The podcast People I (Mostly) Admire isn’t technically speaking a science podcast but its host Steven Levitt, University of Chicago economist and co-author of the “Freakonomics” books, features quite a few scientists in his podcast series on the Freakonomics Radio Network.
Soil scientist Asmeret Asefaw Berhe could soon hold one of the most important jobs in science. She explains why the ground beneath our feet is one of our greatest resources — and, possibly, one of our deadliest threats.
My guest today Asmeret Asefaw Berhe is a leading soil scientist and President Biden’s nominee to be the director of the Department of Energy’s Office of Science. If confirmed, she will manage a $7 billion research budget.
ASEFAW BERHE: If you were to think about where the large global reservoirs of carbon are — beyond fossil fuel deposits, and the ocean — the next largest reservoir of carbon on the earth system is in soil.
Welcome to People I (Mostly) Admire, with Steve Levitt.
I got interested in soil science a few weeks back and I started doing a little bit of reading. And I stumbled onto Asmeret and her amazing story. Born and raised in civil-war ravaged Eritrea, she became a leading scientist and is poised to take over one of the most important jobs in science. I knew right away I needed to have her on this show.
LEVITT: Have you heard of a man named Sadhguru? He’s an Indian guru who’s currently riding a motorcycle across Europe and the Middle East to bring attention to soil degradation.
ASEFAW BERHE: I’ve seen some social media posts, and I also saw recently the interview he did with Trevor Noah.
LEVITT: Believe it or not, the idea for having you on this podcast came because his publicist somehow got in my inbox of my email. At first, I thought it was a joke, but then he was on Trevor Noah and I said, “Whoa, he must be doing something serious, but it’s not very scientific. I better learn something about the science.” And then I found you because you’re the first name that comes up if you look into soil science.
Here’s a selection of STEM (science, technology, engineering, and mathematics) episodes (from a May 9, 2022 announcement received via email about the People I [Mostly] Admire podcast series),
While People I (Mostly) Admire hosts guests from all walks of life, Levitt’s conversations with scientists have been some of the most illuminating episodes. If you’re not familiar with the show, here’s a short guide to some of the STEM episodes:
We Can Play God Now (Ep. 67, 3/18/22) Gene-editing pioneer Jennifer Doudna worries that humanity might not be ready for the technology she helped develop.
The Professor Who Said “No” to Tenure (Ep. 66, 3/11/22) Columbia astrophysicist David Helfand is an academic who does things his own way — from turning down job security to helping found a radically unconventional university.
A Rockstar Chemist and Her Cancer-Attacking “Lawn Mower” (Ep. 65, 3/4/22) Stanford professor Carolyn Bertozzi’s imaginative ideas for treating disease have led to ten start-ups. She talks with Steve about the new generation of immune therapy she’s created, and why she might rather be a musician.
Why Aren’t All Drugs Legal? (Ep. 28, Replay 1/14/22) The Columbia neuroscientist and psychology professor Carl Hart believes that recreational drug use, even heroin, methamphetamines, and cocaine, is an inalienable right. Can he convince Steve?
Max Tegmark on Why Superhuman Artificial Intelligence Won’t be Our Slave (Part 2) (Ep. 52, 11/19/21) He’s an M.I.T. cosmologist, physicist, and machine-learning expert, and once upon a time, almost an economist. Max and Steve continue their conversation about the existential threats facing humanity, and what Max is doing to mitigate our risk. The co-founder of the Future of Life Institute thinks that artificial intelligence can be the greatest thing to ever happen to humanity — if we don’t screw it up.
Max Tegmark on Why Treating Humanity Like a Child Will Save Us All (Ep. 51, 11/5/21) How likely is it that this conversation is happening in more than one universe? Should we worry more about Covid or about nuclear war? Is economics a form of “intellectual prostitution?” Steve discusses these questions, and more, with Max, an M.I.T cosmologist, physicist, and machine-learning expert — who was once almost an economist. He also tells Steve why we should be optimistic about the future of humanity (assuming we move Earth to a larger orbit before the sun evaporates our oceans).
Mathematician Sarah Hart on Why Numbers are Music to Our Ears (Ep. 49, 10/29/21) Playing notes on her piano, she demonstrates for Steve why whole numbers sound pleasing, why octaves are mathematically imperfect, and how math underlies musical composition. Sarah, a professor at the University of London and Gresham College, also talks with Steve about the gender gap in mathematics and why being interested in everything can be a problem.
While I’m at it, here’s a couple of my postings on soil,
Get to know some of the brilliant minds trying to solve nature’s deepest mysteries.
In 2020, our long-running public lecture series evolved to deliver the same cutting-edge physics talks in a virtual webcast format. Now, we’re excited to launch the next evolution in the series.
Starting next week, [April 14, 2022] Conversations at the Perimeter will take you into the depths of dark matter, black holes, and beyond as we introduce you to researchers working at the forefront of science.
The series is co-hosted by quantum physicist and lecturer Lauren Hayward and journalist-turned-science communicator Colin Hunter. In each episode, they chat with a guest scientist about their research, their motivations, the challenges they encounter, and the drive that keeps them searching for answers.
Conversations at the Perimeter is the next evolution in Perimeter Institute’s long-running public lecture series, which changed in 2020 (like so much else) when in-person lectures became impossible. The new format allows Perimeter to showcase brilliant scientists and their ideas in a way that is interactive, lively, and safe.
As always, the talks will be freely available on Perimeter’s YouTube channel – and, for the first time, they’ll be available via podcast, on all the major podcast channels.
The first season will consist of 10 episodes, released every Thursday beginning on April 14  (World Quantum Day). Season one guests include loop quantum gravity founder Carlo Rovelli, theoretical cosmologist (and social media star) Katie Mack, quantum information scientist Raymond Laflamme, and more!
The American Chemical Society (ACS) is producing a new, biweekly science podcast called Tiny Matters, which is available wherever you listen to podcasts. Head to ACS’ website or your favorite platform and subscribe.
The first episode drops today. Hosts Sam Jones, Ph.D., and Deboki Chakravarti, Ph.D., chat with experts about the ancient beasts that went extinct 65 million years ago, but whose remains still captivate us today — dinosaurs. Scientists around the world regularly discover new fossils, and that helps piece together the mystery of what dinosaurs and other extinct creatures were like. That information doesn’t just inspire movies like “Jurassic Park”; it also helps researchers predict Earth’s future and could even lead to more sustainable technology.
Tiny Matters is a science podcast about things small in size but big in impact. Every other Wednesday, the hosts will uncover little stuff that makes big stuff possible. Upcoming episodes will find them answering questions such as “How does our brain form memories?”, “Why haven’t we terraformed Mars yet?” and “Why isn’t there a vaccine for HIV?” Tune in!
The American Chemical Society (ACS) is a nonprofit organization chartered by the U.S. Congress. ACS’ mission is to advance the broader chemistry enterprise and its practitioners for the benefit of Earth and all its people. The Society is a global leader in promoting excellence in science education and providing access to chemistry-related information and research through its multiple research solutions, peer-reviewed journals, scientific conferences, eBooks and weekly news periodical Chemical & Engineering News. ACS journals are among the most cited, most trusted and most read within the scientific literature; however, ACS itself does not conduct chemical research. As a leader in scientific information solutions, its CAS division partners with global innovators to accelerate breakthroughs by curating, connecting and analyzing the world’s scientific knowledge. ACS’ main offices are in Washington, D.C., and Columbus, Ohio.
