Monthly Archives: January 2020

Printing metal on flowers or gelatin

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Martin Thuo and his research group have developed heat-free technology that can print conductive, metallic lines and traces on just about anything, including a rose petal. Photo courtesy of Martin Thuo.

I’m not sure how I feel about an electrified rose but it is strangely fascinating. Here’s more from a July 29, 2019 news item on Nanowerk,

Martin Thuo of Iowa State University and the Ames Laboratory clicked through the photo gallery for one of his research projects.

How about this one? There was a rose with metal traces printed on a delicate petal.

Or this? A curled sheet of paper with a flexible, programmable LED display.

Maybe this? A gelatin cylinder with metal traces printed across the top.

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Caption: Martin Thuo and his research group have printed electronic traces on gelatin. Credit: Martin Thuo/Iowa State University

A July 26, 2019 Iowa State University news release (also on EurekAlert but published on July 29, 2019), which originated the news item,

All those photos showed the latest application of undercooled metal technology developed by Thuo and his research group. The technology features liquid metal (in this case Field’s metal, an alloy of bismuth, indium and tin) trapped below its melting point in polished, oxide shells, creating particles about 10 millionths of a meter across.

When the shells are broken – with mechanical pressure or chemical dissolving – the metal inside flows and solidifies, creating a heat-free weld or, in this case, printing conductive, metallic lines and traces on all kinds of materials, everything from a concrete wall to a leaf.

That could have all kinds of applications, including sensors to measure the structural integrity of a building or the growth of crops. The technology was also tested in paper-based remote controls that read changes in electrical currents when the paper is curved. Engineers also tested the technology by making electrical contacts for solar cells and by screen printing conductive lines on gelatin, a model for soft biological tissues, including the brain.

“This work reports heat-free, ambient fabrication of metallic conductive interconnects and traces on all types of substrates,” Thuo and a team of researchers wrote in a paper describing the technology recently published online by the journal Advanced Functional Materials.

Thuo – an assistant professor of materials science and engineering at Iowa State, an associate of the U.S. Department of Energy’s Ames Laboratory and a co-founder of the Ames startup SAFI-Tech Inc. that’s commercializing the liquid-metal particles – is the lead author. Co-authors are Andrew Martin, a former undergraduate in Thuo’s lab and now an Iowa State doctoral student in materials science and engineering; Boyce Chang, a postdoctoral fellow at the University of California, Berkeley, who earned his doctoral degree at Iowa State Zachariah Martin, Dipak Paramanik and Ian Tevis, of SAFI-Tech; Christophe Frankiewicz, a co-founder of Sep-All in Ames and a former Iowa State postdoctoral research associate; and Souvik Kundu, an Iowa State graduate student in electrical and computer engineering.
The project was supported by university startup funds to establish Thuo’s research lab at Iowa State, Thuo’s Black & Veatch faculty fellowship and a National Science Foundation Small Business Innovation Research grant.

Thuo said he launched the project three years ago as a teaching exercise.

“I started this with undergraduate students,” he said. “I thought it would be fun to get students to make something like this. It’s a really beneficial teaching tool because you don’t need to solve 2 million equations to do sophisticated science.”

And once students learned to use a few metal-processing tools, they started solving some of the technical challenges of flexible, metal electronics.

“The students discovered ways of dealing with metal and that blossomed into a million ideas,” Thuo said. “And now we can’t stop.”

And so the researchers have learned how to effectively bond metal traces to everything from water-repelling rose petals to watery gelatin. Based on what they now know, Thuo said it would be easy for them to print metallic traces on ice cubes or biological tissue.

All the experiments “highlight the versatility of this approach,” the researchers wrote in their paper, “allowing a multitude of conductive products to be fabricated without damaging the base material.”

Here’s a link to and a citation for the paper,

Heat‐Free Fabrication of Metallic Interconnects for Flexible/Wearable Devices by Andrew Martin, Boyce S. Chang, Zachariah Martin, Dipak Paramanik, Christophe Frankiewicz, Souvik Kundu, Ian D. Tevis, Martin Thuo. Advanced Functional Materials Online Version of Record before inclusion in an issue 1903687 DOI: https://doi.org/10.1002/adfm.201903687 First published online: 15 July 2019

This paper is behind a paywall.

Bringing a technique from astronomy down to the nanoscale

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A January 2, 2020 Columbia University news release on EurekAlert (also on phys.org but published Jan. 3, 2020) describes research that takes the inter-galactic down to the quantum level,

Researchers at Columbia University and University of California, San Diego, have introduced a novel “multi-messenger” approach to quantum physics that signifies a technological leap in how scientists can explore quantum materials.

