Category Archives: space exploration

Electronics repairs in space made possible with nanoink and 3D printing?

Researchers — as well as a toy Cy the Cyclone — test their nanoink and printer technologies during a NASA microgravity flight. Pictured, left to right, are: Fei Liu, Yanhua Huang, Matthew Marander, Xuepeng Jiang and Pavithra Premaratne. Photo courtesy of Shan Jiang.

They’re not making any promises but there are possibilities according to a November 21, 2024 news item on phys.org,

An Iowa State University engineer floats in the air while other researchers hang tight to a metal frame surrounding and supporting their special printer. [A Cy the Cyclone toy mascot all dressed up as an astronaut also floats above the busy researchers hunched over their experiment.] It’s not the usual photo you see in a research paper. Tests aboard microgravity flights aren’t your typical materials experiments, either.

A November 20, 2024 Iowa State University news release (also on EurekAlert but published November 21, 2024), which originated the news item, shows where curiosity can take you,

The flight path to these experiments began when a research team led by Iowa State’s Shan Jiang, an associate professor of materials science and engineering, and Hantang Qin, formerly of Iowa State who’s now an assistant professor of industrial and systems engineering at the University of Wisconsin-Madison, wondered if their ink and printer technologies would work in the zero gravity of space.

The ink features silver nanoparticles synthesized with biobased polymers. After a heat treatment, the ink can conduct electricity and can therefore print electric circuits. The printer uses electrohydrodynamic printing, or 3D printing that jets ink under an electric field at resolutions of millionths of a meter. The electric field could eliminate the need for gravity to help deposit ink.

If the technologies work together in zero gravity, astronauts could use them to make electric circuits for spacecraft or equipment repairs. And astronauts might manufacture high-value electronic components in the special, zero-gravity environment of space.

NASA [(US) National Space and Aeronautics Agency] wondered if it would work, too.

Diving into microgravity

Researchers bolted the printer to the floor of a jet and prepared for a “roller coaster, basically,” Jiang said.

The NASA plane would continuously climb and dive, going in cycles from about 24,000 feet over Florida to 32,000 feet then back to 24,000. The dive phase produced about 10 seconds of pure zero gravity.

“It was exciting and new,” Jiang said.

Motion sickness was a problem for some. Others enjoyed the thrill of it. Jiang felt “frozen” the first time he experienced microgravity. “I was blank.”

But that didn’t last: “There was so much time and investment in this project. We wanted to achieve good results.”

But printing for a few seconds at a time on a microgravity flight “is a very challenging experiment,” Jiang said. “It’s so easy on the ground where everything is stable. But if anything gets loose during the flight, you lose your printing.”

The first microgravity flight was a good example. The printer wasn’t adequately secured against the plane’s shakes and vibrations.

“These are very intense experiments that require a lot of teamwork and preparation,” Jiang said.

So, the team went back to work, made some changes, made more test flights and produced better results.

“This proof-of-concept microgravity experiment proves the unique capability of (electrohydrodynamic) printing under zero-gravity conditions and opens a new venue for future on-demand manufacturing in space,” the researchers wrote in a paper published by the journal American Chemical Society Applied Materials & Interfaces. (…)

Making a new nanoink

The key innovation by Jiang’s research group was developing a new laboratory method to synthesize the ink with its silver nanoparticles.

“This is a new combination of materials and so we needed a new recipe to make the ink,” Jiang said.

Grants from the NASA Iowa Space Grant Consortium and the NASA Iowa Established Program to Stimulate Competitive Research supported the project.

Both programs “strive to support innovative and leading research in Iowa,” said Sara Nelson, director of the programs and an Iowa State adjunct assistant professor of aerospace engineering. “We are thrilled to have supported Dr. Jiang’s research. His work has helped to build Iowa’s research infrastructure and is an important part of NASA’s strategic mission.”

The project also makes use of an abundant Iowa resource, plant biomass.

The ink includes a biobased polymer called 2-hydroxyethyl cellulose, which is typically used as a thickening agent. But it is also a cost-effective, biocompatible, versatile and stable material for the inks necessary for high-resolution ink jet printing under an electric field.

“There is a lot of biomass in Iowa,” Jiang said. “So, we’re always trying to use these biobased molecules. They make a wonderful polymer that does all the tricks for us.”

Jiang called that “the biggest surprise of this research. We didn’t know that before. Now we know what we can do with these biobased polymers.”

The Iowa State University Research Foundation has filed a patent on the new nanoink and the technology is currently available for licensing.

“This success is really just the beginning,” Jiang said. “As humanity ventures deeper into space, the need for on-demand manufacturing of electronics in orbit is no longer science fiction; it is a necessity.”

Next up for the researchers could be development of 3D space printing for other electronic components such as semiconductors.

After all, Jiang said, “You can’t just make one component and assemble an electronic device.”

Here’s a link to and a citation for the paper,

Silver Nano-Inks Synthesized with Biobased Polymers for High-Resolution Electrohydrodynamic Printing Toward In-Space Manufacturing by Tyler Kirscht, Liangkui Jiang, Fei Liu, Xuepeng Jiang, Matthew Marander, Ricardo Ortega, Hantang Qin, Shan Jiang. ACS Appl. Mater. Interfaces 2024, 16, 33, 44225–44235 DOI: https://doi.org/10.1021/acsami.4c07592 Published: July 30, 2024 Copyright © 2024 American Chemical Society

This paper is behind a paywall.

Spotlighting space science and transformative science at SXSW 2025 March 7 – 15, 2025

Thank goodness for Julian Dossett’s March 3, 2025 posting on space.com for helping me find the science (more or less) oriented events at the upcoming 2025 South by Southwest (SXSW) Conference and Festivals in Austin, Texas, US.

Space

Dossett’s March 3, 2025 posting describes the best (always a subjective category) space-themed panels,

Meet the astronauts flying on NASA’s Artemis 2 moon mission

March 7 from 11:30 a.m. to 12:30 p.m. CST, Austin Convention Center, Ballroom EF

Learn about Europe’s Euclid ‘dark universe’ space telescope

March 10 from 2:30 p.m. to 3:30 p.m. CST; Austin Marriott Downtown, Waterloo Ballroom 1-2

The era of the private moon lander

March 10 at 4:00 p.m. to 5:00 p.m. CST; Austin Marriott Downtown, Waterloo Ballroom 1-2

Telescopes of the future

March 9 from 11:30 a.m. to 12:30 p.m. CST; Austin Marriott Downtown, Waterloo Ballroom 3

The US National Aeronautics and Space Administration (NASA)has a complete list of their events on its NASA Events at South by Southwest 2025 webpage, Note: The first event listed here is pre-SXSW 2025’s March 7 – 15, 2025 conference/festival,

Perspectives on Working at Scale in K-12 STEAM [science, technology, engineering, arts, mathematics] Education

March 6 at 10 a.m. CST

A growing focus of workforce development efforts are linkages to K-12 in and out-of-school time programs that spark curiosity in STEAM. A cross-section of organizations from the non-profit, commercial and government sector who have used high interest content to build and scale programs in the US and beyond will share lessons learned and perspectives. Topics include building community and youth voice in design, engaging the entire STEM ecosystem, supporting educators and stakeholders in implementation, along with lessons on evaluation and metrics. More Details about Perspectives on Working at Scale in K-12 STEAM Education

Featured Session: Meet the Astronauts Going to the Moon with NASA’s Artemis II

March 7 at 11:30 a.m. CST

Fly me to the Moon! Learn firsthand from the Moon-bound astronauts of NASA’s Artemis II mission, the first crewed mission to deep space in over half a century. Following the successful Artemis I flight test in 2022, Artemis II will test the deep exploration systems needed to establish long-term infrastructure for human lunar exploration. Take a walk in their spacesuits as they share their stories before their much-anticipated flight. More Details

NASA’s Science and Art of Imaging Extra-Terrestrial Samples

March 7 at 2:30 p.m. CST

Meet NASA’s artists and scientists who use specialized imaging techniques to bring extra-terrestrial samples to the public and important data to scientists. From ultra high-resolution photographs to X-ray computed tomography (XCT) that allows you to virtually slice through Moon rocks, meteorites, and the OSIRIS-REx asteroid Bennu samples, their work opens access to other-worldly geologic treasures and could help answer questions about the early days of our solar system. More Details

