It looks like STEAM (science, technology, engineering, art and design, and math) has undergone a change. At one point, it was simply; science, technology, engineering, art, and math.
It’s not the only term that’s changed, the Vancouver (Canada) institution that was rebranded as Science World at Telus World of Science in 2005 (after they got money from Telus) has reverted to its original name Science World this year in 2020.
Now the naming has been clarified (for me, if no one else), here’s some event news from an October 19, 2020 article by Steve Newton for The Georgia Straight,
B.C.’s favourite defender in the battle against COVID-19, provincial health officer Dr. Bonnie Henry, will give the opening keynote address at an online kids’ event next month.
Henry will speak at the start of the Girls and STEAM (Science, Tech, Engineering, Arts and Design, and Math) virtual symposium, which takes place November 7 [2020] at Science World.
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Closing keynote speaker will be environmental researcher Sarika Cullis-Suzuki.
There’s a very slick video from Science World,
Science World’s Girls and STEAM event page has more details except the start and finish times (they are: 9:00 AM – 11:30 AM PST),
Calling all future scientists, inventors and innovators age 11-13!
Join us Saturday, November 7, 2020 for an action-packed day of workshops, mentorship and keynote speakers from real professionals who are making incredible contributions to the world of science, technology, engineering, art and design and math (STEAM).
We are especially excited to announce this year’s inspirational keynote speakers: our superhero and world-famous nerd, BC’s Provincial Health Officer Dr. Bonnie Henry, as well as one of Canada’s most influential nerds in ocean conservation, marine biologist Dr. Sarika Cullis-Suzuki.
This year, Science World is increasing our reach across the province by offering this annual event online.
In recent years, there has been a rise in cynicism about many traditionally well-respected institutions – science, academia, news reporting, and even the concepts of experts and expertise more generally. Many people’s primary – or only – exposure to science is through biological or health science, especially during the COVID-19 pandemic.
In health research, rising cynicism has spawned the anti-vaccine movement, and a growing reliance on advice from peer networks rather than experts. In part, such movements are fuelled by several examples of provably false, so-called “scientific results,” coming about either through fraud or incompetence. While skepticism is crucial to science, cynicism rooted in a lack of trust can devalue scientific contributions.
In her lecture webcast, physicist Catherine Beauchemin will explore the erosion of trust in health research, presenting examples from influenza and COVID-19. …
Two essential ingredients of the scientific method are skepticism and independent confirmation – the ability to glean for oneself whether an established theory or a new hypothesis is true or false. But not everyone has the capacity to perform the experiments to obtain such a confirmation.
Consider, for example, the costs of constructing your own Large Hadron Collider, or your ability as a non-expert to critically read and understand a scientific publication. In practice, acceptance of scientific theories is more often based on trust than on independent confirmation. When that trust is eroded, issues emerge.
In her November 4 [2020] Perimeter Public Lecture webcast, Beauchemin will highlight some of the issues that have eroded trust in health research, presenting examples from influenza and COVID-19. She will show why she believes many of these issues have their root in the fact that hypotheses in health research are formulated as words rather than mathematical expressions – and why a dose of physics may be just the prescription we need.
I love mysteries and am quite interested in the nature of reality (you, too?) and that gives us something in common with a couple of Perimeter Institute for Theoretical Physics (PI; Canada) researchers. From The Quantum Physicist as Causal Detective event page on the insidetheperimeter.ca website (notice received via email),
In their live webcast from Perimeter on October 7 [2020], Robert Spekkens and Elie Wolfe will shed light on the exciting possibilities brought about by applying quantum thinking to the science of cause and effect.
Watch the live webcast on this page on Wednesday, October 7 [2020] at 7 pm ET.
What do data science and the foundations of quantum theory have to do with one another?
A great deal, it turns out. The particular branch of data science known as causal inference focuses on a problem which is central to disciplines ranging from epidemiology to economics: that of disentangling correlation and causation in statistical data.
Meanwhile, in a slightly different guise, this same problem has been pondered by quantum physicists as part of a continuing effort to make sense of various puzzling quantum phenomena. On top of that, the most celebrated result concerning quantum theory’s meaning for the nature of reality – Bell’s theorem – can be seen in retrospect to be built on the solution to a particularly challenging problem in causal inference.
Recent efforts to elaborate upon these connections have led to an exciting flow of techniques and insights across the disciplinary divide.
Perimeter researchers Robert Spekkens and Elie Wolfe have done pioneering work studying relations of cause and effect through a quantum foundational lens, and can be counted among a small number of physicists worldwide with expertise in this field.
In their joint webcast from Perimeter [at 7 pm ET] on October 7 [2020], Spekkens and Wolfe will explore what is happening at the intersection of these two fields and how thinking like a quantum physicist leads to new ways of sussing out cause and effect from correlation patterns in statistical data.
For those of us on the West Coast, that webcast will be at 4 p.m. on Wednesday, Oct. 7, 2020 and I believe you can watch it here.
This is one of three pieces by Rita Letendre that underwent chemical mapping according to an August 5, 2020 CLS news release by Victoria Martinez (also received via email),
Research undertaken at the Canadian Light Source (CLS) at the University of Saskatchewan was key to understanding how to conserve experimental oil paintings by Rita Letendre, one of Canada’s most respected living abstract artists.
The work done at the CLS was part of a collaborative research project between the Art Gallery of Ontario (AGO) and the Canadian Conservation Institute (CCI) that came out of a recent retrospective Rita Letendre: Fire & Light at the AGO. During close examination, Meaghan Monaghan, paintings conservator from the Michael and Sonja Koerner Centre for Conservation, observed that several of Letendre’s oil paintings from the fifties and sixties had suffered significant degradation, most prominently, uneven gloss and patchiness, snowy crystalline structures coating the surface known as efflorescence, and cracking and lifting of the paint in several areas.
Kate Helwig, Senior Conservation Scientist at the Canadian Conservation Institute, says these problems are typical of mid-20th century oil paintings. “We focused on three of Rita Letendre’s paintings in the AGO collection, which made for a really nice case study of her work and also fits into the larger question of why oil paintings from that period tend to have degradation issues.”
Growing evidence indicates that paintings from this period have experienced these problems due to the combination of the experimental techniques many artists employed and the additives paint manufacturers had begun to use.
In order to determine more precisely how these factors affected Letendre’s paintings, the research team members applied a variety of analytical techniques, using microscopic samples taken from key points in the works.
“The work done at the CLS was particularly important because it allowed us to map the distribution of materials throughout a paint layer such as an impasto stroke,” Helwig said. The team used Mid-IR chemical mapping at the facility, which provides a map of different molecules in a small sample.
For example, chemical mapping at the CLS allowed the team to understand the distribution of the paint additive aluminum stearate throughout the paint layers of the painting Méduse. This painting showed areas of soft, incompletely dried paint, likely due to the high concentration and incomplete mixing of this additive.
The painting Victoire had a crumbling base paint layer in some areas and cracking and efflorescence at the surface in others. Infrared mapping at the CLS allowed the team to determine that excess free fatty acids in the paint were linked to both problems; where the fatty acids were found at the base they formed zing “soaps” which led to crumbling and cracking, and where they had moved to the surface they had crystallized, causing the snowflake-like efflorescence.
AGO curators and conservators interviewed Letendre to determine what was important to her in preserving and conserving her works, and she highlighted how important an even gloss across the surface was to her artworks, and the philosophical importance of the colour black in her paintings. These priorities guided conservation efforts, while the insights gained through scientific research will help maintain the works in the long term.
In order to restore the black paint to its intended even finish for display, conservator Meaghan Monaghan removed the white crystallization from the surface of Victoire, but it is possible that it could begin to recur. Understanding the processes that lead to this degradation will be an important tool to keep Letendre’s works in good condition.
“The world of modern paint research is complicated; each painting is unique, which is why it’s important to combine theoretical work on model paint systems with this kind of case study on actual works of art” said Helwig. The team hopes to collaborate on studying a larger cross section of Letendre’s paintings in oil and acrylic in the future to add to the body of knowledge.
The latest news from the CSPC 2020 (November 16 – 20 with preconference events from Nov. 1 -14) organizers is that registration is open and early birds have a deadline of September 27, 2020 (from an August 6, 2020 CSPC 2020 announcement received via email),
It’s time! Registration for the 12th Canadian Science Policy Conference (CSPC 2020) is open now. Early Bird registration is valid until Sept. 27th [2020].
CSPC 2020 is coming to your offices and homes:
Register for full access to 3 weeks of programming of the biggest science and innovation policy forum of 2020 under the overarching theme: New Decade, New Realities: Hindsight, Insight, Foresight.
2500+ Participants
300+ Speakers from five continents
65+ Panel sessions, 15 pre conference sessions and symposiums
50+ On demand videos and interviews with the most prominent figures of science and innovation policy
20+ Partner-hosted functions
15+ Networking sessions
15 Open mic sessions to discuss specific topics
The virtual conference features an exclusive array of offerings:
3D Lounge and Exhibit area
Advance access to the Science Policy Magazine, featuring insightful reflections from the frontier of science and policy innovation
Many more
Don’t miss this unique opportunity to engage in the most important discussions of science and innovation policy with insights from around the globe, just from your office, home desk, or your mobile phone.
Benefit from significantly reduced registration fees for an online conference with an option for discount for multiple ticket purchases
The preliminary programme can be found here. This year there will be some discussion of a Canadian synthetic biology roadmap, presentations on various Indigenous concerns (mostly health), a climate challenge presentation focusing on Mexico and social vulnerability and another on parallels between climate challenges and COVID-19. There are many presentations focused on COVID-19 and.or health.
International Symposium on Electronic Arts (ISEA) 2020
According to my latest information, the early bird rate for ISEA 2020 (Oct. 13 -18) ends on August 13, 2020. (My June 22, 2020 posting describes their plans for the online event.)
