Category Archives: Vancouver

In scientific race US sees China coming up from rear

Sometime it seems as if scientific research is like a race with everyone competing for first place. As in most sports, there are multiple competitions for various sub-groups but only one important race. The US has held the lead position for decades although always with some anxiety. These days the anxiety is focused on China. A June 15, 2017 news item on ScienceDaily suggests that US dominance is threatened in at least one area of research—the biomedical sector,

American scientific teams still publish significantly more biomedical research discoveries than teams from any other country, a new study shows, and the U.S. still leads the world in research and development expenditures.

But American dominance is slowly shrinking, the analysis finds, as China’s skyrocketing investing on science over the last two decades begins to pay off. Chinese biomedical research teams now rank fourth in the world for total number of new discoveries published in six top-tier journals, and the country spent three-quarters what the U.S. spent on research and development during 2015.

Meanwhile, the analysis shows, scientists from the U.S. and other countries increasingly make discoveries and advancements as part of teams that involve researchers from around the world.

A June 15, 2017 Michigan Medicine University of Michigan news release (also on EurekAlert), which originated the news item, details the research team’s insights,

The last 15 years have ushered in an era of “team science” as research funding in the U.S., Great Britain and other European countries, as well as Canada and Australia, stagnated. The number of authors has also grown over time. For example, in 2000 only two percent of the research papers the new study looked include 21 or more authors — a number that increased to 12.5 percent in 2015.

The new findings, published in JCI Insight by a team of University of Michigan researchers, come at a critical time for the debate over the future of U.S. federal research funding. The study is based on a careful analysis of original research papers published in six top-tier and four mid-tier journals from 2000 to 2015, in addition to data on R&D investment from those same years.

The study builds on other work that has also warned of America’s slipping status in the world of science and medical research, and the resulting impact on the next generation of aspiring scientists.

“It’s time for U.S. policy-makers to reflect and decide whether the year-to-year uncertainty in National Institutes of Health budget and the proposed cuts are in our societal and national best interest,” says Bishr Omary, M.D., Ph.D., senior author of the new data-supported opinion piece and chief scientific officer of Michigan Medicine, U-M’s academic medical center. “If we continue on the path we’re on, it will be harder to maintain our lead and, even more importantly, we could be disenchanting the next generation of bright and passionate biomedical scientists who see a limited future in pursuing a scientist or physician-investigator career.”

The analysis charts South Korea’s entry into the top 10 countries for publications, as well as China’s leap from outside the top 10 in 2000 to fourth place in 2015. They also track the major increases in support for research in South Korea and Singapore since the start of the 21st Century.

Meticulous tracking

First author of the study, U-M informationist Marisa Conte, and Omary co-led a team that looked carefully at the currency of modern science: peer-reviewed basic science and clinical research papers describing new findings, published in journals with long histories of accepting among the world’s most significant discoveries.

They reviewed every issue of six top-tier international journals (JAMA, Lancet, the New England Journal of Medicine, Cell, Nature and Science), and four mid-ranking journals (British Medical Journal, JAMA Internal Medicine, Journal of Cell Science, FASEB Journal), chosen to represent the clinical and basic science aspects of research.

The analysis included only papers that reported new results from basic research experiments, translational studies, clinical trials, metanalyses, and studies of disease outcomes. Author affiliations for corresponding authors and all other authors were recorded by country.

The rise in global cooperation is striking. In 2000, 25 percent of papers in the six top-tier journals were by teams that included researchers from at least two countries. In 2015, that figure was closer to 50 percent. The increasing need for multidisciplinary approaches to make major advances, coupled with the advances of Internet-based collaboration tools, likely have something to do with this, Omary says.

The authors, who also include Santiago Schnell, Ph.D. and Jing Liu, Ph.D., note that part of their group’s interest in doing the study sprang from their hypothesis that a flat NIH budget is likely to have negative consequences but they wanted to gather data to test their hypothesis.

They also observed what appears to be an increasing number of Chinese-born scientists who had trained in the U.S. going back to China after their training, where once most of them would have sought to stay in the U.S. In addition, Singapore has been able to recruit several top notch U.S. and other international scientists due to their marked increase in R&D investments.

The same trends appear to be happening in Great Britain, Australia, Canada, France, Germany and other countries the authors studied – where research investing has stayed consistent when measured as a percentage of the U.S. total over the last 15 years.

The authors note that their study is based on data up to 2015, and that in the current 2017 federal fiscal year, funding for NIH has increased thanks to bipartisan Congressional appropriations. The NIH contributes to most of the federal support for medical and basic biomedical research in the U.S. But discussion of cuts to research funding that hinders many federal agencies is in the air during the current debates for the 2018 budget. Meanwhile, the Chinese R&D spending is projected to surpass the U.S. total by 2022.

“Our analysis, albeit limited to a small number of representative journals, supports the importance of financial investment in research,” Omary says. “I would still strongly encourage any child interested in science to pursue their dream and passion, but I hope that our current and future investment in NIH and other federal research support agencies will rise above any branch of government to help our next generation reach their potential and dreams.”

Here’s a link to and a citation for the paper,

Globalization and changing trends of biomedical research output by Marisa L. Conte, Jing Liu, Santiago Schnell, and M. Bishr Omary. JCI Insight. 2017;2(12):e95206 doi:10.1172/jci.insight.95206 Volume 2, Issue 12 (June 15, 2017)

Copyright © 2017, American Society for Clinical Investigation

This paper is open access.

The notion of a race and looking back to see who, if anyone, is gaining on you reminded me of a local piece of sports lore, the Roger Banister-John Landy ‘Miracle Mile’. In the run up to the 1954 Commonwealth Games held in Vancouver, Canada, two runners were known to have broken the 4-minute mile limit (previously thought to have been impossible) and this meeting was considered an historic meeting. Here’s more from the miraclemile1954.com website,

On August 7, 1954 during the British Empire and Commonwealth Games in Vancouver, B.C., England’s Roger Bannister and Australian John Landy met for the first time in the one mile run at the newly constructed Empire Stadium.

Both men had broken the four minute barrier previously that year. Bannister was the first to break the mark with a time of 3:59.4 on May 6th in Oxford, England. Subsequently, on June 21st in Turku, Finland, John Landy became the new record holder with an official time of 3:58.

The world watched eagerly as both men approached the starting blocks. As 35,000 enthusiastic fans looked on, no one knew what would take place on that historic day.

Promoted as “The Mile of the Century”, it would later be known as the “Miracle Mile”.

With only 90 yards to go in one of the world’s most memorable races, John Landy glanced over his left shoulder to check his opponent’s position. At that instant Bannister streaked by him to victory in a Commonwealth record time of 3:58.8. Landy’s second place finish in 3:59.6 marked the first time the four minute mile had been broken by two men in the same race.

