Tag Archives: biotechnology

Art in the Age of Planetary Consciousness; an April 22, 2022 talk in Venice (Italy) and online (+ an April 21/22, 2022 art/sci event)

The Biennale Arte (also known as the Venice Biennale) 2022: The Milk of Dreams runs from April 23 -November 27, 2022 with pre-openings on April 20, 21, and 22.

As part of the Biennale’s pre-opening, the ArtReview (international contemporary art magazine) and the Berggruen Institute (think tank with headquarters in Los Angeles, California) are presenting a talk on April 22, 2022, from the Talk on Art in the Age of Planetary Consciousness on the artreview.com website (Note: I cannot find an online portal so I’m guessing this is in person only),

Join the artists and ArtReview’s Mark Rappolt for this panel discussion – the first in a new series of talks in collaboration with Berggruen Arts – on 22 April 2022 at Casa dei Tre Oci, Venice

We live in an age in which we increasingly recognise and acknowledge that the human-made world and non-human worlds overlap and interact. In which actions cause reactions in a system that is increasingly planetary in scale while being susceptible to change by the actions of individual and collective agents. How does this change the way in which we think about art? And the ways in which we think about making art? Does it exist apart or as a part of this new consciousness and world view? Does art reflect such systems or participate within them? Or both?

This discussion between artists Shubigi Rao and Wu Tsang,who will both be showing new works at the 59th Venice Biennale, is the first in a new programme of events in which ArtReview is partnering with the Berggruen Institute to explore the intersections of philosophy, science and culture [emphasis mine] – as well as celebrating Casa dei Tre Oci in Venice as a gathering place for artists, curators, artlovers and thinkers. The conversation is chaired by ArtReview editor-in-chief Mark Rappolt.

Venue: Casa dei Tre Oci, Venice

Date: 22 April [2022]

Time: Entry from 4.30pm, talk to commence 5pm [Central European Summer Time, for PT subtract 9 hours]

Moderator: Mark Rappolt, Editor-in-Chief ArtReview & ArtReview Asia

Speakers: Shubigi Rao, Wu Tsang

RSVP: rsvp@artreview.com

About the artists:

Artist and writer Shubigi Rao’s interests include libraries, archival systems, histories and lies, literature and violence, ecologies, and natural history. Her art, texts, films, and photographs look at current and historical flashpoints as perspectival shifts to examining contemporary crises of displacement, whether of people, languages, cultures, or knowledge bodies. Her current decade-long project, Pulp: A Short Biography of the Banished Book is about the history of book destruction and the future of knowledge. In 2020, the second book from the project won the Singapore Literature Prize (non-fiction), while the first volume was shortlisted in 2018. Both books have won numerous awards, including AIGA (New York)’s 50 best books of 2016, and D&AD Pencil for design. The first exhibition of the project, Written in the Margins, won the APB Signature Prize 2018 Juror’s Choice Award. She is currently the Curator for the upcoming Kochi-Muziris Biennale. She will be representing Singapore at the 59th Venice Biennale.

Wu Tsang is an award-winning filmmaker and visual artist. Tsang’s work crosses genres and disciplines, from narrative and documentary films to live performance and video installations. Tsang is a MacArthur ‘Genius’ Fellow, and her projects have been presented at museums, biennials, and film festivals internationally. Awards include 2016 Guggenheim Fellow (Film/Video), 2018 Hugo Boss Prize Nominee, Creative Capital, Rockefeller Foundation, Louis Comfort Tiffany Foundation, and Warhol Foundation. Tsang received her BFA (2004) from the Art Institute of Chicago (SAIC) and an MFA (2010) from University of California Los Angeles (UCLA). Currently Tsang works in residence at Schauspielhaus Zurich, as a director of theatre with the collective Moved by the Motion. Her work is included in the 59th Venice Biennale’s central exhibition The Milk of Dreams, curated by Cecilia Alemani. On 20 April, TBA21–Academy in collaboration with The Hartwig Art Foundation presents the Italian premiere of Moby Dick; or, The Whale, the Wu Tsang-directed feature-length silent film with a live symphony orchestra, at Venice’s Teatro Goldoni.

I’m not sure how this talk will “explore the intersections of philosophy, science and culture.” I can make a case for philosophy and culture but not science. At any rate, the it serves as an introduction to the Berggruen Institute’s new activities in Europe, from the Talk on Art in the Age of Planetary Consciousness on the artreview.com website,

The Berggruen Institute – headquartered in Los Angeles – was established in 2010 to develop foundational ideas about how to reshape political and social institutions in a time of great global change. It recently acquired Casa dei Tre Oci in Venice as a new base for its European activities. The neo-gothic building, originally designed as a home and studio by the artist Mario de Maria, will serve as a space for global dialogue and new ideas, via a range of workshops, symposia and exhibitions in the visual arts and architecture.

In a further expansion of activity, the initiative Berggruen Arts & Culture has been launched with the acquisition of the historic Palazzo Diedo in Venice’s Cannaregio district. The site will host exhibitions as well as a residency programme (with Sterling Ruby named as the inaugural artist-in-residence). Curator Mario Codognato has been appointed artistic director of the initiative; the architect Silvio Fassi will oversee the palazzo’s renovation, which is scheduled to open in 2024.

Having been most interested in the Berggruen Institute (founded by Nicolas Berggruen) and its events, I’ve missed the arts and culture aspect of the Berggruen enterprise. Mark Westall’s March 15, 2022 article for FAD magazine gives some insight into Berggruen’s Venice arts and culture adventure,

In the most recent of his initiatives to encourage the work of today’s artists, deepen the connection between contemporary art and the past, and make art more widely accessible to the public, philanthropist Nicolas Berggruen today [March 15, 2022] announced the creation of Berggruen Arts & Culture and the acquisition of the historic Palazzo Diedo by the Nicolas Berggruen Charitable Trust in Venice’s Cannaregio district, which is being restored and renovated to serve as a base for this multi-faceted, international program and its activities in Venice and around the world.

At Palazzo Diedo, Berggruen Arts & Culture will host an array of exhibitions—some drawn from Nicolas Berggruen’s personal collection—as well as installations, symposia, and an artist-in-residence program that will foster the creation of art in Venice. To bring the palazzo to life during the renovation phase and make its new role visible to the public, Berggruen Arts & Culture has named Sterling Ruby as its inaugural artist-in-residence. Ruby will create A Project in Four Acts, a multi-year installation at Palazzo Diedo, with the first element debuting on April 20, 2022, and on view through the duration of the 59th Biennale Arte.

Internationally renowned contemporary art curator Mario Codognato, who has served as chief curator of MADRE in Naples and director of the Anish Kapoor Foundation in Venice [I have more on Anish Kapoor later], has been named the artistic director of Berggruen Arts & Culture. Venetian architect Silvio Fassi is overseeing the renovation of the palazzo, which will open officially in 2024, concurrent with the Biennale di Venezia.

Nicolas Berggruen’s initiatives in the visual arts and culture have spanned the traditional and the experimental. As a representative of a family that is legendary in the field of 20th-century European art, he has been instrumental in expanding the programming and curatorial autonomy of the Museum Berggruen, which has been a component of the Nationalgalerie in Berlin since 2000. As founder of the Berggruen Institute, he has spearheaded the expansion of the Institute with a presence in Los Angeles, Beijing, and Venice. He has supported Institute-led projects pairing leading contemporary artists including Anicka Yi, Ian Cheng, Rob Reynolds, Agnieszka Kurant, Pierre Huyghe, and Nancy Baker Cahill with researchers in artificial intelligence and biology, to create works exploring our changing ideas of what it means to be human.

Palazzo Diedo is the second historic building that the Nicolas Berggruen Charitable Trust has acquired in Venice, following the purchase of Casa dei Tre Oci on the Giudecca as the principal European base for the Berggruen Institute. In April and June 2022, Berggruen Arts & Culture will present a series of artist conversations in partnership with ArtReview at Casa dei Tre Oci. Berggruen Arts & Culture will also undertake activities such as exhibitions, discussions, lectures, and residencies at sites beyond Palazzo Diedo and Casa dei Tre Oci, such as Museum Berggruen in Berlin and the Berggruen Institute in Los Angeles.

For those of us not lucky enough to be in Venice for the opening of the 59th Biennale Arte, there’s this amusing story about Anish Kapoor and an artistic feud over the blackest black (a coating material made of carbon nanotubes) in my February 21, 2019 posting.

Art/sci and the Berggruen Institute

While the April 22, 2022 talk doesn’t directly address science issues vis-à-vis arts and culture, this upcoming Berggruen Institute/University of Southern California (USC) event does,

What Will Life Become?

Thursday, April 21 [2022] @ USC // Friday, April 22 [2022] @ Berggruen Institute // #WWLB

About

Biotechnologies that push the limits of life, artificial intelligences that can be trained to learn, and endeavors that envision life beyond Earth are among recent and anticipated technoscientific futures. Such projects unsettle theories and material realities of body, mind, species, and the planet. They prompt us to ask: How will we conjure positive human futures and future humans?

On Thursday, April 21 [2022] and Friday, April 22 [2022], the Berggruen Institute and the USC Dornsife Center on Science, Technology, and Public, together with philosophers, scientists, and artists, collaboratively and critically inquire:

What Will Life Become?

KEYNOTE CONVERSATION
“Speculative Worldbuilding”

PUBLIC FORUM
“What Will Life Become?”