NASA House: CreateSpace

March 8 at 10 a.m. CST

NASA’s CreateSpace transforms Austin’s Central Library into an immersive experience where visitors don’t just learn about space – they help shape it. Spanning multiple floors of this state-of-the-art library in the heart of downtown Austin, CreateSpace blends hands-on creation, interactive exhibits, and sensory experiences that showcase NASA’s full spectrum of exploration and discovery. Local families will discover through self-guided adventures, while innovation leaders can engage with NASA data and expertise. CreateSpace invites everyone to explore space science through their own lens – whether that’s art, music, technology, or pure imagination. More Details

Performing Space: Weaving Art and Science on the Stage

March 8 at 4 p.m. CST

The intersection of art and science is a consistent hot topic in communication theory, the art realm, academic research, and related industries. Join professionals from NASA’s Jet Propulsion Laboratory, the Los Angeles Department of Cultural Affairs, and the University of California Los Angeles (UCLA) to discuss projects, research, and communication strategies focused on the relationship between science and the arts that can be brought to the stage to inspire audiences from various backgrounds. A special performance viewing will follow this panel. More Details

NASA’s Love Letter: Stunning Webb Images and More

March 9 at 10 a.m. CDT

Join us for an extraordinary journey through the cosmos, guided by stunning images from NASA’s James Webb Space Telescope and other cutting-edge observatories. This session offers a rare opportunity to explore the most distant galaxy ever observed, delve into the atmosphere of an extraterrestrial planet, and marvel at stunningly beautiful star nurseries. Featuring insights from NASA’s Astrophysicists Amber Straughn, Stefanie Milam, and Knicole Colón, our panel will discuss how these groundbreaking observatories are transforming our understanding of the universe. Moderated by Laura Betz. More Details

..

NASA Uses Space Tech to Tackle Earth’s Food and Water Issues

March 9 at 2:30 p.m. CDT

In this era of satellite technology, Earth-observing data plays a crucial role in managing food production, farming, and water resources. NASA uses satellite data and advanced technology to gain profound insights into Earth’s systems and the vital environments that sustain us with food and water. By utilizing space-based observations, cutting-edge computer modeling, and AI/ML, NASA collaborates with partner agencies, organizations, farmers, ranchers, fishermen, and global decision-makers to address the challenges related to food and water on Earth. More Details

Through Astronaut Eyes: VR Propels Deep Space Exploration

March 10 at 10 a.m. CDT

Discover how cutting-edge virtual reality technology is revolutionizing deep space exploration. This panel will delve into the ways VR is being used at NASA to simulate and plan next-gen Artemis missions, design spacecraft, help ensure astronaut’s safety, and more. Explore how VR is not just a tool but a transformative technology that is unlocking new frontiers, making the impossible achievable, and preparing humanity for its next giant leap. More Details

Using ESA’s Euclid Telescope To Probe The Dark Universe

March 10 at 2:30 p.m. CDT

95% of the universe is dark: dark matter and dark energy. While we cannot observe them directly, an incredible amount of information about the dark universe is encoded in the shapes, positions, and motions of galaxies. The European Space Agency’s Euclid telescope (with contributions from NASA), launched in July 2023, is the first telescope purpose built to understand the dark universe. Euclid will survey 2 billion galaxies, generating a huge data set that will transform astrophysics using innovative AI/machine learning tools. Euclid’s first release of survey data will be in March 2025. More Details about Using ESA’s Euclid Telescope To Probe The Dark Universe

NASA’s Quesst To Change The Supersonic Speed Limit

March 11 at 10 a.m. CDT

NASA’s Quesst mission may open the future to a new market of commercial supersonic air travel by cutting flight times in half. Learn more about the 50+ year old ban on commercial supersonic travel over land and what NASA is doing to change the speed limit in the sky to a sound limit.
The Quesst mission’s goals are to design and build NASA’s X-59 research aircraft with technology that reduces the loudness of a sonic boom and fly the X-59 over several U.S. communities to gather data on public responses to the sound generated during supersonic flight and deliver that data set to regulators. More Details

NASA and the Next Frontier in the Battle Against Cancer

March 11 at 11:30 a.m. CDT

Research on the International Space Station has already led to drug and therapy breakthroughs for cancer patients on Earth, with more advancements ahead. NASA is working with the U.S. Department of Health and Human Services and researchers across the federal government to help cut the nation’s cancer death rate by at least 50% in the next 25 years, a goal of the administration’s Cancer Moonshot. Join NASA and industry leaders to discuss the transformative potential of space for cancer research and its promising future, and learn how you can get involved.. More Details

Live, From Space! Visualizing the Future With NASA

March 11 at 11:30 a.m. CDT

For over six decades, NASA has led the way in exploring the cosmos, from historic Moon landings and planetary missions to deploying space telescopes, deflecting asteroids, and returning samples to Earth. By sending both humans and robots equipped with advanced instruments and cameras, NASA offers an immersive journey into the universe, unraveling mysteries about our cosmic existence. Join a panel of communications and imagery experts as they provide a look into NASA’s visual triumphs and preview the innovations that will bring viewers along for the ride as we head back to the Moon and beyond. More Details

Messaging the Moon: Collaborative Storytelling in Space Exploration

March 11 at 2:30 p.m. CDT

NASA is working with the commercial space industry in support of establishing a lunar economy. These Moon missions require advanced coordination and planning to support communication campaign goals across multiple stakeholders and audiences. With so many stakeholders involved, synchronization is the key for success. Join NASA and the first American commercial companies co-piloting this mission to discuss how they’ve refined their approach to collaborative messaging while working toward an actual moonshot. More Details

Transformative science

A March 3, 2025 University of California at San Diego (UC San Diego or UCSD) news release (also on EurekAlert) highlights their participation in the 2025 SXSW programme, which includes an unexpected foray into the world of K-pop and BTS,

The South by Southwest (SXSW) Conference and Festivals — a renowned convergence of pioneers, storytellers, and global visionaries — will take place this year from March 7-15 in Austin, Texas, bringing together a vibrant mix of ideas and innovations. Once again, UC San Diego will take center stage, showcasing cutting-edge research, transformative discussions on critical global challenges and a film premiere.

“UC San Diego’s participation in the 2025 South by Southwest Conference and Festivals reinforces our institution’s passion for interdisciplinary innovation and our commitment to leveraging the intersection of technology, art and science to drive positive change,” said Chancellor Pradeep K. Khosla. “At SXSW, our researchers, innovators and creatives will come together with global visionaries to showcase cutting-edge solutions, spark meaningful conversations, and ignite new ideas that can help address the world’s most pressing challenges.”

From tackling climate change to exploring human longevity and studying cancer in space, UC San Diego’s brightest minds will be featured prominently in a series of thought-provoking presentations, panels and the world premiere of a documentary feature.

Details for each UC San Diego-affiliated event are below, and events are accessible to SXSW attendees unless noted otherwise.

At the panel, The Quest to Capture Carbon and Bend the Curve, Ralph Keeling, Ph.D., a climate scientist and director of the Scripps CO2 Program at UC San Diego’s Scripps Institution of Oceanography, will delve into how rising greenhouse gas emissions are impacting our planet and the new technologies emerging to capture carbon. The panel will discuss what it will take to  reduce atmospheric carbon dioxide and the collaborative efforts required to achieve a more sustainable future.

The Guardians of Youth: Stem Cells & Human Longevity presenter Rob Signer, Ph.D., associate professor of medicine and deputy director of the Stem Cell Discovery Center at the UC San Diego Sanford Stem Cell Institute (SSCI), is presenting a pioneering shift in biomedical science by tackling aging as the fundamental driver of diseases like cancer and Alzheimer’s. By positioning stem cells as the blueprint for longevity, this transformative approach is paving the way for a new era in treating age-related diseases at its very core.

Reconstructing the Human Brain in the Lab” presenter Alysson Muotri, Ph.D., professor of medicine and director of the UC San Diego SSCI Integrated Space Stem Cell Orbital Research Center, will showcase how brain organoids — tiny, lab-grown brain-like structures — are unlocking the secrets of brain evolution, consciousness, and aging. Muotri will also discuss how studying these organoids aboard the International Space Station advances interplanetary exploration and medical research.

The NASA and the Next Frontier in the Battle Against Cancer” panel will feature Catriona Jamieson, M.D., Ph.D., professor of medicine and director of the UC San Diego Sanford Stem Cell Institute, alongside NASA scientists. This groundbreaking discussion will explore how research conducted in microgravity is driving new breakthroughs in cancer treatments, delivering hope to patients on Earth.