The website hosts an image of the moment memorialized in bronze when Landy looks to his left as Banister passes him on his right,

By Statue: Jack HarmanPhoto: Paul Joseph from vancouver, bc, canada – roger bannister running the four minute mileUploaded by Skeezix1000, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=9801121

Getting back to science, I wonder if some day we’ll stop thinking of it as a race where, inevitably, there’s one winner and everyone else loses and find a new metaphor.

A question of consciousness: Facebotlish (a new language); a July 5, 2017 rap guide performance in Vancouver, Canada; Tom Stoppard’s play; and a little more

This would usually be a simple event announcement but with the advent of a new, related (in my mind if no one else’s) development on Facebook, this has become a roundup of sorts.

Facebotlish (Facebook’s chatbots create their own language)

The language created by Facebook’s chatbots, Facebotlish, was an unintended consequence—that’s right Facebook’s developers did not design a language for the chatbots or anticipate its independent development, apparently.  Adrienne LaFrance’s June 20, 2017 article for theatlantic.com explores the development and the question further,

Something unexpected happened recently at the Facebook Artificial Intelligence Research lab. Researchers who had been training bots to negotiate with one another realized that the bots, left to their own devices, started communicating in a non-human language.

In order to actually follow what the bots were saying, the researchers had to tweak their model, limiting the machines to a conversation humans could understand. (They want bots to stick to human languages because eventually they want those bots to be able to converse with human Facebook users.) …

Here’s what the language looks like (from LaFrance article),

Here’s an example of one of the bot negotiations that Facebook observed:Bob: i can i i everything else . . . . . . . . . . . . . .
Alice: balls have zero to me to me to me to me to me to me to me to me to
Bob: you i everything else . . . . . . . . . . . . . .
Alice: balls have a ball to me to me to me to me to me to me to me
Bob: i i can i i i everything else . . . . . . . . . . . . . .
Alice: balls have a ball to me to me to me to me to me to me to me
Bob: i . . . . . . . . . . . . . . . . . . .
Alice: balls have zero to me to me to me to me to me to me to me to me to
Bob: you i i i i i everything else . . . . . . . . . . . . . .
Alice: balls have 0 to me to me to me to me to me to me to me to me to
Bob: you i i i everything else . . . . . . . . . . . . . .
Alice: balls have zero to me to me to me to me to me to me to me to me to

It is incomprehensible to humans even after being tweaked, even so, some successful negotiations can ensue.

Facebook’s researchers aren’t the only one to come across the phenomenon (from LaFrance’s article; Note: Links have been removed),

Other AI researchers, too, say they’ve observed machines that can develop their own languages, including languages with a coherent structure, and defined vocabulary and syntax—though not always actual meaningful, by human standards.

In one preprint paper added earlier this year [2017] to the research repository arXiv, a pair of computer scientists from the non-profit AI research firm OpenAI wrote about how bots learned to communicate in an abstract language—and how those bots turned to non-verbal communication, the equivalent of human gesturing or pointing, when language communication was unavailable. (Bots don’t need to have corporeal form to engage in non-verbal communication; they just engage with what’s called a visual sensory modality.) Another recent preprint paper, from researchers at the Georgia Institute of Technology, Carnegie Mellon, and Virginia Tech, describes an experiment in which two bots invent their own communication protocol by discussing and assigning values to colors and shapes—in other words, the researchers write, they witnessed the “automatic emergence of grounded language and communication … no human supervision!”

The implications of this kind of work are dizzying. Not only are researchers beginning to see how bots could communicate with one another, they may be scratching the surface of how syntax and compositional structure emerged among humans in the first place.

LaFrance’s article is well worth reading in its entirety especially since the speculation is focused on whether or not the chatbots’ creation is in fact language. There is no mention of consciousness and perhaps this is just a crazy idea but is it possible that these chatbots have consciousness? The question is particularly intriguing in light of some of philosopher David Chalmers’ work (see his 2014 TED talk in Vancouver, Canada: https://www.ted.com/talks/david_chalmers_how_do_you_explain_consciousness/transcript?language=en runs roughly 18 mins.); a text transcript is also featured. There’s a condensed version of Chalmers’ TED talk offered in a roughly 9 minute NPR (US National Public Radio) interview by Gus Raz. Here are some highlights from the text transcript,

So we’ve been hearing from brain scientists who are asking how a bunch of neurons and synaptic connections in the brain add up to us, to who we are. But it’s consciousness, the subjective experience of the mind, that allows us to ask the question in the first place. And where consciousness comes from – that is an entirely separate question.

DAVID CHALMERS: Well, I like to distinguish between the easy problems of consciousness and the hard problem.

RAZ: This is David Chalmers. He’s a philosopher who coined this term, the hard problem of consciousness.

CHALMERS: Well, the easy problems are ultimately a matter of explaining behavior – things we do. And I think brain science is great at problems like that. It can isolate a neural circuit and show how it enables you to see a red object, to respondent and say, that’s red. But the hard problem of consciousness is subjective experience. Why, when all that happens in this circuit, does it feel like something? How does a bunch of – 86 billion neurons interacting inside the brain, coming together – how does that produce the subjective experience of a mind and of the world?

RAZ: Here’s how David Chalmers begins his TED Talk.

(SOUNDBITE OF TED TALK)

CHALMERS: Right now, you have a movie playing inside your head. It has 3-D vision and surround sound for what you’re seeing and hearing right now. Your movie has smell and taste and touch. It has a sense of your body, pain, hunger, orgasms. It has emotions, anger and happiness. It has memories, like scenes from your childhood, playing before you. This movie is your stream of consciousness. If we weren’t conscious, nothing in our lives would have meaning or value. But at the same time, it’s the most mysterious phenomenon in the universe. Why are we conscious?

RAZ: Why is consciousness more than just the sum of the brain’s parts?

CHALMERS: Well, the question is, you know, what is the brain? It’s this giant complex computer, a bunch of interacting parts with great complexity. What does all that explain? That explains objective mechanism. Consciousness is subjective by its nature. It’s a matter of subjective experience. And it seems that we can imagine all of that stuff going on in the brain without consciousness. And the question is, where is the consciousness from there? It’s like, if someone could do that, they’d get a Nobel Prize, you know?

RAZ: Right.

CHALMERS: So here’s the mapping from this circuit to this state of consciousness. But underneath that is always going be the question, why and how does the brain give you consciousness in the first place?