PANELS
“Futures of Life”
“Futures of Mind”
“Futures in Outer Space”

WORKSHOP
“Embodied Futures”

VISION

The search for extraterrestrial biosignatures, human/machine cyborgian mashups, and dreams to facilitate reproduction beyond Earth are future-facing technologies. They complicate the purported thresholds, conditions, and boundaries of “the human,” “life,” and “the mind” — as if such categories have ever been stable. 

In concert with the Berggruen Institute’s newly launched Future Humans Program, What Will Life Become? invites philosophers, scientists, and artists to design and co-shape the human and more-than-human futures of life, the mind, and the planet.

Day 1 at USC Michelson Center for Convergent Bioscience 101 features a Keynote with director and speculative architect Liam Young who will discuss world-building through narrative and film with Nils Gilman; a Public Forum with leading scholars K Allado-McDowell, Neda Atanasoski, Lisa Ruth Rand, Tiffany Vora, moderated by Claire Isabel Webb, who will consider the question, “what will life become?” Reception to follow.

Day 2 at the Berggruen Institute features a three-part Salon: “Futures of Life,” “Futures of Mind,” and “Futures in Outer Space.” Conceptual artists Sougwen Chung*, Nancy Baker Cahill, REEPS100, Brian Cantrell, and ARSWAIN will unveil world premieres. “Embodied Futures” invites participants to imagine novel forms of life, mind, and being through artistic and intellectual provocations.

I have some details about how you can attend the programme in person or online,

DAY 1: USC

To participate in the Keynote Conversation and Public Forum on April 21, join us in person at USC Michelson Hall 101 or over YouTube beginning at 1:00 p.m [PT]. We’ll also send you the findings of the Workshop. Please register here.

DAY 2: BERGGRUEN INSTITUTE

This invite-only [mephasis mine] workshop at the Berggruen Institute Headquarters features a day of creating Embodied Futures. A three-panel salon, followed by the world premieres of art commissioned by the Institute, will provide provocations for the Possible Worlds exercises. Participants will imagine and design Future Relics and write letters to 2049. WWLB [What Will Life Become?] findings will be available online following the workshop.

*I will have more about Sougwen Chung and her work when I post my commentary on the exhibition running from March 5 – October 23, 2022 at the Vancouver Art Gallery, “The Imitation Game: Visual Culture in the Age of Artificial Intelligence.”

Why is Precision Nanosystems Inc. in the local (Vancouver, Canada) newspaper?

Usually when a company is featured in a news item, there’s some reason why it’s considered newsworthy. Even after reading the article twice, I still don’t see what makes the Precision Nanosystems Inc. (PNI) newsworthy.

Kevin Griffin’s Jan. 17, 2021 article about Vancouver area Precision Nanosystems Inc. (PNI) for The Province is interesting for anyone who’s looking for information about members of the local biotechnology and/or nanomedicine community (Note: Links have been removed),

A Vancouver nanomedicine company is part of a team using new genetic technology to develop a COVID-19 vaccine.

Precision NanoSystems Incorporated is working on a vaccine in the same class the ones made by Pfizer-BioNTech and Moderna, the only two COVID-19 vaccines approved by Health Canada.

PNI’s vaccine is based on a new kind of technology called mRNA which stands for messenger ribonucleic acid. The mRNA class of vaccines carry genetic instructions to make proteins that trigger the body’s immune system. Once a body has antibodies, it can fight off a real infection when it comes in contact with SARS-CoV-2, the name of the virus that causes COVID-19.

James Taylor, CEO of Precision NanoSystems, said the “revolutionary technology is having an impact not only on COVID-19 pandemic but also the treatment of other diseases.

The federal government has invested $18.2 million in PNI to carry its vaccine candidate through pre-clinical studies and clinical trails.

Ottawa has also invested another $173 million in Medicago, a Quebec-city based company which is developing a virus-like particle vaccine on a plant-based platform and building a large-scale vaccine and antibody production facility. The federal government has an agreement with Medicago to buy up to 76 million doses (enough for 38 million people) of its COVID-19 vaccine.

PNI’s vaccine, which the company is developing with other collaborators, is still at an early, pre-clinical stage.

Taylor is one of the co-founders of PNI along with Euan Ramsay, the company’s chief commercial officer.

The scientific co-founders of PNI are physicist Carl Hansen [emphasis mine] and Pieter Cullis. Cullis is also board chairman and scientific adviser at Acuitas Therapeutics [emphasis mine], the UBC biotechnology company that developed the delivery system for the Pfizer-BioNTech COVID-19 vaccine.

PNI, founded in 2010 as a spin-off from UBC [University of British Columbia], focuses on developing technology and expertise in genetic medicine to treat a wide range of infectious and rare diseases and cancers.

What has been described as PNI’s flagship product is a NanoAssemblr Benchtop Instrument, which allows scientists to develop nanomedicines for testing.

It’s informational but none of this is new, if you’ve been following developments in the COVID-19 vaccine story or local biotechnology scene. The $18.2 million federal government investment was announced in the company’s latest press release dated October 23, 2020. Not exactly fresh news.

One possibility is that the company is trying to generate publicity prior to a big announcement. As to why a reporter would produce this profile, perhaps he was promised an exclusive?

Acuitas Therapeutics, which I highlighted in the excerpt from Griffin’s story, has been featured here before in a November 12, 2020 posting about lipid nanoparticles and their role in the development of the Pfizer-BioNTech COVID-19 vaccine.

Curiously (or not), Griffin didn’t mention Vancouver’s biggest ‘COVID-19 star’, AbCellera. You can find out more about that company in my December 30, 2020 posting titled, Avo Media, Science Telephone, and a Canadian COVID-19 billionaire scientist, which features a link to a video about AbCellera’s work (scroll down about 60% of the way to the subsection titled: Avo Media, The Tyee, and Science Telephone, second paragraph).

The Canadian COVID-19 billionaire scientist? That would be Carl Hansen, Chief Executive Officer and co-founder of AbCellera and co-founder of PNI. it’s such a small world sometimes.

Technical University of Munich: embedded ethics approach for AI (artificial intelligence) and storing a tv series in synthetic DNA

I stumbled across two news bits of interest from the Technical University of Munich in one day (Sept. 1, 2020, I think). The topics: artificial intelligence (AI) and synthetic DNA (deoxyribonucleic acid).

Embedded ethics and artificial intelligence (AI)

An August 27, 2020 Technical University of Munich (TUM) press release (also on EurekAlert but published Sept. 1, 2020) features information about a proposal to embed ethicists in with AI development teams,

The increasing use of AI (artificial intelligence) in the development of new medical technologies demands greater attention to ethical aspects. An interdisciplinary team at the Technical University of Munich (TUM) advocates the integration of ethics from the very beginning of the development process of new technologies. Alena Buyx, Professor of Ethics in Medicine and Health Technologies, explains the embedded ethics approach.

Professor Buyx, the discussions surrounding a greater emphasis on ethics in AI research have greatly intensified in recent years, to the point where one might speak of “ethics hype” …

Prof. Buyx: … and many committees in Germany and around the world such as the German Ethics Council or the EU Commission High-Level Expert Group on Artificial Intelligence have responded. They are all in agreement: We need more ethics in the development of AI-based health technologies. But how do things look in practice for engineers and designers? Concrete solutions are still few and far between. In a joint pilot project with two Integrative Research Centers at TUM, the Munich School of Robotics and Machine Intelligence (MSRM) with its director, Prof. Sami Haddadin, and the Munich Center for Technology in Society (MCTS), with Prof. Ruth Müller, we want to try out the embedded ethics approach. We published the proposal in Nature Machine Intelligence at the end of July [2020].

What exactly is meant by the “embedded ethics approach”?

Prof.Buyx: The idea is to make ethics an integral part of the research process by integrating ethicists into the AI development team from day one. For example, they attend team meetings on a regular basis and create a sort of “ethical awareness” for certain issues. They also raise and analyze specific ethical and social issues.

Is there an example of this concept in practice?

Prof. Buyx: The Geriatronics Research Center, a flagship project of the MSRM in Garmisch-Partenkirchen, is developing robot assistants to enable people to live independently in old age. The center’s initiatives will include the construction of model apartments designed to try out residential concepts where seniors share their living space with robots. At a joint meeting with the participating engineers, it was noted that the idea of using an open concept layout everywhere in the units – with few doors or individual rooms – would give the robots considerable range of motion. With the seniors, however, this living concept could prove upsetting because they are used to having private spaces. At the outset, the engineers had not given explicit consideration to this aspect.

Prof.Buyx: The approach sounds promising. But how can we avoid “embedded ethics” from turning into an “ethics washing” exercise, offering companies a comforting sense of “being on the safe side” when developing new AI technologies?

That’s not something we can be certain of avoiding. The key is mutual openness and a willingness to listen, with the goal of finding a common language – and subsequently being prepared to effectively implement the ethical aspects. At TUM we are ideally positioned to achieve this. Prof. Sami Haddadin, the director of the MSRM, is also a member of the EU High-Level Group of Artificial Intelligence. In his research, he is guided by the concept of human centered engineering. Consequently, he has supported the idea of embedded ethics from the very beginning. But one thing is certain: Embedded ethics alone will not suddenly make AI “turn ethical”. Ultimately, that will require laws, codes of conduct and possibly state incentives.

Here’s a link to and a citation for the paper espousing the embedded ethics for AI development approach,

An embedded ethics approach for AI development by Stuart McLennan, Amelia Fiske, Leo Anthony Celi, Ruth Müller, Jan Harder, Konstantin Ritt, Sami Haddadin & Alena Buyx. Nature Machine Intelligence (2020) DOI: https://doi.org/10.1038/s42256-020-0214-1 Published 31 July 2020

This paper is behind a paywall.