The findings appear in a recent article published in Nature Materials, led by A. S. McLeod, postdoctoral researcher, Columbia Nano Initiative, with co-authors Dmitri Basov and A. J. Millis at Columbia and R.A. Averitt at UC San Diego.

“We have brought a technique from the inter-galactic scale down to the realm of the ultra-small,” said Basov, Higgins Professor of Physics and Director of the Energy Frontier Research Center at Columbia. Equipped with multi-modal nanoscience tools we can now routinely go places no one thought would be possible as recently as five years ago.”

The work was inspired by “multi-messenger” astrophysics, which emerged during the last decade as a revolutionary technique for the study of distant phenomena like black hole mergers. Simultaneous measurements from instruments, including infrared, optical, X-ray and gravitational-wave telescopes can, taken together, deliver a physical picture greater than the sum of their individual parts.

The search is on for new materials that can supplement the current reliance on electronic semiconductors. Control over material properties using light can offer improved functionality, speed, flexibility and energy efficiency for next-generation computing platforms.

Experimental papers on quantum materials have typically reported results obtained by using only one type of spectroscopy. The researchers have shown the power of using a combination of measurement techniques to simultaneously examine electrical and optical properties.

The researchers performed their experiment by focusing laser light onto the sharp tip of a needle probe coated with magnetic material. When thin films of metal oxide are subject to a unique strain, ultra-fast light pulses can trigger the material to switch into an unexplored phase of nanometer-scale domains, and the change is reversible.

By scanning the probe over the surface of their thin film sample, the researchers were able to trigger the change locally and simultaneously manipulate and record the electrical, magnetic and optical properties of these light-triggered domains with nanometer-scale precision.

The study reveals how unanticipated properties can emerge in long-studied quantum materials at ultra-small scales when scientists tune them by strain.

“It is relatively common to study these nano-phase materials with scanning probes. But this is the first time an optical nano-probe has been combined with simultaneous magnetic nano-imaging, and all at the very low temperatures where quantum materials show their merits,” McLeod said. “Now, investigation of quantum materials by multi-modal nanoscience offers a means to close the loop on programs to engineer them.”

The excitement is palpable.

Caption: The discovery of multi-messenger nanoprobes allows scientists to simultaneously probe multiple properties of quantum materials at nanometer-scale spatial resolutions. Credit: Ella Maru Studio

Here’s a link to and a citation for the paper,

Multi-messenger nanoprobes of hidden magnetism in a strained manganite by A. S. McLeod, Jingdi Zhang, M. Q. Gu, F. Jin, G. Zhang, K. W. Post, X. G. Zhao, A. J. Millis, W. B. Wu, J. M. Rondinelli, R. D. Averitt & D. N. Basov. Nature Materials (2019) doi:10.1038/s41563-019-0533-y Published: 16 December 2019

This paper is behind a paywall.

Infinity, time, physics, math, and a play at the Vancouver (Canada) East Cultural Centre, January 7 – 19, 2020

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Time seems to be having a moment. (I couldn’t resist. 🙂 If Carlo Rovelli’s 2018 book, The Order of Time, is any indication the topic has attained a new level of interest. The only other evidence I have is that I stumble across essays about time in unlikely places.

Infinity, a play about time and more, has been produced and toured on and off since 2015 when it won the Dora Mavor Moore Award for best new play.

Here’s a clip from one of the productions,

Here’s what the publicists at the Cultch (Vancouver East Cultural Centre) have posted about the play on the Events webpage,

A surprising, funny, and revelatory new play about love, sex, and math.

The cynical, skeptical daughter of a theoretical physicist and a composer, Sarah Jean’s clinical approach to love meets with little success. In this absorbing drama infused with science and classical music, three exceptional minds collide like charged particles in an accelerator. Sarah Jean’s hugely talented, yet severely dysfunctional, family will learn that love and time itself are connected in unimaginable ways.

From award-winning playwright Hannah Moscovitch; featuring two of our country’s most esteemed actors, Jonathon Young and Amy Rutherford, up-and-comer Emily Jane King, and violinist Andréa Tyniec; with original music by visionary composer Njo Kong Kie.

“The play makes you feel as much as it makes you think.”—NOW Toronto

There is a December 23, 2019 preview article by Janet Smith for the Georgia Straight which gives you some insight into the playwright and her work (Note: There is some profanity in the second paragraph),

Albert Einstein once called time a “stubbornly persistent illusion”, but tell that to a busy playwright who’s juggling deadlines for TV scripts and stage openings with parenting a four-year-old-boy.