(SOUNDBITE OF TED TALK)

CHALMERS: Right now, nobody knows the answers to those questions. So we may need one or two ideas that initially seem crazy before we can come to grips with consciousness, scientifically. The first crazy idea is that consciousness is fundamental. Physicists sometimes take some aspects of the universe as fundamental building blocks – space and time and mass – and you build up the world from there. Well, I think that’s the situation we’re in. If you can’t explain consciousness in terms of the existing fundamentals – space, time – the natural thing to do is to postulate consciousness itself as something fundamental – a fundamental building block of nature. The second crazy idea is that consciousness might be universal. This view is sometimes called panpsychism – pan, for all – psych, for mind. Every system is conscious. Not just humans, dogs, mice, flies, but even microbes. Even a photon has some degree of consciousness. The idea is not that photons are intelligent or thinking. You know, it’s not that a photon is wracked with angst because it’s thinking, oh, I’m always buzzing around near the speed of light. I never get to slow down and smell the roses. No, not like that. But the thought is, maybe photons might have some element of raw subjective feeling, some primitive precursor to consciousness.

RAZ: So this is a pretty big idea – right? – like, that not just flies, but microbes or photons all have consciousness. And I mean we, like, as humans, we want to believe that our consciousness is what makes us special, right – like, different from anything else.

CHALMERS: Well, I would say yes and no. I’d say the fact of consciousness does not make us special. But maybe we’ve a special type of consciousness ’cause you know, consciousness is not on and off. It comes in all these rich and amazing varieties. There’s vision. There’s hearing. There’s thinking. There’s emotion and so on. So our consciousness is far richer, I think, than the consciousness, say, of a mouse or a fly. But if you want to look for what makes us distinct, don’t look for just our being conscious, look for the kind of consciousness we have. …

Intriguing, non?

Vancouver premiere of Baba Brinkman’s Rap Guide to Consciousness

Baba Brinkman, former Vancouverite and current denizen of New York City, is back in town offering a new performance at the Rio Theatre (1680 E. Broadway, near Commercial Drive). From a July 5, 2017 Rio Theatre event page and ticket portal,

Baba Brinkman’s Rap Guide to Consciousness

Wednesday, July 5 [2017] at 6:30pm PDT

Baba Brinkman’s new hip-hop theatre show “Rap Guide to Consciousness” is all about the neuroscience of consciousness. See it in Vancouver at the Rio Theatre before it goes to the Edinburgh Fringe Festival in August [2017].

This event also features a performance of “Off the Top” with Dr. Heather Berlin (cognitive neuroscientist, TV host, and Baba’s wife), which is also going to Edinburgh.

Wednesday, July 5
Doors 6:00 pm | Show 6:30 pm

Advance tickets $12 | $15 at the door

*All ages welcome!
*Sorry, Groupons and passes not accepted for this event.

“Utterly unique… both brilliantly entertaining and hugely informative” ★ ★ ★ ★ ★ – Broadway Baby

“An education, inspiring, and wonderfully entertaining show from beginning to end” ★ ★ ★ ★ ★ – Mumble Comedy

There’s quite the poster for this rap guide performance,

In addition to  the Vancouver and Edinburgh performance (the show was premiered at the Brighton Fringe Festival in May 2017; see Simon Topping’s very brief review in this May 10, 2017 posting on the reviewshub.com), Brinkman is raising money (goal is $12,000US; he has raised a little over $3,000 with approximately one month before the deadline) to produce a CD. Here’s more from the Rap Guide to Consciousness campaign page on Indiegogo,

Brinkman has been working with neuroscientists, Dr. Anil Seth (professor and co-director of Sackler Centre for Consciousness Science) and Dr. Heather Berlin (Brinkman’s wife as noted earlier; see her Wikipedia entry or her website).

There’s a bit more information about the rap project and Anil Seth in a May 3, 2017 news item by James Hakner for the University of Sussex,

The research frontiers of consciousness science find an unusual outlet in an exciting new Rap Guide to Consciousness, premiering at this year’s Brighton Fringe Festival.

Professor Anil Seth, Co-Director of the Sackler Centre for Consciousness Science at the University of Sussex, has teamed up with New York-based ‘peer-reviewed rapper’ Baba Brinkman, to explore the latest findings from the neuroscience and cognitive psychology of subjective experience.

What is it like to be a baby? We might have to take LSD to find out. What is it like to be an octopus? Imagine most of your brain was actually built into your fingertips. What is it like to be a rapper kicking some of the world’s most complex lyrics for amused fringe audiences? Surreal.

In this new production, Baba brings his signature mix of rap comedy storytelling to the how and why behind your thoughts and perceptions. Mixing cutting-edge research with lyrical performance and projected visuals, Baba takes you through the twists and turns of the only organ it’s better to donate than receive: the human brain. Discover how the various subsystems of your brain come together to create your own rich experience of the world, including the sights and sounds of a scientifically peer-reviewed rapper dropping knowledge.

The result is a truly mind-blowing multimedia hip-hop theatre performance – the perfect meta-medium through which to communicate the dazzling science of consciousness.

Baba comments: “This topic is endlessly fascinating because it underlies everything we do pretty much all the time, which is probably why it remains one of the toughest ideas to get your head around. The first challenge with this show is just to get people to accept the (scientifically uncontroversial) idea that their brains and minds are actually the same thing viewed from different angles. But that’s just the starting point, after that the details get truly amazing.”

Baba Brinkman is a Canadian rap artist and award-winning playwright, best known for his “Rap Guide” series of plays and albums. Baba has toured the world and enjoyed successful runs at the Edinburgh Fringe Festival and off-Broadway in New York. The Rap Guide to Religion was nominated for a 2015 Drama Desk Award for “Unique Theatrical Experience” and The Rap Guide to Evolution (“Astonishing and brilliant” NY Times), won a Scotsman Fringe First Award and a Drama Desk Award nomination for “Outstanding Solo Performance”. The Rap Guide to Climate Chaos premiered in Edinburgh in 2015, followed by a six-month off-Broadway run in 2016.

Baba is also a pioneer in the genre of “lit-hop” or literary hip-hop, known for his adaptations of The Canterbury Tales, Beowulf, and Gilgamesh. He is a recent recipient of the National Center for Science Education’s “Friend of Darwin Award” for his efforts to improve the public understanding of evolutionary biology.

Anil Seth is an internationally renowned researcher into the biological basis of consciousness, with more than 100 (peer-reviewed!) academic journal papers on the subject. Alongside science he is equally committed to innovative public communication. A Wellcome Trust Engagement Fellow (from 2016) and the 2017 British Science Association President (Psychology), Professor Seth has co-conceived and consulted on many science-art projects including drama (Donmar Warehouse), dance (Siobhan Davies dance company), and the visual arts (with artist Lindsay Seers). He has also given popular public talks on consciousness at the Royal Institution (Friday Discourse) and at the main TED conference in Vancouver. He is a regular presence in print and on the radio and is the recipient of awards including the BBC Audio Award for Best Single Drama (for ‘The Sky is Wider’) and the Royal Society Young People’s Book Prize (for EyeBenders). This is his first venture into rap.