Religion, ethics and and AI

For some reason embedded ethics and AI got me to thinking about Pope Francis and other religious leaders.

The Roman Catholic Church and AI

There was a recent announcement that the Roman Catholic Church will be working with MicroSoft and IBM on AI and ethics (from a February 28, 2020 article by Jen Copestake for British Broadcasting Corporation (BBC) news online (Note: A link has been removed),

Leaders from the two tech giants met senior church officials in Rome, and agreed to collaborate on “human-centred” ways of designing AI.

Microsoft president Brad Smith admitted some people may “think of us as strange bedfellows” at the signing event.

“But I think the world needs people from different places to come together,” he said.

The call was supported by Pope Francis, in his first detailed remarks about the impact of artificial intelligence on humanity.

The Rome Call for Ethics [sic] was co-signed by Mr Smith, IBM executive vice-president John Kelly and president of the Pontifical Academy for Life Archbishop Vincenzo Paglia.

It puts humans at the centre of new technologies, asking for AI to be designed with a focus on the good of the environment and “our common and shared home and of its human inhabitants”.

Framing the current era as a “renAIssance”, the speakers said the invention of artificial intelligence would be as significant to human development as the invention of the printing press or combustion engine.

UN Food and Agricultural Organization director Qu Dongyu and Italy’s technology minister Paola Pisano were also co-signatories.

Hannah Brockhaus’s February 28, 2020 article for the Catholic News Agency provides some details missing from the BBC report and I found it quite helpful when trying to understand the various pieces that make up this initiative,

The Pontifical Academy for Life signed Friday [February 28, 2020], alongside presidents of IBM and Microsoft, a call for ethical and responsible use of artificial intelligence technologies.

According to the document, “the sponsors of the call express their desire to work together, in this context and at a national and international level, to promote ‘algor-ethics.’”

“Algor-ethics,” according to the text, is the ethical use of artificial intelligence according to the principles of transparency, inclusion, responsibility, impartiality, reliability, security, and privacy.

The signing of the “Rome Call for AI Ethics [PDF]” took place as part of the 2020 assembly of the Pontifical Academy for Life, which was held Feb. 26-28 [2020] on the theme of artificial intelligence.

One part of the assembly was dedicated to private meetings of the academics of the Pontifical Academy for Life. The second was a workshop on AI and ethics that drew 356 participants from 41 countries.

On the morning of Feb. 28 [2020], a public event took place called “renAIssance. For a Humanistic Artificial Intelligence” and included the signing of the AI document by Microsoft President Brad Smith, and IBM Executive Vice-president John Kelly III.

The Director General of FAO, Dongyu Qu, and politician Paola Pisano, representing the Italian government, also signed.

The president of the European Parliament, David Sassoli, was also present Feb. 28.

Pope Francis canceled his scheduled appearance at the event due to feeling unwell. His prepared remarks were read by Archbishop Vincenzo Paglia, president of the Academy for Life.

You can find Pope Francis’s comments about the document here (if you’re not comfortable reading Italian, hopefully, the English translation which follows directly afterward will be helpful). The Pope’s AI initiative has a dedicated website, Rome Call for AI ethics, and while most of the material dates from the February 2020 announcement, they are keeping up a blog. It has two entries, one dated in May 2020 and another in September 2020.

Buddhism and AI

The Dalai Lama is well known for having an interest in science and having hosted scientists for various dialogues. So, I was able to track down a November 10, 2016 article by Ariel Conn for the futureoflife.org website, which features his insights on the matter,

The question of what it means and what it takes to feel needed is an important problem for ethicists and philosophers, but it may be just as important for AI researchers to consider. The Dalai Lama argues that lack of meaning and purpose in one’s work increases frustration and dissatisfaction among even those who are gainfully employed.

“The problem,” says the Dalai Lama, “is … the growing number of people who feel they are no longer useful, no longer needed, no longer one with their societies. … Feeling superfluous is a blow to the human spirit. It leads to social isolation and emotional pain, and creates the conditions for negative emotions to take root.”

If feeling needed and feeling useful are necessary for happiness, then AI researchers may face a conundrum. Many researchers hope that job loss due to artificial intelligence and automation could, in the end, provide people with more leisure time to pursue enjoyable activities. But if the key to happiness is feeling useful and needed, then a society without work could be just as emotionally challenging as today’s career-based societies, and possibly worse.

I also found a talk on the topic by The Venerable Tenzin Priyadarshi, first here’s a description from his bio at the Dalai Lama Center for Ethics and Transformative Values webspace on the Massachusetts Institute of Technology (MIT) website,

… an innovative thinker, philosopher, educator and a polymath monk. He is Director of the Ethics Initiative at the MIT Media Lab and President & CEO of The Dalai Lama Center for Ethics and Transformative Values at the Massachusetts Institute of Technology. Venerable Tenzin’s unusual background encompasses entering a Buddhist monastery at the age of ten and receiving graduate education at Harvard University with degrees ranging from Philosophy to Physics to International Relations. He is a Tribeca Disruptive Fellow and a Fellow at the Center for Advanced Study in Behavioral Sciences at Stanford University. Venerable Tenzin serves on the boards of a number of academic, humanitarian, and religious organizations. He is the recipient of several recognitions and awards and received Harvard’s Distinguished Alumni Honors for his visionary contributions to humanity.

He gave the 2018 Roger W. Heyns Lecture in Religion and Society at Stanford University on the topic, “Religious and Ethical Dimensions of Artificial Intelligence.” The video runs over one hour but he is a sprightly speaker (in comparison to other Buddhist speakers I’ve listened to over the years).

Judaism, Islam, and other Abrahamic faiths examine AI and ethics

I was delighted to find this January 30, 2020 Artificial Intelligence: Implications for Ethics and Religion event as it brought together a range of thinkers from various faiths and disciplines,

New technologies are transforming our world every day, and the pace of change is only accelerating.  In coming years, human beings will create machines capable of out-thinking us and potentially taking on such uniquely-human traits as empathy, ethical reasoning, perhaps even consciousness.  This will have profound implications for virtually every human activity, as well as the meaning we impart to life and creation themselves.  This conference will provide an introduction for non-specialists to Artificial Intelligence (AI):

What is it?  What can it do and be used for?  And what will be its implications for choice and free will; economics and worklife; surveillance economies and surveillance states; the changing nature of facts and truth; and the comparative intelligence and capabilities of humans and machines in the future? 

Leading practitioners, ethicists and theologians will provide cross-disciplinary and cross-denominational perspectives on such challenges as technology addiction, inherent biases and resulting inequalities, the ethics of creating destructive technologies and of turning decision-making over to machines from self-driving cars to “autonomous weapons” systems in warfare, and how we should treat the suffering of “feeling” machines.  The conference ultimately will address how we think about our place in the universe and what this means for both religious thought and theological institutions themselves.

UTS [Union Theological Seminary] is the oldest independent seminary in the United States and has long been known as a bastion of progressive Christian scholarship.  JTS [Jewish Theological Seminary] is one of the academic and spiritual centers of Conservative Judaism and a major center for academic scholarship in Jewish studies. The Riverside Church is an interdenominational, interracial, international, open, welcoming, and affirming church and congregation that has served as a focal point of global and national activism for peace and social justice since its inception and continues to serve God through word and public witness. The annual Greater Good Gathering, the following week at Columbia University’s School of International & Public Affairs, focuses on how technology is changing society, politics and the economy – part of a growing nationwide effort to advance conversations promoting the “greater good.”

They have embedded a video of the event (it runs a little over seven hours) on the January 30, 2020 Artificial Intelligence: Implications for Ethics and Religion event page. For anyone who finds that a daunting amount of information, you may want to check out the speaker list for ideas about who might be writing and thinking on this topic.

As for Islam, I did track down this November 29, 2018 article by Shahino Mah Abdullah, a fellow at the Institute of Advanced Islamic Studies (IAIS) Malaysia,

As the global community continues to work together on the ethics of AI, there are still vast opportunities to offer ethical inputs, including the ethical principles based on Islamic teachings.

This is in line with Islam’s encouragement for its believers to convey beneficial messages, including to share its ethical principles with society.

In Islam, ethics or akhlak (virtuous character traits) in Arabic, is sometimes employed interchangeably in the Arabic language with adab, which means the manner, attitude, behaviour, and etiquette of putting things in their proper places. Islamic ethics cover all the legal concepts ranging from syariah (Islamic law), fiqh ( jurisprudence), qanun (ordinance), and ‘urf (customary practices).

Adopting and applying moral values based on the Islamic ethical concept or applied Islamic ethics could be a way to address various issues in today’s societies.

At the same time, this approach is in line with the higher objectives of syariah (maqasid alsyariah) that is aimed at conserving human benefit by the protection of human values, including faith (hifz al-din), life (hifz alnafs), lineage (hifz al-nasl), intellect (hifz al-‘aql), and property (hifz al-mal). This approach could be very helpful to address contemporary issues, including those related to the rise of AI and intelligent robots.

..

Part of the difficulty with tracking down more about AI, ethics, and various religions is linguistic. I simply don’t have the language skills to search for the commentaries and, even in English, I may not have the best or most appropriate search terms.

Television (TV) episodes stored on DNA?

According to a Sept. 1, 2020 news item on Nanowerk, the first episode of a tv series, ‘Biohackers’ has been stored on synthetic DNA (deoxyribonucleic acid) by a researcher at TUM and colleagues at another institution,

The first episode of the newly released series “Biohackers” was stored in the form of synthetic DNA. This was made possible by the research of Prof. Reinhard Heckel of the Technical University of Munich (TUM) and his colleague Prof. Robert Grass of ETH Zürich.