Margaux Davoine has written up a teaser for the 2020 edition of ISEA in the form of an August 6, 2020 interview with Yan Breuleux. I’ve excerpted one bit,
Finally, thinking about this year’s theme [Why Sentience?], there might be something a bit ironic about exploring the notion of sentience (historically reserved for biological life, and quite a small subsection of it) through digital media and electronic arts. There’s been much work done in the past 25 years to loosen the boundaries between such distinctions: how do you imagine ISEA2020 helping in that?
The similarities shared between humans, animals, and machines are fundamental in cybernetic sciences. According to the founder of cybernetics Norbert Wiener, the main tenets of the information paradigm – the notion of feedback – can be applied to humans, animals as well as the material world. Famously, the AA predictor (as analysed by Peter Galison in 1994) can be read as a first attempt at human-machine fusion (otherwise known as a cyborg).
The infamous Turing test also tends to blur the lines between humans and machines, between language and informational systems. Second-order cybernetics are often associated with biologists Francisco Varela and Humberto Maturana. The very notion of autopoiesis (a system capable of maintaining a certain level of stability in an unstable environment) relates back to the concept of homeostasis formulated by Willam Ross [William Ross Ashby] in 1952. Moreover, the concept of “ecosystems” emanates directly from the field of second-order cybernetics, providing researchers with a clearer picture of the interdependencies between living and non-living organisms. In light of these theories, the absence of boundaries between animals, humans, and machines constitutes the foundation of the technosciences paradigm. New media, technological arts, virtual arts, etc., partake in the dialogue between humans and machines, and thus contribute to the prolongation of this paradigm. Frank Popper nearly called his book “Techno Art” instead of “Virtual Art”, in reference to technosciences (his editor suggested the name change). For artists in the technological arts community, Jakob von Uexkull’s notion of “human-animal milieu” is an essential reference. Also present in Simondon’s reflections on human environments (both natural and artificial), the notion of “milieu” is quite important in the discourses about art and the environment. Concordia University’s artistic community chose the concept of “milieu” as the rallying point of its research laboratories.
ISEA2020’s theme resonates particularly well with the recent eruption of processing and artificial intelligence technologies. For me, Sentience is a purely human and animal idea: machines can only simulate our ways of thinking and feeling. Partly in an effort to explore the illusion of sentience in computers, Louis-Philippe Rondeau, Benoît Melançon and I have established the Mimesis laboratory at NAD University. Processing and AI technologies are especially useful in the creation of “digital doubles”, “Vactors”, real-time avatar generation, Deep Fakes and new forms of personalised interactions.
I adhere to the epistemological position that the living world is immeasurable. Through their ability to simulate, machines can merely reduce complex logics to a point of understandability. The utopian notion of empathetic computers is an idea mostly explored by popular science-fiction movies. Nonetheless, research into computer sentience allows us to devise possible applications, explore notions of embodiment and agency, and thereby develop new forms of interaction. Beyond my own point of view, the idea that machines can somehow feel emotions gives artists and researchers the opportunity to experiment with certain findings from the fields of the cognitive sciences, computer sciences and interactive design. For example, in 2002 I was particularly marked by an immersive installation at Universal Exhibition in Neuchatel, Switzerland titled Ada: Intelligence Space. The installation comprised an artificial environment controlled by a computer, which interacted with the audience on the basis of artificial emotion. The system encouraged visitors to participate by intelligently analysing their movements and sounds. Another example, Louis-Philippe Demers’ Blind Robot (2012), demonstrates how artists can be both critical of, and amazed by, these new forms of knowledge. Additionally, the 2016 BIAN (Biennale internationale d’art numérique), organized by ELEKTRA (Alain Thibault) explored the various ways these concepts were appropriated in installation and interactive art. The way I see it, current works of digital art operate as boundary objects. The varied usages and interpretations of a particular work of art allow it to be analyzed from nearly every angle or field of study. Thus, philosophers can ask themselves: how does a computer come to understand what being human really is?
I have yet to attend conferences or exchange with researchers on that subject. Although the sheer number of presentation propositions sent to ISEA2020, I have no doubt that the symposium will be the ideal context to reflect on the concept of Sentience and many issues raised therein.
For the last bit of news.
HotPopRobot, one of six global winners of 2020 NASA SpaceApps COVID-19 challenge
I last wrote about HotPopRobot’s (Artash and Arushi with a little support from their parents) response to the 2020 NASA (US National Aeronautics and Space Administration) SpaceApps challenge in my July 1, 2020 post, Toronto COVID-19 Lockdown Musical: a data sonification project from HotPopRobot. (You’ll find a video of the project embedded in the post.)
We are excited to become the global winners of the 2020 NASA SpaceApps COVID-19 Challenge from among 2,000 teams from 150 countries. The six Global Winners will be invited to visit a NASA Rocket Launch site to view a spacecraft launch along with the SpaceApps Organizing team once travel is deemed safe. They will also receive an invitation to present their projects to NASA, ESA [European Space Agency], JAXA [Japan Aerospace Exploration Agency], CNES [Centre National D’Etudes Spatiales; France], and CSA [Canadian Space Agency] personnel. https://covid19.spaceappschallenge.org/awards
15,000 participants joined together to submit over 1400 projects for the COVID-19 Global Challenge that was held on 30-31 May 2020. 40 teams made to the Global Finalists. Amongst them, 6 teams became the global winners!
The 2020 SpaceApps was an international collaboration between NASA, Canadian Space Agency, ESA, JAXA, CSA,[sic] and CNES focused on solving global challenges. During a period of 48 hours, participants from around the world were required to create virtual teams and solve any of the 12 challenges related to the COVID-19 pandemic posted on the SpaceApps website. More details about the 2020 SpaceApps COVID-19 Challenge: https://sa-2019.s3.amazonaws.com/media/documents/Space_Apps_FAQ_COVID_.pdf
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We have been participating in NASA Space Challenge for the last seven years since 2014. We were only 8 years and 5 years respectively when we participated in our very first SpaceApps 2014.
We have grown up learning more about space, tacking global challenges, making hardware and software projects, participating in meetings, networking with mentors and teams across the globe, and giving presentations through the annual NASA Space Apps Challenges. This is one challenge we look forward to every year.
It has been a fun and exciting journey meeting so many people and astronauts and visiting several fascinating places on the way! We hope more kids, youths, and families are inspired by our space journey. Space is for all and is yours to discover!
What better way to say ‘Happy Canada Day’ than to highlight a data sonfication project from HotPopRobot. These are not all of the awards won by the HotPopRobot team (based in Toronto, Canada), from the hotpoprobot.com homepage,
Micro:bit Challenge North America Runners Up 2020.
NASA SpaceApps 2019, 2018, 2017, 2014.
Imagining the Skies 2019.
Jesse Ketchum Astronomy Award 2018. Hon.
Mention at 2019 NASA Planetary Defense Conference. Emerald Code Grand Prize 2018.
Canadian Space Apps 2017
Here’s more about this intriguing team from the site’s About Us page,
HotPopRobot is a maker-family enterprise co-founded in 2014 by Artash […], Arushi […], Rati, and Vikas to bring discussions on Science, Space Exploration, Astronomy, and Technology in our everyday conversation. It encourages families, kids, and youths to become creators (and not consumers), scientists, artists, or whatever they want to be by undertaking projects on space, robotics, coding, and science.
We started this enterprise after winning the NASA Space Apps Toronto 2014 Award for our Mars Rover: CuriousBot. We ended up among the top 5 NASA Space Apps Winners (people’s choice) globally! We won the NASA SpaceApps Challenge Toronto again in 2019, 2018, and 2017 as well as the Canadian Space Agency’s Space Apps Challenge 2017 for our project – “Yes I Can” which used RadarSat-2 satellite data to recreate the #Canada150 logo. We ended up getting invited to the Canadian Space Agency to present our project and meet the new Canadian Astronauts.
The latest project is a musical based on data sonification of data on COVID-19 impacts in Toronto, Canada. Here’s a video of the ‘Toronto COVID-19 Lockdown Musical’ or more formally the ‘Musical Scales Project’,
As of June 2020, Artash and Arushi are in grade eight and grade five, respectively, which means they are likely 13 and 10 years old now and were seven and four years old, respectively, when they and their parents started the HotPopRobots enterprise in 2014.
Definitely visit their website if you’re interested in artificial intelligence, robots, machine learning, as well as, their other topics.
Regarding their latest project, here’s more about the Musical Scales Project from a June 19 (?), 2020 posting on their website,
The beauty of the human mind is that once you set it free, it soars high. Our mind too was teeming with big questions that we wanted to find the answers about. Would the COVID19 lockdown have increased the bird density in the city skies, would the closure of all economic activities have affected the rotation of the Earth, would an Alien civilization be able to figure out that something drastic must have happened on Earth?
All questions are good questions. But from our previous experiences of making projects, we knew we had to limit our imagination for the time being and focus on practicality to come up with workable project design. Once we have made something and it works, we could always keep improving it or make newer versions of the same.
So between the two of us [Artash and Arushi], we limited our questions to:
Has the noise levels on our streets gone down?
Has the air we breathe become cleaner?
Have the traffic levels on our streets gone down?
Has the lockdown affected the vibration of the Earth due to the stopping of businesses, economic, and construction activities?
Here’s part of the description for how they set up the equipment (from their June 19 (?), 2020 posting),
We often have to dismantle some of our older projects to get the components for our newer projects. It is not a good feeling as we often use our older projects to give demonstrations at various public events. So where possible we try to make our projects modular so that we can use the same components for more than one project.
We ended up collecting the following sensors and cameras for this project.
Light Sensor: It measures the light around us. It has a photo-resistor whose value decreases when light falls on it. It is the base sensor that will help us visualize separate daily data readings as well as changes in data collected during day and night.