I was not expecting dinosaurs and fossils. So, I listened.
First, it’s not that easy to define what a fossil is. (I had no idea this was a problem.) And, the hosts interview a scientist who studies what happens to fossils at the molecular level, which in this case means DNA (deoxyribonucleic acid) and proteins. it;s a field known as molecular taphonomy.
I found the programme fascinating (scientists think dinosaurs were feathered; they mention evolutionary photonics and structural colour). This despite the fact I’m not very interested in dinosaurs or fossils. Bravo to the hosts for keeping it interesting and light while providing lots of technical information.
(I imagine that the excessive perkiness and multiple declarations that something or other is cool are a consequence of nerves when recording the first episode in a brand new podcast series.)
Getting back to the strengths, the hosts (Jones and Chakravarti) have taken some very technical material and found a way to describe it without patronizing the listener or making it impossible to understand.
For people who prefer to read, there’s a transcript of the first episode here. The scientists interviewed in the “Dinosaur Fossils: Inspiring Jurassic Park and helping us predict Earth’s future” episode were Caitlin Colleary, a paleontologist at the Cleveland Museum of Natural History (Ohio), Emma Dunne, a paleobiologist at University of Birmingham (England), and Vinod Saranathan, a physicist and evolutionary biologist at Yale-NUS [National University of Singapore] College in Singapore.
So far this year all I’ve been posting about are events and contests. Continuing on that theme, I have an event and, something new, a course.
Massey Dialogues on January 5, 2022, 1 – 2 pm PST
“The Art of Science-Telling: How Science Education Can Shape Society” is scheduled for today (Wednesday, January 5, 5022 at 1 pm PST or 4 pm EST), You can find the livestream here on YouTube,
Join us for the first Massey Dialogues of 2022 from 4:00-5:00pm ET on the Art of Science-Telling: How Science Education Can Shape Society.
Farah Qaiser (Evidence for Democracy), Dr. Bonnie Schmidt (Let’s Talk Science) and Carolyn Tuohy (Senior Fellow) will discuss what nonprofits can do for science education and policy, moderated by Junior Fellow Keshna Sood.
The Dialogues are open to the public – we invite everyone to join and take part in what will be a very informative online discussion. Participants are invited to submit questions to the speakers in real time via the Chat function to the right of the screen.
In this hands-on course, students will learn the value of sharing research knowledge beyond the university walls, along with the skills necessary to become effective science storytellers.
Climate change, vaccines, artificial intelligence, genetic editing — these are just a few examples of the essential role scientific evidence can play in society. But connecting science and society is no simple task: it requires key publishing and communication skills, as well as an understanding of the values, goals, and needs of the publics who stand to benefit from this knowledge.
This course will provide students with core skills and knowledge needed to share compelling science stories with diverse audiences, in a variety of formats. Whether it’s through writing books, podcasting, or creating science art, students will learn why we communicate science, develop an understanding of the core principles of effective audience engagement, and gain skills in publishing professional science content for print, radio, and online formats. The instructor is herself a science writer and communicator; in addition, students will have the opportunity to learn from a wide range of guest lecturers, including authors, artists, podcasters, and more. While priority will be given to students enrolled in the Publishing Minor, this course is open to all students who are interested in the evolving relationship between science and society.
I’m not sure if an outsider (someone who’s not a member of the SFU student body) can attend but it doesn’t hurt to ask.
The course is being given by Alice Fleerackers, here’s more from her profile page on the ScholCommLab (Scholarly Communications Laboratory) website,
Alice Fleerackers is a researcher and lab manager at the ScholCommLab and a doctoral student at Simon Fraser University’s Interdisciplinary Studies program, where she works under the supervision of Dr. Juan Pablo Alperin to explore how health science is communicated online. Her doctoral research is supported by a Joseph-Armand Bombardier Canada Graduate Scholarship from SSHRC and a Michael Stevenson Graduate Scholarship from SFU.
In addition, Alice volunteers with a number of non-profit organizations in an effort to foster greater public understanding and engagement with science. She is a Research Officer at Art the Science, Academic Liaison of Science Borealis, Board Member of the Science Writers and Communicators of Canada (SWCC), and a member of the Scientific Committee for the Public Communication of Science and Technology Network (PCST). She is also a freelance health and science writer whose work has appeared in the Globe and Mail,National Post, and Nautilus, among other outlets. Find her on Twitter at @FleerackersA.
According to the Spring 2022 Calendar Academic Dates webpage, the course starts on Monday, January 10, 2021 and I believe the room number (HCC2540) means the course will be held at SFU’s downtown Vancouver site at Harbour Centre, 515 West Hastings Street.
Given that SFU claims to be “Canada’s leading engaged university,” they do a remarkably poor job of actually engaging with anyone who’s not member of the community, i.e., an outsider.
Casting an eye back isn’t one of my strong points. Thankfully I can’t be forced into making a top 10 list of some kind. Should someone be deeply disappointed (tongue in cheek) that I failed to mention one of the big 2021 stories featured here, please leave a note in the Comments for this blog and I’ll do my best to add it.
Note: I very rarely feature space exploration unless there’s a nanotechnology or other emerging technology angle to it. There are a lot of people who do a much better job of covering space exploration than I can. (If you’re interested in an overview from a Canadian on the international race to space, you can start with this December 29, 2021 posting “Looking back at a booming year in space” by Bob McDonald of CBC’s [Canadian Broadcasting Corporation] Quirks & Quarks science radio programme.)
Now, onto FrogHeart’s latest year.
One of the standout stories in 2020/21 here and many, many places was the rise of the biotechnology community in British Columbia and elsewhere in Canada. Lipid nanoparticles used in COVID-19 vaccines became far better known than they ever had before and AbCellera took the business world by storm as its founder became a COVID billionaire.
Here is a sampling of the BC biotechnology/COVID-19 stories featured here,
“Why is Precision Nanosystems Inc. in the local (Vancouver, Canada) newspaper?” January 22, 2021 posting Note: The company is best known for its work on lipid nanoparticles
“mRNA, COVID-19 vaccines, treating genetic diseases before birth, and the scientist who started it all” March 5, 2021 posting Note: This posting also notes a Canadian connection in relation mRNA in the subsection titled “Entrepreneurs rush in”
“Getting erased from the mRNA/COVID-19 story” August 20, 2021 posting Note: This features a fascinating story from Nathan Vardi (for Forbes) of professional jealousies, competitiveness, and a failure to recognize opportunity when she comes visiting.
“Who’s running the life science companies’ public relations campaign in British Columbia (Vancouver, Canada)?” August 23, 2021 posting Note: This explores the biotech companies, the network, and provincial and federal funding, as well as, municipal (City of Vancouver) support and more.
Dolgin starts the story in 1987 and covers many players that were new to me although I did recognize some of the more recent and Canadian players such as Pieter Cullis and Ian MacLachlan. *ETA January 3 ,2021: Cullis and MacLachlan are both mentioned in my ‘Getting erased ..” August 20, 2021 posting.* Fun fact: Pieter Cullis was just named an Officer to the Order of Canada (from the Governor General’s December 29, 2021 news release),
Pieter Cullis, O.C. Vancouver, British Columbia
For his contributions to the advancement of biomedical research and drug development, and for his mentorship of the next generation of scientists and entrepreneurs.
