Category Archives: space exploration

Nominees for new SETI ‘Art and AI’ Artist in Residency (AIR) program announced

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Not exactly an art/science (or sciart) story. let’s call it an art/technology (or techno art) story. The SETI (Search for Extraterrestrial Intelligence) Institute issued an October 22, 2024 news release (also on EurekAlert but published October 23, 2024) announcing the six nominees for SETI’s new artist in residency (AIR) program ‘Algorithmic Imaginings’,

The SETI Artist in Residency (AIR) program announced Algorithmic Imaginings, a new residency that explores how AI technologies affect science and society. The residency focuses on creative research topics such as imaginary life, human-AI collaboration, AI futures, posthumanism, AI and consciousness, and the ethics of AI data. It also connects with current SETI Institute research, including exoplanet studies, astrobiology, signal detection, and advanced computing. The two-year program offers $30,000 in funding and an exhibition at the ZKM | Center for Art and Media in Karlsruhe, Germany.

“AI is on everyone’s mind right now, be it ChatGPT4, text-to-video generators such as Sora, and discussions surrounding fake news and copyright,” said Bettina Forget, Director of the AIR program. “AI is a phenomenal tool, but it also comes with opportunities and concerns that should be addressed. This residency allows artists working at the intersection of art and technology to explore new avenues of thinking and connect them to SETI Institute research.”

Internationally recognized media art curator Zhang Ga, SETI AIR program Director Bettina Forget, and SETI AIR program Founder and Senior Advisor Charles Lindsay lead the SETI AIR Algorithmic Imaginings residency. Andrew Siemion, the SETI Institute’s Bernard M. Oliver Chair for SETI Research, and AI researcher Robert Alvarez, who collaborates with the SETI Institute as a mentor for its Frontier Development Lab program, bring their science and technology expertise to this residency.

The residency’s team of advisors selected six outstanding media artists and invited them to submit a project proposal for the SETI AIR Algorithmic Imaginings residency.

“These artists are notable voices with a solid track record of critically and inventively confronting the pressing issues raised by a pervasively technological world,” said Zhang Ga.

“SETI AIR is uniquely poised to participate in the AI zeitgeist that is exploding in San Francisco and Silicon Valley,” said Charles Lindsay. “We will support the most innovative artists of our time. It is time. Now.”

The SETI Institute will announce the winning artist later this fall.

The six nominees of the Art and AI residency are:

Tega Brain
Tega Brain’s work examines ecology, data, automation, and infrastructure. She has created projects such as digital networks controlled by environmental phenomena, schemes for obfuscating personal data, and a wildly popular online smell-based dating service.

Dominique Gonzalez Foerster
An experimental artist based in Paris, Dominique Gonzalez-Foerster explores the different modalities of sensory and cognitive relationships between bodies and spaces, real or fictitious, up to the point of questioning the distance between organic and inorganic life.

Laurent Grasso
French-born artist Laurent Grasso has developed a fascination with the visual possibilities related to the science of electromagnetic energy, radio waves, and naturally occurring phenomena.

HeHe (Helen Evans, Heiko Hansen)
HeHe is an artist duo consisting of Helen Evans (French, British) and Heiko Hansen (German), based in Le Havre, France. Their works are about the social, industrial, and ecological paradoxes found in today’s technological landscapes. Their practice explores the relationship between art, media, and the environment.

Terike Haapoja
Terike Haapoja is an interdisciplinary visual artist, writer, and researcher. Haapoja’s work investigates our world’s existential and political boundaries, specifically focusing on issues arising from the anthropocentric worldview of Western traditions. Animality, multispecies politics, cohabitation, time, loss, and repairing connections are recurring themes in Haapoja’s work.

Wang Yuyang
Wang Yuyang is a renowned contemporary Chinese artist teaching at the Central Academy of Fine Arts. Focused on techno-art, his work explores the relationships between technology and art, nature and artificiality, and material and immaterial through an interdisciplinary and multimedia approach.

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About the SETI Institute

Founded in 1984, the SETI Institute is a non-profit, multi-disciplinary research and education organization whose mission is to lead humanity’s quest to understand the origins and prevalence of life and intelligence in the Universe and to share that knowledge with the world. Our research encompasses the physical and biological sciences and leverages expertise in data analytics, machine learning and advanced signal detection technologies. The SETI Institute is a distinguished research partner for industry, academia and government agencies, including NASA and NSF.

Caption: The six nominees for the SETI Institute’s Algorithmic Imaginings residency. Credit: SETI Institute [top row, left to right: Dominique Gonzalez Foerster; HeHe (Helen Evans, Heiko Hansen); Laurent Grasso; bottom row, left to the right: Tega Brain; Terike Haapoja; and Wang Yuyang]

Good luck to the artists.

Finding graphene flakes on the moon

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It seems like there’s graphene on the moon according to an August 1, 2024 news item on phys.org , Note: A link has been removed,

A study, published in National Science Review, reveals the existence of naturally formed few-layer graphene, a substance consisting of carbon atoms in a special, thin-layered structure.

The team, led by professors Meng Zou, Wei Zhang and senior engineer Xiujuan Li from Jilin University and Wencai Ren from the Chinese Academy of Sciences’ Institute of Metal Research, analyzed an olive-shaped sample of lunar soil, about 2.9 millimeters by 1.6 mm, retrieved from the Chang’e 5 mission in 2020.