Sound Sensor: To listen to street noise around us. It is similar to a microphone but gives analog values of sound levels. This raw data then has to be calibrated to understand how it changes with the change in sound levels.
PM 2.5 Dust Sensor: It is a sensor to measure particulate matters of 2.5 microns in the air. There is a small heater in the sensor which directs the flow of air in the sensor in an upward direction (convection current). The flow of air passes through infrared light which bounces around. The more the bounce the more the particulate matter or more polluted the air.
Temperature Sensor: We wanted to see how much the temperature was changing around us. The sensor is just like a digital thermometer but it prints out the readings.
Humidity Sensor: It measures how damp the air around is. We measure humidity and temperature as they both affect the pollution levels.
Intel RealSense Camera: To get a wide overview of the traffic on King Street. Its high resolution allows us to apply machine learning for object identification and tracking.
In addition to getting data from our sensors, we had to rely on external databases to get some other information.
Covid19 Infection Rates in Toronto: from City of Toronto Public Health website
The intensity of Night Lights Over Toronto: Using NASA Night Light Data to understand changes in night lights over Toronto during different weeks.
Seismic Vibrations in Toronto: We got the displacement data of Earth along the vertical direction from the Leslie Spit Seismic Station in Toronto.
We used the free Musical Algorithm software (www.musicalgorithms.org) to bring all the data together and create the COVID19 Lockdown Musical.
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The descriptions and instructions are comprehensive, which is very helpful if you’re planning your own project.
According to a May 20,2020 McGill University news release (also on EurkekAltert), a team of Canadian and Italian researchers has broken new ground in materials science (Note: There’s a press release I found a bit more accessible and therefore informative coming up after this one),
A study by a team of researchers from Canada and Italy recently published in Nature Materials could usher in a revolutionary development in materials science, leading to big changes in the way companies create modern electronics.
The goal was to develop two-dimensional materials, which are a single atomic layer thick, with added functionality to extend the revolutionary developments in materials science that started with the discovery of graphene in 2004.
In total, 19 authors worked on this paper from INRS [Institut National de la Recherche Scientifique], McGill {University], Lakehead [University], and Consiglio Nazionale delle Ricerche, the national research council in Italy.
This work opens exciting new directions, both theoretical and experimental. The integration of this system into a device (e.g. transistors) may lead to outstanding performances. In addition, these results will foster more studies on a wide range of two-dimensional conjugated polymers with different lattice symmetries, thereby gaining further insights into the structure vs. properties of these systems.
The Italian/Canadian team demonstrated the synthesis of large-scale two-dimensional conjugated polymers, also thoroughly characterizing their electronic properties. They achieved success by combining the complementary expertise of organic chemists and surface scientists.
“This work represents an exciting development in the realization of functional two-dimensional materials beyond graphene,” said Mark Gallagher, a Physics professor at Lakehead University.
“I found it particularly rewarding to participate in this collaboration, which allowed us to combine our expertise in organic chemistry, condensed matter physics, and materials science to achieve our goals.”
Dmytro Perepichka, a professor and chair of Chemistry at McGill University, said they have been working on this research for a long time.
“Structurally reconfigurable two-dimensional conjugated polymers can give a new breadth to applications of two-dimensional materials in electronics,” Perepichka said.
“We started dreaming of them more than 15 years ago. It’s only through this four-way collaboration, across the country and between the continents, that this dream has become the reality.”
Federico Rosei, a professor at the Énergie Matériaux Télécommunications Research Centre of the Institut National de la Recherche Scientifique (INRS) in Varennes who holds the Canada Research Chair in Nanostructured Materials since 2016, said they are excited about the results of this collaboration.
“These results provide new insights into mechanisms of surface reactions at a fundamental level and simultaneously yield a novel material with outstanding properties, whose existence had only been predicted theoretically until now,” he said.
This research was partially supported by a project Grande Rilevanza Italy-Quebec of the Italian Ministero degli Affari Esteri e della Cooperazione Internazionale, Direzione Generale per la Promozione del Sistema Paese, the Natural Sciences and Engineering Research Council of Canada, the Fonds Québécois de la recherche sur la nature et les technologies and a US Army Research Office. Federico Rosei is also grateful to the Canada Research Chairs program for funding and partial salary support.
About McGill University
Founded in Montreal, Quebec, in 1821, McGill is a leading Canadian post-secondary institution. It has two campuses, 11 faculties, 13 professional schools, 300 programs of study and over 40,000 students, including more than 10,200 graduate students. McGill attracts students from over 150 countries around the world, its 12,800 international students making up 31% per cent of the student body. Over half of McGill students claim a first language other than English, including approximately 19% of our students who say French is their mother tongue.
About the INRS The Institut National de la Recherche Scientifique (INRS) is the only institution in Québec dedicated exclusively to graduate level university research and training. The impacts of its faculty and students are felt around the world. INRS proudly contributes to societal progress in partnership with industry and community stakeholders, both through its discoveries and by training new researchers and technicians to deliver scientific, social, and technological breakthroughs in the future.
Lakehead University Lakehead University is a fully comprehensive university with approximately 9,700 full-time equivalent students and over 2,000 faculty and staff at two campuses in Orillia and Thunder Bay, Ontario. Lakehead has 10 faculties, including Business Administration, Education, Engineering, Graduate Studies, Health & Behavioural Sciences, Law, Natural Resources Management, the Northern Ontario School of Medicine, Science & Environmental Studies, and Social Sciences & Humanities. In 2019, Maclean’s 2020 University Rankings, once again, included Lakehead University among Canada’s Top 10 primarily undergraduate universities, while Research Infosource named Lakehead ‘Research University of the Year’ in its category for the fifth consecutive year. Visit www.lakeheadu.ca
Graphene’s isolation took the world by surprise and was meant to revolutionize modern electronics. However, it was soon realized that its intrinsic properties limit the utilization in our daily electronic devices. When a concept of Mathematics, namely Topology, met the field of on-surface chemistry, new materials with exotic features were theoretically discovered. Topological materials exhibit technological relevant properties such as quantum hall conductivity that are protected by a concept similar to the comparison of a coffee mug and a donut. These structures can be synthesized by the versatile molecular engineering toolbox that surface reactions provide. Nevertheless, the realization of such a material yields access to properties that suit the figure of merits for modern electronic application and could eventually for example lead to solve the ever-increasing heat conflict in chip design. However, problems such as low crystallinity and defect rich structures prevented the experimental observation and kept it for more than a decade a playground only investigated theoretically.
An international team of scientists from Institut National de la Recherche Scientifique (Centre Energie, Matériaux et Télécommunications), McGill University and Lakehead University, both located in Canada, and the SAMOS laboratory of the Istituto di Struttura della Materia (Cnr), led by Giorgio Contini, demonstrates, in a recent publication on Nature Materials, that the synthesis of two-dimensional π-conjugated polymers with topological Dirac cone and flats bands became a reality allowing a sneak peek into the world of organic topological materials.
Complementary work of organic chemists and surface scientists lead to two-dimensional polymers on a mesoscopic scale and granted access to their electronic properties. The band structure of the topological polymer reveals both flat bands and a Dirac cone confirming the prediction of theory. The observed coexistence of both structures is of particular interest, since whereas Dirac cones yield massless charge carriers (a band velocity of the same order of magnitude of graphene has been obtained), necessary for technological applications, flat bands quench the kinetic energy of charge carriers and could give rise to intriguing phenomena such as the anomalous Hall effect, surface superconductivity or superfluid transport.
This work paths multiple new roads – both theoretical and experimental nature. The integration of this topological polymer into a device such as transistors possibly reveals immense performance. On the other hand, it will foster many researchers to explore a wide range of two-dimensional polymers with different lattice symmetries, obtaining insight into the relationship between geometrical and electrical topology, which would in return be beneficial to fine tune a-priori theoretical studies. These materials – beyond graphene – could be then used for both their intrinsic properties as well as their interplay in new heterostructure designs.
The authors are currently exploring the practical use of the realized material trying to integrate it into transistors, pushing toward a complete designing of artificial topological lattices.
This work was partially supported by a project Grande Rilevanza Italy-Quebec of the Italian Ministero degli Affari Esteri e della Cooperazione Internazionale (MAECI), Direzione Generale per la Promozione del Sistema Paese.
The Italians also included an image to accompany their press release,
Image of the synthesized material and its band structure Courtesy: Consiglio Nazionale delle Ricerche
My heart sank when I saw the number of authors for this paper (WordPress no longer [since their Christmas 2018 update] makes it easy to add the author’s names quickly to the ‘tags field’). Regardless and in keeping with my practice, here’s a link to and a citation for the paper,
Synthesis of mesoscale ordered two-dimensional π-conjugated polymers with semiconducting properties by G. Galeotti, F. De Marchi, E. Hamzehpoor, O. MacLean, M. Rajeswara Rao, Y. Chen, L. V. Besteiro, D. Dettmann, L. Ferrari, F. Frezza, P. M. Sheverdyaeva, R. Liu, A. K. Kundu, P. Moras, M. Ebrahimi, M. C. Gallagher, F. Rosei, D. F. Perepichka & G. Contini. Nature Materials (2020) DOI: https://doi.org/10.1038/s41563-020-0682-z Published 18 May 2020
Originally, the plan was to produce some sort of a Canadian science culture roundup for 2019 but it came to my attention that 2019 was also an end-of-decade year (sometimes I miss the obvious). I’ll do my best to make this snappy but it is a review (more or less) of the last 10 years (roughly) and with regard to science culture in Canada, I’m giving the term a wide interpretation while avoiding (for the most part) mention of traditional science communication/outreach efforts such as university rresearch, academic publishing, academic conferences, and the like.
Since writing that opening paragraph in late December 2019, COVID-19 took over the world and this review seemed irrelevant for a while but as time passed, Iit occurred to me it might serve as a reminder of past good times and as a hope for the future.
