronyms—words that are their own antonyms.

1. Sanction (via French, from Latin sanctio(n-), from sancire ‘ratify,’) can mean “give official permission or approval for (an action)” or conversely, “impose a penalty on.”

2. Oversight is the noun form of two verbs with contrary meanings, “oversee” and “overlook.” Oversee, from Old English ofersēon (“look at from above”) means “supervise” (medieval Latin for the same thing: super-, “over” plus videre, “to see.”) Overlook usually means the opposite: “to fail to see or observe; to pass over without noticing; to disregard, ignore.”

3. Left can mean either remaining or departed. If the gentlemen have withdrawn to the drawing room for after-dinner cigars, who’s left? (The gentlemen have left and the ladies are left.)

4. Dust, along with the next two words, is a noun turned into a verb meaning either to add or to remove the thing in question. Only the context will tell you which it is. When you dust are you applying dust or removing it? It depends whether you’re dusting the crops or the furniture.

The contronym (also spelled “contranym”) goes by many names, including auto-antonym, antagonym, enantiodrome, self-antonym, antilogy and Janus word (from the Roman god of beginnings and endings, often depicted with two faces looking in opposite directions). …

Herman made liberal use, which she acknowledged, of the Mark Nichol article/list, “75 Contronyms (Words with Contradictory Meanings)” on Daily Writing Tips (Note: Based on the ‘comments’, Nichol’s list appears to be have been posted sometime in 2011),

3. Bill: A payment, or an invoice for payment

4. Bolt: To secure, or to flee

46. Quantum: Significantly large, or a minuscule part

47. Quiddity: Essence, or a trifling point of contention

68. Trim: To decorate, or to remove excess from

69. Trip: A journey, or a stumble

Happy 2022!

Media registration is open for the 2018 ITU ( International Telecommunication Union) Plenipotentiary Conference (PP-18) being held 29 October – 16 November 2018 in Dubai

I’m a little late with this but there’s still time to register should you happen to be in or able to get to Dubai easily. From an October 18, 2018 International Telecommunication Union (ITU) Media Advisory (received via email),

Media registration is open for the 2018 ITU Plenipotentiary Conference (PP-18) – the highest policy-making body of the International Telecommunication Union (ITU), the United Nations’ specialized agency for information and communication technology. This will be closing soon, so all media intending to attend the event MUST register as soon as possible here.

Held every four years, it is the key event at which ITU’s 193 Member States decide on the future role of the organization, thereby determining ITU’s ability to influence and affect the development of information and communication technologies (ICTs) worldwide. It is expected to attract around 3,000 participants, including Heads of State and an estimated 130 VIPs from more than 193 Member States and more than 800 private companies, academic institutions and national, regional and international bodies.

ITU plays an integral role in enabling the development and implementation of ICTs worldwide through its mandate to: coordinate the shared global use of the radio spectrum, promote international cooperation in assigning satellite orbits, work to improve communication infrastructure in the developing world, and establish worldwide standards that foster seamless interconnection of a vast range of communications systems.

Delegates will tackle a number of pressing issues, from strategies to promote digital inclusion and bridge the digital divide, to ways to leverage such emerging technologies as the Internet of Things, Artificial Intelligence, 5G, and others, to improve the way all of us, everywhere, live and work.

The conference also sets ITU’s Financial Plan and elects its five top executives – Secretary-General, Deputy Secretary-General, and the Directors of the Radiocommunication, Telecommunication Standardization and Telecommunication Development Bureaux – who will guide its work over the next four years.

What: ITU Plenipotentiary Conference 2018 (PP-18) sets the next four-year strategy, budget and leadership of ITU.

Why: Finance, Business, Tech, Development and Foreign Affairs reporters will find PP-18 relevant to their newsgathering. Decisions made at PP-18 are designed to create an enabling ICT environment where the benefits of digital connectivity can reach all people and economies, everywhere. As such, these decisions can have an impact on the telecommunication and technology sectors as well as developed and developing countries alike.

When: 29 October – 16 November 2018: With several Press Conferences planned during the event.

* Historically the Opening, Closing and Plenary sessions of this conference are open to media. Confirmation of those sessions open to media, and Press Conference times, will be made closer to the event date.