Professor Seth said: “There is nothing more familiar, and at the same time more mysterious than consciousness, but research is finally starting to shed light on this most central aspect of human existence. Modern neuroscience can be incredibly arcane and complex, posing challenges to us as public communicators.

“It’s been a real pleasure and privilege to work with Baba on this project over the last year. I never thought I’d get involved with a rap artist – but hearing Baba perform his ‘peer reviewed’ breakdowns of other scientific topics I realized here was an opportunity not to be missed.”

Interestingly, Seth has another Canadian connection; he’s a Senior Fellow of the Azrieli Program in Brain, Mind & Consciousness at the Canadian Institute for Advanced Research (CIFAR; Wikipedia entry). By the way, the institute  was promised $93.7M in the 2017 Canadian federal government budget for the establishment of a Pan-Canadian Artificial Intelligence Strategy (see my March 24, 2017 posting; scroll down about 25% of the way and look for the highlighted dollar amount). You can find out more about the Azrieli programme here and about CIFAR on its website.

The Hard Problem (a Tom Stoppard play)

Brinkman isn’t the only performance-based artist to be querying the concept of consciousness, Tom Stoppard has written a play about consciousness titled ‘The Hard Problem’, which debuted at the National Theatre (UK) in January 2015 (see BBC [British Broadcasting Corporation] news online’s Jan. 29, 2015 roundup of reviews). A May 25, 2017 commentary by Andrew Brown for the Guardian offers some insight into the play and the issues (Note: Links have been removed),

There is a lovely exchange in Tom Stoppard’s play about consciousness, The Hard Problem, when an atheist has been sneering at his girlfriend for praying. It is, he says, an utterly meaningless activity. Right, she says, then do one thing for me: pray! I can’t do that, he replies. It would betray all I believe in.

So prayer can have meanings, and enormously important ones, even for people who are certain that it doesn’t have the meaning it is meant to have. In that sense, your really convinced atheist is much more religious than someone who goes along with all the prayers just because that’s what everyone does, without for a moment supposing the action means anything more than asking about the weather.

The Hard Problem of the play’s title is a phrase coined by the Australian philosopher David Chalmers to describe the way in which consciousness arises from a physical world. What makes it hard is that we don’t understand it. What makes it a problem is slightly different. It isn’t the fact of consciousness, but our representations of consciousness, that give rise to most of the difficulties. We don’t know how to fit the first-person perspective into the third-person world that science describes and explores. But this isn’t because they don’t fit: it’s because we don’t understand how they fit. For some people, this becomes a question of consuming interest.

There are also a couple of video of Tom Stoppard, the playwright, discussing his play with various interested parties, the first being the director at the National Theatre who tackled the debut run, Nicolas Hytner: https://www.youtube.com/watch?v=s7J8rWu6HJg (it runs approximately 40 mins.). Then, there’s the chat Stoppard has with previously mentioned philosopher, David Chalmers: https://www.youtube.com/watch?v=4BPY2c_CiwA (this runs approximately 1 hr. 32 mins.).

I gather ‘consciousness’ is a hot topic these days and, in the venacular of the 1960s, I guess you could describe all of this as ‘expanding our consciousness’. Have a nice weekend!

May/June 2017 scienceish events in Canada (mostly in Vancouver)

I have five* events for this posting

(1) Science and You (Montréal)

The latest iteration of the Science and You conference took place May 4 – 6, 2017 at McGill University (Montréal, Québec). That’s the sad news, the good news is that they have recorded and released the sessions onto YouTube. (This is the first time the conference has been held outside of Europe, in fact, it’s usually held in France.) Here’s why you might be interested (from the 2017 conference page),

The animator of the conference will be Véronique Morin:

Véronique Morin is science journalist and communicator, first president of the World Federation of Science Journalists (WFSJ) and serves as judge for science communication awards. She worked for a science program on Quebec’s public TV network, CBCRadio-Canada, TVOntario, and as a freelancer is also a contributor to -among others-  The Canadian Medical Journal, University Affairs magazine, NewsDeeply, while pursuing documentary projects.

Let’s talk about S …

Holding the attention of an audience full of teenagers may seem impossible… particularly on topics that might be seen as boring, like sciences! Yet, it’s essential to demistify science in order to make it accessible, even appealing in the eyes of futur citizens.
How can we encourage young adults to ask themselves questions about the surrounding world, nature and science? How can we make them discover sciences with and without digital tools?

Find out tips and tricks used by our speakers Kristin Alford and Amanda Tyndall.

Kristin Alford
Dr Kristin Alford is a futurist and the inaugural Director of MOD., a futuristic museum of discovery at the University of South Australia. Her mind is presently occupied by the future of work and provoking young adults to ask questions about the role of science at the intersection of art and innovation.

Internet Website

Amanda Tyndall
Over 20 years of  science communication experience with organisations such as Café Scientifique, The Royal Institution of Great Britain (and Australia’s Science Exchange), the Science Museum in London and now with the Edinburgh International Science Festival. Particularly interested in engaging new audiences through linkages with the arts and digital/creative industries.

Internet Website

A troll in the room

Increasingly used by politicians, social media can reach thousand of people in few seconds. Relayed to infinity, the message seems truthful, but is it really? At a time of fake news and alternative facts, how can we, as a communicator or a journalist, take up the challenge of disinformation?
Discover the traps and tricks of disinformation in the age of digital technologies with our two fact-checking experts, Shawn Otto and Vanessa Schipani, who will offer concrete solutions to unravel the true from the false..

 

Shawn Otto
Shawn Otto was awarded the IEEE-USA (“I-Triple-E”) National Distinguished Public Service Award for his work elevating science in America’s national public dialogue. He is cofounder and producer of the US presidential science debates at ScienceDebate.org. He is also an award-winning screenwriter and novelist, best known for writing and co-producing the Academy Award-nominated movie House of Sand and Fog.

Vanessa Schipani
Vanessa is a science journalist at FactCheck.org, which monitors U.S. politicians’ claims for accuracy. Previously, she wrote for outlets in the U.S., Europe and Japan, covering topics from quantum mechanics to neuroscience. She has bachelor’s degrees in zoology and philosophy and a master’s in the history and philosophy of science.