The panel, Want to Achieve Health Equity? Democratize Health Data, will bring together Jamieson and Muotri to advocate for democratizing access to health data. By empowering patients to take charge of their health care, the panel will propose actionable steps to bridge health equity gaps.

Finally, the documentary feature “Forever We Are Young” will make its world premiere at SXSW 2025. The documentary – co-directed by Patty Ahn, Ph.D., UC San Diego associate teaching professor of communication, with esteemed documentary filmmaker Grace Lee – dives into the passionate fandom that catapulted the K-pop band BTS into a global household name and captures the powerful spirit of activism and collectivity that make BTS fans a symbol of hope and unity in our ever-fractured world.

SXSW 2025 and its 2050 track (the sciencish sessions)

I found an October 22, 2024 SXSW news release by Jordan Roberts with a preliminary announcement of the various programme tracks for the 2025 SXSW conference, which includes some information about the 2050 track,

Each year, we call upon our incredible creative community to help select the bold ideas for the next SXSW conference through PanelPicker®, our official session proposal and voting platform. From those community votes, insights from our dedicated staff, and guidance from our PanelPicker Evaluators, we’re thrilled to announce over 450 sessions for the 2025 SXSW Conference.

“The SXSW Conference always delivers fresh, forward-thinking and fun content. The sessions announced today once again embody this spirit of innovation and discovery. Come to Austin in March to be informed and inspired by so many thought-leaders from so many different industries who lend their creativity to the life-changing experience that is SXSW.” – Hugh Forrest, Co-President and Chief Programming Officer

Human belonging and connection is a powerful theme across the 2025 Conference programming. Whether it’s examining the line between how tech and AI can bring us closer together or push us apart, or diving into new markets and opportunities, these sessions will inspire new perspectives and help us shape a future we’re excited to step into.

Below is a snapshot of the hundreds of speakers, across 23 curated tracks, who will spark conversations, creativity, and ideas for positive change that will last well beyond March. These industry experts hail from a range of cutting-edge and innovative institutions, including Adidas, Atlantic Records, Electronic Frontier Foundation, Epic Games, Forbes, Frontline, Google, IBM, IDEO, Major League Soccer, McKinsey, Microsoft, NASA, National Basketball Association, Netflix, Scale AI, The Atlantic, VMWare, and Zillow.

And this is just the first announcement! We’re still adding programming, including music demo listening sessions, opportunities for continuing legal education and much more to the March conference lineup. Stay tuned for more information by subscribing to event updates or follow us on LinkedIn, Instagram, Facebook and X for more announcements all season long.

Session Highlights By Track

2050

March 7-10 | The 2050 track focuses on long-term, big-picture thinking with an emphasis on scientific discovery. The programming features topics ranging from quantum computing and space exploration to robotics and foresight best practices — and beyond.

Here are a couple of events that caught my eye, from the 2050 track of the 2025 SXSW conference (sorry, forgot to link to the 2050 page and can’t find it again), Note: For the following, I have kept only the link to the session.

Talking Telescopes: The Future of American Observation

Mar 9, 2025 11:30am – 12:30pm CT Austin Marriott Downtown / Waterloo Ballroom 3

Type: Session

Format: Presentation

Track: 2050

Tag: Space

Octavia Knew: How Black Women are Predicting the Future

Octavia Knew: How Black Women are Predicting the Future

Mar 9, 2025 11:30am – 12:30pm CT Austin Marriott Downtown / Waterloo Ballroom 1-2

Type: Session

Format: Panel

Track: 2050

Tag: Women

Tag: DEIB

Tag: Futurism

Preparing for a Quantum Leap

Mar 9, 2025 2:30pm – 3:30pm CT Austin Marriott Downtown / Waterloo Ballroom 1-2

Type: Session

Format: Panel

Track: 2050

Tag: Futurism

Tag: Quantum

Hindsight to Foresight: Indigenous Wisdom for the Future

Mar 10, 2025 11:30am – 12:30pm CT Museum of the Future

Presented by: Dubai Future Foundation

Type: Session

Format: Panel

Track: 2050

Tag: MENA Voices

Tag: Futurism

Tag: Community

Final note: for anyone unfamiliar with Octavia E. Butler, from her Wikipedia entry, Note: Links have been removed,

Octavia Estelle Butler (June 22, 1947 – February 24, 2006) was an American science fiction writer who won several awards for her works, including Hugo, Locus, and Nebula awards. In 1995, Butler became the first science-fiction writer to receive a MacArthur Fellowship.[2][3]

Good luck with finding your way around the website and around SXSW 2025 in Austin, Texas.

FrogHeart’s 2024 comes to an end as 2025 comes into view

First, thank you to anyone who’s dropped by to read any of my posts. Second, I didn’t quite catch up on my backlog in what was then the new year (2024) despite my promises. (sigh) I will try to publish my drafts in a more timely fashion but I start this coming year as I did 2024 with a backlog of two to three months. This may be my new normal.

As for now, here’s an overview of FrogHeart’s 2024. The posts that follow are loosely organized under a heading but many of them could fit under other headings as well. After my informal review, there’s some material on foretelling the future as depicted in an exhibition, “Oracles, Omens and Answers,” at the Bodleian Libraries, University of Oxford.

Human enhancement: prosthetics, robotics, and more

Within a year or two of starting this blog I created a tag ‘machine/flesh’ to organize information about a number of converging technologies such as robotics, brain implants, and prosthetics that could alter our concepts of what it means to be human. The larger category of human enhancement functions in much the same way also allowing a greater range of topics to be covered.

Here are some of the 2024 human enhancement and/or machine/flesh stories on this blog,

Other species are also being rendered ‘machine/flesh’,

The year of the hydrogel?

It was the year of the hydrogel for me (btw, hydrogels are squishy materials; I have more of a description after this list),

As for anyone who’s curious about hydrogels, there’s this from an October 20, 2016 article by D.C.Demetre for ScienceBeta, Note: A link has been removed,

Hydrogels, materials that can absorb and retain large quantities of water, could revolutionise medicine. Our bodies contain up to 60% water, but hydrogels can hold up to 90%.

It is this similarity to human tissue that has led researchers to examine if these materials could be used to improve the treatment of a range of medical conditions including heart disease and cancer.

These days hydrogels can be found in many everyday products, from disposable nappies and soft contact lenses to plant-water crystals. But the history of hydrogels for medical applications started in the 1960s.

Scientists developed artificial materials with the ambitious goal of using them in permanent contact applications , ones that are implanted in the body permanently.

For anyone who wants a more technical explanation, there’s the Hydrogel entry on Wikipedia.

Science education and citizen science

Where science education is concerned I’m seeing some innovative approaches to teaching science, which can include citizen science. As for citizen science (also known as, participatory science) I’ve been noticing heightened interest at all age levels.

Artificial intelligence

It’s been another year where artificial intelligence (AI) has absorbed a lot of energy from nearly everyone. I’m highlighting the more unusual AI stories I’ve stumbled across,

As you can see, I’ve tucked in two tangentially related stories, one which references a neuromorphic computing story ((see my Neuromorphic engineering category or search for ‘memristors’ in the blog search engine for more on brain-like computing topics) and the other is intellectual property. There are many, many more stories on these topics

Art/science (or art/sci or sciart)

It’s a bit of a surprise to see how many art/sci stories were published here this year, although some might be better described as art/tech stories.

There may be more 2024 art/sci stories but the list was getting long. In addition to searching for art/sci on the blog search engine, you may want to try data sonification too.

Moving off planet to outer space

This is not a big interest of mine but there were a few stories,

A writer/blogger’s self-indulgences

Apparently books can be dangerous and not in a ‘ban [fill in the blank] from the library’ kind of way,

Then, there are these,

New uses for electricity,

Given the name for this blog, it has to be included,

  • Frog saunas published September 15, 2024, this includes what seems to be a mild scientific kerfuffle

I’ve been following Lomiko Metals (graphite mining) for a while,

Who would have guessed?

Another bacteria story,

New crimes,

Origins of life,

Dirt

While no one year features a large number of ‘dirt’ stories, it has been a recurring theme here throughout the years,

Regenerative medicine

In addition to or instead of using the ‘regenerative medicine’ tag, I might use ’tissue engineering’ or ’tissue scaffolding’,

To sum it up

It was an eclectic year.

Peering forward into 2025 and futurecasting

I expect to be delighted, horrified, thrilled, and left shaking my head by science stories in 2025. Year after year the world of science reveals a world of wonder.