Where: Dubai World Trade Center, Dubai, United Arab Emirates

More Information:

REGISTER FOR ACCREDITATION

I visited the ‘ITU Events Registration and Accreditation Process for Media‘ webpage and foudn these tidbits,

Accreditation eligibility & credentials 

1. Journalists* should provide an official letter of assignment from the Editor-in-Chief (or the News Editor for radio/TV). One letter per crew/editorial team will suffice. Editors-in-Chief and Bureau Chiefs should submit a letter from their Director. Please email this to pressreg@itu.int, along with the required supporting credentials below:​

    • ​​​​​print and online publications should be available to the general public and published at least 6 times a year by an organization whose principle business activity is publishing and which generally carries paid advertising;

      o 2 copies of recent byline articles published within the last 4 months.
    • news wire services should provide news coverage to subscribers, including newspapers, periodicals and/or television networks;

      o 2 copies of recent byline articles or broadcasting material published within the last 4 months.
    • broadcast should provide news and information programmes to the general public. Independent film and video production companies can only be accredited if officially mandated by a broadcast station via a letter of assignment;

      o broadcasting material published within the last 4 months.
    • freelance journalists including photographers, must provide clear documentation that they are on assignment from a specific news organization or publication. Evidence that they regularly supply journalistic content to recognized media may be acceptable in the absence of an assignment letter at the discretion of the ITU Media Relations Service.

      o a valid assignment letter from the news organization or publication.

 2. Bloggers may be granted accreditation if blog content is deemed relevant to the industry, contains news commentary, is regularly updated and made publicly available. Corporate bloggers are invited to register as participants. Please see Guidelines for Blogger Accreditation below for more details.

Guidelines for Blogger Accreditation

ITU is committed to working with independent ‘new media’ reporters and columnists who reach their audiences via blogs, podcasts, video blogs and other online media. These are the guidelines we use to determine whether to issue official media accreditation to independent online media representatives: 

ITU reserves the right to request traffic data from a third party (Sitemeter, Technorati, Feedburner, iTunes or equivalent) when considering your application. While the decision to grant access is not based solely on traffic/subscriber data, we ask that applicants provide sufficient transparency into their operations to help us make a fair and timely decision. 

Obtaining media accreditation for ITU events is an opportunity to meet and interact with key industry and political figures. While continued accreditation for ITU events is not directly contingent on producing coverage, owing to space limitations we may take this into consideration when processing future accreditation requests. Following any ITU event for which you are accredited, we therefore kindly request that you forward a link to your post/podcast/video blog to pressreg@itu.int. 

Bloggers who are granted access to ITU events are expected to act professionally. Those who do not maintain the standards expected of professional media representatives run the risk of having their accreditation withdrawn. 

If you can’t find answers to your questions on the ‘ITU Events Registration and Accreditation Process for Media‘ webpage, you can contact,

For media accreditation inquiries:


Rita Soraya Abino-Quintana
Media Accreditation Officer
ITU Corporate Communications

Tel: +41 22 730 5424

For anything else, contact,

For general media inquiries:


Jennifer Ferguson-Mitchell
Senior Media and Communications Officer
ITU Corporate Communications

Tel: +41 22 730 5469

Mobile: +41 79 337 4615

There you have it.

Inaugural Italian Scientists and Scholars of North America Foundation (ISSNAF) annual meeting

Thanks to a May 17, 2017 announcement I received via email from the ArtSci Salon, I’ve learned of a rather intriguing annual meeting to be held May 19-20, 2017 in Toronto, Ontario,

We are pleased to invite you to attend the Italian Scientists and
Scholars of North America Foundation (ISSNAF) inaugural annual
conference in Canada, which will be held on May 19-20th, 2017 at the
Istituto Italiano di Cultura, Toronto, Ontario.

During the event, the Italian scientific community will meet the
institutions, the industry, academia to discuss breakthrough ideas, to
network, and to award projects of young Italians through the ISSNAF
Young Investigators Awards.