At 20,000 clicks from the extreme

Sharing living from a space station, ship or submarine. The examples of social media use in extreme conditions are multiplying and the public is asking for more. How to use public tools to highlight practices and discoveries? How to manage the use of social networks of a large organisation? What pitfalls to avoid? What does this mean for citizens and researchers?
Find out with Phillipe Archambault and Leslie Elliott experts in extrem conditions.

Philippe Archambault

Professor Philippe Archambault is a marine ecologist at Laval University, the director of the Notre Golfe network and president of the 4th World Conference on Marine Biodiversity. His research on the influence of global changes on biodiversity and the functioning of ecosystems has led him to work in all four corners of our oceans from the Arctic to the Antarctic, through Papua New Guinea and the French Polynesia.

Website

Leslie Elliott

Leslie Elliott leads a team of communicators at Ocean Networks Canada in Victoria, British Columbia, home to Canada’s world-leading ocean observatories in the Pacific and Arctic Oceans. Audiences can join robots equipped with high definition cameras via #livedive to discover more about our ocean.

Website

Science is not a joke!

Science and humor are two disciplines that might seem incompatible … and yet, like the ig-Nobels, humour can prove to be an excellent way to communicate a scientific message. This, however, can prove to be quite challenging since one needs to ensure they employ the right tone and language to both captivate the audience while simultaneously communicating complex topics.

Patrick Baud and Brian Malow, both well-renowned scientific communicators, will give you with the tools you need to capture your audience and also convey a proper scientific message. You will be surprised how, even in Science, a good dose of humour can make you laugh and think.

Patrick Baud
Patrick Baud is a French author who was born on June 30, 1979, in Avignon. He has been sharing for many years his passion for tales of fantasy, and the marvels and curiosities of the world, through different media: radio, web, novels, comic strips, conferences, and videos. His YouTube channel “Axolot”, was created in 2013, and now has over 420,000 followers.

Internet Website
Youtube

Brian Malow
Brian Malow is Earth’s Premier Science Comedian (self-proclaimed).  Brian has made science videos for Time Magazine and contributed to Neil deGrasse Tyson’s radio show.  He worked in science communications at a museum, blogged for Scientific American, and trains scientists to be better communicators.

Internet Website
YouTube

I don’t think they’ve managed to get everything up on YouTube yet but the material I’ve found has been subtitled (into French or English, depending on which language the speaker used).

Here are the opening day’s talks on YouTube with English subtitles or French subtitles when appropriate. You can also find some abstracts for the panel presentations here. I was particularly in this panel (S3 – The Importance of Reaching Out to Adults in Scientific Culture), Note: I have searched out the French language descriptions for those unavailable in English,

Organized by Coeur des sciences, Université du Québec à Montréal (UQAM)
Animator: Valérie Borde, Freelance Science Journalist

Anouk Gingras, Musée de la civilisation, Québec
Text not available in English

[La science au Musée de la civilisation c’est :
• Une cinquantaine d’expositions et espaces découvertes
• Des thèmes d’actualité, liés à des enjeux sociaux, pour des exposition souvent destinées aux adultes
• Un potentiel de nouveaux publics en lien avec les autres thématiques présentes au Musée (souvent non scientifiques)
L’exposition Nanotechnologies : l’invisible révolution :
• Un thème d’actualité suscitant une réflexion
• Un sujet sensible menant à la création d’un parcours d’exposition polarisé : choix entre « oui » ou « non » au développement des nanotechnologies pour l’avenir
• L’utilisation de divers éléments pour rapprocher le sujet du visiteur

  • Les nanotechnologies dans la science-fiction
  • Les objets du quotidien contenant des nanoparticules
  • Les objets anciens qui utilisant les nanotechnologies
  • Divers microscopes retraçant l’histoire des nanotechnologies

• Une forme d’interaction suscitant la réflexion du visiteur via un objet sympatique : le canard  de plastique jaune, muni d’une puce RFID

  • Sept stations de consultation qui incitent le visiteur à se prononcer et à réfléchir sur des questions éthiques liées au développement des nanotechnologies
  • Une compilation des données en temps réel
  • Une livraison des résultats personnalisée
  • Une mesure des visiteurs dont l’opinion s’est modifiée à la suite de la visite de l’exposition

Résultats de fréquentation :
• Public de jeunes adultes rejoint (51%)
• Plus d’hommes que de femmes ont visité l’exposition
• Parcours avec canard: incite à la réflexion et augmente l’attention
• 3 visiteurs sur 4 prennent le canard; 92% font l’activité en entier]

Marie Lambert-Chan, Québec Science
Capting the attention of adult readership : challenging mission, possible mission
Since 1962, Québec Science Magazine is the only science magazine aimed at an adult readership in Québec. Our mission : covering topical subjects related to science and technology, as well as social issues from a scientific point of view. Each year, we print eight issues, with a circulation of 22,000 copies. Furthermore, the magazine has received several awards and accolades. In 2017, Québec Science Magazine was honored by the Canadian Magazine Awards/Grands Prix du Magazine and was named Best Magazine in Science, Business and Politics category.
Although we have maintained a solid reputation among scientists and the media industry, our magazine is still relatively unknown to the general public. Why is that ? How is it that, through all those years, we haven’t found the right angle to engage a broader readership ?
We are still searching for definitive answers, but here are our observations :
Speaking science to adults is much more challenging than it is with children, who can marvel endlessly at the smallest things. Unfortunately, adults lose this capacity to marvel and wonder for various reasons : they have specific interests, they failed high-school science, they don’t feel competent enough to understand scientific phenomena. How do we bring the wonder back ? This is our mission. Not impossible, and hopefully soon to be accomplished. One noticible example is the number of reknown scientists interviewed during the popular talk-show Tout le monde en parle, leading us to believe the general public may have an interest in science.
However, to accomplish our mission, we have to recount science. According to the Bulgarian writer and blogger Maria Popova, great science writing should explain, elucidate and enchant . To explain : to make the information clear and comprehensible. To elucidate : to reveal all the interconnections between the pieces of information. To enchant : to go beyond the scientific terms and information and tell a story, thus giving a kaleidoscopic vision of the subject. This is how we intend to capture our readership’s attention.
Our team aims to accomplish this challenge. Although, to be perfectly honest, it would be much easier if we had more resources, financial-wise or human-wise. However, we don’t lack ideas. We dream of major scientific investigations, conferences organized around themes from the magazine’s issues, Web documentaries, podcasts… Such initiatives would give us the visibility we desperately crave.
That said, even in the best conditions, would be have more subscribers ? Perhaps. But it isn’t assured. Even if our magazine is aimed at adult readership, we are convinced that childhood and science go hand in hand, and is even decisive for the children’s future. At the moment, school programs are not in place for continuous scientific development. It is possible to develop an interest for scientific culture as adults, but it is much easier to achieve this level of curiosity if it was previously fostered.