More mundanely, I can state with some confidence that my commentary (mentioned in the future-oriented subsection of my 2023 review and 2024 look forward) on Quantum Potential, a 2023 report from the Council of Canadian Academies, will be published early in this new year as I’ve almost finished writing it.

As for more about the future, I’ve got this, from a December 3, 2024 essay (Five ways to predict the future from around the world – from spider divination to bibliomancy) about an exhibition by Michelle Aroney (Research Fellow in Early Modern History, University of Oxford) and David Zeitlyn (Professor of Social Anthropology, University of Oxford) in The Conversation (h/t December 3, 2024 news item on phys.org), Note: Links have been removed

Some questions are hard to answer and always have been. Does my beloved love me back? Should my country go to war? Who stole my goats?

Questions like these have been asked of diviners around the world throughout history – and still are today. From astrology and tarot to reading entrails, divination comes in a wide variety of forms.

Yet they all address the same human needs. They promise to tame uncertainty, help us make decisions or simply satisfy our desire to understand.

Anthropologists and historians like us study divination because it sheds light on the fears and anxieties of particular cultures, many of which are universal. Our new exhibition at Oxford’s Bodleian Library, Oracles, Omens & Answers, explores these issues by showcasing divination techniques from around the world.

1. Spider divination

In Cameroon, Mambila spider divination (ŋgam dù) addresses difficult questions to spiders or land crabs that live in holes in the ground.

Asking the spiders a question involves covering their hole with a broken pot and placing a stick, a stone and cards made from leaves around it. The diviner then asks a question in a yes or no format while tapping the enclosure to encourage the spider or crab to emerge. The stick and stone represent yes or no, while the leaf cards, which are specially incised with certain meanings, offer further clarification.

2. Palmistry

Reading people’s palms (palmistry) is well known as a fairground amusement, but serious forms of this divination technique exist in many cultures. The practice of reading the hands to gather insights into a person’s character and future was used in many ancient cultures across Asia and Europe.

In some traditions, the shape and depth of the lines on the palm are richest in meaning. In others, the size of the hands and fingers are also considered. In some Indian traditions, special marks and symbols appearing on the palm also provide insights.

Palmistry experienced a huge resurgence in 19th-century England and America, just as the science of fingerprints was being developed. If you could identify someone from their fingerprints, it seemed plausible to read their personality from their hands.

3. Bibliomancy

If you want a quick answer to a difficult question, you could try bibliomancy. Historically, this DIY [do-it-yourself] divining technique was performed with whatever important books were on hand.

Throughout Europe, the works of Homer or Virgil were used. In Iran, it was often the Divan of Hafiz, a collection of Persian poetry. In Christian, Muslim and Jewish traditions, holy texts have often been used, though not without controversy.

4. Astrology

Astrology exists in almost every culture around the world. As far back as ancient Babylon, astrologers have interpreted the heavens to discover hidden truths and predict the future.

5. Calendrical divination

Calendars have long been used to divine the future and establish the best times to perform certain activities. In many countries, almanacs still advise auspicious and inauspicious days for tasks ranging from getting a haircut to starting a new business deal.

In Indonesia, Hindu almanacs called pawukon [calendar] explain how different weeks are ruled by different local deities. The characteristics of the deities mean that some weeks are better than others for activities like marriage ceremonies.

You’ll find logistics for the exhibition in this September 23, 2024 Bodleian Libraries University of Oxford press release about the exhibit, Note: Links have been removed,

Oracles, Omens and Answers

6 December 2024 – 27 April 2025
ST Lee Gallery, Weston Library

The Bodleian Libraries’ new exhibition, Oracles, Omens and Answers, will explore the many ways in which people have sought answers in the face of the unknown across time and cultures. From astrology and palm reading to weather and public health forecasting, the exhibition demonstrates the ubiquity of divination practices, and humanity’s universal desire to tame uncertainty, diagnose present problems, and predict future outcomes.

Through plagues, wars and political turmoil, divination, or the practice of seeking knowledge of the future or the unknown, has remained an integral part of society. Historically, royals and politicians would consult with diviners to guide decision-making and incite action. People have continued to seek comfort and guidance through divination in uncertain times — the COVID-19 pandemic saw a rise in apps enabling users to generate astrological charts or read the Yijing [I Ching], alongside a growth in horoscope and tarot communities on social media such as ‘WitchTok’. Many aspects of our lives are now dictated by algorithmic predictions, from e-health platforms to digital advertising. Scientific forecasters as well as doctors, detectives, and therapists have taken over many of the societal roles once held by diviners. Yet the predictions of today’s experts are not immune to criticism, nor can they answer all our questions.

Curated by Dr Michelle Aroney, whose research focuses on early modern science and religion, and Professor David Zeitlyn, an expert in the anthropology of divination, the exhibition will take a historical-anthropological approach to methods of prophecy, prediction and forecasting, covering a broad range of divination methods, including astrology, tarot, necromancy, and spider divination.

Dating back as far as ancient Mesopotamia, the exhibition will show us that the same kinds of questions have been asked of specialist practitioners from around the world throughout history. What is the best treatment for this illness? Does my loved one love me back? When will this pandemic end? Through materials from the archives of the Bodleian Libraries alongside other collections in Oxford, the exhibition demonstrates just how universally human it is to seek answers to difficult questions.

Highlights of the exhibition include: oracle bones from Shang Dynasty China (ca. 1250-1050 BCE); an Egyptian celestial globe dating to around 1318; a 16th-century armillary sphere from Flanders, once used by astrologers to place the planets in the sky in relation to the Zodiac; a nineteenth-century illuminated Javanese almanac; and the autobiography of astrologer Joan Quigley, who worked with Nancy and Ronald Reagan in the White House for seven years. The casebooks of astrologer-physicians in 16th- and 17th-century England also offer rare insights into the questions asked by clients across the social spectrum, about their health, personal lives, and business ventures, and in some cases the actions taken by them in response.

The exhibition also explores divination which involves the interpretation of patterns or clues in natural things, with the idea that natural bodies contain hidden clues that can be decrypted. Some diviners inspect the entrails of sacrificed animals (known as ‘extispicy’), as evidenced by an ancient Mesopotamian cuneiform tablet describing the observation of patterns in the guts of birds. Others use human bodies, with palm readers interpreting characters and fortunes etched in their clients’ hands. A sketch of Oscar Wilde’s palms – which his palm reader believed indicated “a great love of detail…extraordinary brain power and profound scholarship” – shows the revival of palmistry’s popularity in 19th century Britain.

The exhibition will also feature a case study of spider divination practised by the Mambila people of Cameroon and Nigeria, which is the research specialism of curator Professor David Zeitlyn, himself a Ŋgam dù diviner. This process uses burrowing spiders or land crabs to arrange marked leaf cards into a pattern, which is read by the diviner. The display will demonstrate the methods involved in this process and the way in which its results are interpreted by the card readers. African basket divination has also been observed through anthropological research, where diviners receive answers to their questions in the form of the configurations of thirty plus items after they have been tossed in the basket.

Dr Michelle Aroney and Professor David Zeitlyn, co-curators of the exhibition, say:

Every day we confront the limits of our own knowledge when it comes to the enigmas of the past and present and the uncertainties of the future. Across history and around the world, humans have used various techniques that promise to unveil the concealed, disclosing insights that offer answers to private or shared dilemmas and help to make decisions. Whether a diviner uses spiders or tarot cards, what matters is whether the answers they offer are meaningful and helpful to their clients. What is fun or entertainment for one person is deadly serious for another.

Richard Ovenden, Bodley’s [a nickname? Bodleian Libraries were founded by Sir Thomas Bodley] Librarian, said:

People have tried to find ways of predicting the future for as long as we have had recorded history. This exhibition examines and illustrates how across time and culture, people manage the uncertainty of everyday life in their own way. We hope that through the extraordinary exhibits, and the scholarship that brings them together, visitors to the show will appreciate the long history of people seeking answers to life’s biggest questions, and how people have approached it in their own unique way.

The exhibition will be accompanied by the book Divinations, Oracles & Omens, edited by Michelle Aroney and David Zeitlyn, which will be published by Bodleian Library Publishing on 5 December 2024.

