Not sure how I tripped across this June 26, 2024 posting from the openculture.com archives with updates of the 2017 posting by Josh Jones but I’m glad for it, Note: Links have been removed,
If you haven’t heard of Hugo Gernsback, you’ve surely heard of the Hugo Award. Next to the Nebula, it’s the most prestigious of science fiction prizes, bringing together in its ranks of winners such venerable authors as Ursula K. Le Guin, Arthur C. Clarke, Robert Heinlein, Neil Gaiman, Isaac Asimov, and just about every other sci-fi and fantasy luminary you could think of. It is indeed fitting that such an honor should be named for Gernsback, the Luxembourgian-American inventor who, in April of 1926, began publishing “the first and longest-running English-language magazine dedicated to what was then not quite yet called ‘science fiction,’” notes University of Virginia’s Andrew Ferguson at The Pulp Magazines Project. Amazing Stories provided an “exclusive outlet” for what Gernsback first called “scientifiction,” a genre he would “for better and for worse, define for the modern era.” You can read and download hundreds of Amazing Stories issues, from the first year of its publication to the last, at the Internet Archive.
Like the extensive list of Hugo Award winners, the back catalog of Amazing Stories encompasses a host of geniuses: Le Guin, Asimov, H.G. Wells, Philip K. Dick, J.G. Ballard, and many hundreds of lesser-known writers. But the magazine “was slow to develop,” writes Scott Van Wynsberghe. Its lurid covers lured some readers in, but its “first two years were dominated by preprinted material,” and Gernsback developed a reputation for financial dodginess and for not paying his writers well or at all.
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“Within a decade,” writes Van Wynsberghe, “science fiction pundits were debating whether or not he had created a ‘ghetto’ for hack writers.” In 1986, novelist Brian Aldiss called Gernsback “one of the worst disasters ever to hit the science fiction field.” His 1911 novel, the ludicrously named Ralph 124C 41+: A Romance of the Year 2660 is considered “one of the worst science fiction novels in history,” writes Matthew Lasar. It may seem odd that the Oscar of the sci-fi world should be named for such a reviled figure. And yet, despite his pronounced lack of literary ability, Gernsback was a visionary. As a futurist, he made some startlingly accurate predictions, along with some not-so-accurate ones. …
If you have time definitely take a look at Jones’s June 26, 2024 posting for rest of the content and embedded images like this,
Presumably this image is in the public domain. Wish I could find information to credit the artist(s).
More about Hugo Gernsback
As noted previously, Gernsback was controversial and it’s noted in this October 4, 2012 article by Matt Novak for The Smithsonian,
Hugo “Awards” Gernsback was many different things to different people. To his fans, he was a visionary who started some of the most influential (not to mention the first) science fiction magazines of the early 20th century. Ray Bradbury was quoted as saying, “Gernsback made us fall in love with the future.” To his detractors, he was “Hugo the Rat,” known to men like H. P. Lovecraft for being a crooked publisher who sometimes stiffed his writers when payment was due. But above all else, he was a tireless self-promoter.
In 1904, Gernsback emigrated from Luxembourg to the U.S. at the age of 20. Not long thereafter he began selling radio kits to hobbyists, sometimes importing parts from Europe. His radio business and the catalogues he used to promote his wares evolved into a technology-focused magazine empire. Gernsback published over 50 different magazine titles in the course of his life, most of which were hobbyist magazines related to science, technology and the genre he helped popularize for so many in the 1920s: science fiction.
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Later in the article Novak goes on to focus on Gernsbacks insights and predictions on technology in the future. You may find the Hugo Gernsback Wikipedia entry provides a more comprehensive overview.
As sometimes happens, I came across one more intriguing tidbit..
First science fiction literature: Sumerian Epic of Gilgamesh (earliest Sumerian text versions c. 2150–2000 BCE)?
There are two schools of thought as to when science fiction as a literary genre was born according to the History of science fiction Wikipedia entry, Note: Links have been removed,
The literary genre of science fiction is diverse, and its exact definition remains a contested question among both scholars and devotees. This lack of consensus is reflected in debates about the genre’s history, particularly over determining its exact origins. There are two broad camps of thought, one that identifies the genre’s roots in early fantastical works such as the Sumerian Epic of Gilgamesh (earliest Sumerian text versions c. 2150–2000 BCE).[1] A second approach argues that science fiction only became possible sometime between the 17th and early 19th centuries, following the scientific revolution and major discoveries in astronomy, physics, and mathematics.
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Ancient and early modern precursors
One of the earliest and most commonly-cited texts for those looking for early precursors to science fiction is the ancient Mesopotamian Epic of Gilgamesh, with the earliest text versions identified as being from about 2000 BCE. American science fiction author Lester del Rey was one such supporter of using Gilgamesh as an origin point, arguing that “science fiction is precisely as old as the first recorded fiction. That is The Epic of Gilgamesh.”[3] French science fiction writer Pierre Versins also argued that Gilgamesh was the first science fiction work due to its treatment of human reason and the quest for immortality.[4] In addition, Gilgamesh features a flood scene that in some ways resembles a work of apocalyptic science fiction. However, the lack of explicit science or technology in the work has led some[5] to argue that it is better categorized as fantastic literature.
Ancient Indian poetry such as the Hindu epic the Ramayana (5th to 4th century BCE) includes Vimana, flying machines able to travel into space or under water, and destroy entire cities using advanced weapons. In the first book of the Rigveda collection of Sanskrit hymns (1700–1100 BCE), there is a description of “mechanical birds” that are seen “jumping into space speedily with a craft using fire and water … containing twelve stamghas (pillars), one wheel, three machines, 300 pivots, and 60 instruments”.[6] The ancient Hindu mythological epic the Mahabharata (8th and 9th centuries BCE) includes the story of King Kakudmi, who travels to heaven to meet the creator Brahma and is shocked to learn that many ages have passed when he returns to Earth, anticipating the concept of time travel.[7]
One frequently cited text is the Syrian-Greek writer Lucian of Samosata’s 2nd-century satire True History, which uses a voyage to outer space and conversations with alien life forms to comment on the use of exaggeration within travel literature and debates. Typical science fiction themes and topoi in True History include travel to outer space, encounter with alien life-forms (including the experience of a first encounter event), interplanetary warfare and planetary imperialism, motif of giganticism, creatures as products of human technology, worlds working by a set of alternative physical laws, and an explicit desire of the protagonist for exploration and adventure.[8] …
It goes on to mention Japanese writing, Arabic writing, medieval writers (from Europe and elsewhere) and more whose work could be thought of as science fiction. It’s a fascinating trip through history and cultures. If you have the time, here’s a link to the History of science fiction Wikipedia entry.