They have developed a method that permits the stable storage of large quantities of data on DNA for over 1000 years.

A Sept. 1, 2020 TUM press release, which originated the news item, proceeds with more detail in an interview format,

Prof. Heckel, Biohackers is about a medical student seeking revenge on a professor with a dark past – and the manipulation of DNA with biotechnology tools. You were commissioned to store the series on DNA. How does that work?

First, I should mention that what we’re talking about is artificially generated – in other words, synthetic – DNA. DNA consists of four building blocks: the nucleotides adenine (A), thymine (T), guanine (G) and cytosine (C). Computer data, meanwhile, are coded as zeros and ones. The first episode of Biohackers consists of a sequence of around 600 million zeros and ones. To code the sequence 01 01 11 00 in DNA, for example, we decide which number combinations will correspond to which letters. For example: 00 is A, 01 is C, 10 is G and 11 is T. Our example then produces the DNA sequence CCTA. Using this principle of DNA data storage, we have stored the first episode of the series on DNA.

And to view the series – is it just a matter of “reverse translation” of the letters?

In a very simplified sense, you can visualize it like that. When writing, storing and reading the DNA, however, errors occur. If these errors are not corrected, the data stored on the DNA will be lost. To solve the problem, I have developed an algorithm based on channel coding. This method involves correcting errors that take place during information transfers. The underlying idea is to add redundancy to the data. Think of language: When we read or hear a word with missing or incorrect letters, the computing power of our brain is still capable of understanding the word. The algorithm follows the same principle: It encodes the data with sufficient redundancy to ensure that even highly inaccurate data can be restored later.

Channel coding is used in many fields, including in telecommunications. What challenges did you face when developing your solution?

The first challenge was to create an algorithm specifically geared to the errors that occur in DNA. The second one was to make the algorithm so efficient that the largest possible quantities of data can be stored on the smallest possible quantity of DNA, so that only the absolutely necessary amount of redundancy is added. We demonstrated that our algorithm is optimized in that sense.

DNA data storage is very expensive because of the complexity of DNA production as well as the reading process. What makes DNA an attractive storage medium despite these challenges?

First, DNA has a very high information density. This permits the storage of enormous data volumes in a minimal space. In the case of the TV series, we stored “only” 100 megabytes on a picogram – or a billionth of a gram of DNA. Theoretically, however, it would be possible to store up to 200 exabytes on one gram of DNA. And DNA lasts a long time. By comparison: If you never turned on your PC or wrote data to the hard disk it contains, the data would disappear after a couple of years. By contrast, DNA can remain stable for many thousands of years if it is packed right.

And the method you have developed also makes the DNA strands durable – practically indestructible.

My colleague Robert Grass was the first to develop a process for the “stable packing” of DNA strands by encapsulating them in nanometer-scale spheres made of silica glass. This ensures that the DNA is protected against mechanical influences. In a joint paper in 2015, we presented the first robust DNA data storage concept with our algorithm and the encapsulation process developed by Prof. Grass. Since then we have continuously improved our method. In our most recent publication in Nature Protocols of January 2020, we passed on what we have learned.

What are your next steps? Does data storage on DNA have a future?

We’re working on a way to make DNA data storage cheaper and faster. “Biohackers” was a milestone en route to commercialization. But we still have a long way to go. If this technology proves successful, big things will be possible. Entire libraries, all movies, photos, music and knowledge of every kind – provided it can be represented in the form of data – could be stored on DNA and would thus be available to humanity for eternity.

Here’s a link to and a citation for the paper,

Reading and writing digital data in DNA by Linda C. Meiser, Philipp L. Antkowiak, Julian Koch, Weida D. Chen, A. Xavier Kohll, Wendelin J. Stark, Reinhard Heckel & Robert N. Grass. Nature Protocols volume 15, pages86–101(2020) Issue Date: January 2020 DOI: https://doi.org/10.1038/s41596-019-0244-5 Published [online] 29 November 2019

This paper is behind a paywall.

As for ‘Biohackers’, it’s a German science fiction television series and you can find out more about it here on the Internet Movie Database.

Congratulations to winners of 2020 Nobel Prize for Chemistry: Dr. Emmanuelle Charpentier & Dr. Jennifer A. Doudna (CRISPR-cas9)

It’s possible there’s a more dramatic development in the field of contemporary gene-editing but it’s indisputable that CRISPR (clustered regularly interspaced short palindromic repeats) -cas9 (CRISPR-associated 9 [protein]) ranks very highly indeed.

The technique, first discovered (or developed) in 2012, has brought recognition in the form of the 2020 Nobel Prize for Chemistry to CRISPR’s two discoverers, Emanuelle Charpentier and Jennifer Doudna.

An October 7, 2020 news item on phys.org announces the news,

The Nobel Prize in chemistry went to two researchers Wednesday [October 7, 2020] for a gene-editing tool that has revolutionized science by providing a way to alter DNA, the code of life—technology already being used to try to cure a host of diseases and raise better crops and livestock.

Emmanuelle Charpentier of France and Jennifer A. Doudna of the United States won for developing CRISPR-cas9, a very simple technique for cutting a gene at a specific spot, allowing scientists to operate on flaws that are the root cause of many diseases.

“There is enormous power in this genetic tool,” said Claes Gustafsson, chair of the Nobel Committee for Chemistry.

More than 100 clinical trials are underway to study using CRISPR to treat diseases, and “many are very promising,” according to Victor Dzau, president of the [US] National Academy of Medicine.

“My greatest hope is that it’s used for good, to uncover new mysteries in biology and to benefit humankind,” said Doudna, who is affiliated with the University of California, Berkeley, and is paid by the Howard Hughes Medical Institute, which also supports The Associated Press’ Health and Science Department.

The prize-winning work has opened the door to some thorny ethical issues: When editing is done after birth, the alterations are confined to that person. Scientists fear CRISPR will be misused to make “designer babies” by altering eggs, embryos or sperm—changes that can be passed on to future generations.

Unusually for phys.org, this October 7, 2020 news item is not a simple press/news release reproduced in its entirety but a good overview of the researchers’ accomplishments and a discussion of some of the issues associated with CRISPR along with the press release at the end.

I have covered some CRISPR issues here including intellectual property (see my March 15, 2017 posting titled, “CRISPR patent decision: Harvard’s and MIT’s Broad Institute victorious—for now‘) and designer babies (as exemplified by the situation with Dr. He Jiankui; see my July 28, 2020 post titled, “July 2020 update on Dr. He Jiankui (the CRISPR twins) situation” for more details about it).

An October 7, 2020 article by Michael Grothaus for Fast Company provides a business perspective (Note: A link has been removed),

Needless to say, research by the two scientists awarded the Nobel Prize in Chemistry today has the potential to change the course of humanity. And with that potential comes lots of VC money and companies vying for patents on techniques and therapies derived from Charpentier’s and Doudna’s research.

One such company is Doudna’s Editas Medicine [according to my search, the only company associated with Doudna is Mammoth Biosciences, which she co-founded], while others include Caribou Biosciences, Intellia Therapeutics, and Casebia Therapeutics. Given the world-changing applications—and the amount of revenue such CRISPR therapies could bring in—it’s no wonder that such rivalry is often heated (and in some cases has led to lawsuits over the technology and its patents).

As Doudna explained in her book, A Crack in Creation: Gene Editing and the Unthinkable Power to Control Evolution, cowritten by Samuel H. Sternberg …, “… —but we could also have woolly mammoths, winged lizards, and unicorns.” And as for that last part, she made clear, “No, I am not kidding.”

Everybody makes mistakes and the reference to Editas Medicine is the only error I spotted. You can find out more about Mammoth Biosciences here and while Dr. Doudna’s comment, “My greatest hope is that it’s used for good, to uncover new mysteries in biology and to benefit humankind,” is laudable it would seem she wishes to profit from the discovery. Mammoth Biosciences is a for-profit company as can be seen at the end of the Mammoth Biosciences’ October 7, 2020 congratulatory news release,

About Mammoth Biosciences

Mammoth Biosciences is harnessing the diversity of nature to power the next-generation of CRISPR products. Through the discovery and development of novel CRISPR systems, the company is enabling the full potential of its platform to read and write the code of life. By leveraging its internal research and development and exclusive licensing to patents related to Cas12, Cas13, Cas14 and Casɸ, Mammoth Biosciences can provide enhanced diagnostics and genome editing for life science research, healthcare, agriculture, biodefense and more. Based in San Francisco, Mammoth Biosciences is co-founded by CRISPR pioneer Jennifer Doudna and Trevor Martin, Janice Chen, and Lucas Harrington. The firm is backed by top institutional investors [emphasis mine] including Decheng, Mayfield, NFX, and 8VC, and leading individual investors including Brook Byers, Tim Cook, and Jeff Huber.

An October 7, 2029 Nobel Prize press release, which unleashed all this interest in Doudna and Charpentier, notes this,

Prize amount: 10 million Swedish kronor, to be shared equally between the Laureates.

In Canadian money that amount is $1,492,115.03 (as of Oct. 9, 2020 12:40 PDT when I checked a currency converter).

Ordinarily there’d be a mildly caustic comment from me about business opportunities and medical research but this is a time for congratulations to both Dr. Emanuelle Charpentier and Dr. Jennifer Doudna.