Courtesy: Bodleian Libraries, University of Oxford

I’m not sure why the preceding image is used to illustrate the exhibition webpage but I find it quite interesting. Should you be in Oxford, UK and lucky enough to visit the exhibition, there are a few more details on the Oracles, Omens and Answers event webpage, Note: There are 26 Bodleian Libraries at Oxford and the exhibition is being held in the Weston Library,

EXHIBITION

Oracles, Omens and Answers

6 December 2024 – 27 April 2025

ST Lee Gallery, Weston Library

Free admission, no ticket required

Note: This exhibition includes a large continuous projection of spider divination practice, including images of the spiders in action.

Exhibition tours

Oracles, Omens and Answers exhibition tours are available on selected Wednesdays and Saturdays from 1–1.45pm and are open to all.

These free gallery tours are led by our dedicated volunteer team and places are limited. Check available dates and book your tickets.

You do not need to book a tour to visit the exhibition. Please meet by the entrance doors to the exhibition at the rear of Blackwell Hall.

Happy 2025! And, once again, thank you.

Harvesting water from air

You can watch the nano-sized water droplet form in following video,

A September 30, 2024 Northwestern University news release (received via email and on EurekAlert) by Amanda Morris describes a first, Note: Links have been removed,

For the first time ever, researchers have witnessed — in real time and at the molecular-scale — hydrogen and oxygen atoms merge to form tiny, nano-sized bubbles of water.

The event occurred as part of a new Northwestern University study, during which scientists sought to understand how palladium, a rare metallic element, catalyzes the gaseous reaction to generate water. By witnessing the reaction at the nanoscale, the Northwestern team unraveled how the process occurs and even uncovered new strategies to accelerate it.

Because the reaction does not require extreme conditions, the researchers say it could be harnessed as a practical solution for rapidly generating water in arid environments, including on other planets.

The research will be published on Friday (Sept. 27 [2024]) in the Proceedings of the National Academy of Sciences [PNAS].

“By directly visualizing nanoscale water generation, we were able to identify the optimal conditions for rapid water generation under ambient conditions,” said Northwestern’s Vinayak Dravid, senior author of the study. “These findings have significant implications for practical applications, such as enabling rapid water generation in deep space environments using gases and metal catalysts, without requiring extreme reaction conditions. 

“Think of Matt Damon’s character, Mark Watney, in the movie ‘The Martian.’ He burned rocket fuel to extract hydrogen and then added oxygen from his oxygenator. Our process is analogous, except we bypass the need for fire and other extreme conditions. We simply mixed palladium and gases together.”

Dravid is the Abraham Harris Professor of Materials Science and Engineering at Northwestern’s McCormick School of Engineering and founding director of the Northwestern University Atomic and Nanoscale Characterization Experimental (NUANCE) Center, where the study was conducted. He also is director of global initiatives at the International Institute for Nanotechnology.

New technology enabled discovery

Since the early 1900s, researchers have known that palladium can act as a catalyst to rapidly generate water. But how, exactly, this reaction occurs has remained a mystery.

“It’s a known phenomenon, but it was never fully understood,” said Yukun Liu, the study’s first author and a Ph.D. candidate in Dravid’s laboratory. “Because you really need to be able to combine the direct visualization of water generation and the structure analysis at the atomic scale in order to figure out what’s happening with the reaction and how to optimize it.”

But viewing the process with atomic precision was simply impossible — until nine months ago. In January 2024, Dravid’s team unveiled a novel method to analyze gas molecules in real time. Dravid and his team developed an ultra-thin glassy membrane that holds gas molecules within honeycomb-shaped nanoreactors, so they can be viewed within high-vacuum transmission electron microscopes.

With the new technique, previously published in Science Advances, researchers can examine samples in atmospheric pressure gas at a resolution of just 0.102 nanometers, compared to a 0.236-nanometer resolution using other state-of-the-art tools. The technique also enabled, for the first time, concurrent spectral and reciprocal information analysis.

“Using the ultrathin membrane, we are getting more information from the sample itself,” said Kunmo Koo, first author of the Science Advances paper and a research associate at the NUANCE Center, where he is mentored by research associate professor Xiaobing Hu. “Otherwise, information from the thick container interferes with the analysis.”

Smallest bubble ever seen

Using the new technology, Dravid, Liu and Koo examined the palladium reaction. First, they saw the hydrogen atoms enter the palladium, expanding its square lattice. But when they saw tiny water bubbles form at the palladium surface, the researchers couldn’t believe their eyes.

“We think it might be the smallest bubble ever formed that has been viewed directly,” Liu said. “It’s not what we were expecting. Luckily, we were recording it, so we could prove to other people that we weren’t crazy.”

“We were skeptical,” Koo added. “We needed to investigate it further to prove that it was actually water that formed.”

The team implemented a technique, called electron energy loss spectroscopy, to analyze the bubbles. By examining the energy loss of scattered electrons, researchers identified oxygen-bonding characteristics unique to water, confirming the bubbles were, indeed, water. The researchers then cross-checked this result by heating the bubble to evaluate the boiling point.

“It’s a nanoscale analog of the Chandrayaan-1 moon rover experiment, which searched for evidence of water in lunar soil,” Koo said. “While surveying the moon, it used spectroscopy to analyze and identify molecules within the atmosphere and on the surface. We took a similar spectroscopic approach to determine if the generated product was, indeed, water.”

Recipe for optimization

After confirming the palladium reaction generated water, the researchers next sought to optimize the process. They added hydrogen and oxygen separately at different times or mixed together to determine which sequence of events generated water at the fastest rate.

Dravid, Liu and Koo discovered that adding hydrogen first, followed by oxygen, led to the fastest reaction rate. Because hydrogen atoms are so small, they can squeeze between palladium’s atoms — causing the metal to expand. After filling the palladium with hydrogen, the researchers added oxygen gas.

“Oxygen atoms are energetically favorable to adsorb onto palladium surfaces, but they are too large to enter the lattice,” Liu said. “When we flowed in oxygen first, its dissociated atoms covered the entire surface of the palladium, so hydrogen could not adsorb onto surface to trigger the reaction. But when we stored hydrogen in the palladium first, and then added oxygen, the reaction started. Hydrogen comes out of the palladium to react with the oxygen, and the palladium shrinks and returns to its initial state.”

Sustainable system for deep space

The Northwestern team imagines that others, in the future, potentially could prepare hydrogen-filled palladium before traveling into space. Then, to generate water for drinking or for watering plants, travelers will only need to add oxygen. Although the study focused on studying bubble generation at nanoscale, larger sheets of palladium would generate much larger quantities of water.

“Palladium might seem expensive, but it’s recyclable,” Liu said. “Our process doesn’t consume it. The only thing consumed is gas, and hydrogen is the most abundant gas in the universe. After the reaction, we can reuse the palladium platform over and over.”

The study, “Unraveling the adsorption-limited hydrogen oxidation reaction at palladium surface via in situ electron microscopy,” was supported by the Air Force Office of Scientific Research (grant number AFOSR FA9550-22-1-0300) and hydrogen-related work by the Center for Hydrogen in Energy and Information Sciences, an Energy Frontier Research Center funded by the U.S. Department of Energy, Office of Science(grant number DE-SC0023450).

Here’s a link to and a citation for the latest paper,

Unraveling the adsorption-limited hydrogen oxidation reaction at palladium surface via in situ electron microscopy by Yukun Liu, Kunmo Koo, Zugang Mao, Xianbiao Fu, Xiaobing Hu, and Vinayak P. Dravid. PNAS September 27, 2024 121 (40) e2408277121 DOI: https://doi.org/10.1073/pnas.2408277121

This paper is behind a paywall.

Here’s a link to and a citation for the earlier work on the technique that made it possible to create the nano-sized water droplets out of thin air,

Ultrathin silicon nitride microchip for in situ/operando microscopy with high spatial resolution and spectral visibility by Kunmo Koo, Zhiwei Li, Yukun Liu, Stephanie M. Ribet, Xianbiao Fu, Ying Jia, Xinqi Chen, Gajendra Shekhawat, Paul J. M. Smeets, Roberto dos Reis, Jungjae Park, Jong Min Yuk, Xiaobing Hu, and Vinayak P. Dravid. Science Advances 17 Jan 2024 Vol 10, Issue 3 DOI: 10.1126/sciadv.adj641

This paper is open access.