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Caption: (a) Laser scanning confocal microscopy image and height distribution. (b) Backscattered electron SEM image and (c) Raman spectra corresponding to different areas. (d) TEM image, Cs-corrected HAADF-STEM image, and the corresponding EELS Fe L-edge spectra for different areas. (e) Cs-corrected HRTEM images. (f) HAADF-STEM image. (g) EDS elemental maps showing spatial distributions of the elements. (h) HRTEM images of the corresponding regions marked in (f). Credit: ©Science China Press

An August 1, 2024 Science China Press press release on EurekAlert, which originated the news item, provides more details,

According to the team, scientists generally believe that some 1.9 percent of interstellar carbon exists in the form of graphene, with its shape and structure determined by the process of its formation.

Using a special spectrometer, researchers found an iron compound that is closely related to the formation of graphene in a carbon-rich section of the sample. They then used advanced microscopic and mapping technologies to confirm that the carbon content in the sample comprised “flakes” that have two to seven layers of graphene.

The team proposed that the few-layer graphene may have formed in volcanic activity in the early stages of the moon’s existence, and been catalyzed by solar winds that can stir up lunar soil and iron-containing minerals that helped transform the carbon atoms’ structure. They added that impact processes from meteorites, which create high-temperature and high-pressure environments, may also have led to the formation of graphene.

On Earth, graphene is becoming a star in materials sciences due to its special features in optics, electrics and mechanics. The team believes their study could help develop ways to produce the material inexpensively and expand its use.

“The mineral-catalyzed formation of natural graphene sheds light on the development of low-cost scalable synthesis techniques of high-quality graphene,” the paper said. “Therefore, a new lunar exploration program may be promoted, and some forthcoming breakthroughs can be expected.”

Here’s a link to and a citation for the paper,

Discovery of natural few-layer graphene on the Moon by Wei Zhang, Qing Liang, Xiujuan Li, Lai-Peng Ma, Xinyang Li, Zhenzhen Zhao, Rui Zhang, Hongtao Cao, Zizhun Wang, Wenwen Li, Yanni Wang, Meiqi Liu, Nailin Yue, Hongyan Li, Zhenyu Hu, Li Liu, Qiang Zhou, Fangfei Li, Weitao Zheng, Wencai Ren, Meng Zou. National Science Review, nwae211, DOI: https://doi.org/10.1093/nsr/nwae211 Published:: 17 June 2024

This paper is open access and the National Science Review looks like another China-backed journal published by Oxford Academic. If not China-backed, it’s certainly China forward, from the About page,

National Science Review is an open access, peer-reviewed journal aimed at reporting cutting-edge developments across science and technology in China and around the world. The journal covers all areas of the natural sciences, including physics and mathematics, chemistry, life sciences, earth sciences, materials science, and information sciences.

I just realized that I haven’t seen anything recently about which country or countries are the leading the science race. Going by the recent rate of publication, China is doing quite well.

Pillars of Creation in new 3D visualization

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A June 26, 2024 news item on phys.org announced a visualization of the Pillars r Creation,

Made famous in 1995 by NASA’s [US National Aeronautics and Space Administration] Hubble Space Telescope, the Pillars of Creation in the heart of the Eagle Nebula have captured imaginations worldwide with their arresting, ethereal beauty.

Now, NASA has released a new 3D visualization of these towering celestial structures using data from NASA’s Hubble and James Webb space telescopes. This is the most comprehensive and detailed multiwavelength movie yet of these star-birthing clouds.

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A June 26, 2024 NASA news release (also on EurekAlert), which originated the news item, provides detail about the pillars and the visualization, Note: The news release on EurekAlert has its entire text located in the caption for the image,

“By flying past and amongst the pillars, viewers experience their three-dimensional structure and see how they look different in the Hubble visible-light view versus the Webb infrared-light view,” explained principal visualization scientist Frank Summers of the Space Telescope Science Institute (STScI) in Baltimore, who led the movie development team for NASA’s Universe of Learning. “The contrast helps them understand why we have more than one space telescope to observe different aspects of the same object.”

The four Pillars of Creation, made primarily of cool molecular hydrogen and dust, are being eroded by the fierce winds and punishing ultraviolet light of nearby hot, young stars. Finger-like structures larger than the solar system protrude from the tops of the pillars. Within these fingers can be embedded, embryonic stars. The tallest pillar stretches across three light-years, three-quarters of the distance between our Sun and the next nearest star.

The movie takes visitors into the three-dimensional structures of the pillars. Rather than an artistic interpretation, the video is based on observational data from a science paper led by Anna McLeod, an associate professor at the University of Durham in the United Kingdom. McLeod also served as a scientific advisor on the movie project.

“The Pillars of Creation were always on our minds to create in 3D. Webb data in combination with Hubble data allowed us to see the Pillars in more complete detail,” said production lead Greg Bacon of STScI. “Understanding the science and how to best represent it allowed our small, talented team to meet the challenge of visualizing this iconic structure.”

The new visualization helps viewers experience how two of the world’s most powerful space telescopes work together to provide a more complex and holistic portrait of the pillars. Hubble sees objects that glow in visible light, at thousands of degrees. Webb’s infrared vision, which is sensitive to cooler objects with temperatures of just hundreds of degrees, pierces through obscuring dust to see stars embedded in the pillars.

“When we combine observations from NASA’s space telescopes across different wavelengths of light, we broaden our understanding of the universe,” said Mark Clampin, Astrophysics Division director at NASA Headquarters in Washington. “The Pillars of Creation region continues to offer us new insights that hone our understanding of how stars form. Now, with this new visualization, everyone can experience this rich, captivating landscape in a new way.”

Produced for NASA by STScI with partners at Caltech/IPAC, and developed by the AstroViz Project of NASA’s Universe of Learning, the 3D visualization is part of a longer, narrated video that combines a direct connection to the science and scientists of NASA’s Astrophysics missions with attention to the needs of an audience of youth, families, and lifelong learners. It enables viewers to explore fundamental questions in science, experience how science is done, and discover the universe for themselves.