The event is organized under the auspices of H.E. Ambassador CLAUDIO
TAFFURI, Consul General of Italy in Toronto, GIUSEPPE PASTORELLI,
Director of the Istituto Italiano di Cultura in Toronto, ALESSANDRO
RUGGERA and Scientific Attaché of the Italian Embassy in Ottawa, ANNA
GALLUCCIO. This year’s exciting conference will focus on innovation,
exploring innovation as invention and transformation, as well as its
impact on how we live and think.

After an introduction by H.E. Ambassador of Italy, CLAUDIO TAFFURI,
and other representatives of Italian institutions, the event will open
with two prominent speakers: PAOLO MACCARIO, Chief Operating Officer
and General Manager at Silfab Ontario Inc. and FRANCO VACCARINO,
President and Vice-Chancellor of Guelph University, who will discuss
current and future strategies in academia and industry required for
students and workers to deal with the disruptive technologies and the
exponential increase in knowledge.

The later part of the day will feature speakers from different
institutions from all over Canada. CORRADO PAINA, President of the
Italian Chamber of Commerce, will address the importance of innovation
and research from the industry prospective. UMBERTO BERARDI, Associate
Professor, Faculty of Engineering and Architecture, Ryerson
University, will bring his experience as winner of the Franco
Strazzabosco Award for Engineers. Nicola Fameli, Research Associate of
Anesthesiology, Pharmacology and Therapeutics, U. of British Columbia
and Franco Mammarella, Group leader [TRIUMF] Canada’s National Laboratory for
Particle and Nuclear Physics, president and vice-president of ARPICO
(Society of Italian Researchers & Professionals in Western Canada),
will explain the importance of developing a global network amongst
researchers. The day will be closed by GABRIELLA GOBBI, Associate
Professor, Dept. Psychiatry, McGill University on the current status
of the Italian Scientific Community in Quebec.

Day One of ISSNAF’s Annual event will conclude with a reception at the
Istituto. Day Two of the event is dedicated to young Italian
researchers and scientists who will present their work and will
receive the ISSNAF Certificate for Young Investigators. The day will
end with a round table and a discussion directed by the ISSNAF Ontario
chapter Chairs, BARBARA CIFRA, VITO MENNELLA AND LEONARDO SALMENA on
how to build a successful academic network and how ISSNAF can
contribute to the process.

The event is limited to 50 people only [emphasis mine]. Please confirm your presence
by May 17th [2017] by sending an email to: iictoronto@esteri.it

Sorry to be posting this so late in the day (fingers crossed it’s not too late).

I did do some searching and found this description of the event on the ARPICO website,

On May 19-20th SIRO (Society of Italian researcher in Ontario) official Chapter of the Italian Scientists and Scholars of North America Foundation (ISSNAF) will host in cooperation with the Embassy of Italy in Ottawa the inaugural Canadian Annual ISSNAF meeting.

The event is organized under the auspices of H.E. Ambassador Claudio Taffuri, Consul General of Italy in Toronto, Giuseppe Pastorelli, and Director of the Istituto Italiano di Cultura in Toronto, Alessandro Ruggera and Scientific Attache’ of the Italian Embassy in Ottawa, Anna Galluccio. This year’s exciting conference will focus on innovation, exploring innovation as invention and transformation and its impact on how we live and think.

During the event, the italian scientific community meets the institutions, the industry, academia to discuss breakthrough ideas, to network, and to award projects of young Italians through the ISSNAF Young Investigators Awards.

For this year the event will be attended by 60 selected researchers and scholars working in Canada. [emphasis mine]

For more information email issnafontario@gmail.com

Good luck at getting to attend the event whether there are 50 or 60 participants.

A chance to game the future Sept. 25 and 26, 2013 starting 9 am PDT

Thanks to David Bruggeman at his Pasco Phronesis blog (his Sept. 20, 2013 posting)  for featuring a 36-hour conversation/game (which is recruiting players/participants). It is  called  Innovate 2038  and you do have to pre-register for this game. For anyone who likes a little more information before jumping into to join, here’s what the Innovate 2038 About page has to offer,

About Innovate2038

The traditional paths to research and technology innovation will no longer work for the critical challenges and new opportunities of 2038.

Increasingly constrained resources, the rise of mega-cities, and rapidly shifting developments in business processes, regulations, and consumer sentiment will present epic challenges to business as usual.