Nominees for new SETI ‘Art and AI’ Artist in Residency (AIR) program announced

Not exactly an art/science (or sciart) story. let’s call it an art/technology (or techno art) story. The SETI (Search for Extraterrestrial Intelligence) Institute issued an October 22, 2024 news release (also on EurekAlert but published October 23, 2024) announcing the six nominees for SETI’s new artist in residency (AIR) program ‘Algorithmic Imaginings’,

The SETI Artist in Residency (AIR) program announced Algorithmic Imaginings, a new residency that explores how AI technologies affect science and society. The residency focuses on creative research topics such as imaginary life, human-AI collaboration, AI futures, posthumanism, AI and consciousness, and the ethics of AI data. It also connects with current SETI Institute research, including exoplanet studies, astrobiology, signal detection, and advanced computing. The two-year program offers $30,000 in funding and an exhibition at the ZKM | Center for Art and Media in Karlsruhe, Germany.

“AI is on everyone’s mind right now, be it ChatGPT4, text-to-video generators such as Sora, and discussions surrounding fake news and copyright,” said Bettina Forget, Director of the AIR program. “AI is a phenomenal tool, but it also comes with opportunities and concerns that should be addressed. This residency allows artists working at the intersection of art and technology to explore new avenues of thinking and connect them to SETI Institute research.”

Internationally recognized media art curator Zhang Ga, SETI AIR program Director Bettina Forget, and SETI AIR program Founder and Senior Advisor Charles Lindsay lead the SETI AIR Algorithmic Imaginings residency. Andrew Siemion, the SETI Institute’s Bernard M. Oliver Chair for SETI Research, and AI researcher Robert Alvarez, who collaborates with the SETI Institute as a mentor for its Frontier Development Lab program, bring their science and technology expertise to this residency.

The residency’s team of advisors selected six outstanding media artists and invited them to submit a project proposal for the SETI AIR Algorithmic Imaginings residency.

“These artists are notable voices with a solid track record of critically and inventively confronting the pressing issues raised by a pervasively technological world,” said Zhang Ga.

“SETI AIR is uniquely poised to participate in the AI zeitgeist that is exploding in San Francisco and Silicon Valley,” said Charles Lindsay. “We will support the most innovative artists of our time. It is time. Now.”

The SETI Institute will announce the winning artist later this fall.

The six nominees of the Art and AI residency are:

Tega Brain
Tega Brain’s work examines ecology, data, automation, and infrastructure. She has created projects such as digital networks controlled by environmental phenomena, schemes for obfuscating personal data, and a wildly popular online smell-based dating service.

Dominique Gonzalez Foerster
An experimental artist based in Paris, Dominique Gonzalez-Foerster explores the different modalities of sensory and cognitive relationships between bodies and spaces, real or fictitious, up to the point of questioning the distance between organic and inorganic life.

Laurent Grasso
French-born artist Laurent Grasso has developed a fascination with the visual possibilities related to the science of electromagnetic energy, radio waves, and naturally occurring phenomena.

HeHe (Helen Evans, Heiko Hansen)
HeHe is an artist duo consisting of Helen Evans (French, British) and Heiko Hansen (German), based in Le Havre, France. Their works are about the social, industrial, and ecological paradoxes found in today’s technological landscapes. Their practice explores the relationship between art, media, and the environment.

Terike Haapoja
Terike Haapoja is an interdisciplinary visual artist, writer, and researcher. Haapoja’s work investigates our world’s existential and political boundaries, specifically focusing on issues arising from the anthropocentric worldview of Western traditions. Animality, multispecies politics, cohabitation, time, loss, and repairing connections are recurring themes in Haapoja’s work.

Wang Yuyang
Wang Yuyang is a renowned contemporary Chinese artist teaching at the Central Academy of Fine Arts. Focused on techno-art, his work explores the relationships between technology and art, nature and artificiality, and material and immaterial through an interdisciplinary and multimedia approach.

About the SETI Institute

Founded in 1984, the SETI Institute is a non-profit, multi-disciplinary research and education organization whose mission is to lead humanity’s quest to understand the origins and prevalence of life and intelligence in the Universe and to share that knowledge with the world. Our research encompasses the physical and biological sciences and leverages expertise in data analytics, machine learning and advanced signal detection technologies. The SETI Institute is a distinguished research partner for industry, academia and government agencies, including NASA and NSF.

Caption: The six nominees for the SETI Institute’s Algorithmic Imaginings residency. Credit: SETI Institute [top row, left to right: Dominique Gonzalez Foerster; HeHe (Helen Evans, Heiko Hansen); Laurent Grasso; bottom row, left to the right: Tega Brain; Terike Haapoja; and Wang Yuyang]

Good luck to the artists.

Finding graphene flakes on the moon

It seems like there’s graphene on the moon according to an August 1, 2024 news item on phys.org , Note: A link has been removed,

A study, published in National Science Review, reveals the existence of naturally formed few-layer graphene, a substance consisting of carbon atoms in a special, thin-layered structure.

The team, led by professors Meng Zou, Wei Zhang and senior engineer Xiujuan Li from Jilin University and Wencai Ren from the Chinese Academy of Sciences’ Institute of Metal Research, analyzed an olive-shaped sample of lunar soil, about 2.9 millimeters by 1.6 mm, retrieved from the Chang’e 5 mission in 2020.

Caption: (a) Laser scanning confocal microscopy image and height distribution. (b) Backscattered electron SEM image and (c) Raman spectra corresponding to different areas. (d) TEM image, Cs-corrected HAADF-STEM image, and the corresponding EELS Fe L-edge spectra for different areas. (e) Cs-corrected HRTEM images. (f) HAADF-STEM image. (g) EDS elemental maps showing spatial distributions of the elements. (h) HRTEM images of the corresponding regions marked in (f). Credit: ©Science China Press

An August 1, 2024 Science China Press press release on EurekAlert, which originated the news item, provides more details,

According to the team, scientists generally believe that some 1.9 percent of interstellar carbon exists in the form of graphene, with its shape and structure determined by the process of its formation.

Using a special spectrometer, researchers found an iron compound that is closely related to the formation of graphene in a carbon-rich section of the sample. They then used advanced microscopic and mapping technologies to confirm that the carbon content in the sample comprised “flakes” that have two to seven layers of graphene.

The team proposed that the few-layer graphene may have formed in volcanic activity in the early stages of the moon’s existence, and been catalyzed by solar winds that can stir up lunar soil and iron-containing minerals that helped transform the carbon atoms’ structure. They added that impact processes from meteorites, which create high-temperature and high-pressure environments, may also have led to the formation of graphene.

On Earth, graphene is becoming a star in materials sciences due to its special features in optics, electrics and mechanics. The team believes their study could help develop ways to produce the material inexpensively and expand its use.

“The mineral-catalyzed formation of natural graphene sheds light on the development of low-cost scalable synthesis techniques of high-quality graphene,” the paper said. “Therefore, a new lunar exploration program may be promoted, and some forthcoming breakthroughs can be expected.”

Here’s a link to and a citation for the paper,

Discovery of natural few-layer graphene on the Moon by Wei Zhang, Qing Liang, Xiujuan Li, Lai-Peng Ma, Xinyang Li, Zhenzhen Zhao, Rui Zhang, Hongtao Cao, Zizhun Wang, Wenwen Li, Yanni Wang, Meiqi Liu, Nailin Yue, Hongyan Li, Zhenyu Hu, Li Liu, Qiang Zhou, Fangfei Li, Weitao Zheng, Wencai Ren, Meng Zou. National Science Review, nwae211, DOI: https://doi.org/10.1093/nsr/nwae211 Published:: 17 June 2024

This paper is open access and the National Science Review looks like another China-backed journal published by Oxford Academic. If not China-backed, it’s certainly China forward, from the About page,

National Science Review is an open access, peer-reviewed journal aimed at reporting cutting-edge developments across science and technology in China and around the world. The journal covers all areas of the natural sciences, including physics and mathematics, chemistry, life sciences, earth sciences, materials science, and information sciences.

I just realized that I haven’t seen anything recently about which country or countries are the leading the science race. Going by the recent rate of publication, China is doing quite well.

Pillars of Creation in new 3D visualization

A June 26, 2024 news item on phys.org announced a visualization of the Pillars r Creation,

Made famous in 1995 by NASA’s [US National Aeronautics and Space Administration] Hubble Space Telescope, the Pillars of Creation in the heart of the Eagle Nebula have captured imaginations worldwide with their arresting, ethereal beauty.

Now, NASA has released a new 3D visualization of these towering celestial structures using data from NASA’s Hubble and James Webb space telescopes. This is the most comprehensive and detailed multiwavelength movie yet of these star-birthing clouds.