Several stages of star formation are highlighted in the visualization. As viewers approach the central pillar, they see at its top an embedded, infant protostar glimmering bright red in infrared light. Near the top of the left pillar is a diagonal jet of material ejected from a newborn star. Though the jet is evidence of star birth, viewers can’t see the star itself. Finally, at the end of one of the left pillar’s protruding “fingers” is a blazing, brand-new star.

A bonus product from this visualization is a new 3D printable model of the Pillars of Creation

. The base model of the four pillars used in the visualization has been adapted to the STL file format, so that viewers can download the model file and print it out on 3D printers. Examining the structure of the pillars in this tactile and interactive way adds new perspectives and insights to the overall experience.

More visualizations and connections between the science of nebulas and learners can be explored through other products produced by NASA’s Universe of Learning such as ViewSpace, a video exhibit that is currently running at almost 200 museums and planetariums across the United States. Visitors can go beyond video to explore the images produced by space telescopes with interactive tools now available for museums and planetariums.

NASA’s Universe of Learning materials are based upon work supported by NASA under award number NNX16AC65A to the Space Telescope Science Institute, working in partnership with Caltech/IPAC, Pasadena, California, Center for Astrophysics | Harvard & Smithsonian, Cambridge, Massachusetts, and Jet Propulsion Laboratory, La Cañada Flintridge, California.

Enjoyr:

Back to school: Stanford University (California) brings nanoscience to teachers and Ingenium brings STEAM to school

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I have two stories that fit into the ‘back to school’ theme, one from Stanford University and one from Ingenium (Canada’s Museums of Science and Innovation).

Stanford, nanoscience, and middle school teachers

h/t to Google Alert of August 27, 2024 (received via email) for information about a Stanford University programme for middle school teachers. From an August 27, 2024 article in the Stanford Report, Note: Links have been removed,

Crafting holographic chocolate, printing with the power of the sun, and seeing behind the scenes of cutting-edge research at the scale of one-billionth of a meter, educators participating in the Nanoscience Summer Institute for Middle School Teachers (NanoSIMST) got to play the role of students, for a change.

Teachers hailed from the Bay Area and Southern California – one had even come all the way from Arkansas – for the professional development program. NanoSIMST, run by nano@stanford, is designed to connect middle school teachers with activities, skills, and knowledge about science at the scale of molecules and atoms so they can incorporate it into their curriculum. NanoSIMST also prioritizes teachers from Title I schools, which are low-income schools with low-income student populations that receive federal funding to improve academic achievement.

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Debbie Senesky, the site investigator and principal researcher on the nano@stanford project, highlighted the importance of nanoscience at the university. “It’s not just about focusing on research – we also have bigger impacts on entrepreneurs, start-ups, community colleges, and other educators who can use these facilities,” said Senesky, who is also an associate professor of aeronautics and astronautics and of electrical engineering. “We’re helping to train the next generation of people who can be a workforce in the nanotechnology and semiconductor industry.”

The program also supports education and outreach, including through NanoSIMST, which uniquely reaches out to middle school teachers due to the STEM education outcomes that occur at that age. According to a 2009 report by the Lemelson-MIT InvenTeam Initiative, even among teens who were interested in and felt academically prepared in their STEM studies, “nearly two-thirds of teens indicated that they may be discouraged from pursuing a career in science, technology, engineering or mathematics because they do not know anyone who works in these fields (31%) or understand what people in these fields do (28%).”

A teacher from the Oakland Unified School District, Thuon Chen, connected several other teachers from OUSD to attend NanoSIMST as a first-time group. He emphasized that young kids, especially in middle school, have a unique way of approaching new technologies. “Kids have this sense where they’re always pushing things and coming up with completely new uses, so introducing them to a new technology can give them a lot to work with.”

Over the course of four days in the summer, NanoSIMST provides teachers with an understanding of extremely small science and technology: they go through tours of the nano facilities, speak with scientists, perform experiments that can be conducted in the classroom, and learn about careers in nanotechnology and the semiconductor industry.

Tara Hodge, the teacher who flew all the way from Arkansas, was thrilled about bringing what she learned back with her. “I’m not a good virtual learner, honestly. That’s why I came here. And I’m really excited to learn about different hands-on activities. Anything I can get excited about, I know I can get my students excited about.”

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They have provided a video,

One comment regarding the host, Daniella Duran, the director of education and outreach for nano@stanford, she comments about nano being everywhere and, then, says “… everything has a microchip in it.” I wish she’d been a little more careful with the wording. Granted those microchips likely have nanoscale structures.

Ingenium’s STEAM (science, technology, engineering, arts, and mathematics) programmes for teachers across Canada

An August 27, 2024 Ingenium newsletter (received via email) lists STEAM resources being made available for teachers across the country.

There appears to be a temporary copy of the August 27, 2024 Ingenium newsletter here,

STEAM lessons made simple!

Another school year is about to begin, and whether you’re an experienced teacher or leading your first class, Ingenium has what you need to make your STEAM (science, technology, engineering, arts and math) lessons fun! With three museums of science and innovation – the Canada Agriculture and Food Museum, the Canada Aviation and Space Museum and the Canada Science and Technology Museum – under one umbrella, we are uniquely positioned to help your STEAM lessons come to life.

Embark on an exciting adventure with our bilingual virtual field trips and meet the animals in our barns, explore aviation technology, and conduct amazing science experiments.

Or take advantage of our FREE lesson plans, activities and resources to simplify and animate your classroom, all available in English and French. With Ingenium, innovation is at your fingertips!

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Bring the museum to your classroom with a virtual field trip!