Having started this blog in 2008, I’ve had the good fortune to observe a big increase in the number and range of science outreach/communication/culture initiatives, projects, festivals, etc. It’s tempting to describe it as an explosion of popular interest but I have no idea if this is true. I spend much of my time searching out and writing up this kind of work in addition to the emerging science and technology that I follow and my perception is most likely skewed by my pursuits. What i can say is that in 2019 there was more of everything to do with science culture/outreach/communication than there was when I started in 2008.
Coincidentally, I wrote a three-part series about science communication (including science outreach/culture projects) in Canada in Sept. 2009, just months before the start of this decade. In retrospect, the series is sprawling everywhere and it looks to me like I was desperately trying to make something look bigger than it actually was.
I’m looking at the more formal aspects of science communication and so onto mainstream media and education. This is the saddest section but don’t worry it gets better as it goes on.
Mainstream Media
As I note in the following subsection, there are fewer science writers employed by mainstream media, especially in Canada. The only science writer (that I know of) who’s currently employed by a newspaper is Ivan Semeniuk. for the Globe and Mail.
Margaret Munro who was the science writer for PostMedia (publisher of most newspaper dailies in Canada) is now a freelancer. Kate Lunau, a health and science journalist for Maclean’s Magazine (Canada) until 2016 and then Motherboard/VICE (US online publication) until March 2019 now publishes her own newsletter.
Daily Planet, which was a long running science programme (under various names since 1995) on Discovery Channel Canada and which inspired iterations in other countries, was cancelled in 2018 but there is still a Twitter feed being kept up to date and a webpage with access to archived programmes.
The Canadian Broadcasting Corporation (CBC) programmes, Spark for technology and Quirks & Quarks for science on the radio side and the Nature of Things for science, wildlife, and technology on television carry on year after year and decade after decade.
A more recent addition (2019?) to the CBC lineup is a podcast that touches on science and other topics, Tai Asks Why? According to the programme’s About page, the host (Tai Poole) is in grade seven. No podcasts dated after September 2019 have been posted on Tia’s page.
Yes Magazine for children and Seed magazine (for adults) have both died since 2009. On a happier note, Canadian children’s science magazines are easier to find these days either because I got lucky on my search and/or because there are more of them to find.
Thank you to helpwevegotkids.com for their 10 Awesome Magazines for Canadian Kids webpage. First published in 2016, it is updated from time to time, most recently in October 2019 by Heather Camlot; it’s where I found many of these science/technology magazines (Note: I’m not sure how long these magazines have been published but they are all new to me),
Chickadee Magazine: ages 6-9 ( Every month, the Chickadee team creates a package of interactive stories, puzzles, animal features, and science experiments to educate and entertain readers.) It’s from the folks at owlkids.com
OWL Magazine: ages 9-13 (… highlight the elements of science and tech, engineering, art and math ) Also from the folks at owlkids.com
AdventureBox: ages 6 – 9 (… nature with beautiful photographs and fascinating scientific information … Hilarious and adventurous comic-strips, games and quizzes … An audio CD every 2 months) Also from the folks at owlkids.com
DiscoveryBox: ages 9 – 12 ( … Animals and nature, with spectacular photographs … Fascinating scientific topics, with clear explanations and experiments to carry out …) Also from the folks at owlkids.com BTW, I was not able to find out much about the Owl Kids organization.
WILD magazine ( … jam-packed with fun wildlife stories, games and pictures for youngsters of all ages. It’s a great way to get the children in your life engaged in nature and share your passion for the outdoors. Published 6 times per year) From the folks at the Canadian Wildlife Federation (enough said).
Bazoof! (… suited for ages 7-12 … nutrition, personal care, fitness, healthy lifestyles, character development, eco-education—all in a creative and zany style! Filled with short stories, comics, recipes, puzzles, games, crafts, jokes, riddles, pet care, interviews, healthy snacks, sports, true stories, fun facts, prizes and more!) Bazoof! is being brought to you by the team responsible for Zamoof! You might want to read their About page. That’s all I can dig up.
Brainspace (an augmented reality magazine for kids 8 – 14) As best I can determine they are still ‘publishing’ their interactive magazine but they make finding information about themselves or their organization a little challenging. It’s published in Ontario and its publisher Nicky Middleton had this in her LinkedIn profile: “Publisher of Brainspace interactive magazine for kids 8-12. Creating augmented reality content for teaching resources in partnership with Brock University, District School Board of Niagara.”
One more thing regarding mainstream media
While there are fewer science journalists being employed, there’s still a need for science writing and journalism. The Science Media Centre of Canada (SMCC) opened in 2010 (from its Wikipedia entry),
… to serve journalists with accurate information on scientific matters. The centre has a Research Advisory Panel of 20 Canadian scientists who will make their expertise available in a simple and understandable manner. In order to secure objectivity, the centre has an Editorial Advisory Committee of eight journalists. The centre is bilingual.
As of January 2020, the SMCC is still in operation.
Education
It’s been up and down. Banff Centre (for Arts and Creativity) no longer runs a Science Communication programme in the summer but Laurentian University, which in 2009 seemed to offer a single module for one programme, now offers a Masters of Science Communication or a Science Communication Graduate Diploma.
Mount St. Vincent University in Nova Scotia offers a minor in Science Communication (scroll down). I gather it’s a new minor.
The University of British Columbia’s Journalism School (Vancouver) no longer has a Science Journalism Research Group nor does Concordia University (Montréal) have its Science Journalism Project. I have checked both journalism schools and cannot find any indication there is a science programme or specific science courses of any kind for journalists or other communicators but I didn’t spend a lot of time digging. Interestingly, the chair, David Secko, of Concordia’s journalism programme is a science journalist himself and a member of the Editorial Advisory Committee of the Science Media Centre of Canada.
The lack of science journalism programmes in Canada seems to reflect on overall lack of science journalism. It’s predictable given that the newspapers that once harboured science journalists have trimmed and continue to trim back their staffs.
Miscellaneous
Science centres, museums, and the like are considered part of the informal science community with Makerspaces being a new addition. For the most part, their target audience is children but they are increasingly (since 2010, I believe) offering events aimed at adults. The Canadian Association of Science Centres (CASC) describes itself and its membership this way (from the CASC About Us webpage),
CASC members are a diverse group of organisations that support informal learning of science, technology and nature. Our common bond is that we offer creative programming and exhibitions for visitors that inspire a drive to learn, create, and innovate.
If you are a member of a Science Centres, Museums, Aquariums, Planetariums and Makerspaces [these are a 2010s phenomenon] you could benefit from our reciprocal admission agreement. Not all CASC Members are participants in the Reciprocal Admissions Agreement. Click here for more information.
You can find a full list of their members including the Ingenium museums (the federal consortium of national Canadian science museums), the Saskatchewan Science Centre, the Nunavut Research Institute, Science East, and more, here.
I’m calling what follows ‘truly informal science culture’.
Science: the informal (sometimes cultural) scene
When I first started (this blog) there was one informal science get-together (that I knew of locally) and that was Vancouver Café Scientifque and its monthly events, which are still ongoing. You can find our more about the parent organization, which was started in Leeds, England in 1998. Other Canadian cities listed as having a Café Scientifique: Ottawa, Victoria, Mississauga, and Saskatoon.
Now onto the music, the dance, and more
Sing a song of science
Baba Brinkman is well known for his science raps. The rapper and playwright (from British Columbia) lives in New York City these days with his wife and sometime performance collaborator, neuroscientist Dr. Heather Berlin and their two children (see his Wikipedia entry for more), he is still Canadian (I think).
He got his start rapping science in 2008 when I think he was still living in Vancouver (Canada) after gaining the attention of UK professor Mark Pallen who commissioned him to write a rap about evolution. The Rap Guide to Evolution premiered at the 2009 Edinburgh Fringe Festival. Here’s a video of Brinkman’s latest science rap (Data Science) posted on YouTube on October 21, 2019,
I find this one especially interesting since Brinkman’s mother is the Honourable Joyce Murray, a member of parliament and the Minister of Digital Government in Prime Minister Justin Trudeau’s latest cabinet. (My December 27, 2019 posting highlights what I believe to be the importance of the Minister of Digital Government in the context of the government’s science and technology vision. Scroll down about 25% of the way to the subhead titled “The Minister of Digital Government and a bureaucratic débacle,”) You can find out more about Baba Brinkman here.
Tim Blais of A Capella Science first attracted my notice in 2014 thanks to David Bruggeman and his Pasco Phronesis blog (btw: David, I miss your posts about science and music which are how I found out most of what I know about the Canadian science music scene).
Blais (who has a master’s degree in physics from McGill University in Québec) started producing his musical science videos in 2012. I featured one of his earliest efforts (and one of my favourites, Rolling in the Higgs [Adele parody]) in my July 18, 2014 posting.
Dating back to 2012. The Institute of Quantum Computing at the University of Waterloo held two performances of Quantum: Music at the Frontier of Science. Raymond Laflamme, then director of the institute, wrote a September 20, 2012 article (The Quantum Symphony: A Cultural Entanglement) about the performances. You can see a video (15 mins., 45 secs.,) of the February 2012 performances here.
More recently, the Life Sciences Institute at the University of British Columbia (UBC) hosted a performance of Sounds and Science – Vienna Meets Vancouver in late 2019. I covered it in a November 12, 2019 posting (scroll down to the Sounds and Science subheading). The story about how the series, which has its home base in Vienna, started is fascinating. The sold out Vancouver performance was a combination of music and lecture featuring the Vienna Philharmonic and UBC researchers. According to this Sounds and Science UBC update,
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For those who missed this exceptional evening, JoyTV and its CARPe Diem show will be producing an episode focusing on the concert, to be aired in February, 2020 [emphasis mine].