Using light to manipulate neurons

There are three (or more?) possible applications including neuromorphic computing for this new optoelectronic technology which is based on black phophorus. A July 16, 2019 news item on Nanowerk announces the research,

Researchers from RMIT University [Australia] drew inspiration from an emerging tool in biotechnology – optogenetics – to develop a device that replicates the way the brain stores and loses information.

Optogenetics allows scientists to delve into the body’s electrical system with incredible precision, using light to manipulate neurons so that they can be turned on or off.

The new chip is based on an ultra-thin material that changes electrical resistance in response to different wavelengths of light, enabling it to mimic the way that neurons work to store and delete information in the brain.

Caption: The new chip is based on an ultra-thin material that changes electrical resistance in response to different wavelengths of light. Credit: RMIT University

A July 17, 2019 RMIT University press release (also on EurekAlert but published on July 16, 2019), which originated the news item, expands on the theme,

Research team leader Dr Sumeet Walia said the technology moves us closer towards artificial intelligence (AI) that can harness the brain’s full sophisticated functionality.

“Our optogenetically-inspired chip imitates the fundamental biology of nature’s best computer – the human brain,” Walia said.

“Being able to store, delete and process information is critical for computing, and the brain does this extremely efficiently.

“We’re able to simulate the brain’s neural approach simply by shining different colours onto our chip.

“This technology takes us further on the path towards fast, efficient and secure light-based computing.

“It also brings us an important step closer to the realisation of a bionic brain – a brain-on-a-chip that can learn from its environment just like humans do.”

Dr Taimur Ahmed, lead author of the study published in Advanced Functional Materials, said being able to replicate neural behavior on an artificial chip offered exciting avenues for research across sectors.

“This technology creates tremendous opportunities for researchers to better understand the brain and how it’s affected by disorders that disrupt neural connections, like Alzheimer’s disease and dementia,” Ahmed said.

The researchers, from the Functional Materials and Microsystems Research Group at RMIT, have also demonstrated the chip can perform logic operations – information processing – ticking another box for brain-like functionality.

Developed at RMIT’s MicroNano Research Facility, the technology is compatible with existing electronics and has also been demonstrated on a flexible platform, for integration into wearable electronics.

How the chip works:

Neural connections happen in the brain through electrical impulses. When tiny energy spikes reach a certain threshold of voltage, the neurons bind together – and you’ve started creating a memory.

On the chip, light is used to generate a photocurrent. Switching between colors causes the current to reverse direction from positive to negative.

This direction switch, or polarity shift, is equivalent to the binding and breaking of neural connections, a mechanism that enables neurons to connect (and induce learning) or inhibit (and induce forgetting).

This is akin to optogenetics, where light-induced modification of neurons causes them to either turn on or off, enabling or inhibiting connections to the next neuron in the chain.

To develop the technology, the researchers used a material called black phosphorus (BP) that can be inherently defective in nature.

This is usually a problem for optoelectronics, but with precision engineering the researchers were able to harness the defects to create new functionality.

“Defects are usually looked on as something to be avoided, but here we’re using them to create something novel and useful,” Ahmed said.

“It’s a creative approach to finding solutions for the technical challenges we face.”

Here’s a link and a citation for the paper,

Multifunctional Optoelectronics via Harnessing Defects in Layered Black Phosphorus by Taimur Ahmed, Sruthi Kuriakose, Sherif Abbas,, Michelle J. S. Spencer, Md. Ataur Rahman, Muhammad Tahir, Yuerui Lu, Prashant Sonar, Vipul Bansal, Madhu Bhaskaran, Sharath Sriram, Sumeet Walia. Advanced Functional Materials DOI: https://doi.org/10.1002/adfm.201901991 First published (online): 17 July 2019

This paper is behind a paywall.

A biotech talk: Re – [Generating, Creating, Interpreting] on Tuesday, April 30, 2019 at 5:30 pm in Toronto, Ontario (Canada)

[downloaded from https://artscisalon.com/re-generating-creating-interpreting-tuesday-april-30-530-pm-ocadu/]

This image is intriguing as it’s being used to illustrate an ArtSci Salon April 30, 2019 event about biotechnology (from the Re – [Generating, Creating, Interpreting] event webpage),

Re – [Generating, Creating, Interpreting]

Conversations about Life

We live in strange times. We mourn for the countless lives we are losing to extinction, famine, severe weather and disease; we celebrate the possibility that science may assist us in preserving what we have and in regenerating what is no more. We aspire to re-create long gone species and proceed to create new one. Biotechnologies both terrify and invigorate us. We are torn between creating risk free futures and taking exciting Promethean risks. We claim that biotech can create a more democratic society; yet, we are increasingly racist, sexist and classist.

What’s at stake? How can life unfold from here? How do we reinterpret and re-imagine it? Join us for a series of brief presentations and a following juicy discussion. There will be refreshments. …And juice

With:

Joana Magalhães
Institute of Biomedical Research, A Coruña (INIBIC)

Polona Tratnik
Research Institute for Humanities, Alma Mater Europaea, Ljubljana

Roberta Buiani
Centre for Feminist Research, York University, Toronto

Moderated by:

Dolores Steinman
Biomedical Simulation Lab (BSL)

Tuesday, April 30
5.30 pm

OCADU (Ontario College of Art and Design University)
DF Salon, Room 701K  (7th floor)
205 Richmond St W

RSVP  https://www.facebook.com/events/811144362603498/

For the curious, here are the bios (also from the Re – [Generating, Creating, Interpreting] event webpage),

Roberta Buiani (PhD Communication and Culture, YorkU) is an interdisciplinary artist, media scholar and curator based in Toronto. She is the co-founder of the ArtSci Salon at the Fields Institute for Research in Mathematical Sciences (Toronto) and co-organizer of LASER Toronto. Her recent SSHRC-funded research creation project draws on feminist technoscience and on collaborative encounters across the sciences and the arts to investigate emerging life forms exceeding the categories defined by traditional methods of classification. Her artistic work has travelled to art festivals (Transmediale; Hemispheric Institute Encuentro; Brazil), community centres and galleries (the Free Gallery Toronto; Immigrant Movement International, Queens, Myseum of Toronto), and science institutions (RPI; the Fields Institute). Her writing has appeared on Space and Culture, Cultural Studies and The Canadian Journal of Communication among others. With the ArtSci Salon she has launched a series of experiments in “squatting academia”, by re-populating abandoned spaces and cabinets across university campuses with SciArt installations. Currently, she is a research associate at the Centre for Feminist Research at York University. ArtSci Salon website: https://artscisalon.com Personal http://atomarborea.net

Joana Magalhães holds a B.Sc. in Biology and a Ph.D. in Biochemistry and Molecular Biology. She is a Postdoctoral Researcher at the Institute of Biomedical Research of A Coruña, Spain, working in the field of regenerative medicine strategies for osteoarthritis. Previous positions include a Postdoctoral Fellowship at the Spanish Networking Biomedical Center and a Marie Curie PhD Fellowship at the Spanish Council for Scientific Research. In parallel with her scientific career, she develops STEAM-for-health media strategies from a gender perspective that received several national and international awards (Science on Stage 2017 for Radio, Press and TV or SCI-DOC Festival Mention of honour Women in Science Category 2018). Currently, she is Correspondent for “Women in Science” at Efervesciencia Radio Program. Moreover, she was a scientist-in-residence at Fundación Luis Seoane and Artesacía Theatrical Company for “TRANSCÉNICA” – I Transmedia Creators Meeting (2015). She is the Spanish Representative at the Young Scientist Forum – European Society of Biomaterials and Board Member of the Association of Women in Science and Technology (AMIT) – Galician Node. http://jomagellan.tumblr.com

Dolores Steinman Biomedical Simulation Lab, University of Toronto.

Dr. Steinman’s involvement with the Biomedical Simulation Laboratory (BSL), at the University of Toronto, is based on her experience as an MD (Romania) and PhD in Cell Biology (Canada) that led her to contribute in situating the BSL’s “patient-specific” computer-based simulations in the socio-historical, ethical and aesthetic context of medical imaging and imagery.

Polona Tratnik, Ph.D., is Dean of Alma Mater Europaea – Institutum Studiorum Humanitatis, Faculty and Research Institute for Humanities, Ljubljana [Slovenia], where she is a Professor and Head of Research as well. She also teaches courses at the Faculty for Media and Communication at Singidunum University in Serbia, at the Academy of Fine Arts and Design of the University of Ljubljana, at the Faculty of Education of the University of Maribor and at the Faculty for Design of the University of Primorska. She used to be the Head of the Department for Cultural Studies at the Faculty for Humanities of the University of Primorska. In 2012 she was a Fulbright Visiting Scholar, as well as a Guest Professor at the University of California Santa Cruz. She was a Guest Professor also at the Capital Normal University Bejing (China), at the Faculty for Art and Design Helsinki TAIK (Finland), and at the Universidad Nacional Autónoma de México(Mexico City). She is president of the Slovenian Society of Aesthetics (since 2011) and an Executive Committee Member of the International Association of Aesthetics. She has authored seven monographs and one proceeding as single author, including the Hacer-vivir más allá del cuerpo y del medio (Mexico City: Herder, 2013), Art as Intervention(Sophia, 2017) and Conquest of Body. Biopower with Biotechnology (Springer, 2017). Polona Tratnik is a pioneer bio artist exhibiting worldwide at shows such as Ars Electronica festival and BEAP festival in Perth .http://www.polona-tratnik.si

It should be a stimulating discussion although I am curious as to about omission from this list: “… biotech can create a more democratic society; yet, we are increasingly racist, sexist and classist. ” What about age or, more specifically, ageism? Maybe next time, eh?