A June 26, 2024 NASA news release (also on EurekAlert), which originated the news item, provides detail about the pillars and the visualization, Note: The news release on EurekAlert has its entire text located in the caption for the image,

“By flying past and amongst the pillars, viewers experience their three-dimensional structure and see how they look different in the Hubble visible-light view versus the Webb infrared-light view,” explained principal visualization scientist Frank Summers of the Space Telescope Science Institute (STScI) in Baltimore, who led the movie development team for NASA’s Universe of Learning. “The contrast helps them understand why we have more than one space telescope to observe different aspects of the same object.”

The four Pillars of Creation, made primarily of cool molecular hydrogen and dust, are being eroded by the fierce winds and punishing ultraviolet light of nearby hot, young stars. Finger-like structures larger than the solar system protrude from the tops of the pillars. Within these fingers can be embedded, embryonic stars. The tallest pillar stretches across three light-years, three-quarters of the distance between our Sun and the next nearest star.

The movie takes visitors into the three-dimensional structures of the pillars. Rather than an artistic interpretation, the video is based on observational data from a science paper led by Anna McLeod, an associate professor at the University of Durham in the United Kingdom. McLeod also served as a scientific advisor on the movie project.

“The Pillars of Creation were always on our minds to create in 3D. Webb data in combination with Hubble data allowed us to see the Pillars in more complete detail,” said production lead Greg Bacon of STScI. “Understanding the science and how to best represent it allowed our small, talented team to meet the challenge of visualizing this iconic structure.”

The new visualization helps viewers experience how two of the world’s most powerful space telescopes work together to provide a more complex and holistic portrait of the pillars. Hubble sees objects that glow in visible light, at thousands of degrees. Webb’s infrared vision, which is sensitive to cooler objects with temperatures of just hundreds of degrees, pierces through obscuring dust to see stars embedded in the pillars.

“When we combine observations from NASA’s space telescopes across different wavelengths of light, we broaden our understanding of the universe,” said Mark Clampin, Astrophysics Division director at NASA Headquarters in Washington. “The Pillars of Creation region continues to offer us new insights that hone our understanding of how stars form. Now, with this new visualization, everyone can experience this rich, captivating landscape in a new way.”

Produced for NASA by STScI with partners at Caltech/IPAC, and developed by the AstroViz Project of NASA’s Universe of Learning, the 3D visualization is part of a longer, narrated video that combines a direct connection to the science and scientists of NASA’s Astrophysics missions with attention to the needs of an audience of youth, families, and lifelong learners. It enables viewers to explore fundamental questions in science, experience how science is done, and discover the universe for themselves.

Several stages of star formation are highlighted in the visualization. As viewers approach the central pillar, they see at its top an embedded, infant protostar glimmering bright red in infrared light. Near the top of the left pillar is a diagonal jet of material ejected from a newborn star. Though the jet is evidence of star birth, viewers can’t see the star itself. Finally, at the end of one of the left pillar’s protruding “fingers” is a blazing, brand-new star.

A bonus product from this visualization is a new 3D printable model of the Pillars of Creation

. The base model of the four pillars used in the visualization has been adapted to the STL file format, so that viewers can download the model file and print it out on 3D printers. Examining the structure of the pillars in this tactile and interactive way adds new perspectives and insights to the overall experience.

More visualizations and connections between the science of nebulas and learners can be explored through other products produced by NASA’s Universe of Learning such as ViewSpace, a video exhibit that is currently running at almost 200 museums and planetariums across the United States. Visitors can go beyond video to explore the images produced by space telescopes with interactive tools now available for museums and planetariums.

NASA’s Universe of Learning materials are based upon work supported by NASA under award number NNX16AC65A to the Space Telescope Science Institute, working in partnership with Caltech/IPAC, Pasadena, California, Center for Astrophysics | Harvard & Smithsonian, Cambridge, Massachusetts, and Jet Propulsion Laboratory, La Cañada Flintridge, California.

Enjoyr:

Back to school: Stanford University (California) brings nanoscience to teachers and Ingenium brings STEAM to school

I have two stories that fit into the ‘back to school’ theme, one from Stanford University and one from Ingenium (Canada’s Museums of Science and Innovation).

Stanford, nanoscience, and middle school teachers

h/t to Google Alert of August 27, 2024 (received via email) for information about a Stanford University programme for middle school teachers. From an August 27, 2024 article in the Stanford Report, Note: Links have been removed,

Crafting holographic chocolate, printing with the power of the sun, and seeing behind the scenes of cutting-edge research at the scale of one-billionth of a meter, educators participating in the Nanoscience Summer Institute for Middle School Teachers (NanoSIMST) got to play the role of students, for a change.

Teachers hailed from the Bay Area and Southern California – one had even come all the way from Arkansas – for the professional development program. NanoSIMST, run by nano@stanford, is designed to connect middle school teachers with activities, skills, and knowledge about science at the scale of molecules and atoms so they can incorporate it into their curriculum. NanoSIMST also prioritizes teachers from Title I schools, which are low-income schools with low-income student populations that receive federal funding to improve academic achievement.

Debbie Senesky, the site investigator and principal researcher on the nano@stanford project, highlighted the importance of nanoscience at the university. “It’s not just about focusing on research – we also have bigger impacts on entrepreneurs, start-ups, community colleges, and other educators who can use these facilities,” said Senesky, who is also an associate professor of aeronautics and astronautics and of electrical engineering. “We’re helping to train the next generation of people who can be a workforce in the nanotechnology and semiconductor industry.”

The program also supports education and outreach, including through NanoSIMST, which uniquely reaches out to middle school teachers due to the STEM education outcomes that occur at that age. According to a 2009 report by the Lemelson-MIT InvenTeam Initiative, even among teens who were interested in and felt academically prepared in their STEM studies, “nearly two-thirds of teens indicated that they may be discouraged from pursuing a career in science, technology, engineering or mathematics because they do not know anyone who works in these fields (31%) or understand what people in these fields do (28%).”

A teacher from the Oakland Unified School District, Thuon Chen, connected several other teachers from OUSD to attend NanoSIMST as a first-time group. He emphasized that young kids, especially in middle school, have a unique way of approaching new technologies. “Kids have this sense where they’re always pushing things and coming up with completely new uses, so introducing them to a new technology can give them a lot to work with.”

Over the course of four days in the summer, NanoSIMST provides teachers with an understanding of extremely small science and technology: they go through tours of the nano facilities, speak with scientists, perform experiments that can be conducted in the classroom, and learn about careers in nanotechnology and the semiconductor industry.

Tara Hodge, the teacher who flew all the way from Arkansas, was thrilled about bringing what she learned back with her. “I’m not a good virtual learner, honestly. That’s why I came here. And I’m really excited to learn about different hands-on activities. Anything I can get excited about, I know I can get my students excited about.”

They have provided a video,

One comment regarding the host, Daniella Duran, the director of education and outreach for nano@stanford, she comments about nano being everywhere and, then, says “… everything has a microchip in it.” I wish she’d been a little more careful with the wording. Granted those microchips likely have nanoscale structures.

Ingenium’s STEAM (science, technology, engineering, arts, and mathematics) programmes for teachers across Canada

An August 27, 2024 Ingenium newsletter (received via email) lists STEAM resources being made available for teachers across the country.

There appears to be a temporary copy of the August 27, 2024 Ingenium newsletter here,

STEAM lessons made simple!

Another school year is about to begin, and whether you’re an experienced teacher or leading your first class, Ingenium has what you need to make your STEAM (science, technology, engineering, arts and math) lessons fun! With three museums of science and innovation – the Canada Agriculture and Food Museum, the Canada Aviation and Space Museum and the Canada Science and Technology Museum – under one umbrella, we are uniquely positioned to help your STEAM lessons come to life.

Embark on an exciting adventure with our bilingual virtual field trips and meet the animals in our barns, explore aviation technology, and conduct amazing science experiments.

Or take advantage of our FREE lesson plans, activities and resources to simplify and animate your classroom, all available in English and French. With Ingenium, innovation is at your fingertips!

Bring the museum to your classroom with a virtual field trip!

Can’t visit in person? Don’t worry, Ingenium will bring the museum to you! All of our virtual field trips are led by engaging guides who will animate each subject with an entertaining and educational approach. Choose from an array of bilingual programs designed for all learners that cover the spectrum of STEAM subjects, including the importance of healthy soil, the genetic considerations of a dairy farm operation, the science of flight, simple machines, climate change and the various states of matter. There is so much to discover with Ingenium. Book your virtual field trip today!