Can’t visit in person? Don’t worry, Ingenium will bring the museum to you! All of our virtual field trips are led by engaging guides who will animate each subject with an entertaining and educational approach. Choose from an array of bilingual programs designed for all learners that cover the spectrum of STEAM subjects, including the importance of healthy soil, the genetic considerations of a dairy farm operation, the science of flight, simple machines, climate change and the various states of matter. There is so much to discover with Ingenium. Book your virtual field trip today!

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Here’s a video introduction to Ingenium’s offerings,

To get a look at all the resources, check out this temporary copy of the August 27, 2024 Ingenium newsletter here.

Super-black wood from the University of British Columbia (UBC)

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The researchers have developed prototype watches and jewelry using the new super-black wood. Photo credit: UBC Forestry/Ally Penders

Generally stories about very black materials will mention carbon nanotubes but not this time. A July 30, 2024 University of British Columbia (UBC) news release (also on EurekAlert and received via email) announces the discovery of a technique for making super-black wood,

Thanks to an accidental discovery, researchers at the University of British Columbia have created a new super-black material that absorbs almost all light, opening potential applications in fine jewelry, solar cells and precision optical devices. 

Professor Philip Evans and PhD student Kenny Cheng were experimenting with high-energy plasma to make wood more water-repellent. However, when they applied the technique to the cut ends of wood cells, the surfaces turned extremely black. 

Measurements by Texas A&M University’s department of physics and astronomy confirmed that the material reflected less than one per cent of visible light, absorbing almost all the light that struck it. 

Instead of discarding this accidental finding, the team decided to shift their focus to designing super-black materials, contributing a new approach to the search for the darkest materials on Earth.

“Ultra-black or super-black material can absorb more than 99 per cent of the light that strikes it – significantly more so than normal black paint, which absorbs about 97.5 per cent of light,” explained Dr. Evans, a professor in the faculty of forestry and BC Leadership Chair in Advanced Forest Products Manufacturing Technology.

Super-black materials are increasingly sought after in astronomy, where ultra-black coatings on devices help reduce stray light and improve image clarity. Super-black coatings can enhance the efficiency of solar cells. They are also used in making art pieces and luxury consumer items like watches.

The researchers have developed prototype commercial products using their super-black wood, initially focusing on watches and jewelry, with plans to explore other commercial applications in the future.

Wonder wood

The team named and trademarked their discovery Nxylon (niks-uh-lon), after Nyx, the Greek goddess of the night, and xylon, the Greek word for wood. 

Most surprisingly, Nxylon remains black even when coated with an alloy, such as the gold coating applied to the wood to make it electrically conductive enough to be viewed and studied using an electron microscope. This is because Nxylon’s structure inherently prevents light from escaping rather than depending on black pigments.

The UBC team have demonstrated that Nxylon can replace expensive and rare black woods like ebony and rosewood for watch faces, and it can be used in jewelry to replace the black gemstone onyx.

“Nxylon’s composition combines the benefits of natural materials with unique structural features, making it lightweight, stiff and easy to cut into intricate shapes,” said Dr. Evans.

Made from basswood, a tree widely found in North America and valued for hand carving, boxes, shutters and musical instruments, Nxylon can also use other types of wood such as European lime wood.

Breathing new life into forestry

Dr. Evans and his colleagues plan to launch a startup, Nxylon Corporation of Canada, to scale up applications of Nxylon in collaboration with jewellers, artists and tech product designers. They also plan to develop a commercial-scale plasma reactor to produce larger super-black wood samples suitable for non-reflective ceiling and wall tiles. 

“Nxylon can be made from sustainable and renewable materials widely found in North America and Europe, leading to new applications for wood. The wood industry in B.C. is often seen as a sunset industry focused on commodity products—our research demonstrates its great untapped potential,” said Dr. Evans.

Other researchers who contributed to this work include Vickie Ma, Dengcheng Feng and Sara Xu (all from UBC’s faculty of forestry); Luke Schmidt (Texas A&M); and Mick Turner (The Australian National University).

Here’s a link to and a citation for the paper (and hat’s off to the writers for an accessible introduction),

Super-Black Material Created by Plasma Etching Wood by Kenneth J. Cheng, Dengcheng Feng, Luke M. Schmidt, Michael Turner, Philip D. Evans. Advanced Sustainable Systems DOI: https://doi.org/10.1002/adsu.202400184 First published: 16 June 2024

This paper is open access.

I can’t resist; this is such a good introduction, keeping in mind it’s written for an academic journal, from Super-Black Material Created by Plasma Etching Wood.

Super-black materials have very low reflectivity due to structural absorption of light.[1] They are attracting considerable scientific and industrial attention because of their important applications in many fields: astronomy,[2, 3] photovoltaics,[4, 5] and optical science,[6] among others. In these applications, super-black materials minimize unwanted reflection of light enabling devices to operate more accurately or efficiently.[6] In other fields, for example art and design, the attraction of super-black materials lies in their ability to create bizarre visual effects because of huge contrast between black and adjacent colored objects or surfaces.[7] This artistic application of super-black materials is analogous to the juxtaposition of super-black and brightly colored courtship display patches in birds and peacock spiders.[8, 9] In birds, super-black patches have been defined as those having less than 2% directional reflectance at normal incidence.[8] Reflectance values of super-black patches in 32 bird species ranged from 0.045 to 1.97% with an average of 0.94% (300–700 nm).[8] Other studies have associated super-blackness with reflectance values of 1%[10] or 0.5%.[3] Far lower reflectance values have been achieved with materials containing aligned carbon nanotubes (CNT), for example a low-density CNT array (0.045%),[11] the coating Vantablack (0.035%)[7] and a CNT-metal foil (0.005%).[12] The current holder of the “record” for a low reflectivity material (<0.0002%) is an ion-track micro-textured polymer with anti-backscatter matrix.[13]