ArtSci Salon visits the Society for Literature, Science & the Arts 2018 Meeting in Toronto (Canada) while Vancouver’s Curiosity Collider provides a November 2018 update

I have two art/sci (or sciart) announcements, one concerns an event and the other is a news update.

Toronto’s ArtSci Salon and the Society of Literature, Science & the Arts (SLSA) 2018 Meeting

How could I not have stumbled across SLSA until now? Better late than never but the 2018 meeting/conference in Toronto, Canada is the 32nd of this annual event. (sigh)

Getting on to the important points, the ArtSci Salon is hosting a special roundtable as part of the conference (from a November 14, 2018 announcement received via email),

ArtSci Salon has organized a special roundtable at the annual SLSA
(Society for Science Literature and the Arts) which will take place in
Toronto this week.

The roundtable is public and will be held at OCADU [Ontario College of Art and Design University] in the gallery on 49 McCaul Street.

Re-locating the rational: on the re-making of categories through art and science (or: the artist is out of mind!)

A roundtable and a mobile/pop-up exhibition organized by ArtSci Salon

The world always exceeds our conception of it (Shotwell, 2016)

Coinciding with this year’s SLSA “Out of Mind” conference in Toronto, ArtSci Salon is proposing a panel/roundtable on “out-of-mindedness” as a way to re-think categories, and to disrupt the disciplinary and methodological status quo through which we normally see science and the humanities unfolding in academic contexts. We plan to do it through a pop-up exhibition featuring the works of local artists and members of SLSA.

What to do when the sciences and the humanities loose [sic] their ability to fully grasp, and sometimes even speak of, phenomena that have inevitably become too complex, too diffuse to be simplified through a model or a formula, or to be seized and summarized by one discipline?

This initiative is not designed to propose a set of new categories, but to pose a series of open questions, highlighting the necessity to conduct collaborative research between artistic practices and scientific research. We interpret the idea of “out of mind” as a strategy. In fact, using the arts as our preferred mode of expression, we believe that we ought to step out of the traditional mind configurations and fixed wiring in order to seize new ways to come to term with the multiplicities characterizing current environmental transformations. These occurrences have proved to be connected with nature, culture, and society in too many intricate ways, to the extent that neither science, nor technological methods are able to fully comprehend them.

Roundtable Participants:

Roberta Buiani (Chair)

Erika Biddles

Jenifer Wightman

Stephanie Rothenberg

Adam Zaretsky

Kathy High

Dolores Steinman

Here’s the poster:

One more logistical detail,

[T]he roundtable will be at 10:30-12:00 noon [Friday, November 16, 2018] followed by a small tour of the mobile pop-up exhibition[.]

For the curious, here’s the SLSA website and the SLSA 2018 [Meeting]—Out of Your Mind website. Unexpectedly, the University of Toronto is not one of the conference hosts, instead we have the University of Waterloo [Waterloo, Ontario] and York University [Toronto, Ontario] as joint hosts with OCAD University—Canada’s oldest art and design institution—partnering with the Rochester Institute of Technology (New York state, US).

Vancouver’s Curiosity Collider

Coincidentally on the same day I received the ArtSci Salon event information, I received a November 14, 2018 update for Vancouver’s art/sci (or sciart) organization, Curiosity Collider. From the update received via email,

Collider Update

Next events (save-the-date), call for submissions, and other art+science in town

Collisions Festival:
Meet Up & Hang Out

Are you an artist working in the sci/art genre? A scientist interested in collaborating with artists? Or one who wears both hats?

In the fall of 2019, the Curiosity Collider will be hosting our inaugural Sci-Art festival The Collisions Festival; the first theme will be Invasive Systems. The call for submission will be open in spring, 2019. The theme is meant to be broad in scope and not limited to any specific scientific subject/discipline; participants are encouraged to suggest various interpretation of the theme.

We would like to invite all artists and scientists who are interested in participating or potentially submitting a proposal to join us at this meet up event, chat about possible collaborations, and learn more about projects and details on “collaborative work” proposals we are looking for.

RSVP now so we know how many to expect.. This is a casual drop in event; feel free to stay, or just stop by and say hi!

Notice that RSVP? Taken with the next announcement, something becomes evident,

Join the Collider Team!

Are you passionate about art and science? Want to be part of the awesome Curiosity Collider team to help create new ways to experience science? 

We are now inviting applications for the following positions:

Read more on our volunteer page. Feel free to contact us if you have any questions!

In the old days a ‘development director’ was a ‘fundraiser’. That RSVP? Likely, they’re trying to establish the size of their potential audience so they can get government grants. Audience size is important to corporate or ‘other’ funders but if you want a government grant you need numbers.

Getting back to the update, this is a grouping of Curiosity Collider’s latest hits,

#ColliderCafe: Art. Science. Cadence.

Did you miss our most recent Collider Cafe event? You can now chek out the talks by Singer-songwriter Devon More, Biologists Wayne Maddison and David Maddison, as well as Integrated Media Artist Victoria Gibson on our YouTube Channel.

Check out the talks now.

Et al 3: Collaboration Process for Quantum Futures

Nerd Nite, Science Slam, and Curiosity Collider joined forces for the 3rd edition of Et al: the ultimate bar science night event. During the event, Quantum Physicist James Day and our Creative Managing Director Char Hoyt gave attendees an overview of the collaboration process that made Night shift: Quantum Futures, an event curated by CC and hosted at the Museum of Anthropology, possible.

Missed the show? Watch the presentation on our YouTube channel now.

While they don’t seem to have any details, there is a date for the next Collider Cafe,

Save the Date:
Next Collider Cafe

Our next Collider Cafe will be on Wednesday, January 23 at Cafe Deux Soleils. #ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science. Meet. Discover. Connect. Create.

Are you curious? Join us to explore how art and science intersect in the exploration of curiosity.

Finally, a miscellaneous listing of related events being held in Vancouver, mostly, this November,

Looking for more art+science in town?

  • November 17 (Victoria) Science Writers and Communicators of Canada is hosting a workshop on science writing in an age of reconciliation: What science writers can learn from indigenous community members about better representation and relationships. Only a few spots left! Register now.
  • November 15-18 CC friend Dzee Louise will open her studio during the East Side Cultural Crawl! Drop by at studio #5 just at the top of the stairs of the William Clark Building at 1310 William Street (on the corner of Clark).
  • November 21 Natural History (Paleoart) Illustrator Julius Csotonyi will present a public lecture at the Vancouver Public Library (Kits branch) on the mutually beneficial affair between science and art.
  • November 21 Our friends at Nerd Nite Vancouver is hosting another awesome event next week, including a presentation by artist Michael Markowsky who will talk about how he ends up “Painting on the Moon”. Get your tickets now!
  • Until December 15 Vancouver Biennale’s CURIOUS IMAGININGS continues…check out the exhibition that will “challenge us to explore the social impacts of emerging biotechnology and our ethical limits in an age where genetic engineering and digital technologies are already pushing the boundaries of humanity.”

For more Vancouver art+science events, visit the Curiosity Collider events calendar. Let us know about your art+science events by emailing info@curiositycollider.org.

I did write a preview (June 18, 2018) for the last event on the list, Curious Imaginings, which included some of the latest science on xenotransplantation and chimeras (i.e., examples of  emerging biotechnology). That’s all folks!

Pancakes & booze (underground) art show on Sept. 28, 2018 in Toronto and North Carolina’s public call for art for the upcoming exhibition Art’s Work in the Age of Biotechnology: Shaping our Genetic Futures.

Pancakes & booze

From an August 12, 2018 Art/Sci Salon announcement (received via email),

Toronto — Batter sizzles, beer foams, and bare flesh is slathered in paint as gawkers look on. Indie musicians and DJs thunder sound waves off the canvas-lined, graffiti-strewn walls. Revelers stuff their faces with endless pancakes.

What is this, some type of hipster themed IHOP? A Lady Gaga video? Bansky’s mom’s basement? Nah, it’s the Pancakes & Booze Art Show – the hottest pop-up traveling art event in all the land.

This is no stuffy wine-and-cheese, someone-gag-me-with-a-cocktail-napkin gallery. It’s an innovative reimagining of the art show concept, as DIY art movement mayhem. Up-and-coming artists strut and sell their stuff in a freeverse, electric funhouse of mayhem.

You know you want to come, right? Hit me up so we can talk about ways to convince your editor to pay you to visit the show and maybe relax that no-alcohol-on-the-job policy. Hell, even bring your boss along If you like.

WHAT: Pancakes & Booze Art Show: Over 80 emerging artists showcasing their hottest work in a Warhol-style, anything-goes, massive warehouse environment–live music, body painting, multimedia displays, and FREE pancakes!   The show originated in 2009 in Los Angeles and since has popped up more than 300 times in over 35 cities around the world. Each show draws as many as 3000 guests throughout the night.

