Pancakes & booze
From an August 12, 2018 Art/Sci Salon announcement (received via email),
Toronto — Batter sizzles, beer foams, and bare flesh is slathered in paint as gawkers look on. Indie musicians and DJs thunder sound waves off the canvas-lined, graffiti-strewn walls. Revelers stuff their faces with endless pancakes.
What is this, some type of hipster themed IHOP? A Lady Gaga video? Bansky’s mom’s basement? Nah, it’s the Pancakes & Booze Art Show – the hottest pop-up traveling art event in all the land.
This is no stuffy wine-and-cheese, someone-gag-me-with-a-cocktail-napkin gallery. It’s an innovative reimagining of the art show concept, as DIY art movement mayhem. Up-and-coming artists strut and sell their stuff in a freeverse, electric funhouse of mayhem.
You know you want to come, right? Hit me up so we can talk about ways to convince your editor to pay you to visit the show and maybe relax that no-alcohol-on-the-job policy. Hell, even bring your boss along If you like.
WHAT: Pancakes & Booze Art Show: Over 80 emerging artists showcasing their hottest work in a Warhol-style, anything-goes, massive warehouse environment–live music, body painting, multimedia displays, and FREE pancakes! The show originated in 2009 in Los Angeles and since has popped up more than 300 times in over 35 cities around the world. Each show draws as many as 3000 guests throughout the night.
WHEN:
Friday, September 28
8pm – 2amWHERE:
The Opera House
735 Queen St. E.
Toronto, Ontario M4M 1H1ABOUT TOM: Tom Kirlin, 40, left his movie career as a Hollywood cameraman to start Pancakes & Booze in 2009. Born in Tucson, Ariz., he’s a travel fiend who has visited over forty countries across every continent but Antarctica. At 6-foot-6, he’s a hell of a ringer in pick-up basketball games. Bug him at info@pancakesandbooze.com
There’s also this summary along with additional details from the announcement:
Toronto’s Premier Underground Art Show featuring:
- 80+ Emerging Local Artists
- Live Body Painting
- Live Art
- Live Music
- FREE Pancake Bar
- 21+ EVENT
- 8pm – 2am
- $10 – $13
Event info: https://www.facebook.com/events/390234974807730/
Tickets: https://www.brownpapertickets.com/event/3442689
The Opera House
735 Queen St. E.
Toronto, Ontario M4M 1H1Wanna show some work?
Submit here: www.pancakesandbooze.com/submitCheck us out on
IG @pancakesandbooze
FB @pancakesandboozeartshow
Twitter @pancakesbooze#pancakesandbooze
North Carolina: Art’s work in the age of biotechnology: Shaping our genetic futures
This too is from an August 12, 2018 Art/Sci Salon email,
This looks good!
Apply!…
The NCSU [North Carolina State University] Libraries, NC State’s Genetic Engineering and Society (GES) Center, and the Gregg Museum of Art & Design have issued a public call for art for the upcoming exhibition Art’s Work in the Age of Biotechnology: Shaping our Genetic Futures.
Planned for fall 2019, the multi-site exhibition will be held simultaneously at the Gregg Museum of Art & Design and in the physical and digital display spaces of the NCSU Libraries–the Exhibit Gallery in the D. H. Hilll Library and the video walls in the James B. Hunt Jr. Library. Outdoor and/or greenhouse spaces are also available.
about
Art’s Work/Genetic Futures poses the question: How do artists and designers contribute materially, rhetorically, and conceptually to modern biotechnology? We are looking for contemporary work and project proposals that will engage viewers in examining how genomic sciences could shape the future of our society. Projects that question and challenge current biotechnology tropes, as well as projects that embrace the transformative potential of biotechnology and biomedicine, are welcome.
Guest curator Hannah Star Rogers will organize Art’s Work/Genetic Futures with a panel from the exhibition partners at NC State. Rogers has curated Making Science Visible: The Photography of Berenice Abbott, which received an exhibits prize from the British Society for the History of Science and resulted in an invited lecture at the Smithsonian Archives of American Art. She is past Director of Research and Collaboration forEmerge: Artists and Scientists Redesign the Future 2016 and served as Guest Bioart Curator for 2017.
This call is open to artists, scientists, designers, and makers at all career stages. Emerging artists, creators who are traditionally underrepresented in the arts and sciences, and artists working outside the U.S. are especially encouraged to apply.
Artists will receive an honorarium of $2,500 and three copies of the full-color catalog with essays by the curator and other contributors. Artists working in a collaborative team will share the honorarium.
The deadline for work and proposals is Monday, Oct. 1, 2018.
A shortlist will be announced Thursday, Nov. 15, 2018. Final notification of acceptance will be Tuesday, Jan. 15, 2019.
Full details about the exhibition, the call for art, and how to submit are available on the Art’s Work/Genetic Futures exhibition website at go.ncsu.edu/artswork.
Good luck!