The low reflectivity of materials such as Vantablack is due to the high absorption of light by graphene and the ability of vertical arrays of CNT to lower surface reflection.[6, 7] In the case of a low-density CNT array, its low reflectivity was ascribed to its random surface profile and presence of a loose network of entangled nanotubes, in addition to vertically oriented nanotubes.[11] Other structures can also be used to reduce reflectivity of synthetic materials including nanopores, and microcavities.[6] Even more diverse structures are found in natural super-black materials, including complex barbule microstructures in birds,[1] cuticular micro-lens arrays in peacock spiders,[9] and polydisperse honeycomb configurations in the wings of butterflies.[14] The structural features of butterfly wings have been used as biomimetic models to create super-black polymer films.[4, 10] This biomimetic route to creating super-black materials has the advantages that “the films are thinner than known alternatives and can be fabricated at lower temperatures via plasma-enhanced chemical vapor deposition, instead of being grown from CNT.”[4, 14]

Biomimicry of nature’s structural material par excellence, wood, is being used to create lightweight stiff and tough composites,[15, 16] but wood is not a model for the creation of super-black materials because even the darkest woods such as ebony (Diospyros spp.) or African blackwood (Dalbergia melanoxylon Guill. & Perr.) lack structural features that reduce reflectivity. Nevertheless, there is interest in using wood in applications where blackness is advantageous such as solar steam generation and desalination of water,[17-20] because wood is widely available, inexpensive, sustainable and can be fabricated into panels and objects. In these applications, wood is carbonized and retains its porous microstructure creating a black material with reflectivity of 3%.[18] The creation of additional porosity by micro-drilling the wood prior to carbonization further reduced reflectivity to 2%.[18] We serendipitously created a super-black wood during undirected investigations into the use of plasma etching to “machine” novel microstructures at basswood (Tilia americana L.) surfaces. We called this material Nxylon, a neologism created from Nyx (Greek goddess of the night) and xylon (Greek for wood materials). One of us published the reflectivity data for Nxylon in 2020.[21] Here we report on the structural features responsible for the super-blackness of Nxylon, describe how it is made and discuss its possible practical uses. During the preparation of this manuscript, we became aware of a novel approach to creating super-black wood involving high temperature carbonization of delignified balsa wood (Ochroma pyramidale (Cav. ex Lam.) Urb.).[22] This material is produced using “mature processing technologies” and can be used to create solid wood products with complex geometries. The surface plasma process we describe is liquid free, generates little waste and is more suited for the creation of super-black veneer which can be used on a small scale to manufacture luxury consumer products. Therein lies the novelty and significance of our work.

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The most comprehensive piece I’ve published on the topic of the ‘really, really black’ is in a December 4, 2019 posting, “More of the ‘blackest black’.” At that point, some new work on creating the blackest black (up to 99.99% and 99.995% light absorption, respectively) had come from the US National Institute of Standards and Technology (NIST) and the Massachusetts Institute of Technology (MIT). I also included the latest about an artistic feud over Vantablack (mentioned in the paper’s introduction) and its 99.8% light absorption and provided a link back to my earliest stories on Vantablack.

BC-based company (Aluula) partners with MaxSpace to make expandable habitats for astronauts to live on the moon in 2026

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The media advisory/news release about Aluula and its role in NASA’s (US National Aeronautics and Space Agency) proposed moon habitat was received via email back in June 2024. I’m glad I waited as I found a very detailed story by Devin Coldeway about the proposed moon habitat that wasn’t published until late July.2024.

First, some early news about Aluula and NASA, from an April 22, 2024 article by Nelson Bennett for Business in Vancouver,

A Victoria [British Columbia, Canada] composite materials company that developed a super-strong, lightweight polyethylene material used in a range out outdoor recreation equipment could soon be used by astronauts in space in inflatable space habitats.

Max Space, an American company that is developing expandable space habitats, is now incorporating composite materials made by Aluula Composites (TSX-V:AUUA).

Aluula’s innovation was developing a heat fusion process for working with ultra-high-molecular-weight polyethylene (UHMWPE) to make a super-tough lightweight material.

It is being used as part of a custom laminate that adds strength and durability to structural elements to the Max Space habitat, “making it possible to create a large living and working area at a fraction of the weight and transport costs of traditional crew modules,” Aluula said in a press release.

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Here’s more about the NASA mission from a January 3, 2024 NASA news release,

NASA announced Tuesday [January 2, 2024] updates to its Artemis campaign that will establish the foundation for long-term scientific exploration at the Moon, land the first woman and first person of color on the lunar surface, and prepare for human expeditions to Mars for the benefit of all. To safely carry out these missions, agency leaders are adjusting the schedules for Artemis II and Artemis III to allow teams to work through challenges associated with first-time developments, operations, and integration.

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With Artemis, NASA will explore more of the Moon than ever before, learn how to live and work away from home, and prepare for future human exploration of the Red Planet. NASA’s SLS (Space Launch System) rocket, exploration ground systems, and Orion spacecraft, along with the human landing system, next-generation spacesuits, Gateway lunar space station, and future rovers are NASA’s foundation for deep space exploration.

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The June 20, 2024 Aluula media advisory/news release (received via email) describes the company’s involvement this way,

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A small company on Canada’s west coast is playing a big role to help astronauts return to the moon in 2026.

ALUULA Composites recently signed an agreement with Max Space, an American company, to use its innovative composite material to build space habitats on the moon. The company’s ultra-high-molecular-weight polyethylene (UHMWPE) laminate will be used to create a large living and working area for NASA’s astronauts when they return to the moon in September 2026. 

The innovative material was selected because it has eight times the strength-to-weight ratio of steel and is extremely durable, which is ideal for space travel.