WHEN:
Friday, September 28
8pm – 2am

WHERE:
The Opera House
735 Queen St. E.
Toronto, Ontario M4M 1H1

ABOUT TOM: Tom Kirlin, 40, left his movie career as a Hollywood cameraman to start Pancakes & Booze in 2009. Born in Tucson, Ariz., he’s a travel fiend who has visited over forty countries across every continent but Antarctica. At 6-foot-6, he’s a hell of a ringer in pick-up basketball games. Bug him at info@pancakesandbooze.com

There’s also this summary along with additional details from the announcement:

Toronto’s Premier Underground Art Show featuring:

  • 80+ Emerging Local Artists
  • Live Body Painting
  • Live Art
  • Live Music
  • FREE Pancake Bar
  • 21+ EVENT
  • 8pm – 2am
  • $10 – $13

Event info: https://www.facebook.com/events/390234974807730/

Tickets: https://www.brownpapertickets.com/event/3442689

The Opera House
735 Queen St. E.
Toronto, Ontario M4M 1H1

Wanna show some work?
Submit here: www.pancakesandbooze.com/submit

Check us out on

IG @pancakesandbooze

FB @pancakesandboozeartshow
Twitter @pancakesbooze

#pancakesandbooze

North Carolina: Art’s work in the age of biotechnology: Shaping our genetic futures

This too is from an August 12, 2018 Art/Sci Salon email,

This looks good!
Apply!

The NCSU [North Carolina State University] Libraries, NC State’s Genetic Engineering and Society (GES) Center, and the Gregg Museum of Art & Design have issued a public call for art for the upcoming exhibition Art’s Work in the Age of Biotechnology: Shaping our Genetic Futures.

Planned for fall 2019, the multi-site exhibition will be held simultaneously at the Gregg Museum of Art & Design and in the physical and digital display spaces of the NCSU Libraries–the Exhibit Gallery in the D. H. Hilll Library and the video walls in the James B. Hunt Jr. Library. Outdoor and/or greenhouse spaces are also available.

about

Art’s Work/Genetic Futures poses the question: How do artists and designers contribute materially, rhetorically, and conceptually to modern biotechnology? We are looking for contemporary work and project proposals that will engage viewers in examining how genomic sciences could shape the future of our society. Projects that question and challenge current biotechnology tropes, as well as projects that embrace the transformative potential of biotechnology and biomedicine, are welcome.

Guest curator Hannah Star Rogers will organize Art’s Work/Genetic Futures with a panel from the exhibition partners at NC State. Rogers has curated Making Science Visible: The Photography of Berenice Abbott, which received an exhibits prize from the British Society for the History of Science and resulted in an invited lecture at the Smithsonian Archives of American Art. She is past Director of Research and Collaboration forEmerge: Artists and Scientists Redesign the Future 2016 and served as Guest Bioart Curator for 2017.

This call is open to artists, scientists, designers, and makers at all career stages. Emerging artists, creators who are traditionally underrepresented in the arts and sciences, and artists working outside the U.S. are especially encouraged to apply.

Artists will receive an honorarium of $2,500 and three copies of the full-color catalog with essays by the curator and other contributors. Artists working in a collaborative team will share the honorarium.

The deadline for work and proposals is Monday, Oct. 1, 2018.

A shortlist will be announced Thursday, Nov. 15, 2018. Final notification of acceptance will be Tuesday, Jan. 15, 2019.

Full details about the exhibition, the call for art, and how to submit are available on the Art’s Work/Genetic Futures exhibition website at go.ncsu.edu/artswork.

Good luck!

Genetic engineering: an eggplant in Bangladesh and a synthetic biology grant at Concordia University (Canada)

I have two bits of genetic engineering news.

Eggplants in Bangladesh

I always marvel at their beauty,

Bt eggplant is the first genetically engineered food crop to be successfully introduced in South Asia. The crop is helping some of the world’s poorest farmers feed their families and communities while reducing the use of pesticides. Photo by Cornell Alliance for Science.

A July 17, 2018 news item on phys.org describes a genetic engineering application,

Ansar Ali earned just 11,000 taka – about $130 U.S. dollars – from eggplant he grew last year in Bangladesh. This year, after planting Bt eggplant, he brought home more than double that amount, 27,000 taka. It’s a life-changing improvement for a subsistence farmer like Ali.

Bt eggplant, or brinjal as it’s known in Bangladesh, is the first genetically engineered food crop to be successfully introduced in South Asia. Bt brinjal is helping some of the world’s poorest farmers to feed their families and communities, improve profits and dramatically reduce pesticide use. That’s according to Tony Shelton, Cornell professor of entomology and director of the Bt brinjal project funded by the United States Agency for International Development (USAID). Shelton and Jahangir Hossain, the country coordinator for the project in Bangladesh, lead the Cornell initiative to get these seeds into the hands of the small-scale, resource-poor farmers who grow a crop consumed daily by millions of Bangladeshis.

A July 11, 2018 Cornell University news release by Krisy Gashler, which originated the news item, expands on the theme (Note: Links have been removed),

Bt brinjal was first developed by the Indian seed company Mahyco in the early 2000s. Scientists inserted a gene from the bacterium Bacillus thuringiensis (thus the name, Bt) into nine brinjal varieties. The plants were engineered to resist the fruit and shoot borer, a devastating insect whose larvae bore into the stem and fruit of an eggplant. The insects cause up to 80 percent crop loss.

The Bt protein produced by the engineered eggplant causes the fruit and shoot borer larva to stop feeding, but is safe for humans consuming the eggplant, as proven through years of biosafety trials. In fact, Bt is commonly used by organic farmers to control caterpillars but has to be sprayed frequently to be effective. The Bt eggplant produces essentially the same protein as in the spray. More than 80 percent of field corn and cotton grown in the U.S. contains a Bt gene for insect control.

“Farmers growing Bt brinjal in Bangladesh are seeing three times the production of other brinjal varieties, at half the production cost, and are getting better prices at the market,” Hossain said.

A recent survey found 50 percent of farmers in Bangladesh said that they experienced illness due to the intense spraying of insecticides. Most farmers work in bare feet and without eye protection, leading to pesticide exposure that causes skin and eye irritation, and vomiting.

“It’s terrible for these farmers’ health and the health of the environment to spray so much,” said Shelton, who found that pesticide use on Bt eggplant was reduced as much as 92 percent in commercial Bt brinjal plantings. “Bt brinjal is a solution that’s really making a difference in people’s lives.”

Alhaz Uddin, a farmer in the Tangail district, made 6,000 taka growing traditional brinjal, but had to spend 4,000 taka on pesticides to combat fruit and shoot borer.

“I sprayed pesticides several times in a week,” he said. “I got sick many times during the spray.”

Mahyco initially wanted to introduce Bt brinjal in India and underwent years of successful safety testing. But in 2010, due to pressure from anti-biotechnology groups, the Indian minister of the environment placed a moratorium on the seeds. It is still in effect today, leaving brinjal farmers there without the effective and safe method of control available to their neighbors in Bangladesh.

Even before the Indian moratorium, Cornell scientists hosted delegations from Bangladesh that wanted to learn about Bt brinjal and the Agricultural Biotechnology Support Project II (ABSP II), a consortium of public and private institutions in Asia and Africa intended to help with the commercial development, regulatory approval and dissemination of bio-engineered crops, including Bt brinjal.

Cornell worked with USAID, Mahyco and the Bangladesh Agricultural Research Institute to secure regulatory approval, and in 2014 the Bangladeshi government distributed a small number of Bt brinjal plants to 20 farmers in four districts. The next year 108 farmers grew Bt brinjal, and the following year the number of farmers more than doubled to 250. In 2017 the number increased to 6,512 and in 2018 to 27,012. The numbers are likely even higher, according to Shelton, as there are no constraints against farmers saving seeds and replanting.

“Farmers who plant Bt brinjal are required to plant a small perimeter of traditional brinjal around the Bt variety; research has shown that the insects will infest plants in the buffer area, and this will slow their evolutionary development of resistance to the Bt plants,” Shelton said.

In a March 2017 workshop, Bangladeshi Agriculture Minister Begum Matia Chowdhury called Bt brinjal “a success story of local and foreign collaboration.”

“We will be guided by the science-based information, not by the nonscientific whispering of a section of people,” Chowdhury said. “As human beings, it is our moral obligation that all people in our country should get food and not go to bed on an empty stomach. Biotechnology can play an important role in this effect.”

Here’s what an infested eggplant looks like,

Non-Bt eggplant infested with fruit and shoot borer. Photo by Cornell Alliance for Science

It looks more like a fig than an eggplant.

This is part of a more comprehensive project as revealed in a March 29, 2016 Cornell University news release issued on the occasion of a $4.8M, three-year grant from the U.S. Agency for International Development (USAID),

… The award supports USAID’s work under Feed the Future, the U.S. government’s global initiative to fight hunger and improve food security using agricultural science and technology.

In the Feed the Future South Asia Eggplant Improvement Partnership, Cornell will protect eggplant farmers from yield losses and improve their livelihoods in partnership with the Bangladesh Agricultural Research Institute (BARI) and the University of the Philippines at Los Baños. Eggplant, or brinjal, is a staple crop that is an important source of income and nutrition for farmers and consumers in South Asia.

Over the past decade, Cornell has led the Agricultural Biotechnology Support Project II (ABSPII), also funded by USAID, that prompted a consortium of institutions in Asia and Africa to use the tools of modern biotechnology, particularly genetic engineering, to improve crops to address major production constraints for which conventional plant breeding tools have not been effective.

In October 2013, Bangladesh became the first country in South Asia to approve commercial cultivation of a genetically engineered food crop. In February 2014, Matia Chowdhury, the Bangladesh minister of agriculture, released four varieties of Bt brinjal to 20 farmers. With the establishment of the 20 Bt brinjal demonstration plots in 2014 and 104 more in 2015, BARI reported a noticeable decrease in fruit and shoot borer infestation, increased yields, decreased use of pesticide and improved income for farmers.

The Feed the Future South Asia Eggplant Improvement Partnership addresses and integrates all elements of the commercialization process — including technology development, regulation, marketing, seed distribution, and product stewardship. It also provides strong platforms for policy development, capacity building, gender equality, outreach and communication.