Robert Lamontagne, Université de Montréal
Since the beginning of my career as an astrophysicist, I have been interested in scientific communication to non-specialist audiences. I have presented hundreds of lectures describing the phenomena of the cosmos. Initially, these were mainly offered in amateur astronomers’ clubs or in high-schools and Cégeps. Over the last few years, I have migrated to more general adult audiences in the context of cultural activities such as the “Festival des Laurentides”, the Arts, Culture and Society activities in Repentigny and, the Université du troisième âge (UTA) or Senior’s University.
The Quebec branch of the UTA, sponsored by the Université de Sherbrooke (UdeS), exists since 1976. Seniors universities, created in Toulouse, France, are part of a worldwide movement. The UdeS and its senior’s university antennas are members of the International Association of the Universities of the Third Age (AIUTA). The UTA is made up of 28 antennas located in 10 regions and reaches more than 10,000 people per year. Antenna volunteers prepare educational programming by drawing on a catalog of courses, seminars and lectures, covering a diverse range of subjects ranging from history and politics to health, science, or the environment.
The UTA is aimed at people aged 50 and over who wish to continue their training and learn throughout their lives. It is an attentive, inquisitive, educated public and, given the demographics in Canada, its number is growing rapidly. This segment of the population is often well off and very involved in society.
I usually use a two-prong approach.
• While remaining rigorous, the content is articulated around a few ideas, avoiding analytical expressions in favor of a qualitative description.
• The narrative framework, the story, which allows to contextualize the scientific content and to forge links with the audience.

Sophie Malavoy, Coeur des sciences – UQAM

Many obstacles need to be overcome in order to reach out to adults, especially those who aren’t in principle interested in science.
• Competing against cultural activities such as theater, movies, etc.
• The idea that science is complex and dull
• A feeling of incompetence. « I’ve always been bad in math and physics»
• Funding shortfall for activities which target adults
How to reach out to those adults?
• To put science into perspective. To bring its relevance out by making links with current events and big issues (economic, heath, environment, politic). To promote a transdisciplinary approach which includes humanities and social sciences.
• To stake on originality by offering uncommon and ludic experiences (scientific walks in the city, street performances, etc.)
• To bridge between science and popular activities to the public (science/music; science/dance; science/theater; science/sports; science/gastronomy; science/literature)
• To reach people with emotions without sensationalism. To boost their curiosity and ability to wonder.
• To put a human face on science, by insisting not only on the results of a research but on its process. To share the adventure lived by researchers.
• To liven up people’s feeling of competence. To insist on the scientific method.
• To invite non-scientists (citizens groups, communities, consumers, etc.) to the reflections on science issues (debate, etc.).  To move from dissemination of science to dialog

Didier Pourquery, The Conversation France
Text not available in English

[Depuis son lancement en septembre 2015 la plateforme The Conversation France (2 millions de pages vues par mois) n’a cessé de faire progresser son audience. Selon une étude menée un an après le lancement, la structure de lectorat était la suivante
Pour accrocher les adultes et les ainés deux axes sont intéressants ; nous les utilisons autant sur notre site que sur notre newsletter quotidienne – 26.000 abonnés- ou notre page Facebook (11500 suiveurs):
1/ expliquer l’actualité : donner les clefs pour comprendre les débats scientifiques qui animent la société ; mettre de la science dans les discussions (la mission du site est de  « nourrir le débat citoyen avec de l’expertise universitaire et de la recherche »). L’idée est de poser des questions de compréhension simple au moment où elles apparaissent dans le débat (en période électorale par exemple : qu’est-ce que le populisme ? Expliqué par des chercheurs de Sciences Po incontestables.)
Exemples : comprendre les conférences climat -COP21, COP22 – ; comprendre les débats de société (Gestation pour autrui); comprendre l’économie (revenu universel); comprendre les maladies neurodégénératives (Alzheimer) etc.
2/ piquer la curiosité : utiliser les formules classiques (le saviez-vous ?) appliquées à des sujets surprenants (par exemple : «  Que voit un chien quand il regarde la télé ? » a eu 96.000 pages vues) ; puis jouer avec ces articles sur les réseaux sociaux. Poser des questions simples et surprenantes. Par exemple : ressemblez-vous à votre prénom ? Cet article académique très sérieux a comptabilisé 95.000 pages vues en français et 171.000 en anglais.
3/ Susciter l’engagement : faire de la science participative simple et utile. Par exemple : appeler nos lecteurs à surveiller l’invasion de moustiques tigres partout sur le territoire. Cet article a eu 112.000 pages vues et a été republié largement sur d’autres sites. Autre exemple : appeler les lecteurs à photographier les punaises de leur environnement.]

Here are my very brief and very rough translations. (1) Anouk Gingras is focused largely on a nanotechnology exhibit and whether or not visitors went through it and participated in various activities. She doesn’t seem specifically focused on science communication for adults but they are doing some very interesting and related work at Québec’s Museum of Civilization. (2) Didier Pourquery is describing an online initiative known as ‘The Conversation France’ (strange—why not La conversation France?). Moving on, there’s a website with a daily newsletter (blog?) and a Facebook page. They have two main projects, one is a discussion of current science issues in society, which is informed with and by experts but is not exclusive to experts, and more curiosity-based science questions and discussion such as What does a dog see when it watches television?

Serendipity! I hadn’t stumbled across this conference when I posted my May 12, 2017 piece on the ‘insanity’ of science outreach in Canada. It’s good to see I’m not the only one focused on science outreach for adults and that there is some action, although seems to be a Québec-only effort.

(2) Ingenious—a book launch in Vancouver

The book will be launched on Thursday, June 1, 2017 at the Vancouver Public Library’s Central Branch (from the Ingenious: An Evening of Canadian Innovation event page)

Ingenious: An Evening of Canadian Innovation
Thursday, June 1, 2017 (6:30 pm – 8:00 pm)
Central Branch
Description

Gov. Gen. David Johnston and OpenText Corp. chair Tom Jenkins discuss Canadian innovation and their book Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier.

Books will be available for purchase and signing.

Doors open at 6 p.m.