The first Max Space inflatable space habitat is slated to launch with SpaceX in 2026. The Max Space inflatables can be delivered into space in very small packages and then unfolded and expanded to create a much larger work space.

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Emily Mertz’s July 16, 2024 article for Global TV news provides a few more details, Note: Links have been removed,

A small West Coast company is helping astronauts return to the moon in 2026. ALUULA Composites has signed on to provide its durable, lightweight fabric to build space habitats.

The Max Space inflatables can be transported in very small packages and then expanded to create a much larger workspace.

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“It [Aluula’s ultra-high-molecular-weight polyethylene (UHMWPE) laminate] was actually originated by a bunch of engineers, chemists and wind sport enthusiasts. When you’re on the water, using a kite or a wing, you need something that’s very durable and very light and it was developed in that context.” [said ALUULA president and CEO Sage Berryman]

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The B.C. company, which is fairly young — it started in 2020 — is also committed to sustainability.

“It’s the first material that’s been done as a composite not using glues, so that also allows it to be recycled at the end of its useful life, which is pretty different in a material that’s polyethylene — plastic-based,” Berryman said.

“Our goal is to make products that are able to be fully circular and that’s an exciting thing as well.”

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“Having these opportunities to have these unique materials in unique applications is really exciting. And when you start talking about a project that’s not a huge project for us, but it’s huge in its meaningfulness, when you’re working with Max Space that’s working with NASA that’s going up on SpaceX, it is exciting,” she said.

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Mertz’s July 16, 2024 article contains some news videos and about the project and related space information.

Space habitat details

Devin Coldeway’s July 27, 2024 article for TechCrunch and republished yahoo! news tells a fascinating story about space habitats with a special emphasis on the one being developed for NASA’s Artemis campaign, Note: Links have been removed,

Max Space reinvents expandable habitats with a 17th-century twist, launching in 2026

Working and even living in space has shifted from far-off fantasy to seemingly inevitable reality, but the question remains: what exactly will the next generation of space habitation look like? For Max Space, the answer is clear, and has been for decades — centuries, even. A new generation of expandable habitats could offer both safety and enough room to stretch your legs, and the first one is going up in 2026.

The startup is led by Aaron Kemmer, formerly of Made in Space, and Maxim de Jong, an engineer who has studiously avoided the limelight despite being the co-creator of expandable habitats like the one currently attached to the International Space Station.

They believe that the breakout moment for this type of in-space structure is due to arrive any year now. By positioning themselves as a successor to — and fundamental improvement on — the decades-old designs being pursued by others, they can capture what may eventually be a multi-billion-dollar market.

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Expandable habitats go back a long ways, but their first real use was in the TransHab project at NASA in the 1990s, where the fundamental approach was developed.

Contrary to their appearance, expandables aren’t just big balloons. The visible outer layer is, like with many spacecraft, just a thin one to reflect light and dissipate heat. The structure and strength lie inside, and since Transhab the established convention has been the “basket weave” technique.

In this method, straps of kevlar and other high-strength materials are lined up in alternating directions and manually stitched together, and upon expansion form a surface like a woven basket, with the internal pressure distributed evenly across all the thousands of intersections.

Or at least, that’s the theory.

De Jong, through his company Thin Red Line Aerospace, worked successfully with Bigelow Aerospace to develop and launch this basket-weave structure, but he had his doubts from the start about the predictability of so many stitches, overlaps, and interactions. A tiny irregularity could lead to a cascading failure even well below safety thresholds.

“I looked at all these straps, and as a field guy I was thinking, this is a cluster. As soon as you’re over or under pressure, you don’t know what percentage of the load is going to be transferred in one direction or another,” he said. “I never found a solution for it.”

He was quick to add that the people working on basket-weave designs today (primarily at Sierra Nevada and Lockheed Martin) are extremely competent and have clearly advanced the tech far beyond what it was in the early 2000s, when Bigelow’s pioneering expandable habitats were built and launched. (Genesis I and II are still in orbit today after 17 years, and the BEAM habitat has been attached to the ISS since 2016.)

But mitigation isn’t a solution. Although basket-weave, with its flight heritage and extensive testing, has remained unchallenged as the method of choice for expandables, the presence of a sub-optimal design somewhere in the world haunted De Jong [sic], in the way such things always haunt engineers. Surely there was a way to do this that was strong, simple, and safe.

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Mylar and Bernoulli

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As he [de Jong] balefully contemplated the helium-filled Mylar, something about it struck him: “Every volume that you can put something in has load in two directions. A kid’s Mylar balloon, though… there are two discs and all these wrinkles — all the stress is on one axis. This is a mathematical anomaly!”

The shape taken by the balloon essentially redirects the forces acting on it so that pressure really only pulls in one direction: away from where the two halves connect. Could this principle be applicable at a larger scale? De Jong [sic] rushed to the literature to look up the phenomenon, only to find this structure had indeed been documented — 330 years ago, by the French mathematician James Bernoulli.

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This was both gratifying and perhaps a little humiliating, even if Bernoulli had not intended this interesting anomaly for orbital habitation.

“Humility will get you so far. Physicists and mathematicians knew all this, from the 17th century. I mean, Bernoulli didn’t have access to this computer — just ink on parchment!” he told me. “I’m reasonably bright, but nobody works in fabrics; in the land of the blind, the one eyed man is king. You have to be honest, you have to look at what other people are doing, and you have to dig, dig, dig.”

By forming Bernoulli’s shape (called an isotensoid) out of cords, or “tendons,” every problem with expandables more or less solves itself, De Jong [sic] explains.

“It’s structurally determinant. That means if I just take a cord of a certain length, that will define all the geometry: the diameter, the height, the shape — and once you have those, the pressure is the PSI at the equator, divided by the number of cords. And one cord doesn’t affect the others, you know exactly how strong one cord needs to be; everything is predictable,” he said.