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There is another way to look at musical science and that’s to consider the science of music which is what they do at the Large Interactive Virtual Environment Laboratory (LIVELab) at McMaster University (Hamilton, Ontario, Canada). it’s “a research concert hall. It functions as both a high-tech laboratory and theatre, opening up tremendous opportunities for research and investigation”, you can read more about it in my November 29, 2019 posting.
One last thing, there is data sonification which means finding a way to turn data into music or a sound which can more or less be defined as musical. There may be other data sonification projects and presentations in Canada but these are the ones I’ve tripped across (Note: Some links have bee removed),
Songs of the Ottawa From the website: “Songs of the Ottawa” is the Master’s Research Project of Cristina Wood, under the co-supervision of Dr. Joanna Dean and Dr. Shawn Graham. She completed her Master’s of Arts in Public History with a Specialization in Digital Humanities at Carleton University in spring 2019. She will continue her explorations of the Ottawa River in the Ph.D. program at York University [fall 2020]. Be in touch with Cristina on Twitter or send an email to hello [at] cristinawood [dot] ca.”
The Art of Data Sonification (This January 2019 workshop at Inter/Access in Toronto is over.) From the website: “Learn how to turn data into sound! Dan Tapper will teach participants how to apply different data sonification techniques, collect and produce a variety of sonifications, and how to creatively use these sonifications in their own work. The workshop will move from looking at data sonification through the lens of Dan Tapper’s work sonifying data sets from NASA, to collecting, cleaning and using your own data for artistic creation. Participants will work with pre-gathered and cleaned data sets before collecting and working with personal data and online data sets. Tools will be provided by Tapper created in Pure Data and Processing, as well as versions for Max/MSP users. A particular focus will be placed on how to use data sets and the created sonifications in creative practice – moving beyond quantitative sonic representations to richer material. “
Sonification: Making Data Sound (This September 2019 workshop at the Peter Wall Institute for Advanced Studies at the University of British Columbia is also over.) From the website: ” Computers and music have been mingling their intimate secrets for over 50 years. These two worlds evolve in tandem, and where they intersect they spawn practices that are entirely novel. One of these is “sonification,” turning raw data into sounds and sonic streams to discover new musical relationships within the dataset. This is similar to data visualization, a strategy that reveals new insights from data when it is made for the eye to perceive as graphs or animations. A key advantage with sonification is sound’s ability to present trends and details simultaneously at multiple time scales, allowing us to absorb and integrate information in the same way we listen to music. In this workshop, Chris Chafe will lead a discussion of the practice and application of sonification in a wide array of disciplines, drawing on his own extensive experience in this field.”
I have been looking for data sonification projects in Canada for years. It’s amazing to me that all of this sprung up in the last year of this decade. If there’s more, please do let me know in the Comments section.
Science blogging in Canada
The big news for the decade was the founding and launch of Science Borealis, a Canadian science blog aggregator in 2013. Assuming I counted right in December 2019, there are 146 blogs. These are not all independent bloggers, many institutional blogs are included. Also, I’m not sure how active some of these blogs are. Regardless, that’s a pretty stunning number especially when I consider that my annual Canadian blog roundup from 2010 -2012 would have boasted 20 – 30 Canadian science blogs at most.
I’m not sure why ASAP Science (Michael Moffit and Gregory Brown) isn’t included on Science Borealis but maybe the science vloggers (video bloggers) prefer to go it alone. or they fit into another category of online science. Regardless, ASAP Science has been around since May 2012 according to their About page. In addition to the science education/information they provide, there’s music, including this Taylor Swift Acapella Parody.
One of the earliest Canadians to create a science blog,Gregor Wolbring, Associate Professor at the University of Calgary’s Cumming School of Medicine, started his in 2006. He has taken a few breaks, 2011 and August 2013 – June 2017 but he’s back at it these days. He is in a sense a progenitor for Canadian science blogging. At one time, his blog was so popular that US researchers included it in their studies on what was then ‘the blogging phenomenon’. His focus academically and on his blog is on rehabilitation and disability. This webpage on his blog is of particular interest to me: FUTUREBODY: The Future of the Body in the Light of Neurotechnology. It’s where he lists papers from himself and his colleagues’ in the ERANET NEURON ELSI/ELSA funded by the European Community. (ELSI is Ethical, Legal and Social Implications and ELSA is Ethical, Legal, and Social Aspects.)
Canada’s Favourite Science Online, a competition co-sponsored by Science Borealia and the Science Writers and Communicators of Canada (SWCC), gives a People’s Choice Award annually in two categories: blog and science site. This September 16, 2019 posting on the Science Borealis blog features the finalists in the categories and a pretty decent sampling of what available online from the Canadian science community.
Science in the City is a Canadian life sciences blog aggregator and job and event listing website. The name is an official mark of McMaster University (Ontario, Canada) and it is used and registered by STEMCELL Technologies Canada Inc. Here’s more from their AboutScienceInTheCity webpage,
As scientists ourselves, we know that science is accelerated by collaboration and connection, but that the busy, demanding lifestyle of a scientist makes this challenging. Thus, we saw the need for a central resource that connects local scientists, provides them with a platform to share their ideas, and helps them stay current with the news, events, and jobs within their local scientific community. This inspired us to launch Science in the City in our hometown of Vancouver, Canada in 2017.
Science in the City is your complete source for all the life science news and events happening in your city. The Science in the City website and weekly newsletter provide researchers and medical professionals with breaking news, in-depth articles, and insightful commentary on what is happening around them. By supplying scientists with a resource for the local news and events that affect them, Science in the City fosters learning and collaboration within scientific communities, ultimately supporting the advancement of science and medicine.
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Vancouver is our hometown, so it made sense to launch this exciting initiative in our own backyard. But we’re only getting started! We’ve launched Science in the City in Seattle and Boston, and we’re currently working on bringing Science in the City to several more scientific communities across North America and Europe!
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Do check their event listings as they range past life science to many other interesting ‘sciencish’ get togethers. For example, in early 2020 (in Vancouver) there was,
At a guess their funding comes from STEMCELL Technologies while Science Borealis was originally (not sure what the status is today) bankrolled by Canadian Science Publishing (CSP).
It’s just dance, dance, dance
Ranging from pigeon courtship to superconductivity, Canadian scientists have scored a number of wins in the Dance Your Ph.D. competition founded in 2008 according to its Wikipedia entry and held by Science Magazine and the American Association for the Advancement of Science (AAAS). The contest requires that the entrant dance either as a solo artist or as part of a troupe.
In 2018, a University of Alberta student won in the physics category and then went on to win overall. I covered it in a February 22, 2019 posting. Because I love the video, here is Pramodh Senarath Yapa with his Superconductivity: The Musical!, again,
BTW, John Bohannon who came up with the idea for the contest wrote this February 15, 2019 article about Yapa’s win for Science Magazine.
While searching for other Canadian Dance Your Ph.D. winners, I found some from the 2010 and 2011 contests. (If there are others, please do let me know in the Comments section.)
McConnell’s video did not win in its division but another Canadian student, Queen’s University (Ontario) biologist, Emma Ware won the 2011 social science division for ‘A Study of Social Interactivity Using Pigeon Courtship‘. For more about McConnell and Ware’s 2011 efforts, you can read Tyler Irving’s October 20, 2011 posting on his eponymous blog. (Side note: Irving is a Canadian science writer who started the blog in 2011 and took a five year hiatus from January 2015 to January 2020.)
Onward dance
Lesley Telford, choreographer and director of Inverso Productions based in Vancouver, seems to have started showing a dance piece inspired by Albert Einstein’s famous description of quantum entanglement as “spooky action from s a distance” in 2017.
I first wrote about it in an April 20, 2017 posting. The title, at that time, was, ‘Three Sets/Relating At A Distance; My tongue, your ear / If / Spooky Action at a Distance (phase 1‘. In 2017, Telford was artist-in-residence at the Dance Centre and TRIUMF, Canada’s national laboratory for particle and nuclear physics and accelerator-based science, both located in Vancouver.
She has continued to work with the concept and most recently her company gave performances of ‘Spooky Action’ in 2019 and will go on tour in 2020 according to her company’s homepage.
Unlike Lesley Telford who has a single science-inspired piece, Blue Ceilingdance in Toronto, is organized around the idea of art (dance) and science according to the company’s About page,
Blue Ceiling dance aims to pierce the soul through investigations at the intersection of art and science, and physical rigour provoked by the imagination. By peering into the mysterious corners of human experience and embodying the natural laws of the universe, we want to inspire empathy and curiosity. Through creation, production, commissioning and touring of new dance and multi-disciplinary works and through the Imaginative Body Classes, Blue Ceiling dance uses the poetry of the body and of scientific language to describe our experience of the world through the lens of poetic naturalism.
Blue Ceiling dance was founded by Lucy Rupert in 2004, as an umbrella for her creative endeavours. …
Our biggest project to date premieres January 23-26th, 2020 at The Theatre Centre [Toronto].
Using the length of time it takes light to travel from the Sun to Earth, we launch into 8 overlapping meditations on the physical behaviour of light, the metaphors of astrophysics, and the soul of cosmology, as they brush against a sense of our own mortality. What would you do with your last 8 minutes and 17 seconds before the lights go out?
Choreographed and conceived by Lucy Rupert with additional choreography by Karen Kaeja, Emma Kerson and Jane Alison McKinney, and Michael Caldwell. With text written by Hume Baugh.
The company’s repertoire is diverse and focused largely on science,
Animal Vegetable Mineral is a site-specific work with a naturalist-led hike. Exploring embodiments of each category of matter, the dancers form an ecosystem under stress, and highlight the interconnectedness of all species and our deep need for one another. Audiences explore their local environment and encounter human embodiments in an intimate performance setting.