Back to this roundup, I got interested in greener lithium mining, given its importance for batteries in electric vehicles and elsewhere,
2021 seems to have been the year when the science community started podcasting in a big way. Either the podcast was started this year or I stumbled across it this year (meaning it’s likely a podcast that is getting publicized because they had a good first year and they want more listeners for their second year),
“New podcast—Mission: Interplanetary and Event Rap: a one-stop custom rap shop Kickstarter” April 30, 2021 posting
“Nerdin’ About and Science Diction: a couple of science podcasts” Note: Not posted but maybe one day. Meanwhile, here they are:
Nerdin’ About describes itself as, “… a podcast where passionate nerds tell us about their research, their interests, and what they’ve been Nerdin’ About lately. A spin-off of Nerd Nite Vancouver, a community lecture series held in a bar, Nerdin’ About is here to explore these questions with you. Hosted by rat researcher Kaylee Byers (she/her) and astronomy educator Michael Unger (he/him). Elise Lane (she/her) is our Mixing Engineer. Music by Jay Arner. Artwork by Armin Mortazavi.”
Science Diction is a podcast offshoot of Science Friday (SciFri), a US National Public Radio (NPR) programme. “… Hosted by SciFri producer and self-proclaimed word nerd Johanna Mayer, each episode of Science Diction digs into the origin of a single word or phrase, and, with the help of historians, authors, etymologists, and scientists, reveals a surprising science connection. Did you know the origin of the word meme has more to do with evolutionary biology than lolcats? Or that the element cobalt takes its name from a very cheeky goblin from German folklore? …”
Integrating the body with machines is an ongoing interest of mine, these particular 2021 postings stood out but there are other postings (click on the Human Enhancement category or search the tag ‘machine/flesh’),
“Interior Infinite: carnival & chaos, a June 26 – September 5, 2021 show at Polygon Art Gallery (North Vancouver, Canada)” July 26, 2021 posting Note: While this isn’t an art/sci posting it does touch on a topic near and dear to my heart, writers. In particular, the literary theorist, Mikhail Mikhailovich Bakhtin.
“True love with AI (artificial intelligence): The Nature of Things explores emotional and creative AI (long read)” December 3, 2021 posting
2022 and contronyms
I don’t make psychic predictions. As far as I’m concerned, 2022 will be a continuation of 2021, albeit with a few surprises.
My focus on nanotechnology and emerging technologies will remain. I expect artificial intelligence, CRISPR and gene editing (in general), quantum computing (technical work and commercialization), and neuromorphic computing will continue to make news. As for anything else, well, it wouldn’t be a surprise if you knew it was coming.
With regard to this blog, I keep thinking about cutting back so I can focus on other projects. Whether I finally follow through this year is a mystery to me.
Because words and writing are important to me, I’d like to end the year with this, which I found in early December 2021. From “25 Words That Are Their Own Opposites” on getpocket.com by Judith Herman originally written for “Mental Floss and … published June 15, 2018,”
Here’s an ambiguous sentence for you: “Because of the agency’s oversight, the corporation’s behavior was sanctioned.” Does that mean, “Because the agency oversaw the company’s behavior, they imposed a penalty for some transgression,” or does it mean, “Because the agency was inattentive, they overlooked the misbehavior and gave it their approval by default”? We’ve stumbled into the looking-glass world of contronyms—words that are their own antonyms.
1.Sanction (via French, from Latin sanctio(n-), from sancire ‘ratify,’) can mean “give official permission or approval for (an action)” or conversely, “impose a penalty on.”
2.Oversight is the noun form of two verbs with contrary meanings, “oversee” and “overlook.” Oversee, from Old English ofersēon (“look at from above”) means “supervise” (medieval Latin for the same thing: super-, “over” plus videre, “to see.”) Overlook usually means the opposite: “to fail to see or observe; to pass over without noticing; to disregard, ignore.”
3.Left can mean either remaining or departed. If the gentlemen have withdrawn to the drawing room for after-dinner cigars, who’s left? (The gentlemen have left and the ladies are left.)
4.Dust, along with the next two words, is a noun turned into a verb meaning either to add or to remove the thing in question. Only the context will tell you which it is. When you dust are you applying dust or removing it? It depends whether you’re dusting the crops or the furniture.
The contronym (also spelled “contranym”) goes by many names, including auto-antonym, antagonym, enantiodrome, self-antonym, antilogy and Janus word (from the Roman god of beginnings and endings, often depicted with two faces looking in opposite directions). …
Herman made liberal use, which she acknowledged, of the Mark Nichol article/list, “75 Contronyms (Words with Contradictory Meanings)” on Daily Writing Tips (Note: Based on the ‘comments’, Nichol’s list appears to be have been posted sometime in 2011),
3. Bill: A payment, or an invoice for payment
4. Bolt: To secure, or to flee
46. Quantum: Significantly large, or a minuscule part
47. Quiddity: Essence, or a trifling point of contention
Journalist and author Katie Hafner, and bioethicist Amy Scharf, today announced that the Lost Women of Science podcast series will continue for an additional three seasons thanks to a grant award of $446,760 from the Gordon and Betty Moore Foundation. The podcast series will continue its partnership with public media organization PRX and the award-winning Scientific American magazine.
The first season features multiple in-depth episodes centered on Dr. Dorothy Andersen, a pediatric pathologist who identified and named cystic fibrosis in 1938. Three episodes are now available across all major podcast listening platforms, including Apple Podcasts, Google Podcasts, Spotify, Stitcher, and Amazon Music. The fourth episode [I believe it’s Season 1] will be released on Thanksgiving Day [November 25, 2021].
Genny Biggs, Special Projects Officer of the Gordon and Betty Moore Foundation said, “We have been excited about this project from our initial conversations and have been pleased to see the results. Our history books have unfortunately taught us too little about these women and we support bringing their stories to the forefront. We hope they will inspire the next generation of female scientists.”
Hafner said, “The response to the podcast so far has been overwhelmingly positive. We could not be more grateful to the Gordon and Betty Moore Foundation, not only for early funding to help us get started, but for continued support and confidence that will allow us to tell more stories.”
Dr. Maria Klawe, President of Harvey Mudd College and Chair of the Lost Women of Science Initiative Advisory Board, said, “It’s wonderful that the Gordon and Betty Moore Foundation recognizes that women have been making great contributions to science for centuries, even though they’re often not recognized. And the rich storytelling approach has deep impact in helping people understand the importance of a scientist’s work.”
Earlier funding for Lost Women of Science has come from the Gordon and Betty Moore Foundation, Schmidt Futures and the John Templeton Foundation. The Initiative is also partnering with Barnard College at Columbia University, one-third of whose graduates are STEM majors. Harvey Mudd College graciously served as an early Fiscal Sponsor.
To learn more about the Lost Women of Science Initiative, or to donate to this important work, please visit: www.lostwomenofscience.org and follow @lostwomenofsci.
About Lost Women of Science:
The Lost Women of Science Initiativeis a 501(c)3 nonprofit with two overarching and interrelated missions: to tell the story of female scientists who made groundbreaking achievements in their fields, yet remain largely unknown to the general public, and to inspire girls and young women to pursue education and careers in STEM. The Initiative’s flagship is its Lost Women of Science podcast series. As a full, mission-driven organization, the Lost Women of Science Initiative plans to digitize and archive its research, and to make all primary source material available to students and historians of science.