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It’s stupidly simple to make.”

All the important forces are simply tension on these cords (96 of them in the prototypes, each rated to 17,000 pounds), pulling on anchors at either end of the shape. And as you might guess from suspension bridges and other high-tension structures, we know how to make this type of connection very, very strong. Gaps for docking rings, windows, and other features are simple to add.

The way the tendons deform can also be adjusted to different shapes, like cylinders or even the uneven interiors of a Moon cave. (De Jong [sic] was very excited about that news — an inflatable is a highly suitable solution for a lunar interior habitat.)

With the pressurized structure so reliable, it can be skinned with flight-tested materials already used to insulate, block radiation and micrometeoroids, and so on; since they aren’t load bearing, that part of the design is similarly simple. Yet the whole thing compresses to a pancake only a few inches thin, which can be folded up or wrapped around another payload like a blanket.

The biggest inflatables anyone has made, and we did with a team of five people in six months,” De Jong [sic] said — though he added that “the challenges of its correct implementation are surprisingly complex” and credited that team’s expertise.

What De Jong [sic] had done is discover, or perhaps rediscover, a method for making an enclosure in space that had comparable structural strength to machined metal, but using only a tiny fraction of the mass and volume. And he lost no time getting to work on it. But who would fly it?

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Thin Red Line has seen plenty of its creations go to orbit. But this new expandable faced a long, uphill battle. For spaceflight, established methods and technologies are strongly favored, leading to a catch-22: you need to go to space to get flight heritage, and you need flight heritage to go to space.

Falling launch costs and game investors have helped break this loop in recent years, but it’s still no simple thing to get manifested on a launch vehicle.

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… Max Space, a startup built specifically to commercialize the new approach — the name is both a reference to having more space in space, and a tribute to (Maxim) De Jong, whom Kemmer [Aaron Kemmer, cp-founder] thought deserved a bit more recognition after working for decades in relative anonymity (“which suits me just fine,” he noted).

Their first mission will launch in 2026 aboard a SpaceX rideshare vehicle, and act as a proof of concept so they can get flight heritage, which is one advantage extant expandables have over isotensoids.

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If you have the time and the interest, Coldeway’s July 27, 2024 article is a good read with a lot of informative images such as this one

Caption: The 20-cubic-meter habitat deflated to a 2-cubic-meter pancake, or “planar configuration.” Credit: Max Space? [downloaded from https://ca.news.yahoo.com/max-space-reinvents-expandable-habitats-150000556.html]

Aluula can be found here.

One last thing, it looks like the deal was originally announced with Thin Red Line Aerospace in a December 12, 2022 Aluula news release,

We are excited to announce that ALUULA Composites is supporting Thin Red Line Aerospace in the development of leading-edge application hardware for future NASA lunar and Mars missions. 

“Their unique range of technical attributes combined with impressive strength to weight ratio specifications, make ALUULA Composite materials very well suited to the demanding requirements of technology in space.” Stated Thin Red Line Aerospace President, Maxim de Jong. 

“We continue to find new and exciting ways in which our process enables and enhances composite materials to satisfy very specific technical objectives, and our work with Thin Red Line is another great example of what is possible with our materials and unique expertise.” Said ALUULA Composites COO, John Zimmerman. 

Air & Cosmos International Announcement: https://aircosmosinternational.com/article/aluula-composites-selected-for-future-nasa-lunar-and-mars-missions-3364

JEC Composites Announcement: https://www.jeccomposites.com/news/aluula-composites-selected-for-future-nasa-mars-missions/ 

I guess they needed one more player, i.e., Max Space, to get ready for the launch.

Invitation to collect data during April 8, 2024 eclipse for US National Aeronautics and Space Administration (NASA)

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An April 2, 2024 news item on phys.org is, in fact, an open invitation to participate in data collection for NASA during the April 8, 2024 eclipse,

On April 8, 2024, as the moon passes between the sun and Earth, thousands of amateur citizen scientists will measure air temperatures and snap pictures of clouds. The data they collect will aid researchers who are investigating how the sun influences climates in different environments.

Among those citizen scientists are the fifth- and sixth-grade students at Alpena Elementary in northwest Arkansas. In the weeks leading up to the eclipse, these students are visiting the school’s weather station 10 times a day to collect temperature readings and monitor cloud cover. They will then upload the data to a phone-based app that’s part of a NASA-led program called GLOBE, short for Global Learning and Observations to Benefit the Environment.

The goal, according to Alpena Elementary science and math teacher Roger Rose, is to “make science and math more real” for his students. “It makes them feel like they’re doing something that’s important and worthwhile.”

The GLOBE eclipse tool is a small part of the much broader GLOBE project, through which students and citizen scientists collect data on plants, soil, water, the atmosphere, and even mosquitoes. Contributors to the eclipse project will only need a thermometer and a smartphone with the GLOBE Observer app downloaded. They can access the eclipse tool in the app. [emphases mine]

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An April 1, 2024 NASA article by James Riordon, which originated the news item, provides more information about the GLOBE program and the hopes for the April 8, 2024 eclipse initiative,

This is not the first time the GLOBE eclipse tool has been deployed in North America. During the 2017 North American eclipse, NASA researchers examined the relationship between clouds and air temperature and found that temperature swings during the eclipse were greatest in areas with less cloud cover, while temperature fluctuations in cloudier regions were more muted. It’s a finding that would have been difficult, perhaps impossible, without the assistance of numerous amateur observers along the eclipse path, said Marilé Colón Robles, a meteorologist based at NASA’s Langley Research Center in Hampton, Virginia, and the GLOBE project scientist overseeing the cloud study portion of the project.