Originally made for the High Park Nature Centre in Toronto, the piece is adaptable to different ecosystems and environments.
dead reckoning Perplexing, haunting and slightly mischievous, with choreography by Lucy Rupert and international ballet choreographer Peter Quanz. The launching point for this work of dance-theatre is Sir Ernest Shackleton’s ill-fated expedition to Antarctica in 1914 and the mysterious experiences surrounding his life-or-death situation. Three linked dances offer three views of an explorer pursued by an enigmatic “other”.
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Bye, bye ScienceOnline Vancouver
A ScienceOnline conference and community based in the United States inspired a short-lived but exciting offshoot in Vancouver. With much ado, their first event was held on April 19, 2012. As I recall, by December 2012, it had died.
The volunteers were wildly ambitious and it’s very hard to maintain the level of dynamism and technology they established on their first night. Here’s how I described the first event in my April 20, 2012 posting, ” It was a very technology-heavy event in that there was livestreaming, multiple computers and screens, references to tweeting and Storify, etc.” That’s a lot to do on a regular basis as volunteers. By Christmas 2012, ScienceOnline was gone. It was a great and I’m thankful for it.
Now onto part 2 where you’ll find the visual arts, poetry, festivals, and more.
Also known as an anti-aging agent for your fruit and vegetables, hexanal is an environmentally friendly chemical, which is found naturally. Research has led to a synthesized nanotechnology-enabled product now being commercialized. I’ve been following the story off and on since 2012 (see my ‘India, Sri Lanka, and Canada team up for nanotechnology-enabled food packaging‘ posting). I last wrote about the project in a December 29, 2015 posting.
For some reason, hexanal hit the news hard in 2019 having been preceded by some interest in 2018. What follows is an update and a timeline of sorts.
January 2019: More funding
A January 24,2019 essay (also published on the University of Guelph website on January 29, 2019) by Jayasankar Subramanian and Elizabeth Finnis, both are lead researchers on the the project and professors at the University of Guelph (Canada), provides an overview and an update of the hexanal project (Note: Links have been removed) ,
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Fruits like mangoes, bananas, papayas and limes are shipped long distances before they get to your table. Many fruits are delicate, and there may be a long period of time that elapses between when the fruit is picked and its arrival in grocery stores and other markets. They’re often picked before they’re truly ripe in order to increase their shelf life.
Even so, globally, up to 40 per cent of all picked fruit can be lost and this represents billions of dollars. But what if we had the technology to delay fruit’s natural degradation process? This is where hexanal can make a difference.
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Fruits like mangoes, bananas, papayas and limes are shipped long distances before they get to your table. Many fruits are delicate, and there may be a long period of time that elapses between when the fruit is picked and its arrival in grocery stores and other markets. They’re often picked before they’re truly ripe in order to increase their shelf life.
Even so, globally, up to 40 per cent of all picked fruit can be lost and this represents billions of dollars. But what if we had the technology to delay fruit’s natural degradation process? This is where hexanal can make a difference.
Hexanal is naturally produced by plants to ward off pests; our research at the University of Guelph has found that when it’s applied externally, hexanal can also slow down the aging process.
Like everything else, fruit ages with time. The shrivelling and rot is triggered by the enzyme phospholipase D (PLD), which causes the eventual collapse of the fruit’s membrane. Essentially, fruit membranes are snug, and function like a brick wall of phospholipid bilayers. Phospholipase D breaks the alignment of the bricks, causing the membrane to crumble. Hexanal acts by reducing and slowing the formation of PLD, which in turn slows the collapse of the fruit’s membrane.
In partnership with agricultural and social science researchers in Canada and five other countries, we have tested nine hexanal technologies. These include a spray formulation that gets applied to fruit when they’re still on trees, post-harvest dips, fruit wraps, stickers and sachets embedded with hexanal.
Our findings have implications for consumers, retailers and, more importantly, farmers. For example, when applied as a pre-harvest spray, hexanal can keep fruit on trees longer and keep it fresher after harvest — up to three weeks longer for mangoes.
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Hexanal is naturally produced by all plants and is already found as an additive in some food products. Hexanal is also approved by Health Canada as a flavour formula. Our tests of synthesized hexanal sprays, dips and other technologies showed that there were no negative effects on plants, insects or other animals. In addition, hexanal evaporates within 24 hours, which means there’s no residue left on fruit.
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Farmers who participated in hexanal testing in Canada and elsewhere were happy with the product both in terms of its effectiveness and bio-safety.
Currently, hexanal for agricultural use is in the two-year regulatory clearance process in Canada and the U.S. Once the process is complete, hexanal formulations are expected to be available for farmer use and can be accessed through companies with a license for production.
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Hexanal slows down the ripening and aging process in fresh produce. Author provided
That’s a stunning difference, eh?
Funding
At about the same time as the Conversation essay by Subramanian and Finnis, the University of Guelph published (on the Council of Ontario Universities website) a January 27, 2019 news release announcing new funds for the project,
A University of Guelph research project that has already improved the livelihoods of small-scale Asian farmers will further expand worldwide, thanks to more than $4.2 million in federal support announced Friday afternoon.
The project involves innovative packaging developed in part by Guelph researchers using nanotechnology to improve the shelf life of mangoes, a major fruit crop in much of the world.
Already, the technology has helped to significantly reduce post-harvest losses in Sri Lanka and India. Poor storage meant that farmers routinely lost up to 40 per cent of their crops, worth upwards of $800 million a year. The new technology has also boosted per-acre revenue.
New funding support from the International Development Research Centre (IDRC) and Foreign Affairs, Trade and Development Canada will allow researchers to broaden this successful initiative to Kenya, Tanzania, and Trinidad and Tobago.
Researchers will also look at other fruit — bananas, grapes, papaya, nectarines and berries — and investigate ways to commercialize the technologies.
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… it will also be a main pillar of the Guelph-East Africa Initiative, which U of G established to bring together stakeholders to support research and teaching in food, health, water, education, environment and community.
“This confirms our commitment to improve agriculture in East Africa and around the world.” [said John Livernois, interim vice-president {research} ]
The project involves the use of hexanal, a natural plant product that delays fruit ripening and aging. Guelph plant agriculture professor Gopi Paliyath holds an American patent on the discovery of hexanal as a post-harvest agent. It’s also an FDA-approved food additive.
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The project also involves Guelph plant agriculture professors Paliyath and Al Sullivan; Loong-tak Lim from Food Science; and Elizabeth Finnis, Sociology and Anthropology. Foreign research partners are based at Tamil Nadu Agricultural University, India; Industrial Technical Institute, Sri Lanka; University of Nairobi, Kenya; Sokoine University of Agriculture, Tanzania; and the University of [the] West Indies, Trinidad and Tobago.
Prior to more funding: a memorandum of understanding
I’m having to guess as the document about the memorandum of understanding (MOU) to commercialize hexanal is not dated but it seems to have been produced in March 2018. (Canada’s International Development Research Centre ([IDRC] has a webpage about the memorandum but no memorandum that I could find.) I stumbled across this account of the event where the MOU was signed,
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Ms. Jennifer Daubeny, Consulate General of Canada, delivered the special address narrating the significance of Canadian fundingin developing nanotechnologies to reduce post-harvest losses that enables food security in Asian Countries. Dr. K. Ramasamy, Vice Chancellor, Tamil Nadu Agricultural University [TNAU], Coimbatore presided over the function and highlighted the role of TNAU in knitting nanotechnology research framework and serving as a torch bearer in the country. He emphasized that the GAC-IDRC Project helped more than 60 students and researchers, developed two technologies, filed patents for two inventions, extensive infrastructure development besides helping more than 12,000 fruit growers in the State of Tamil Nadu. Dr. Jayasankar Subramanian, Professor, University of Guelph, Canada, explained the evolution of the project till reached the stage of technology delivery to benefit farmers. Dr. K.S. Subramanian, NABARD Chair Professor, TNAU, Coimbatore, lead Principal Investigator of the Project for India presented nanotechnologies developed to assist in the entire value chain from the farm to fork. Mr. Arun Nagarajan, President, Tamil Nadu Fruit Growers’ Association, explained that the fruit growers are eager to use the technology to improve their farm income. Mr. Terence Park, Managing Director, Smart Harvest Agri, Canada, [emphasis mine] bestowed interest to take forward the technologies to the farm gate and signed MOU with TNAU for the Commercialization of the Hexanal Formulation. Dr. G.J. Janavi,Professor & Head, Department of Nano Science & Technology, TNAU, Coimbatore welcomed the gathering and Dr. C. Sekar, Dean, Imayam Agricultural College,Turaiyur, and Co-PI of the Project proposed a formal vote of thanks.
The Canadian Consul General Ms. Jennifer Daubeny visited all the exhibits and interacted with students, scholars and researchers besides the NGO partner Myrada. She was very impressed with the technologies developed by TNAU in collaboration with University of Guelph, Canada, and looking forward to support research programs in the near future. More than 200 Scientists and Diplomats from Canada, students, scholars, university officials participated in the event.