About the Gordon and Betty Moore Foundation:
The Gordon and Betty Moore Foundation fosters path-breaking scientific discovery, environmental conservation, patient care improvements and preservation of the special character of the Bay Area. Visit Moore.org and follow @MooreFound.
You can listen to this trailer for Season 1,
The four episodes currently available constitute a four-part series on Dorothy Andersen, her work, and how she got ‘lost’. You can find the podcasts here.
Thank you to the publicist who sent the announcement about the grant!
Relationships can be so complicated. First, Unlocking Science is the name for the International Science Council’s (ISC) multimedia hub and it’s the name for a new four-part podcast launching today, November 16, 2021. Plus, Unlocking Science (the podcast) can be found on the Unlocking Science multimedia hub/website.
Produced by BBC [British Broadcasting Corporation] StoryWorks Commercial Productions, this dynamic online series uncovers the innovative global stories of scientists and how they are addressing inequalities, engaging policymakers and the public, and pioneering a more sustainable future.
With all eyes on COP26, and a chance for the world’s leaders, policymakers and community activists to put the planet on a sustainable path, this series meets the scientists who are finding solutions to some of humanity’s most pressing issues. Unlocking Science, a new online series, looks at how the global collaborative effort by international science is rising to the challenge of finding pathways to living within planetary boundaries.
Produced for the International Science Council (ISC) by BBC StoryWorks Commercial Productions, Unlocking Science addresses the need for accessible science through compelling and innovative storytelling for the public. This new series of films, articles and podcasts explores the ever-changing face of science culture, where diversity of thought and creative approaches to our most immediate and complex concerns are championed.
“We want communities to realize that science creating solutions for our planet is certainly not taking place in a so-called ivory tower. It is open, multinational, participatory and fuelled with urgency,”
From innovators working to protect vital ecological biomes like the Great Barrier Reef and the Amazon rainforest, to scientists seeking stability after being displaced by conflict, to ordinary citizens discovering our galaxy and our place in it through community-led tourism, Unlocking Science tells the human stories and new discoveries created by science.
said Mathieu Denis, ISC Science Director.
From innovators working to protect vital ecological biomes like the Great Barrier Reef and the Amazon rainforest, to scientists seeking stability after being displaced by conflict, to ordinary citizens discovering our galaxy and our place in it through community-led tourism, Unlocking Science tells the human stories and new discoveries created by science.Explore the ISC stories to feature on the new hub:
Meet Laura de Santis as part of the Scientific Committee on Antarctic Research (SCAR)’s story on What Antarctica can teach us about climate change – “We need to combine multidisciplinary work in order to understand the sensitivity of the ice sheets to ongoing climate warming, and to even more warming, which is expected in the future in the next decades”
Discover the people behind the changing face of medical science – “The medical physicists and engineers are like the orchestra in the opera: they are not the people you see, but they are the ones who ensure that the technology needed in healthcare is created and developed” – in Tomorrow’s hidden visionaries with the International Union for Physical and Engineering Sciences [in Medicine (IUPESM)].
Meet refugee scientists displaced by conflict, like Eqbal Dauqan, who left Yemen for Oslo, where she gained an academic position with support from the Scholars At Risk network. Eqbal was a mentee of the Global Young Academy’s At-Risk Scholars Initiative, and now acts as a mentor herself.
Additional films and articles will be joining the Unlocking Science series in early 2022.
I’m not sure how I stumbled on to to the Unlocking Science podcast before I got onto the multimedia hub website,
BTW, if the conference that the International Science Council’s subgroup, the International Network for Government Science Advice (INGSA) held here in Canada (August 30 – September 2, 2021) are an indicator, the podcasts and hub are likely to contain very interesting material. You can find out more about the conference in my August 31, 2021 posting.
The ‘Inventive Podcast’ features the superstar engineers and fantastic fiction writers of the headline. The University of Salford (UK) launched the series on Wednesday, June 23, 2021or International Women in Engineering Day. Here’s more about the series from a June 21, 2021 University of Salford press release (Note: I liked the title so much I ‘borrowed’ it),
Superstar engineers and fantastic fiction writers collaborate on the brand-new Inventive Podcast
The University of Salford has announced the launch of the brand-new Inventive Podcast featuring the incredible stories of engineers whose innovative work is transforming the world we live in.
Professor Trevor Cox, Inventive Host and an Acoustical Engineer from the University of Salford said: “Engineering is so central to our lives, and yet as a subject it’s strangely hidden in plain sight. I came up with idea of Inventive to explore new ways of telling the story of engineering by mixing fact and fiction.” He went on to comment, “Given the vast number of podcasts out there, it’s surprising how few shows focus on engineering (beyond tech).”
The project is funded by the Engineering and Physical Sciences [Research] Council (EPSRC) and brings together two Schools at the University: Science, Engineering and Environment & Arts, Media and Creative Technology. The series will debut on Wednesday 23 June , International Women in Engineering Day, with a further with 6 new episodes dropping across the summer.
Over the course of the eleven-episode series, Professor Cox meets incredible Inventive engineers. In the first episode he interviews: electronics engineer, Shrouk el Attar, a refugee and campaigner for LGBT rights, recently awarded the Women’s Engineering Society (WES) Prize for her work in femtech, smart tech that improves the lives of cis women and trans men, at the Institution of Engineering and Technology Young Woman Engineer of the Year Awards 2021; structural engineer Roma Agrawal designed the foundation and spire of London’s The Shard; and chemical engineer Askwar Hilonga who didn’t have access to clean water growing up in his village in Tanzania, but has gone on to win the Africa Prize for Engineering Innovation for his water purification nano filter.
This podcast is not just for engineers and techies! Engineering is typically represented in the media by historical narratives or ‘boy’s toys’ approach – biggest, longest, tallest. We know that has limited appeal, so we set ourselves a challenge to reach a wider audience. Engineering needs to tell better stories with people at the centre. So, we’ve interwoven factual interviews with stories commissioned from fantastic writers: C M Taylor’s piece The Night Builder, is inspired by structural engineer Roma Agrawal and includes a Banksy-like figure who works with concrete. Science Fiction writer Emma Newman’s Healing the Fractured is inspired by engineer Greg Bowie who makes trauma plates to treat broke bones and is set in a dystopian future, reminiscent of Handmaid’s Tale, with the engineer as an unexpected hero.
I listened to Trevor Cox’s interview for the first and, so far, only Inventive episode, with engineer, Shrouk El-Attar, which includes award-winning writer and poet, Tania Hershman, performing her piece ‘Human Being As Circuit Board, Human Being as Dictionary‘ combining fiction, poetry and non-fiction based on El-Attar’s story. (Check out Shrouk El-Attar’s eponymous website here.)
I recognized one of the upcoming interview subjects, Askwar Hilonga, as his work with water filters in Tanzania has been featured here twice, notably in this June 16, 2015 posting.
Back in January 2019 I got an email from my good friend and colleague Lance Gharavi with the title “Podcast brainstorming.” Two years on, we’ve just launched the Mission: Interplanetary podcast–and it’s amazing!
It’s been a long journey — especially with a global pandemic thrown in along the way — but on March 23 , the Mission: Interplanetary podcast with Slate and ASU finally launched.
After two years of planning, many discussions, a bunch dry runs, and lots (and by that I mean lots) of Zoom meetings, we are live!