GLOBE program volunteers across North America uploaded data coinciding with the July 21, 2017 event to this map. A high concentration of observers make the path of totality in the western part of the U.S. stand out. Credit: NASA Globe program

The number of weather stations along this year’s eclipse path is limited, and while satellites give us a global view, they can’t provide the same level of detail as people on the ground, said Ashlee Autore, a NASA Langley data scientist who will be conducting a follow-up to the 2017 study. “The power of citizen science is that people make the observations, and they can move.”

It’s still unclear how temperature fluctuations during a total eclipse compare across different climate regions, Colón Robles said. “This upcoming eclipse is passing through desert regions, mountainous regions, as well as more moist regions near the oceans.” Acquiring observations across these areas, she said, “will help us dig deeper into questions about regional connections between cloud cover and ground-level temperatures.” The studies should give scientists a better handle on the flow of energy from the Sun that’s crucial for understanding climate.

In many areas, citizen scientists are expected to gather en masse. “We’re inviting basically all of El Paso to campus,” said geophysicist and GLOBE partner John Olgin of El Paso Community College in Texas. The area will experience the eclipse in near totality, with about 80% of the Sun covered at the peak. It’s enough to make for an engaging event involving citizen scientists from the U.S. and Juarez, Mexico, just across the Rio Grande. 

Just a few minutes of midday darkness will have the long-term benefits of increasing awareness of NASA citizen science programs, Olgin said: “It’s going to inspire people to say, ‘Hey look, you can actually do stuff with NASA.’”

More than 30 million people live along the path of the 2024 eclipse, and hundreds of millions more will see a partial eclipse. It will be another 20 years before so many people in North America experience another total solar eclipse again.

With this in mind, Colón Robles has a piece of advice: As the Moon actively blocks the Sun, set your phone and thermometer aside, and marvel at one of the most extraordinary astronomical events of your lifetime.

Visit NASA’s Citizen Science page to learn how you can help NASA scientists study the Earth during eclipses and all year round. The GLOBE Program page provides connections to communities of GLOBE participants in 127 countries, access to data for retrieval and analysis, a roadmap for new participants, and other resources.

For anyone who wants to experience all of the ways that NASA has made their citizen science April 2024 eclipse projects accessible there’s NASA’s ‘general eclipse’ webpage.

Transformative potential of Martian nanomaterials

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Yes, nanomaterials from Mars! A December 21, 2023 news item on Nanowerk makes the proposition, Note: A link has been removed,

Researchers at the University of Sussex have discovered the transformative potential of Martian nanomaterials, potentially opening the door to sustainable habitation on the red planet. They published their findings in (“Quasi–1D Anhydrite Nanobelts from the Sustainable Liquid Exfoliation of Terrestrial Gypsum for Future Martian-Based Electronics”).

Using resources and techniques currently applied on the International Space Station [ISS] and by NASA [US National Aeronautics and Space Administration], Dr Conor Boland, a Lecturer in Materials Physics at the University of Sussex, led a research group that investigated the potential of nanomaterials – incredibly tiny components thousands of times smaller than a human hair – for clean energy production and building materials on Mars.

Taking what was considered a waste product by NASA and applying only sustainable production methods, including water-based chemistry and low-energy processes, the researchers have successfully identified electrical properties within gypsum nanomaterials – opening the door to potential clean energy and sustainable technology production on Mars.

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A December 21, 2023 University of Sussex press release (also on EurekAlert) by Stephanie Allen, which originated the news item, features the lead researcher’s hopes for the discovery, Note: A link has been removed,

Dr Conor Boland, said: 

“This study shows that the potential is quite literally out of this world for nanomaterials. Our study builds off recent research performed by NASA and takes what was considered waste, essentially lumps of rock, and turns it into transformative nanomaterials for a range of applications from creating clean hydrogen fuel to developing an electronic device similar to a transistor, to creating an additive to textiles to increase their robustness.

“This opens avenues for sustainable technology – and building – on Mars but also highlights the broader potential for eco-friendly breakthroughs here on Earth.”

To make the breakthrough the researchers used NASA’s innovative method for extracting water from Martian gypsum, which is dehydrated by the agency to get water for human consumption. This produces a byproduct called anhydrite—considered waste material by NASA, but now shown to be hugely valuable.

The Sussex researchers processed anhydrite into nanobelts –  essentially tagliatelle-shaped materials – demonstrating their potential to provide clean energy and sustainable electronics. Furthermore, at every step of their process, water could be continuously collected and recycled.

Dr Boland added: 

“We are optimistic of the feasibility of this process on Mars, as it requires only naturally occurring materials – everything we used could, in theory, be replicated on the red planet. Arguably this is the most important goal in making the Martian colony sustainable from the outset.”

While full-scale electronics production may be impractical on Mars due to the lack of clean rooms and sterile conditions, the anhydrite nanobelts hold promise for clean energy production on Earth, and could, later down the line, still have a profound effect on sustainable energy production on Mars.

Here’s what a Martian nanomaterial looks like,

Caption: Two raw rocks used by the researchers (left). Vials show the nanobelts in water, with a close up of the actual nanobelts (right). Credit: University of Sussex

Here’s a link to and a citation for the paper,

Quasi–1D Anhydrite Nanobelts from the Sustainable Liquid Exfoliation of Terrestrial Gypsum for Future Martian-Based Electronics by Cencen Wei, Abhijit Roy, Adel K. A. Aljarid, Yi Hu, S. Mark Roe, Dimitrios G. Papageorgiou, Raul Arenal, Conor S. Boland. Advanced Functional Materials DOI: https://doi.org/10.1002/adfm.202310600 First published: 14 December 2023

This paper is open access.