At the same time, opportunities will abound. Emerging fields like 3D-printing and additive manufacturing, synthetic biology, and data modeling will catalyze the next generation of products, services, and markets—if research and innovation can lead the way.

But managing all of these research and innovation efforts will require new tools and technologies, new skills in project and talent management, new players and collaborations, and ultimately a collective re-imagining of the value proposition of research to society.

Innovate2038 is a 36-hour global conversation based on IRI’s extensive IRI2038 research project to uncover new ideas and new strategies that can reinvent the very concept of R&D and technology innovation management for the 21st century.

On Sept 25 & 26, 2013, Innovate2038 will take place in corporations, labs, classrooms, but also hacker-spaces, online innovation communities, and networks of researchers and makers, in countries around the world.

Innovate2038 will bring together current leading voices together with emerging and below-the-radar new players that will be increasingly important to the practice of research and innovation.

The platform to support the conversation is itself a signal of the future—a cutting-edge crowdsourced game called Foresight Engine, developed and facilitated by the Institute for the Future. It’s designed to spark new ideas and inspire collaborations among hundreds of people around the world. [emphasis mine]

In as little as five minutes, you can log on to share rapid-fire micro-contributions that will help make the future of research and innovation heading out to 2038.
For a day and half, you can compete to win points, achieve awards, and gain the recognition of the leading thinkers in technology management today.

Pre-register right now as a ‘game insider’ to be the first to know about the game leading up to the Sept 25 launch.

David notes that this ’36-hour conversation/game is part of a larger project, from his Sept. 20, 2013 Pasco Phronesis posting (Note: Links have been removed),

… This is part of the Industrial Research Institute’s project on 2038 Future, which focuses on the art and science of research and development management.  That project has involved possible future scenarios, retrospective examinations of research management, and scanning the current environment.  The game engine was developed by the Institute for the Future, and is called the Foresight Engine.  The basics of the engine encourage participants to contribute short ideas, with points going to those ideas that get approved and/or built on by other participants.

Here’s more about the  Industrial Research Institute (IRI) from their History webpage,

Fourteen companies comprised the original membership of the Institute when it was formed in 1938, under the auspices of the [US] National Research Council (NRC). Four of these companies retain membership today: Colgate-Palmolive Company, Procter & Gamble Company, Hercules Powder Company (now Ashland, Inc.), and UOP, LLC, formerly known as Universal Oil Products (acquired by Honeywell). Four of the first five presidents were from the six charter-member-company category.

Maurice Holland, then Director of the NRC Division of Engineering, was largely responsible for bringing together about 50 representatives from industry, government, and universities to an initial organizational meeting in February 1938 in New York City. The Institute was an integral part of the National Research Council until 1945, when it separated to become a non-profit membership corporation in the State of New York. However, association with the Council continues unbroken.

At the founding meeting, several speakers stressed the need for an association of research directors–something different from the usual technical society–and that the benefits to be derived would depend on the extent of cooperation by its members. The greatest advantage, they said, would come through personal contacts with members of the group–still a major characteristic of IRI.

In more recent years, the activities of the Association have broadened considerably. IRI now offers services to the full range of R&D and innovation professionals in the United States and abroad.

I went exploring and found this about the game developer, Institute for the Future  (IFTF) on the website’s Who We Are page (Note: Links have been removed),

IFTF is an independent, non-profit research organization with a 45-year track record of helping all kinds of organizations make the futures they want. Our core research staff and creative design studio work together to provide practical foresight for a world undergoing rapid change.

….

Here’s more about the Foresight Engine , the “cutting-edge crowdsourced game,” from the IFTF website’s Collaborative Forecasting Games webpage,

Collaborative Forecasting Games: a crowd’s view of the future

Collaborative forecasting games engage a large and diverse group of people—potentially from around the world—to imagine futures that might go unnoticed by a team of experts. These crowds may include the general public, a targeted sector of the public, or the entire staff of a private organization. And the games themselves can range from futures brainstorming to virtual innovation gameboards and even rich narrative platforms for telling important stories about the future.