Products launch by ITI, Colombo
Two of the project’s technology outputs -hexanal incorporated ITI Bio-wax and the Tree Fresh Formulation spray [emphasis mine] were transferred to Hayleys Agriculture Pvt. Ltd., a reputed Agro Service provider in Sri Lanka. The products were launched on 22ndMarch 2018 at the Taj Samudra Hotel, Colombo. The chief guest at the event was the Hon. Susil Premajayantha, Minister of Science Technology and Research (Min. ST&R). The guest of honour was H.E. David McKinnon, High Commissioner for Canada in Sri Lanka. Others present included the Secretary to the Min. ST&R, The Chairman and Director General, ITI, Mr Rizvi Zaheed, Hayleys Agriculture and his team, the Chairman, National Science Foundation, Sri Lanka, representative of the Chairman Sri Lanka Export Development Board, representatives from the Dialog mobile service provider, the Registrar of Pesticides, representing the Dir. Gen., of Agriculture, President of the Lanka Fruit and Vegetable Producers, Processors and Exporters Association, leading large scale mango, papaya and pineapple growers, several export and fruit processing company representatives, senior officials from the ITI, the multi-disciplinary ITI research team and our partner from CEPA. The press was also well represented and a total of 100 persons were present on this occasion. The Managing Director Hayles, the two PIs’ of the project, the High Commissioner for Canada, The Minister and for ST&R and the Secretary to the Ministry addressed the gathering and the new video clip on the project was viewed. The new products were jointly uncovered for display by the Hon. Minister and H.E., the High Commissioner. Samples of the products were distributed to the President of the Lanka Fruit and Vegetable Producers Processors and Exporters Association and to two leading mango growers. The Project team also took this opportunity to run a presentation on the various stages of the project and related activities, display posters on their research findings and to print and distribute the pamphlets on the same as well as on hexanal, the latter as prepared by our partners from the University of Guelph. The launch ended with a time of fellowship providing a useful opportunity for networking.
A YouTube video about the product launch of hexanal-based Bio-wax and the Tree Fresh Formulation spray (I don’t know if those were the permanent names or if they are specific to Sri Lanka and other countries will adopt other names) helped to establish the date for the MOU. You can find the video here.
Judging from the media stories, the team in India has provided most of the leadership for commercializing hexanal.
Commercialization 2019 and beyond
To sum up, after a memorandum of understanding is signed and some prototype products have been unveiled in India in 2018 then, in early 2019, there’s more funding announced by IDRC to expand the number of countries involved and to continue research into efforts to save other types of produce.
Two nano formulations would be commercialized by the Directorate of Agri business development of Tamil Nadu Agricultural University (TNAU) soon.
Fruity fresh is a liquid nano formulation containing hexanal that keeps fruits and vegetables fresh for more days. The pre-harvest spray of Fruity Fresh extends the shelf life of mango for two weeks on trees and another two weeks under storage conditions by employing post-harvest dip methodology, Dr. A. Lakshmanan, Professor and Head, Department of Nano Science and Technology told a meet on “Linking Nano Stakeholders” held at the University.
Hexanal has also been successfully encapsulated in polymer matrix either as an electro spun fibre matrix (Nano sticker) or nano-pellets that extends shelf life of fruits by 1-2 weeks during storage and transportation, he said.
This sticker and pellets technology is highly user friendly and can be placed inside the cartons containing fruits during transport for enhancing the freshness.
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According to a November 5, 2019 article by Pearly Neo for foodnavigator-asia.com, there is pricing for four products. Nano Sticker and Nano Pellet each will cost $US 0.028 and the spray, Fruity Fresh, will cost $US 4.23 to $US 5.65 for a one liter bottle diluted in 50 liters of water (for use on approximately five trees) and the Fruity Fresh dipping solution at $US 0.0071per kg.
As far as I’m aware none of these products are available in Canada but there is a website for Smart Harvest Agri, Canada although the name used is a little different. First, there’s the Federal Corporation Information listing for Smart Harvest Agritech Limited. You’ll notice there are two directors,
Amanjit Singh Bains 7685 150B Street Surrey BC V3S 5P1 Canada
Terence Park Yongsan CJ Nine Park Seoul Korea, Republic of
The company’s Smart Harvest website doesn’t list any products but it does discuss something they call “FRESHXtend technology” for fruits and vegetables.
Final comment
I sometimes hear complaints about government funding and what seems to be a lack of follow through with exciting research work being done in Canada. I hope that in the months to come that this story of an international collaboration, which started with three countries and has now expanded to at least six countries and has led to increased food security with an environmentally friendly material and commercialization of research, gets some attention.
From the few sources I’ve been able to find, it seems India and Sri Lanka are leading the commercialization charge while Canada has contributed to an Asian-led project which has now expanded to include Kenya, Tanzania, and Trinidad and Tobago. Bravo t them all!
On a practical level, it’s becoming clear that we need to become more thoughtful about our use of water. We here in Canada tend to take our water for granted, as if we have an inexhaustible supply. According to this August 21, 2008 CBC (Canadian Broadcasting Corporation) online news item, that’s not the case,
Canada’s stores of fresh water are not as plentiful as once thought, and threaten to pinch the economy and pit provinces against each other, a federal document says.
An internal report drafted last December [2007] by Environment Canada warns that climate change and a growing population will further drain resources.
“We can no longer take our extensive water supplies for granted,” says the report, titled A Federal Perspective on Water Quantity Issues.
The Canadian Press obtained the 21-page draft report under the Access to Information Act.
It suggests the federal government take a more hands-on role in managing the country’s water, which is now largely done by the provinces. Ottawa still manages most of the fresh water in the North through water boards.
The Conservatives promised a national water strategy in last fall’s throne speech but have been criticized since for announcing only piecemeal projects.
The Tories, like the previous Liberal government, are also behind in publishing annual reports required by law that show how water supplies are used and maintained.
The last assessment posted on Environment Canada’s website is from 2005-06.
The internal draft report says the government currently does not know enough about the country’s water to properly manage it.
‘This is not a crisis yet. Why would we expect any government, regardless of political leaning or level, to do anything about it?’
“Canada lacks sound information at a national scale on the major uses and user[s] of water,” it says.
“National forecasting of water availability has never been done because traditionally our use of the resource was thought to be unlimited.”
Canada has a fifth of the world’s supply of fresh water, but only seven per cent of it is renewable. The rest comes from ice-age glaciers and underground aquifers.
One per cent of Canada’s total water supply is renewed each year by precipitation, the report says.
Moreover, government data on the country’s groundwater reserves is deemed “sparse and often inadequate.”
That’s in contrast to the United States, which has spent more than a decade mapping its underground water reserves. Canada shares aquifers with the U.S., and the report says: “Our lack of data places Canada at strategic disadvantage for bilateral negotiations with the U.S.”
A comprehensive review [World Wildlife Federation: a national assessment of of Canada’s freshwater Watershed Reports; 2017] freshwater ecosystems reveals rising threats from pollution, overuse, invasive species and climate change among other problems. Yet, the biggest threat of all may be a lack of information that hinders effective regulation, Ivan Semeniuk reports. …
Some of that information may be out of date.
Getting back on topic, here’s one possible solution to better managing our use of water.
Every day, more than 141 billion liters of water are used solely to flush toilets. With millions of global citizens experiencing water scarcity, what if that amount could be reduced by 50%?
The possibility may exist through research conducted at Penn State, released today (Nov. 18) in Nature Sustainability.
“Our team has developed a robust bio-inspired, liquid, sludge- and bacteria-repellent coating that can essentially make a toilet self-cleaning,” said Tak-Sing Wong, Wormley Early Career Professor of Engineering and associate professor of mechanical engineering and biomedical engineering.
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Penn State researchers have developed a method that dramatically reduces the amount of water needed to flush a conventional toilet, which usually requires 6 liters. Image: Wong Laboratory for Nature Inspired Engineering
In the Wong Laboratory for Nature Inspired Engineering, housed within the Department of Mechanical Engineering and the Materials Research Institute, researchers have developed a method that dramatically reduces the amount of water needed to flush a conventional toilet, which usually requires 6 liters.
Co-developed by Jing Wang, a doctoral graduate from Wong’s lab, the liquid-entrenched smooth surface (LESS) coating is a two-step spray that, among other applications, can be applied to a ceramic toilet bowl. The first spray, created from molecularly grafted polymers, is the initial step in building an extremely smooth and liquid-repellent foundation.
“When it dries, the first spray grows molecules that look like little hairs, with a diameter of about 1,000,000 times thinner than a human’s,” Wang said.
While this first application creates an extremely smooth surface as is, the second spray infuses a thin layer of lubricant around those nanoscopic “hairs” to create a super-slippery surface.
“When we put that coating on a toilet in the lab and dump synthetic fecal matter on it, it (the synthetic fecal matter) just completely slides down and nothing sticks to it (the toilet),” Wang said.
With this novel slippery surface, the toilets can effectively clean residue from inside the bowl and dispose of the waste with only a fraction of the water previously needed. The researchers also predict the coating could last for about 500 flushes in a conventional toilet before a reapplication of the lubricant layer is needed.
While other liquid-infused slippery surfaces can take hours to cure, the LESS two-step coating takes less than five minutes. The researcher’s experiments also found the surface effectively repelled bacteria, particularly ones that spread infectious diseases and unpleasant odors.
If it were widely adopted in the United States, it could direct critical resources toward other important activities, to drought-stricken areas or to regions experiencing chronic water scarcity, said the researchers.
Driven by these humanitarian solutions, the researchers also hope their work can make an impact in the developing world. The technology could be used within waterless toilets, which are used extensively around the world.
“Poop sticking to the toilet is not only unpleasant to users, but it also presents serious health concerns,” Wong said.
However, if a waterless toilet or urinal used the LESS coating, the team predicts these types of fixtures would be more appealing and safer for widespread use.
To address these issues in both the United States and around the world, Wong and his collaborators, Wang, Birgitt Boschitsch, and Nan Sun, all mechanical engineering alumni, began a start-up venture.
With support from the Ben Franklin Technology Partners’ TechCelerator, the National Science Foundation, the Department of Energy, the Office of Naval Research, the Rice Business Plan Competition and Y-Combinator, their company, spotLESS Materials, is already bringing the LESS coating to market.
“Our goal is to bring impactful technology to the market so everyone can benefit,” Wong said. “To maximize the impact of our coating technology, we need to get it out of the lab.”
Looking forward, the team hopes spotLESS Materials will play a role in sustaining the world’s water resources and continue expanding the reach of their technology.
“As a researcher in an academic setting, my goal is to invent things that everyone can benefit from,” Wong said. “As a Penn Stater, I see this culture being amplified through entrepreneurship, and I’m excited to contribute.”