“I’m in an insane relationship with time as a mother—this agonized relationship with time,” writer Hannah Moscovitch laments with a laugh, speaking to the Straight from her Halifax home before her show Infinity opens here after the holidays. “This work-life balance: I was like, ‘What the fuck is everybody complaining about?’ Until I had to do it.

“I mean, if I don’t work less I will wreck his childhood. So it’s not like a theoretical ideal that I should have work-life balance,” she continues, sounding as self-effacing, funny, and candidly introspective as some of her best-known female stage characters. And then she reflects more seriously, “Writing Infinity gave me the chance to grapple with that. And now I’m in a constant existential relationship with time; I’m constantly thinking about it. Time is intricately linked to death, they’re inevitably linked. When you come back to time you come back to death.”

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In 2008, Ross Manson, artistic director, of Toronto’s Volcano Theatre, approached Moscovitch with an article in Harper’s magazine about the history of timekeeping, with the idea of commissioning her to write on the theme. Moscovitch went on to read Time Reborn: From the Crisis in Physics to the Future of the Universe [2013], in which American theoretical physicist Lee Smolin, of the Perimeter Institute for Theoretical Physics in Ontario, challenges Einstein’s idea of time as illusion.

With Manson’s help, she would go on to meet Smolin as she worked on her play, turning to him as an expert source on the science she was trying to convey in her story. Along the way, she formed a friendship with the man she was once intimidated to meet.

“Oddly enough, while all the specifics are different about what we do, some of the generals are the same,” she explains. “We have no language in common, but we really enjoy hanging out with each other. There’s a critical endeavour in both of our work that is thought-based, and we both very much live in our minds.”

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For a more jaundiced view, there’s Conrad Sweatman’s April 5, 2019 review of the play’s script in book form for prairiefire,

The uses and abuses of science in playwriting: a review of Hannah Moscovitch’s play Infinity 

Hannah Moscovitch is an indie darling of Canadian theatre, and her Dora-winning play Infinity reaffirms her reputation as one of Canada’s brightest, most ambitious playwrights. If this sounds like the sort of detached praise one reads on a student report card, it’s partially because throughout my readings of Infinity I wrestled between admiration and annoyance at its rather academic cleverness. While ultimately it earns my letter of recommendation, Infinity sometimes feels like the dramatic equivalent of a class valedictorian’s graduation speech.

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Back to Infinity. In his lively introduction to the play’s script, the famous physicist Lee Smolin, who consulted on the play, describes scientists and artists as“explorers of our common future” and pleads for a more open, friendly exchange between these two camps. (Smolin, vi). It comes off as a conciliatory remark after decades of the ‘science wars’ in academia, and Smolin also lauds Moscovitch for bucking the humanities’ postmodernist trend of knocking science and its practitioners. All fine sentiments. But what does this emphasis on the commonality between art and science mean, if anything, about the relationship between the subjective, social stuff of art and the objective, natural stuff of science? Does it suggest that the scientific method should by employed by playwrights and novelists in the fictional study of human nature, as some of the naturalist novelists of the 19th century believed? 

I have no reason to think that either Smolin or Moscovitch really wish for science to colonize the arts and humanities. …

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Infinity is a fine addition to the aforementioned genre of smart, humanistic plays about physicists and mathematicians that had its heyday around the turn of the Millennium. It has some of their same flaws and cerebral charms and belongs more, in spirit, to the comparatively untroubled moment, before the Iraq and Afghanistan wars, the Global Recession, and Trump. If, like me, you spent your first years willingly reading serious literature and theatre at length in a humanities department where every text was filtered through the parallax perspectives of postmodern critical theory, you may find refreshing Infinity’s enthusiasm for science and its world of objectivism. You may feel the same way about its avoidance of the crude identity politics, inspired partially by such theory, that’s particularly in vogue in the arts right now: a kind of reactive agitprop in the age of Trump. But with the world staggering right now from one crisis to the next, a contemporary play about Ivy League intellectuals, their theories of time and struggles for authenticity, seems, well, a little untimely. …

Sweatman has identified one of the big problems with using concepts from mathematics and the sciences to inform fiction and art. The romantic poets ran into the same problem as Richard Holmes explores at length in his 2008 book, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science. Shelley eventually abandoned his attempts at including science in his poems.

Interestingly, most of us don’t seem to realize that the arts and sciences have been intimately linked for millenia. For example, De rerum natura a multi-volume poem by Roman poet, Lucretius ( (c. 99 BCE – c. 55 BCE), is a philosophical treatise exploring mind, soul, and the principles of atomism (i.e., atoms).

I hope you enjoy the play, if you choose to go. According to the Events webpage (scroll down), the playwright will be present at two post-show talkbacks.