Foresight Engine

IFTF has a collaborative forecasting platform called Foresight Engine that makes it easy to set up games without a lot of investment in game design. In the tradition of brainstorming, the platform invites people to play positive or critical ideas about the future and then to build on these ideas to forms chains of discussion—complete with points, awards, and achievements for winning ideas. While the focus of the platform is on Twitter-length ideas of 140 characters or less, a Foresight Engine game does much more than harvest innovative ideas. It builds a literacy among players about the future issues addressed by the game, and it also provides a window on the crowd’s level of understanding of complex futures—laying the foundation for future literacy building. It shows who inspires the greatest following and often surfaces potential thought leaders.

It’s always interesting to dig into an organization’s history (from the IFTF’s History page,

The Institute for the Future has 45 years of forecasts on which to reflect. We’re based in California’s Silicon Valley—a community at the crossroads of technological innovation, social experimentation, and global interchange. Founded in 1968 by a group of former RAND Corporation researchers with a grant from the Ford Foundation to take leading-edge research methodologies into the public and business sectors, IFTF is committed to building the future by understanding it deeply.

I wonder if Innovate 2038 game/conversation will take place in any language other than English? In any event, I just tried to register and couldn’t.  I hope this is a problem on my end rather than the organizers’ as I know how devastating it can be to have your project encounter this kind of roadblock just before launching.

The UK’s Futurefest and an interview with Sue Thomas

Futurefest with “some of the planet’s most radical thinkers, makers and performers” is taking place in London next weekend on Sept. 28 – 29, 2013 and  I am very pleased to be featuring an interview with one of  Futurefest’s speakers, Sue Thomas who amongst many other accomplishments was also the founder of the  Creative Writing and New Media programme at De Montfort University, UK, where I got my master’s degree.

Here’s Sue,

suethomas

Sue Thomas was formerly Professor of New Media at De Montfort University. Now she writes and consults on digital well-being. Her new book ‘Technobiophilia: nature and cyberspace’ explains how contact with the natural world can help soothe our connected lives.http://www.suethomas.net @suethomas

  • I understand you are participating in Futurefest’s SciFi Writers’ Parliament; could you explain what that is and what the nature of your participation will be?

The premise of the session is to invite Science Fiction writers to play with the idea that they have been given the power to realise the kinds of new societies and cultures they imagine in their books. Each of us will present a brief proposal for the audience to vote on. The panel will be chaired by Robin Ince, a well-known comedian, broadcaster, and science enthusiast. The presenters are Cory Doctorow, Pat Cadigan, Ken MacLeod, Charles Stross, Roz Kaveney and myself.

  • Do you have expectations for who will be attending ‘Parliament’ and will they be participating as well as watching?

I’m expecting the audience for FutureFest http://www.futurefest.org/ to be people interested in future forecasting across the four themes of the event: Well-becoming, In the imaginarium,  We are all gardeners now, and The value of everything. There are plenty of opportunities for them to participate, not just in discussing and voting in panels like ours, but also in The Daily Future, a Twitter game, and Playify, which will run around and across the weekend. 

  • How are you preparing for ‘Parliament’?

 I will propose A Global Environmental Protection Act for Cyberspace The full text of the proposal is  on my blog here http://suethomasnet.wordpress.com/2013/09/05/futurefest/ It’s based on the thinking and research around my new book Technobiophilia: nature and cyberspace http://suethomasnet.wordpress.com/technobiophilia/ which coincidentally comes out in the UK two days before FutureFest. In the runup to the event I’ll also be gathering peoples’ views and refining my thoughts.

sue thomas_technobiophilia

  • Is there any other event you’re looking forward to in particular and why would that be?

The whole of FutureFest looks great and I’m excited about being there all weekend to enjoy it. The following week I’m doing a much smaller but equally interesting event at my local Cafe Scientifique, which is celebrating its first birthday with a talk from me about Technobiophilia. I’ve only recently moved to Bournemouth so this will be a great chance to meet the kinds of interesting local people who come to Cafe Scientifique in all parts of the world. http://suethomasnet.wordpress.com/2013/09/12/cafe-scientifique/

 

I’ll also be launching the book in North America with an online lecture in the Metaliteracy MOOC at SUNY Empire State University. The details are yet to be released but it’s booked for 18 November. http://metaliteracy.cdlprojects.com/index.html

  • Is there anything you’d like to add?