This paper is behind a paywall. However, the researchers have made a brief video available,
There you have it. One random thought, that toilet image reminded me of the controversy over Marcel Duchamp, the Fountain, and who actually submitted a urinal for consideration as a piece of art (Jan. 23, 2019 posting). Hint: Some believe it was Baroness Elsa von Freytag-Loringhoven.
Last week (specifically, Tuesday, March 3, 2020), someone moved away from me during a class. I’d sneezed.
The irony of the situation is that of the two of us, with my lung issues I’d be the one most at risk of getting very ill and/or dying from COVID-19. ([1] Yes, I confirmed that was the reason she’d moved. [2] The therapeutic nanoparticles news item is coming later) Here are the risk factors to take into account (from the US Centers for Disease Control’s People at Risk for Serious Illness from COVID-19 webpage,
Older adults [Note: In one report the age range was stated as ‘people over 70’]
People who have serious chronic medical conditions like:
Heart disease
Diabetes
Lung disease
I’m not suggesting that all precautions be abandoned but it would seem that panic might not be called for. Jeremy Samuel Faust, an emergency medicine physician at Brigham and Women’s Hospital in Boston, faculty in its division of health policy and public health, and an instructor at Harvard Medical School, has written a calming March 4, 2020 article (COVID-19 Isn’t As Deadly As We Think; Don’t hoard masks and food. Figure out how to help seniors and the immunosuppressed stay healthy.) for Slate.com (Note: Links have been removed],
There are many compelling reasons to conclude that SARS-CoV-2, the virus that causes COVID-19, is not nearly as deadly as is currently feared. But COVID-19 panic has set in nonetheless. You can’t find hand sanitizer in stores, and N95 face masks are being sold online for exorbitant prices, never mind that neither is the best way to protect against the virus (yes, just wash your hands). The public is behaving as if this epidemic is the next Spanish flu, which is frankly understandable given that initial reports have staked COVID-19 mortality at about 2–3 percent, quite similar to the 1918 pandemic that killed tens of millions of people.
Allow me to be the bearer of good news. These frightening numbers are unlikely to hold. The true case fatality rate, known as CFR, of this virus is likely to be far lower than current reports suggest. Even some lower estimates, such as the 1 percent death rate recently mentioned by the directors of the National Institutes of Health and the Centers for Disease Control and Prevention, likely substantially overstate the case. [emphases mine]
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But the most straightforward and compelling evidence that the true case fatality rate of SARS-CoV-2 is well under 1 percent comes not from statistical trends and methodological massage, but from data from the Diamond Princess cruise outbreak and subsequent quarantine off the coast of Japan.
A quarantined boat is an ideal—if unfortunate—natural laboratory to study a virus. Many variables normally impossible to control are controlled. We know that all but one patient boarded the boat without the virus. We know that the other passengers were healthy enough to travel. We know their whereabouts and exposures. While the numbers coming out of China are scary, we don’t know how many of those patients were already ill for other reasons. How many were already hospitalized for another life-threatening illness and then caught the virus? How many were completely healthy, caught the virus, and developed a critical illness? In the real world, we just don’t know.
Here’s the problem with looking at mortality numbers in a general setting: In China, 9 million people die per year, which comes out to 25,000 people every single day, or around 1.5 million people over the past two months alone. A significant fraction of these deaths results from diseases like emphysema/COPD, lower respiratory infections, and cancers of the lung and airway whose symptoms are clinically indistinguishable from the nonspecific symptoms seen in severe COVID-19 cases. And, perhaps unsurprisingly, the death rate from COVID-19 in China spiked precisely among the same age groups in which these chronic diseases first become common. During the peak of the outbreak in China in January and early February, around 25 patients per day were dying with SARS-CoV-2. Most were older patients in whom the chronic diseases listed above are prevalent. Most deaths occurred in Hubei province, an area in which lung cancer and emphysema/COPD are significantly higher than national averages in China, a country where half of all men smoke. How were doctors supposed to sort out which of those 25 out of 25,000 daily deaths were solely due to coronavirus, and which were more complicated? What we need to know is how many excess deaths this virus causes.
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This all suggests that COVID-19 is a relatively benign disease for most young people, and a potentially devastating one for the old and chronically ill, albeit not nearly as risky as reported. Given the low mortality rate among younger patients with coronavirus—zero in children 10 or younger among hundreds of cases in China, and 0.2-0.4 percent in most healthy nongeriatric adults (and this is still before accounting for what is likely to be a high number of undetected asymptomatic cases)—we need to divert our focus away from worrying about preventing systemic spread among healthy people—which is likely either inevitable, or out of our control—and commit most if not all of our resources toward protecting those truly at risk of developing critical illness and even death: everyone over 70, and people who are already at higher risk from this kind of virus.
This still largely comes down to hygiene and isolation. But in particular, we need to focus on the right people and the right places. Nursing homes, not schools. Hospitals, not planes. We need to up the hygienic and isolation ante primarily around the subset of people who can’t simply contract SARS-CoV-2 and ride it out the way healthy people should be able to.
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Curtis Kim of Vancouver, Canada, has created a website dedicated to tracking the statistics and information about COVID-19 in Canada and around the world. Here’s more about Kim and the website from a March 8, 2020 article by Megan Devlin for the Daily Hive,
Curtis Kim, who studied Computer Systems Technology at the British Columbia Institute of Technology [BCIT], launched the site this week after getting frustrated he was spending so much time on various websites looking for daily coronavirus updates.
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The site breaks down the number of cases in Canada, the number of deaths (zero in Canada so far), and the number of people who have recovered. Further down, it provides the same stats for global COVID-19 cases.
There’s also a colour-coded map showing where cases are distributed, and a feed of latest news articles about the virus. Kim also included information about symptoms and how to contact Canadian public health services.
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Kim is looking for work and given what I’ve seen of his COVID-19 website, he should have no difficulty. Although I think it might be an idea for him to explain how the ‘lethality’ rate on his website has been obtained since Faust who seems to have more directly relevant experience suggests in his article that the numbers are highly problematic,
My name is Curtis, recently graduated from BCIT. I thought it would be a serious worldwide issue considering the speed of the spread of this virus ever since this COVID-19 occurred. I frequently googled to check up the current status by going through many websites and felt I was wasting time repeatedly searching with same keywords and for sure I wasn’t the only one feeling this way. That’s why I started creating this application. It provides up-to-date information on the COVID-19 broken by province and country around the world, key contact information, and latest news. I like to help people, and want them to understand this situation easily using this application. Hopefully this situation improves soon.
If you have any further inquries about the information on this web application, Please reach me at curtisk808@gmail.com
At about 11:45 am (PT) on March 9, 2020, Kim’s COVID-19 website was updated to include one death in Canada. As you might expect, ti was a resident in a long term care home. Wanyee Li’s March 9, 2020 article for The Star presents the news,
A resident at a long-term care home experiencing a COVID-19 outbreak in North Vancouver has died after contracting the virus, B.C. health officials confirmed Monday [March 9, 2020].
It is the first reported death in Canada linked to the virus.
The outbreak at the Lynn Valley Care Centre has so far been linked to three community transmission cases of the virus.
Provincial Health Officer Dr. Bonnie Henry confirmed five new cases of COVID-19 in B.C. on Monday [March 9, 2020], putting the total in the province at 32.
The five new cases include one health-care worker, two people who are close contacts of an existing case, one person who recently returned from travel to Iran and another who was in Italy recently.
Officials are conducting an investigation into the three community transmission cases at the long-term care home to determine how a health care worker contracted the virus.
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I looked up the population figures for the province of British Columbia (BC; Wikipedia entry for Demographics of British Columbia). As of the 2016 census, there were 4,648,055 people in the province. Assuming that population number holds, 67 cases in all of Canada (with 27 cases in BC) of COVID-19 don’t seem like big numbers.
We should definitely take precautions and be careful but there’s no need to panic.
There is no vaccine or specific treatment for COVID-19, the disease caused by the severe acute respiratory syndrome coronavirus 2, or SARS-CoV-2.
Since the outbreak began in late 2019, researchers have been racing to learn more about SARS-CoV-2, which is a strain from a family of viruses known as coronavirus for their crown-like shape.
Northeastern Ûniversity] chemical engineer Thomas Webster, who specializes in developing nano-scale medicine and technology to treat diseases, is part of a contingency of scientists that are contributing ideas and technology to the Centers for Disease Control and Prevention to fight the COVID-19 outbreak.
The idea of using nanoparticles, Webster says, is that the virus behind COVID-19 consists of a structure of a similar scale as his nanoparticles. At that scale, matter is ultra-small, about ten thousand times smaller than the width of a single strand of hair.
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This scanning electron microscope image shows SARS-CoV-2 (round gold objects) emerging from the surface of cells cultured in the lab. SARS-CoV-2, also known as 2019-nCoV, is the virus that causes COVID-19. The virus shown was isolated from a patient in the U.S. (Image: NIAID-RML)
Webster is proposing particles of similar sizes that could attach to SARS-CoV-2 viruses, disrupting their structure with a combination of infrared light treatment. That structural change would then halt the ability of the virus to survive and reproduce in the body.
“You have to think in this size range,” says Webster, Art Zafiropoulo Chair of chemical engineering at Northeastern. “In the nanoscale size range, if you want to detect viruses, if you want to deactivate them.”
Finding and neutralizing viruses with nanomedicine is at the core of what Webster and other researchers call theranostics, which focuses on combining therapy and diagnosis. Using that approach, his lab has specialized in nanoparticles to fight the microbes that cause influenza and tuberculosis.
“It’s not just having one approach to detect whether you have a virus and another approach to use it as a therapy,” he says, “but having the same particle, the same approach, for both your detection and therapy.”
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I wish Webster good luck. As for the rest us, let’s wash our hands and keep calm.