Moving on from practical applications …

Canada’s synthetic biology training centre

It seems Concordia University (Montréa) is a major Canadian centre for all things ‘synthetic biological’. (from the History and Vision webpage on Concordia University’s Centre for Applied Synthetic Biology webspace),

History and vision

Emerging in 2012 from a collaboration between the Biology and Electrical and Computer Engineering Departments, the Centre received University-wide status in 2016 growing its membership to include Biochemistry, Journalism, Communication Studies, Mechanical, Industrial and Chemical Engineering.


Timeline

T17-36393-VPRG-Timeline-graphic-promo-v4

You can see the timeline does not yet include 2018 development(s). Also it started as “a collaboration between the Biology and Electrical and Computer Engineering Departments?” This suggests a vastly different approach to genetic engineering that that employed in the “eggplant” research. From a July 16, 2018 posting on the Genome Alberta blog,

The Natural Sciences and Engineering Research Council of Canada (NSERC) has committed $1.65 million dollars over six years to establish a research and training program at Concordia’s Centre for Applied Synthetic Biology.

The funds were awarded after Malcolm Whiteway (…), professor of biology and the Canada Research Chair in Microbial Genomics, and the grant application team submitted a proposal to NSERC’s Collaborative Research and Training Experience (CREATE) program.

The Synthetic Biology Applications CREATE program — or SynBioApps — will help students acquire and develop important professional skills that complement their academic education and improve their job-readiness.

‘Concordia is a natural fit’

“As the Canadian leader in synthetic biology and as the home of the country’s only genome foundry, Concordia is a natural fit for a training program in this growing area of research,” says Christophe Guy, vice-president of Research and Graduate Studies.

“In offering a program like SynBioApps, we are providing our students with both a fundamental education in science and the business skills they’ll need to transition into their professional careers.”

The program’s aims are twofold: First, it will teach students how to design and construct cells and proteins for the development of new products related to human health, green technologies, and fundamental biological investigations. Second, it will provide cross-disciplinary training and internship opportunities through the university’s District 3 Innovation Center.

SynBioApps will be open to students from biology, biochemistry, engineering, computing, and mathematics.

“The ability to apply engineering approaches to biological systems promises to revolutionize both biology and industry,” says Whiteway, who is also a member of the Centre for Applied Synthetic Biology.

“The SynBioApps program at Concordia will provide a training program to develop the students who will both investigate the biology and build these industries.”

You can find out more about Concordia’s Centre for Applied Synthetic Biology here (there are jobs listed on their home page) and you can find information about the Synthetic Biology Applications (SynBioApps) training programme here.

June 4, 2018 talk in Vancouver (Canada): Genetically-Engineered Food: Facts, Ethical Considerations and World Hunger

ARPICO (Society of Italian Researchers and Professionals in Western Canada) is hosting a talk on the topic of genetically modified food. Here’s more from their May 20, 2018 announcement (received via email),

Our third speaking event of the year has been scheduled for Monday, June 4th, 2018 at the Italian Cultural Centre – Museum & Art Gallery. Marie-Claude Fortin’s talk will discuss food systems derived from biotechnology (often referred to as GMO) and their comparison with traditional farming processes, both technical and ethical. You can read a summary of Marie-Claude Fortin’s lecture as well as her short professional biography at the bottom of this message.

Ahead of the speaking event, ARPICO will be holding its 2018 Annual General Meeting in the same location. We encourage everyone to participate in the AGM, have their say on ARPICO’s matters and possibly volunteer for the Board of Directors.

We look forward to seeing everyone there.

Please register for the event by visiting the EventBrite link or RSVPing to info@arpico.ca.

The evening agenda is as follows:

6:00pm to 6:45pm – Annual General Meeting
7:00 pm – Lecture by Marie-Claude Fortin
~8:00 pm – Q & A Period
Mingling & Refreshments until about 9:45 pm

If you have not yet RSVP’d, please do so on our EventBrite page.

Further details are also available at arpico.ca, our facebook page, and Eventbrite.

Genetically-Engineered Food: Facts, Ethical Considerations and World Hunger

In this lecture we will explore a part of our food system, which has received much press, but which consumers still misunderstand: food derived from biotechnology often referred to as genetically modified organisms. We will be learning about the types of plants and animals which are genetically engineered and part of our everyday food system and the reasons for which they have been transformed genetically. We will be looking at the issue from several different angles. You are encouraged to approach the topic with an open mind, and learn how the technology is being used. We will start by understanding the differences between traditional plant breeding, conventional plant breeding, transgenic technology and genome editing. The latter two processes are considered genetic engineering technologies but all of them constitute a continuum of techniques employed to improve domestic plants and animals. We will then go over the ethical paradigms related to genetically engineered food represented by the European and North American points of view. Finally, we will discuss the strengths and weaknesses associated with genetic engineering as a tool to solve world hunger.

Marie-Claude Fortin is a former Research Scientist with Agriculture and Agri-Food Canada, Associate Editor with Crop Science Society of America, Board Member of the Soil and Water Conservation Society and Adjunct Professor at the University of British Columbia (UBC) and currently responsible for the shared research infrastructure portfolio at the UBC Vice-President Research & Innovation Office. Her main areas of research expertise are crop and soil sciences with special interests in measuring and modeling crop development and various processes on agricultural land: water and nitrogen fertilizer flow through the soil profile, emissions of greenhouse gases and soil physical properties. Her research shows that sustainable crop management practices result in soil environments, which are conducive to resilient crop production and organic matter buildup, which is the process of storing carbon in soils, a most important process in this era of climate change. For the past 18 years, Marie-Claude has been teaching food systems courses at UBC [University of British Columbia], emphasizing impacts of decisions made at the corporate, national and local levels on the economic, environmental and social sustainability of the food system, including impacts of organic and industrial agriculture and adoption of genetically engineered crops and animals, on farmers and consumers.

WHEN (AGM): Monday, June 4th, 2018 at 6:00pm (doors open at 5:50pm)

WHEN (EVENT): Monday, June 4th, 2018 at 7:00pm (doors open at 6:45pm)

WHERE: Italian Cultural Centre – Museum & Art Gallery – 3075 Slocan St, Vancouver, BC, V5M 3E4

RSVP: Please RSVP at EventBrite (https://gmofoods.eventbrite.ca/) or email info@arpico.ca

Tickets are Needed

Tickets are FREE, but all individuals are requested to obtain “free-admission” tickets on EventBrite site due to limited seating at the venue. Organizers need accurate registration numbers to manage wait lists and prepare name tags.

All ARPICO events are 100% staffed by volunteer organizers and helpers, however, room rental, stationery, and guest refreshments are costs incurred and underwritten by members of ARPICO. Therefore to be fair, all audience participants are asked to donate to the best of their ability at the door or via EventBrite to “help” defray costs of the event.

FAQs

Where can I contact the organizer with any questions? info@arpico.ca

Do I have to bring my printed ticket to the event? No, you do not. Your name will be on our Registration List at the Check-in Desk.

Is my registration/ticket transferrable? If you are unable to attend, another person may use your ticket. Please send us an email at info@arpico.ca of this substitution to correct our audience Registration List and to prepare guest name tags.

Can I update my registration information? Yes. If you have any questions, contact us at info@arpico.ca

I am having trouble using EventBrite and cannot reserve my ticket(s). Can someone at ARPICO help me with my ticket reservation? Of course, simply send your ticket request to us at info@arpico.ca so we help you.

We look forward to seeing you there.
www.arpico.ca

I wonder if they’re going to be discussing AquAdvantage salmon, which was first mentioned here in a Dec. 4, 2015 post (scroll down about 40% of the way), again, in a May 20, 2016 posting (AquAdvantage salmon (genetically modified) approved for consumption in Canada), and, most recently, in a Sept. 13, 2017 posting where I was critiquing a couple of books (scroll down to the ‘Fish’ subtitle). Allegedly the fish were allegedly sold in the Canadian market,

Since the 2016 approval, AquAdvantage salmon, 4.5M tonnes has been sold in Canada according to an Aug. 8, 2017 article by Sima Shakeri for Huffington Post (Note: Links have been removed),

After decades of trying to get approval by in North America, genetically modified Atlantic salmon has been sold to consumers in Canada.

AquaBounty Technologies, an American company that produces the Atlantic salmon, confirmed it had sold 4.5 tonnes of the modified fish on August 4 [2017], the Scientific American reported.

The fish have been engineered with a growth hormone gene from Chinook salmon to grow faster than regular salmon and require less food. They take about 18 months to reach market size, which is much quicker than the 30 months or so for conventional salmon.

The Washington Post wrote AquaBounty’s salmon also contains a gene from the ocean pout that makes the salmon produce the growth hormone gene all-year-round.

The company produces the eggs in a facility in P.E.I., which is currently being expanded, and then they’re shipped to Panama where the fish are raised.

Health Canada assessed the AquAdvantage salmon and concluded it “did not pose a greater risk to human health than salmon currently available on the Canadian market,” and that it would have no impact on allergies nor a difference in nutritional value compared to other farmed salmon.

Because of that, the AquAdvantage product is not required to be specially labelled as genetically modified, and is up to the discretion of retailers.

As for gene editing, I don’t follow everything in that area of endeavour but I have (more or less) kept track of CRISPR ((clustered regularly interspaced short palindromic repeat). Just use CRISPR as the search term for the blog search function to find what’s here.

This looks to be a very interesting talk and good for ARPICO for tackling a ‘difficult’ topic. I hope they have a lively, convivial, and open discussion.