I’m also doing another event at FutureFest which might be of interest, especially to people interested in the future of death. It’s called xHumed and this is what it’s about: If we can archive and store our personal data, media, DNA and brain patterns, the question of whether we can bring back the dead is almost redundant. The right question is should we? It is the year 2050AD and great thought leaders from history have been “xHumed”. What could possibly go wrong? Through an interactive performance Five10Twelve will provoke and encourage the audience to consider the implications via soundbites and insights from eminent experts – both living and dead. I’m expecting some lively debate!

Thank you,  Sue for bringing Futurefest to life and congratulations on your new book!

You can find out more about Futurefest and its speakers here at the Futurefest website. I found Futurefest’s ticket webpage (which is associated with the National Theatre) a little more  informative about the event as a whole,

Some of the planet’s most radical thinkers, makers and performers are gathering in East London this September to create an immersive experience of what the world will feel like over the next few decades.

From the bright and uplifting to the dark and dystopian, FutureFest will present a weekend of compelling talks, cutting-edge shows, and interactive performances that will inspire and challenge you to change the future.

Enter the wormhole in Shoreditch Town Hall on the weekend of 28 and 29 September 2013 and experience the next phase of being human.

FutureFest is split into four sessions, Saturday Morning, Saturday Afternoon, Sunday Morning and Sunday Afternoon. You can choose to come to one, two, three or all sessions. They all have a different flavour, but each one will immerse you deep in the future.

Please note that FutureFest is a living, breathing festival so sessions are subject to change. We’ll keep you up to date on our FutureFest website.

Saturday Morning will feature The Blind Giant author Nick Harkaway, bionic man Bertolt Meyer and techno-cellist Peter Gregson. There will also be secret agents, villages of the future and a crowd-sourced experiment in futurology with some dead futurists.

Saturday Afternoon has forecaster Tamar Kasriel helping to futurescape your life, and gamemaker Alex Fleetwood showing us what life will be like in the Gameful century. We’ve got top political scientists David Runciman and Diane Coyle exploring the future of democracy. There will also be a mass-deception experiment, more secret agents and a look forward to what the weather will be like in 2100.

Sunday Morning sees Sermons of the Future. Taking the pulpit will be Wikipedia’s Jimmy Wales, social entrepreneur and model Lily Cole, and Astronomer Royal Martin Rees. Meanwhile the comedian Robin Ince will be chairing a Science Fiction Parliament with top SF authors, Roberto Unger will be analysing the future of religion and one of the world’s top chefs, Andoni Aduriz, will be exploring how food will make us feel in the future.

Sunday Afternoon will feature a futuristic take on the Sunday lunch, with food futurologist Morgaine Gaye inviting you for lunch in the Gastrodome with insects and 3D meat print-outs on the menu. Smari McCarthy, founder of Iceland’s Pirate Party and Wikileaks worker, will be exploring life in a digitised world, and Charlie Leadbeater, Diane Coyle and Mark Stevenson will be imagining cities and states of the future.

I noticed that a few Futurefest speakers have been featured here:

Eric Drexler, ‘Mr. Nano’, was last mentioned in a May 6, 2013 posting about a talk he was giving in Seattle, Washington to promote his new book, Radical Abundance.

Martin Rees, Emeritus Professor of Cosmology and Astrophysics, was mentioned in a Nov. 26, 3012 posting about the Cambridge Project for Existential Risk (humans relative to robots).

Bertolt Meyer, a young researcher from Zurich University and a lifelong user of prosthetic technology, in a Jan. 30, 2013 posting about building a bionic man.

Cory Doctorow, a science fiction writer, who ran afoul of James Moore, then Minister of Canadian Heritage and now Minister of Industry Canada, who accused him of being a ‘radical extremists’  prior to new copyright legislation  for Canadians, was mentioned in a June 25, 2010 posting.

Wish I could be at London’s Futurefest in lieu of that I will wish the organizers and participants all the best.

* On a purely cosmetic note, on Dec. 5, 2013, I changed the paragraph format in the responses.