INGENIOUS : HOW CANADIAN INNOVATORS MADE THE WORLD SMARTER, SMALLER, KINDER, SAFER, HEALTHIER, WEALTHIER, AND HAPPIER

Address:

350 West Georgia St.
VancouverV6B 6B1

Get Directions

  • Phone:

Location Details:

Alice MacKay Room, Lower Level

I do have a few more details about the authors and their book. First, there’s this from the Ottawa Writer’s Festival March 28, 2017 event page,

To celebrate Canada’s 150th birthday, Governor General David Johnston and Tom Jenkins have crafted a richly illustrated volume of brilliant Canadian innovations whose widespread adoption has made the world a better place. From Bovril to BlackBerrys, lightbulbs to liquid helium, peanut butter to Pablum, this is a surprising and incredibly varied collection to make Canadians proud, and to our unique entrepreneurial spirit.

Successful innovation is always inspired by at least one of three forces — insight, necessity, and simple luck. Ingenious moves through history to explore what circumstances, incidents, coincidences, and collaborations motivated each great Canadian idea, and what twist of fate then brought that idea into public acceptance. Above all, the book explores what goes on in the mind of an innovator, and maps the incredible spectrum of personalities that have struggled to improve the lot of their neighbours, their fellow citizens, and their species.

From the marvels of aboriginal invention such as the canoe, snowshoe, igloo, dogsled, lifejacket, and bunk bed to the latest pioneering advances in medicine, education, philanthropy, science, engineering, community development, business, the arts, and the media, Canadians have improvised and collaborated their way to international admiration. …

Then, there’s this April 5, 2017 item on Canadian Broadcasting Corporation’s (CBC) news online,

From peanut butter to the electric wheelchair, the stories behind numerous life-changing Canadian innovations are detailed in a new book.

Gov. Gen. David Johnston and Tom Jenkins, chair of the National Research Council and former CEO of OpenText, are the authors of Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier. The authors hope their book reinforces and extends the culture of innovation in Canada.

“We started wanting to tell 50 stories of Canadian innovators, and what has amazed Tom and myself is how many there are,” Johnston told The Homestretch on Wednesday. The duo ultimately chronicled 297 innovations in the book, including the pacemaker, life jacket and chocolate bars.

“Innovations are not just technological, not just business, but they’re social innovations as well,” Johnston said.

Many of those innovations, and the stories behind them, are not well known.

“We’re sort of a humble people,” Jenkins said. “We’re pretty quiet. We don’t brag, we don’t talk about ourselves very much, and so we then lead ourselves to believe as a culture that we’re not really good inventors, the Americans are. And yet we knew that Canadians were actually great inventors and innovators.”

‘Opportunities and challenges’

For Johnston, his favourite story in the book is on the light bulb.

“It’s such a symbol of both our opportunities and challenges,” he said. “The light bulb was invented in Canada, not the United States. It was two inventors back in the 1870s that realized that if you passed an electric current through a resistant metal it would glow, and they patented that, but then they didn’t have the money to commercialize it.”

American inventor Thomas Edison went on to purchase that patent and made changes to the original design.

Johnston and Jenkins are also inviting readers to share their own innovation stories, on the book’s website.

I’m looking forward to the talk and wondering if they’ve included the botox and cellulose nanocrystal (CNC) stories to the book. BTW, Tom Jenkins was the chair of a panel examining Canadian research and development and lead author of the panel’s report (Innovation Canada: A Call to Action) for the then Conservative government (it’s also known as the Jenkins report). You can find out more about in my Oct. 21, 2011 posting.

(3) Made in Canada (Vancouver)

This is either fortuitous or there’s some very high level planning involved in the ‘Made in Canada; Inspiring Creativity and Innovation’ show which runs from April 21 – Sept. 4, 2017 at Vancouver’s Science World (also known as the Telus World of Science). From the Made in Canada; Inspiring Creativity and Innovation exhibition page,

Celebrate Canadian creativity and innovation, with Science World’s original exhibition, Made in Canada, presented by YVR [Vancouver International Airport] — where you drive the creative process! Get hands-on and build the fastest bobsled, construct a stunning piece of Vancouver architecture and create your own Canadian sound mashup, to share with friends.

Vote for your favourite Canadian inventions and test fly a plane of your design. Discover famous (and not-so-famous, but super neat) Canadian inventions. Learn about amazing, local innovations like robots that teach themselves, one-person electric cars and a computer that uses parallel universes.

Imagine what you can create here, eh!!

You can find more information here.

One quick question, why would Vancouver International Airport be presenting this show? I asked that question of Science World’s Communications Coordinator, Jason Bosher, and received this response,

 YVR is the presenting sponsor. They donated money to the exhibition and they also contributed an exhibit for the “We Move” themed zone in the Made in Canada exhibition. The YVR exhibit details the history of the YVR airport, it’s geographic advantage and some of the planes they have seen there.

I also asked if there was any connection between this show and the ‘Ingenious’ book launch,

Some folks here are aware of the book launch. It has to do with the Canada 150 initiative and nothing to do with the Made in Canada exhibition, which was developed here at Science World. It is our own original exhibition.

So there you have it.

(4) Robotics, AI, and the future of work (Ottawa)

I’m glad to finally stumble across a Canadian event focusing on the topic of artificial intelligence (AI), robotics and the future of work. Sadly (for me), this is taking place in Ottawa. Here are more details  from the May 25, 2017 notice (received via email) from the Canadian Science Policy Centre (CSPC),

CSPC is Partnering with CIFAR {Canadian Institute for Advanced Research]
The Second Annual David Dodge Lecture

Join CIFAR and Senior Fellow Daron Acemoglu for
the Second Annual David Dodge CIFAR Lecture in Ottawa on June 13.
June 13, 2017 | 12 – 2 PM [emphasis mine]
Fairmont Château Laurier, Drawing Room | 1 Rideau St, Ottawa, ON
Along with the backlash against globalization and the outsourcing of jobs, concern is also growing about the effect that robotics and artificial intelligence will have on the labour force in advanced industrial nations. World-renowned economist Acemoglu, author of the best-selling book Why Nations Fail, will discuss how technology is changing the face of work and the composition of labour markets. Drawing on decades of data, Acemoglu explores the effects of widespread automation on manufacturing jobs, the changes we can expect from artificial intelligence technologies, and what responses to these changes might look like. This timely discussion will provide valuable insights for current and future leaders across government, civil society, and the private sector.

Daron Acemoglu is a Senior Fellow in CIFAR’s Insitutions, Organizations & Growth program, and the Elizabeth and James Killian Professor of Economics at the Massachusetts Institute of Technology.

Tickets: $15 (A light lunch will be served.)

You can find a registration link here. Also, if you’re interested in the Canadian efforts in the field of artificial intelligence you can find more in my March 24, 2017 posting (scroll down about 25% of the way and then about 40% of the way) on the 2017 Canadian federal budget and science where I first noted the $93.7M allocated to CIFAR for launching a Pan-Canadian Artificial Intelligence Strategy.