As the team behind the podcast talked about and developed the ideas underpinning the Mission: Interplanetary,we were interested in exploring new ways of thinking and talking about the future of humanity as a space-faring species as part of Arizona State University’s Interplanetary Initiative. We also wanted to go big with these conversations — really big!
And that is exactly what we’ve done in this partnership with Slate.
The guests we’re hosting, the conversations we have lined up, the issues we grapple with, are all literally out of this world. But don’t just take my word for it — listen to the first episode above with the incredible Lindy Elkins-Tanton talking about NASA’s mission to the asteroid 16 Psyche.
So if you’re looking for a space podcast with a difference, and one that grapples with big questions around our space-based future, please do subscribe on your favorite podcast platform. And join me and the fabulous former NASA astronaut Cady Coleman as we explore the future of humanity in space.
Cady Coleman is a former NASA astronaut and Air Force colonel. She flew aboard the International Space Station on a six-month expedition as the lead science and robotics officer. A frequent speaker on space and STEM topics, Coleman is also a musician who’s played from space with the Chieftains and Ian Anderson of Jethro Tull.
Happy listening. And, I apologize for the awkward links.
Event Rap Kickstarter
Baba Brinkman’s April 27, 2021 email notice has this to say about his latest venture,
Join the Movement, Get Rewards
My new Kickstarter campaign for Event Rap is live as of right now! Anyone who backs the project is helping to launch an exciting new company, actually a new kind of company, the first creator marketplace for rappers. Please take a few minutes to read the campaign description, I put a lot of love into it.
The campaign goal is to raise $26K in 30 days, an average of $2K per artist participating. If we succeed, this platform becomes a new income stream for independent artists during the pandemic and beyond. That’s the vision, and I’m asking for your help to share it and support it.
But instead of why it matters, let’s talk about what you get if you support the campaign!
$10-$50 gets you an advance copy of my new science rap album, Bright Future. I’m extremely proud of this record, which you can preview here, and Bright Future is also a prototype for Event Rap, since all ten of the songs were commissioned by people like you.
$250 – $500 gets you a Custom Rap Video written and produced by one of our artists, and you have twelve artists and infinite topics to choose from. This is an insanely low starting price for an original rap video from a seasoned professional, and it applies only during the Kickstarter. What can the video be about? Anything at all. You choose!
$750 – $1,500 gets you a live rap performance at your virtual event. This is also an amazingly low price, especially since you can choose to have the artist freestyle interactively with your audience, write and perform a custom rap live, or best of all compose a “Rap Up” summary of the event, written during the event, that the artist will perform as the grand finale.
That’s about as fresh and fun as rap gets.
$3,000 – $5,000 the highest tiers bring the highest quality, a brand new custom-written, recorded, mixed and mastered studio track, or studio track plus full rap music video, with an exclusive beat and lyrics that amplify your message in the impactful, entertaining way that rap does best.
I know this higher price range isn’t for everyone, but check out some of the music videos our artists have made, and maybe you can think of a friend to send this to who has a budget and a worthy cause.
At long last, the end is in sight! This last part is mostly a collection of items that don’t fit elsewhere or could have fit elsewhere but that particular part was already overstuffed.
Podcasting science for the people
March 2009 was the birth date for a podcast, then called Skeptically Speaking and now known as Science for the People (Wikipedia entry). Here’s more from the Science for the People About webpage,
Science for the People is a long-format interview podcast that explores the connections between science, popular culture, history, and public policy, to help listeners understand the evidence and arguments behind what’s in the news and on the shelves.
Every week, our hosts sit down with science researchers, writers, authors, journalists, and experts to discuss science from the past, the science that affects our lives today, and how science might change our future.
Rachelle Saunders: Producer & Host
I love to learn new things, and say the word “fascinating” way too much. I like to talk about intersections and how science and critical thinking intersect with everyday life, politics, history, and culture. By day I’m a web developer, and I definitely listen to way too many podcasts.
Created in 2007 with the generous funding of the Social Sciences and Humanities Research Council of Canada Strategic Knowledge Cluster grant, Situating Science is a seven-year project promoting communication and collaboration among humanists and social scientists that are engaged in the study of science and technology.
You can find out more about Situating Science’s final days in my August 16, 2013 posting where I included a lot of information about one of their last events titled, “Science and Society 2013 Symposium; Emerging Agendas for Citizens and the Sciences.”
The “think-tank” will dovetail nicely with a special symposium in Ottawa on Science and Society Oct. 21-23. For this symposium, the Cluster is partnering with the Institute for Science, Society and Policy to bring together scholars from various disciplines, public servants and policy workers to discuss key issues at the intersection of science and society. [emphasis mine] The discussions will be compiled in a document to be shared with stakeholders and the wider public.
The team will continue to seek support and partnerships for projects within the scope of its objectives. Among our top priorities are a partnership to explore sciences, technologies and their publics as well as new partnerships to build upon exchanges between scholars and institutions in India, Singapore and Canada.
The Situating Science folks did attempt to carry on the organization’s work by rebranding the organization to call it the Canadian Consortium for Situating Science and Technology (CCSST). It seems to have been a short-lived volunteer effort.
Meanwhile, the special symposium held in October 2013 appears to have been the springboard for another SSHRC funded multi-year initiative, this time focused on science collaborations between Canada, India, and Singapore, Cosmopolitanism and the Local in Science and Nature from 2014 – 2017. Despite their sunset year having been in 2017, their homepage boasts news about a 2020 Congress and their Twitter feed is still active. Harking back, here’s what the project was designed to do, from the About Us page,
Welcome to our three year project that will establish a research network on “Cosmopolitanism” in science. It closely examines the actual types of negotiations that go into the making of science and its culture within an increasingly globalized landscape. This partnership is both about “cosmopolitanism and the local” and is, at the same time, cosmopolitan and local.
Anyone who reads this blog with any frequency will know that I often comment on the fact that when organizations such as the Council of Canadian Academies bring in experts from other parts of the world, they are almost always from the US or Europe. So, I was delighted to discover the Cosmopolitanism project and featured it in a February 19, 2015 posting.
Expose a hitherto largely Eurocentric scholarly community in Canada to widening international perspectives and methods,
Build on past successes at border-crossings and exchanges between the participants,
Facilitate a much needed nation-wide organization and exchange amongst Indian and South East Asian scholars, in concert with their Canadian counterparts, by integrating into an international network,
Open up new perspectives on the genesis and place of globalized science, and thereby
Offer alternative ways to conceptualize and engage globalization itself, and especially the globalization of knowledge and science.
Bring the managerial team together for joint discussion, research exchange, leveraging and planning – all in the aid of laying the grounds of a sustainable partnership
Eco Art (also known as ecological art or environmental art)
I’m of two minds as to whether I should have tried to stuff this into the art/sci subsection in part 2. On balance, I decided that this merited its own section and that part 2 was already overstuffed.
Let’s start in Newfoundland and Labrador with Marlene Creates (pronounced Kreets), here’s more about her from her website’s bio webpage,
Marlene Creates (pronounced “Kreets”) is an environmental artist and poet who works with photography, video, scientific and vernacular knowledge, walking and collaborative site-specific performance in the six-acre patch of boreal forest in Portugal Cove, Newfoundland and Labrador, Canada, where she lives.