Here’s a video introduction to Ingenium’s offerings,

To get a look at all the resources, check out this temporary copy of the August 27, 2024 Ingenium newsletter here.

Super-black wood from the University of British Columbia (UBC)

The researchers have developed prototype watches and jewelry using the new super-black wood. Photo credit: UBC Forestry/Ally Penders

Generally stories about very black materials will mention carbon nanotubes but not this time. A July 30, 2024 University of British Columbia (UBC) news release (also on EurekAlert and received via email) announces the discovery of a technique for making super-black wood,

Thanks to an accidental discovery, researchers at the University of British Columbia have created a new super-black material that absorbs almost all light, opening potential applications in fine jewelry, solar cells and precision optical devices. 

Professor Philip Evans and PhD student Kenny Cheng were experimenting with high-energy plasma to make wood more water-repellent. However, when they applied the technique to the cut ends of wood cells, the surfaces turned extremely black. 

Measurements by Texas A&M University’s department of physics and astronomy confirmed that the material reflected less than one per cent of visible light, absorbing almost all the light that struck it. 

Instead of discarding this accidental finding, the team decided to shift their focus to designing super-black materials, contributing a new approach to the search for the darkest materials on Earth.

“Ultra-black or super-black material can absorb more than 99 per cent of the light that strikes it – significantly more so than normal black paint, which absorbs about 97.5 per cent of light,” explained Dr. Evans, a professor in the faculty of forestry and BC Leadership Chair in Advanced Forest Products Manufacturing Technology.

Super-black materials are increasingly sought after in astronomy, where ultra-black coatings on devices help reduce stray light and improve image clarity. Super-black coatings can enhance the efficiency of solar cells. They are also used in making art pieces and luxury consumer items like watches.

The researchers have developed prototype commercial products using their super-black wood, initially focusing on watches and jewelry, with plans to explore other commercial applications in the future.

Wonder wood

The team named and trademarked their discovery Nxylon (niks-uh-lon), after Nyx, the Greek goddess of the night, and xylon, the Greek word for wood. 

Most surprisingly, Nxylon remains black even when coated with an alloy, such as the gold coating applied to the wood to make it electrically conductive enough to be viewed and studied using an electron microscope. This is because Nxylon’s structure inherently prevents light from escaping rather than depending on black pigments.

The UBC team have demonstrated that Nxylon can replace expensive and rare black woods like ebony and rosewood for watch faces, and it can be used in jewelry to replace the black gemstone onyx.

“Nxylon’s composition combines the benefits of natural materials with unique structural features, making it lightweight, stiff and easy to cut into intricate shapes,” said Dr. Evans.

Made from basswood, a tree widely found in North America and valued for hand carving, boxes, shutters and musical instruments, Nxylon can also use other types of wood such as European lime wood.

Breathing new life into forestry

Dr. Evans and his colleagues plan to launch a startup, Nxylon Corporation of Canada, to scale up applications of Nxylon in collaboration with jewellers, artists and tech product designers. They also plan to develop a commercial-scale plasma reactor to produce larger super-black wood samples suitable for non-reflective ceiling and wall tiles. 

“Nxylon can be made from sustainable and renewable materials widely found in North America and Europe, leading to new applications for wood. The wood industry in B.C. is often seen as a sunset industry focused on commodity products—our research demonstrates its great untapped potential,” said Dr. Evans.

Other researchers who contributed to this work include Vickie Ma, Dengcheng Feng and Sara Xu (all from UBC’s faculty of forestry); Luke Schmidt (Texas A&M); and Mick Turner (The Australian National University).

Here’s a link to and a citation for the paper (and hat’s off to the writers for an accessible introduction),

Super-Black Material Created by Plasma Etching Wood by Kenneth J. Cheng, Dengcheng Feng, Luke M. Schmidt, Michael Turner, Philip D. Evans. Advanced Sustainable Systems DOI: https://doi.org/10.1002/adsu.202400184 First published: 16 June 2024

This paper is open access.

I can’t resist; this is such a good introduction, keeping in mind it’s written for an academic journal, from Super-Black Material Created by Plasma Etching Wood.

Super-black materials have very low reflectivity due to structural absorption of light.[1] They are attracting considerable scientific and industrial attention because of their important applications in many fields: astronomy,[2, 3] photovoltaics,[4, 5] and optical science,[6] among others. In these applications, super-black materials minimize unwanted reflection of light enabling devices to operate more accurately or efficiently.[6] In other fields, for example art and design, the attraction of super-black materials lies in their ability to create bizarre visual effects because of huge contrast between black and adjacent colored objects or surfaces.[7] This artistic application of super-black materials is analogous to the juxtaposition of super-black and brightly colored courtship display patches in birds and peacock spiders.[8, 9] In birds, super-black patches have been defined as those having less than 2% directional reflectance at normal incidence.[8] Reflectance values of super-black patches in 32 bird species ranged from 0.045 to 1.97% with an average of 0.94% (300–700 nm).[8] Other studies have associated super-blackness with reflectance values of 1%[10] or 0.5%.[3] Far lower reflectance values have been achieved with materials containing aligned carbon nanotubes (CNT), for example a low-density CNT array (0.045%),[11] the coating Vantablack (0.035%)[7] and a CNT-metal foil (0.005%).[12] The current holder of the “record” for a low reflectivity material (<0.0002%) is an ion-track micro-textured polymer with anti-backscatter matrix.[13]

The low reflectivity of materials such as Vantablack is due to the high absorption of light by graphene and the ability of vertical arrays of CNT to lower surface reflection.[6, 7] In the case of a low-density CNT array, its low reflectivity was ascribed to its random surface profile and presence of a loose network of entangled nanotubes, in addition to vertically oriented nanotubes.[11] Other structures can also be used to reduce reflectivity of synthetic materials including nanopores, and microcavities.[6] Even more diverse structures are found in natural super-black materials, including complex barbule microstructures in birds,[1] cuticular micro-lens arrays in peacock spiders,[9] and polydisperse honeycomb configurations in the wings of butterflies.[14] The structural features of butterfly wings have been used as biomimetic models to create super-black polymer films.[4, 10] This biomimetic route to creating super-black materials has the advantages that “the films are thinner than known alternatives and can be fabricated at lower temperatures via plasma-enhanced chemical vapor deposition, instead of being grown from CNT.”[4, 14]

Biomimicry of nature’s structural material par excellence, wood, is being used to create lightweight stiff and tough composites,[15, 16] but wood is not a model for the creation of super-black materials because even the darkest woods such as ebony (Diospyros spp.) or African blackwood (Dalbergia melanoxylon Guill. & Perr.) lack structural features that reduce reflectivity. Nevertheless, there is interest in using wood in applications where blackness is advantageous such as solar steam generation and desalination of water,[17-20] because wood is widely available, inexpensive, sustainable and can be fabricated into panels and objects. In these applications, wood is carbonized and retains its porous microstructure creating a black material with reflectivity of 3%.[18] The creation of additional porosity by micro-drilling the wood prior to carbonization further reduced reflectivity to 2%.[18] We serendipitously created a super-black wood during undirected investigations into the use of plasma etching to “machine” novel microstructures at basswood (Tilia americana L.) surfaces. We called this material Nxylon, a neologism created from Nyx (Greek goddess of the night) and xylon (Greek for wood materials). One of us published the reflectivity data for Nxylon in 2020.[21] Here we report on the structural features responsible for the super-blackness of Nxylon, describe how it is made and discuss its possible practical uses. During the preparation of this manuscript, we became aware of a novel approach to creating super-black wood involving high temperature carbonization of delignified balsa wood (Ochroma pyramidale (Cav. ex Lam.) Urb.).[22] This material is produced using “mature processing technologies” and can be used to create solid wood products with complex geometries. The surface plasma process we describe is liquid free, generates little waste and is more suited for the creation of super-black veneer which can be used on a small scale to manufacture luxury consumer products. Therein lies the novelty and significance of our work.

The most comprehensive piece I’ve published on the topic of the ‘really, really black’ is in a December 4, 2019 posting, “More of the ‘blackest black’.” At that point, some new work on creating the blackest black (up to 99.99% and 99.995% light absorption, respectively) had come from the US National Institute of Standards and Technology (NIST) and the Massachusetts Institute of Technology (MIT). I also included the latest about an artistic feud over Vantablack (mentioned in the paper’s introduction) and its 99.8% light absorption and provided a link back to my earliest stories on Vantablack.