For almost 40 years her work has been an exploration of the relationship between human experience, memory, language and the land, and the impact they have on each other. …
Currently her work is focused on the six acres of boreal forest where she lives in a ‘relational aesthetic’ to the land. This oeuvre includes Water Flowing to the Sea Captured at the Speed of Light, Blast Hole Pond River, Newfoundland 2002–2003, and several ongoing projects:
Marlene Creates received a Governor General’s Award in Visual and Media Arts for “Lifetime Artistic Achievement” in 2019. …
An October 1, 2018 article by Yasmin Nurming-Por for Canadian Art magazine features 10 artists who focus on environmental and/or land art themes,
As part of her 2016 master’s thesis exhibition, Fredericton [New Brunswick] artist Gillian Dykeman presented the video Dispatches from the Feminist Utopian Future within a larger installation that imagined various canonical earthworks from the perspective of the future. It’s a project that addresses the inherent sense of timelessness in these massive interventions on the natural landscape from the perspective of contemporary land politics. … she proposes a kind of interaction with the invasive and often colonial gestures of modernist Land art, one that imagines a different future for these earthworks, where they are treated as alien in a landscape and as beacons from a feminist future.
If you have the time, I recommend reading the article in its entirety.
Oddly, I did not expect Vancouver to have such an active eco arts focus. The City of Vancouver Parks Board maintains an Environmental Art webpage on its site listing a number of current and past projects.
I cannot find the date for when this Parks Board initiative started but I did find a document produced prior to a Spring 2006 Arts & Ecology think tank held in Vancouver under the auspices of the Canada Council for the Arts, the Canadian Commission for UNESCO, the Vancouver Foundation, and the Royal Society for the Encouragement of the Arts, Manufactures and Commerce (London UK).
In all likelihood, Vancouver Park Board’s Environmental Art webpage was produced after 2006.
I imagine the document and the think tank session helped to anchor any then current eco art projects and encouraged more projects.
While its early days were in 2008, EartHand Gleaners (Vancouver-based) wasn’t formally founded as an arts non-for-profit organization until 2013. You can find out more about them and their projects here.
Eco Art has been around for decades according to the eco art think tank document but it does seemed to have gained momentum here in Canada over the last decade.
Photography and the Natural Sciences and Engineering Research Council of Canada (NSERC)
Exploring the jack pine tight knit family tree. Credit: Dana Harris Brock University (2018)
Pictured are developing phloem, cambial, and xylem cells (blue), and mature xylem cells (red), in the outermost portion of a jack pine tree. This research aims to identify the influences of climate on the cellular development of the species at its northern limit in Yellowknife, NT. The differences in these cell formations is what creates the annual tree ring boundary.
Science Exposed is a photography contest for scientists which has been run since 2016 (assuming the Past Winners archive is a good indicator for the programme’s starting year).
The 2020 competition recently closed but public voting should start soon. It’s nice to see that NSERC is now making efforts to engage members of the general public rather than focusing its efforts solely on children. The UK’s ASPIRES project seems to support the idea that adults need to be more fully engaged with STEM (science, technology, engineering, and mathematics) efforts as it found that children’s attitudes toward science are strongly influenced by their parents’ and relatives’ attitudes.(See my January 31, 2012 posting.)
Ingenious, the book and Ingenium, the science museums
To celebrate Canada’s 150th anniversary in 2017, then Governor General David Johnston and Tom Jenkins (Chair of the board for Open Text and former Chair of the federal committee overseeing the ‘Review of Federal Support to R&’D [see my October 21, 2011 posting about the resulting report]) wrote a boo about Canada’s inventors and inventions.
Johnston and Jenkins jaunted around the country launching their book (I have more about their June 1, 2017 Vancouver visit in a May 30, 2017 posting; scroll down about 60% of the way]).
The book’s full title, “Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier ” outlines their thesis neatly.
Not all that long after the book was launched, there was a name change (thankfully) for the Canada Science and Technology Museums Corporation (CSTMC). It is now known as Ingenium (covered in my August 10, 2017 posting).
The reason that name change was such a relief (for those who don’t know) is that the corporation included three national science museums: Canada Aviation and Space Museum, Canada Agriculture and Food Museum, and (wait for it) Canada Science and Technology Museum. On the list of confusing names, this ranks very high for me. Again, I give thanks for the change from CSTMC to Ingenium, leaving the name for the museum alone.
2017 was also the year that the newly refurbished Canada Science and Technology Museum was reopened after more than three years (see my June 23, 2017 posting about the November 2017 reopening and my June 12, 2015 posting for more information about the situation that led to the closure).
A Saskatchewan lab, Convergence, Order of Canada, Year of Science, Animated Mathematics, a graphic novel, and new media
Since this section is jampacked, I’m using subheads.
Dr. Brian Eameshosts an artist-in-residence,Jean-Sebastien (JS) Gauthier at the University of Saskatchewan’s College of Medicine Eames Lab. A February 16, 2018 posting here featured their first collaboration together. It covered evolutionary biology, the synchrotron (Canadian Light Source [CLS]) in Saskatoon, and the ‘ins and outs’ of a collaboration between a scientist an artist. Presumably the art-in-residence position indicates that first collaboration went very well.
In January 2020, Brian kindly gave me an update on their current projects. Jean-Sebastin successfully coded an interactive piece for an exhibit at the 2019 Nuit Blanche Saskatoon event using Connect (Xbox). More recently, he got a VR [virtual reality] helmet for an upcoming project or two.
Our Glass is a work of interactive SciArt co-created by artist JS Gauthier and biologist Dr Brian F. Eames. It uses cutting-edge 3D microscopic images produced for artistic purposes at the Canadian Light Source, Canada’s only synchrotron facility. Our Glass engages viewers of all ages to peer within an hourglass showing how embryonic development compares among animals with whom we share a close genetic heritage.
Eames also mentioned they were hoping to hold an international SciArt Symposium at the University of Saskatchewan in 2021.
Cat Lau’s December 23, 2019 posting for the Science Borealis blog provides insight into Zaelzer-Perez’s relationship to science and art,
Cristian: I have had a relationship with art and science ever since I have had memory. As a child, I loved to do classifications, from grouping different flowers to collecting leaves by their shapes. At the same time, I really loved to draw them and for me, both things never looked different; they (art and science) have always worked together.
I started as a graphic designer, but the pursuit to learn about nature was never dead. At some point, I knew I wanted to go back to school to do research, to explore and learn new things. I started studying medical technologies, then molecular biology and then jumped into a PhD. At that point, my life as a graphic designer slipped down, because of the focus you have to give to the discipline. It seemed like every time I tried to dedicate myself to one thing, I would find myself doing the other thing a couple years later.
I came to Montreal to do my post-doc, but I had trouble publishing, which became problematic in getting a career. I was still loving what I was doing, but not seeing a future in that. Once again, art came back into my life and at the same time I saw that science was becoming really hard to understand and scientists were not doing much to bridge the gap.
For a writer of children’s science books, an appointment to the Order of Canada is a singular honour. I cannot recall a children’s science book writer previous to Shar Levine being appointed as a Member of the Order of Canada. Known as ‘The Science Lady‘, Levine was appointed in 2016. Here’s more from her Wikipedia entry, Note: Links have been removed,
Shar Levine (born 1953) is an award-winning, best selling Canadian children’s author, and designer.
Shar has written over 70 books and book/kits, primarily on hands-on science for children. For her work in Science literacy and Science promotion, Shar has been appointed to the 2016 Order of Canada. In 2015, she was recognized by the University of Alberta and received their Alumni Honour Award. Levine, and her co-author, Leslie Johnstone, were co-recipients of the Eve Savory Award for Science Communication from the BC Innovation Council (2006) and their book, Backyard Science, was a finalist for the Subaru Award, (hands on activity) from the American Association for the Advancement of Science, Science Books and Films (2005). The Ultimate Guide to Your Microscope was a finalist-2008 American Association for the Advancement of Science/Subaru Science Books and Films Prize Hands -On Science/Activity Books.
The Order of Canada is how our country honours people who make extraordinary contributions to the nation.
Since its creation in 1967—Canada’s centennial year—more than 7 000 people from all sectors of society have been invested into the Order. The contributions of these trailblazers are varied, yet they have all enriched the lives of others and made a difference to this country. Their grit and passion inspire us, teach us and show us the way forward. They exemplify the Order’s motto: DESIDERANTES MELIOREM PATRIAM (“They desire a better country”).
Year of Science in British Columbia
In the Fall of 2010, the British Columbia provincial government announced a Year of Science (coinciding with the school year) . Originally, it was supposed to be a provincial government-wide initiative but the idea percolated through any number of processes and emerged as a year dedicated to science education for youth (according to the idea’s originator, Moira Stilwell who was then a Member of the Legislative Assembly [MLA]’ I spoke with her sometime in 2010 or 2011).
As the ‘year’ drew to a close, there was a finale ($1.1M in funding), which was featured here in a July 6, 2011 posting.
The larger portion of the money ($1M) was awarded to Science World while $100,000 ($0.1 M) was given to the Pacific Institute of Mathematical Sciences To my knowledge there have been no followup announcements about how the money was used.
Animation and mathematics
In Toronto, mathematician Dr. Karan Singh enjoyed a flurry of interest due to his association with animator Chris Landreth and their Academy Award (Oscar) Winning 2004 animated film, Ryan. They have continued to work together as members of the Dynamic Graphics Project (DGP) Lab at the University of Toronto. Theirs is not the only Oscar winning work to emerge from one or more of the members of the lab. Jos Stam, DGP graduate and adjunct professor won his third in 2019.
A graphic novel and medical promise
An academic at Simon Fraser University since 2015, Coleman Nye worked with three other women to produce a graphic novel about medical dilemmas in a genre described as’ ethno-fiction’.
Lissa: A Story about Medical Promise, Friendship, and Revolution (2017) by Sherine Hamdy and Coleman Nye, two anthropologists and Art by Sarula Bao and Caroline Brewer, two artists.
As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. Years later, Anna learns that she may carry the hereditary cancer gene responsible for her mother’s death. Meanwhile, Layla’s family is faced with a difficult decision about kidney transplantation. Their friendship is put to the test when these medical crises reveal stark differences in their perspectives…until revolutionary unrest in Egypt changes their lives forever.
The first book in a new series [ethnoGRAPIC; a series of graphic novels from the University of Toronto Press], Lissa brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.
I hope to write more about this graphic novel in a future posting.
I don’t know if this could be described as a movement yet but it’s certainly an interesting minor development. Two new media centres have hosted, in the last four years, art/sci projects and/or workshops. It’s unexpected given this definition from the Wikipedia entry for New Media (Note: Links have been removed),
New media are forms of media that are computational and rely on computers for redistribution. Some examples of new media are computer animations, computer games, human-computer interfaces, interactive computer installations, websites, and virtual worlds.
In Manitoba, the Video Pool Media Arts Centre hosted a February 2016 workshop Biology as a New Art Medium: Workshop with Marta De Menezes. De Menezes, an artist from Portugal, gave workshops and talks in both Winnipeg (Manitoba) and Toronto (Ontario). Here’s a description for the one in Winnipeg,
This workshop aims to explore the multiple possibilities of artistic approaches that can be developed in relation to Art and Microbiology in a DIY situation. A special emphasis will be placed on the development of collaborative art and microbiology projects where the artist has to learn some biological research skills in order to create the artwork. The course will consist of a series of intense experimental sessions that will give raise to discussions on the artistic, aesthetic and ethical issues raised by the art and the science involved. Handling these materials and organisms will provoke a reflection on the theoretical issues involved and the course will provide background information on the current diversity of artistic discourses centred on biological sciences, as well a forum for debate.
VIVO Media Arts Centre in Vancouver hosted the Invasive Systems in 2019. From the exhibition page,
Picture this – a world where AI invades human creativity, bacteria invade our brains, and invisible technological signals penetrate all natural environments. Where invasive species from plants to humans transform spaces where they don’t belong, technology infiltrates every aspect of our daily lives, and the waste of human inventions ravages our natural environments.
This weekend festival includes an art-science exhibition [emphasis mine], a hands-on workshop (Sat, separate registration required), and guided discussions and tours by the curator (Sat/Sun). It will showcase collaborative works by three artist/scientist pairs, and independent works by six artists. Opening reception will be on Friday, November 8 starting at 7pm; curator’s remarks and performance by Edzi’u at 7:30pm and 9pm.
New Westminster’s (British Columbia) New Media Gallery recently hosted an exhibition, ‘winds‘ from June 20 – September 29, 2019 that could be described as an art/sci exhibition,
Landscape and weather have long shared an intimate connection with the arts. Each of the works here is a landscape: captured, interpreted and presented through a range of technologies. The four artists in this exhibition have taken, as their material process, the movement of wind through physical space & time. They explore how our perception and understanding of landscape can be interpreted through technology.
These works have been created by what might be understood as a sort of scientific method or process that involves collecting data, acute observation, controlled experiments and the incorporation of measurements and technologies that control or collect motion, pressure, sound, pattern and the like. …
Council of Canadian Academies, Publishing, and Open Access
Established in 2005, the Council of Canadian Academies (CCA) (Wikipedia entry) is tasked by various departments and agencies to answer their queries about science issues that could affect the populace and/or the government. In 2014, the CCA published a report titled, Science Culture: Where Canada Stands. It was in response to the Canada Science and Technology Museums Corporation (now called Ingenium), Industry Canada, and Natural Resources Canada and their joint request that the CCA conduct an in-depth, independent assessment to investigate the state of Canada’s science culture.
I gave a pretty extensive analysis of the report, which I delivered in four parts: Part 1, Part 2 (a), Part 2 (b), and Part 3. In brief, the term ‘science culture’ seems to be specifically, i.e., it’s not used elsewhere in the world (that we know of), Canadian. We have lots to be proud of. I was a little disappointed by the lack of culture (arts) producers on the expert panel and, as usual, I bemoaned the fact that the international community included as reviewers, members of the panel, and as points for comparison were drawn from the usual suspects (US, UK, or somewhere in northern Europe).
Science publishing in Canada took a bit of a turn in 2010, when the country’s largest science publisher, NRC (National Research Council) Research Publisher was cut loose from the government and spun out into the private, *not-for-profit publisher*, Canadian Science Publishing (CSP). From the CSP Wikipedia entry,
Since 2010, Canadian Science Publishing has acquired five new journals:
Canadian Science Publishing offers researchers options to make their published papers freely available (open access) in their standard journals and in their open access journal, (from the CSP Wikipedia entry)
Arctic Science aims to provide a collaborative approach to Arctic research for a diverse group of users including government, policy makers, the general public, and researchers across all scientific fields
FACETS is Canada’s first open access multidisciplinary science journal, aiming to advance science by publishing research that the multi-faceted global community of research. FACETS is the official journal of the Royal Society of Canada’s Academy of Science.
Anthropocene Coasts aims to understand and predict the effects of human activity, including climate change, on coastal regions.
In addition, Canadian Science Publishing strives to make their content accessible through the CSP blog that includes plain language summaries of featured research. The open-access journal FACETS similarly publishes plain language summaries.
CSP announced (on Twitter) a new annual contest in 2016,
New CONTEST! Announcing Visualizing Science! Share your science images & win great prizes! Full details on the blog http://cdnsciencepub.com/blog/2016-csp-image-contest-visualizing-science.aspx1:45 PM · Sep 19, 2016·TweetDeck
The 2016 blog posting is no longer accessible. Oddly for a contest of this type, I can’t find an image archive for previous contests. Regardless, a 2020 competition has been announced for Summer 2020. There are some details on the VISUALIZING SCIENCE 2020 webpage but some are missing, e.g., no opening date, no deadline. They are encouraging you to sign up for notices.
Back to open access, in a January 22, 2016 posting I featured news about Montreal Neuro (Montreal Neurological Institute [MNI] in Québec, Canada) and its then new policy giving researchers world wide access to its research and made a pledge that it would not seek patents for its work.
Fish, Newfoundland & Labrador, and Prince Edward Island
AquAdvantage’s genetically modified salmon was approved for consumption in Canada according to my May 20, 2016 posting. The salmon are produced/farmed by a US company (AquaBounty) but the the work of genetically modifying Atlantic salmon with genetic material from the Chinook (a Pacific ocean salmon) was mostly undertaken at Memorial University in Newfoundland & Labrador.
The process by which work done in Newfoundland & Labrador becomes the property of a US company is one that’s well known here in Canada. The preliminary work and technology is developed here and then purchased by a US company, which files patents, markets, and profits from it. Interestingly, the fish farms for the AquAdvantage salmon are mostly (two out of three) located on Prince Edward Island.
Intriguingly, 4.5 tonnes of the modified fish were sold for consumption in Canada without consumers being informed (see my Sept. 13, 2017 posting, scroll down about 45% of the way).
It’s not all sunshine and roses where science culture in Canada is concerned. Incidents where Canadians are not informed let alone consulted about major changes in the food supply and other areas are not unusual. Too many times, scientists, politicians, and government policy experts want to spread news about science without any response from the recipients who are in effect viewed as a ‘tabula rasa’ or a blank page.
Tying it all up
This series has been my best attempt to document in some fashion or another the extraordinary range of science culture in Canada from roughly 2010-19. Thank you! This series represents a huge amount of work and effort to develop science culture in Canada and I am deeply thankful that people give so much to this effort.
I have inevitably missed people and organizations and events. For that I am very sorry. (There is an addendum to the series as it’s been hard to stop but I don’t expect to add anything or anyone more.)
I want to mention but can’t expand upon,the Pan-Canadian Artificial Intelligence Strategy, which was established in the 2017 federal budget (see a March 31, 2017 posting about the Vector Institute and Canada’s artificial intelligence sector).
Science Borealis, the Canadian science blog aggregator, owes its existence to Canadian Science Publishing for the support (programming and financial) needed to establish itself and, I believe, that support is still ongoing. I think thanks are also due to Jenny Ryan who was working for CSP and championed the initiative. Jenny now works for Canadian Blood Services. Interestingly, that agency added a new programme, a ‘Lay Science Writing Competition’ in 2018. It’s offered n partnership with two other groups, the Centre for Blood Research at the University of British Columbia and Science Borealis
While the Royal Astronomical Society of Canada does not fit into my time frame as it lists as its founding date December 1, 1868 (18 months after confederation), the organization did celebrate its 150th anniversary in 2018.
Vancouver’s Electric Company often produces theatrical experiences that cover science topics such as the one featured in my June 7, 2013 posting, You are very star—an immersive transmedia experience.
Let’s Talk Science (Wikipedia entry) has been heavily involved with offering STEM (science, technology, engineering, and mathematics) programming both as part of curricular and extra-curricular across Canada since 1993.
This organization predates confederation having been founded in 1849 by Sir Sandford Fleming and Kivas Tully in Toronto. for surveyors, civil engineers, and architects. It is the Royal Canadian Institute of Science (Wikipedia entry)_. With almost no interruption, they have been delivering a regular series of lectures on the University of Toronto campus since 1913.
The Perimeter Institute for Theoretical Physics is a more recent beast. In 1999 Mike Lazirides, founder of Research In Motion (now known as Blackberry Limited), acted as both founder and major benefactor for this institute in Waterloo, Ontario. They offer a substantive and imaginative outreach programmes such as Arts and Culture: “Event Horizons is a series of unique and extraordinary events that aim to stimulate and enthral. It is a showcase of innovative work of the highest international standard, an emotional, intellectual, and creative experience. And perhaps most importantly, it is a social space, where ideas collide and curious minds meet.”
While gene-editing hasn’t seemed to be top-of-mind for anyone other than those in the art/sci community that may change. My April 26, 2019 posting focused on what appears to be a campaign to reverse Canada’s criminal ban on human gene-editing of inheritable cells (germline). With less potential for controversy, there is a discussion about somatic gene therapies and engineered cell therapies. A report from the Council of Canadian is due in the Fall of 2020. (The therapies being discussed do not involve germline editing.)
I recently stumbled across ‘un balados’ (podcast), titled, 20%. Started in January 2019 by the magazine, Québec Science, the podcast is devoted to women in science and technology. 20%, the podcast’s name, is the statistic representing the number of women in those fields. “Dans les domaines de la science et de la technologie, les femmes ne forment que 20% de la main-d’oeuvre.” (from the podcast webpage) The podcast is a co-production between “Québec Science [founded in 1962] et l’Acfas [formerly, l’Association Canadienne-Française pour l’Avancement des Sciences, now, Association francophone pour le savoir], en collaboration avec la Commission canadienne pour l’UNESCO, L’Oréal Canada et la radio Choq.ca.” (also from the podcast webpage)
Does it mean anything?
There have been many developments since I started writing this series in late December 2019. In January 2020, Iran shot down one of its own planes. That error killed some 176 people , many of them (136 Canadians and students) bound for Canada. The number of people who were involved in the sciences, technology, and medicine was striking.
It was a shocking loss and will reverberate for quite some time. There is a memorial posting here (January 13, 2020), which includes links to another memorial posting and an essay.
As I write this we are dealing with a pandemic, COVID-19, which has us all practicing physical and social distancing. Congregations of large numbers are expressly forbidden. All of this is being done in a bid to lessen the passage of the virus, SARS-CoV-2 which causes COVID-19.
In the short term at least, it seems that much of what I’ve described in these five parts (and the addendum) will undergo significant changes or simply fade away.
As for the long term, with this last 10 years having hosted the most lively science culture scene I can ever recall, I’m hopeful that science culture in Canada will do more than survive but thrive.
*”for-profit publisher, Canadian Science Publishing (CSP)” corrected to “not-for-profit publisher, Canadian Science Publishing (CSP)” and this comment “Not bad for a for-profit business, eh?” removed on April 29, 2020 as per Twitter comments,
Hi Maryse, thank you for alerting us to your blog. To clarify, Canadian Science Publishing is a not-for-profit publisher. Thank you as well for sharing our image contest. We’ve updated the contest page to indicate that the contest opens July 2020!