(5) June 2017 edition of the Curiosity Collider Café (Vancouver)

This is an art/science (also known called art/sci and SciArt) that has taken place in Vancouver every few months since April 2015. Here’s more about the June 2017 edition (from the Curiosity Collider events page),

Collider Cafe

When
8:00pm on Wednesday, June 21st, 2017. Door opens at 7:30pm.

Where
Café Deux Soleils. 2096 Commercial Drive, Vancouver, BC (Google Map).

Cost
$5.00-10.00 cover at the door (sliding scale). Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.

***

#ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science. Meet, discover, connect, create. How do you explore curiosity in your life? Join us and discover how our speakers explore their own curiosity at the intersection of art & science.

The event will start promptly at 8pm (doors open at 7:30pm). $5.00-10.00 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.

Enjoy!

*I changed ‘three’ events to ‘five’ events and added a number to each event for greater reading ease on May 31, 2017.

Café Scientifique (Vancouver, Canada) May 30, 2017 talk: Jerilyn Prior redux

I’m not sure ‘redux’ is exactly the right term but I’m going to declare it ‘close enough’. This upcoming talk was originally scheduled for March 2016 (my March 29, 2016 posting) but cancelled when the venerable The Railway Club abruptly closed its doors after 84 years of operation.

Our next café will happen on TUESDAY MAY 30TH, 7:30PM in the back room
at YAGGER'S DOWNTOWN (433 W Pender). Our speaker for the evening
will be DR. JERILYNN PRIOR, a is Professor of Endocrinology and
Metabolism at the University of British Columbia, founder and scientific
director of the Centre for Menstrual Cycle and Ovulation Research
(CeMCOR), director of the BC Center of the Canadian Multicenter
Osteoporosis Study (CaMOS), and a past president of the Society for
Menstrual Cycle Research.  The title of her talk is:

IS PERIMENOPAUSE ESTROGEN DEFICIENCY?
SORTING ENGRAINED MISINFORMATION ABOUT WOMEN’S MIDLIFE REPRODUCTIVE
TRANSITION

43 years old with teenagers a full-time executive director of a not for
profit is not sleeping, she wakes soaked a couple of times a night, not
every night but especially around the time her period comes. As it does
frequently—it is heavy, even flooding. Her sexual interest is
virtually gone and she feels dry when she tries.

Her family doctor offered her The Pill. When she took it she got very
sore breasts, ankle swelling and high blood pressure. Her brain feels
fuzzy, she’s getting migraines, gaining weight and just can’t cope.
. . .
What’s going on? Does she need estrogen “replacement”?  If yes,
why when she’s still getting flow? Does The Pill work for other women?
_WHAT DO WE KNOW ABOUT THE WHAT, WHY, HOW LONG AND HOW TO HELP
SYMPTOMATIC PERIMENOPAUSAL WOMEN?_

We hope to see you there!

As I noted in March 2016, this seems more like a description for a workshop on perimenopause  and consequently of more interest for doctors and perimenopausal women than the audience that Café Scientifique usually draws. Of course, I  could be completely wrong.

Canada and its Vancouver tech scene gets a boost

Prime Minister Justin Trudeau has been running around attending tech events both in the Vancouver area (Canada) and in Seattle these last few days (May 17 and May 18, 2017). First he attended the Microsoft CEO Summit as noted in a May 11, 2017 news release from the Prime Minister’s Office (Note: I have a few comments about this performance and the Canadian tech scene at the end of this post),

The Prime Minister, Justin Trudeau, today [May 11, 2017] announced that he will participate in the Microsoft CEO Summit in Seattle, Washington, on May 17 and 18 [2017], to promote the Cascadia Innovation Corridor, encourage investment in the Canadian technology sector, and draw global talent to Canada.

This year’s summit, under the theme “The CEO Agenda: Navigating Change,” will bring together more than 150 chief executive officers. While at the Summit, Prime Minister Trudeau will showcase Budget 2017’s Innovation and Skills Plan and demonstrate how Canada is making it easier for Canadian entrepreneurs and innovators to turn their ideas into thriving businesses.

Prime Minister Trudeau will also meet with Washington Governor Jay Inslee.

Quote

“Canada’s greatest strength is its skilled, hard-working, creative, and diverse workforce. Canada is recognized as a world leader in research and development in many areas like artificial intelligence, quantum computing, and 3D programming. Our government will continue to help Canadian businesses grow and create good, well-paying middle class jobs in today’s high-tech economy.”
— Rt. Honourable Justin Trudeau, Prime Minister of Canada

Quick Facts

  • Canada-U.S. bilateral trade in goods and services reached approximately $882 billion in 2016.
  • Nearly 400,000 people and over $2 billion-worth of goods and services cross the Canada-U.S. border every day.
  • Canada-Washington bilateral trade was $19.8 billion in 2016. Some 223,300 jobs in the State of Washington depend on trade and investment with Canada. Canada is among Washington’s top export destinations.

Associated Link

Here’s a little more about the Microsoft meeting from a May 17, 2017 article by Alan Boyle for GeekWire.com (Note: Links have been removed),

So far, this year’s Microsoft CEO Summit has been all about Canadian Prime Minister Justin Trudeau’s talk today, but there’s been precious little information available about who else is attending – and Trudeau may be one of the big reasons why.

Microsoft co-founder Bill Gates created the annual summit back in 1997, to give global business leaders an opportunity to share their experiences and learn about new technologies that will have an impact on business in the future. The event’s attendee list is kept largely confidential, as is the substance of the discussions.

This year, Microsoft says the summit’s two themes are “trust in technology” (as in cybersecurity, international hacking, privacy and the flow of data) and “the race to space” (as in privately funded space efforts such as Amazon billionaire Jeff Bezos’ Blue Origin rocket venture).

Usually, Microsoft lists a few folks who are attending the summit on the company’s Redmond campus, just to give a sense of the event’s cachet. For example, last year’s headliners included Berkshire Hathaway CEO Warren Buffett and Exxon Mobil CEO Rex Tillerson (who is now the Trump administration’s secretary of state)

This year, however, the spotlight has fallen almost exclusively on the hunky 45-year-old Trudeau, the first sitting head of government or state to address the summit. Microsoft isn’t saying anything about the other 140-plus VIPs attending the discussions. “Out of respect for the privacy of our guests, we are not providing any additional information,” a Microsoft spokesperson told GeekWire via email.

Even Trudeau’s remarks at the summit are hush-hush, although officials say he’s talking up Canada’s tech sector.  …

Laura Kane’s May 18, 2017 article for therecord.com provides a little more information about Trudeau’s May 18, 2017 activities in Washington state,

Prime Minister Justin Trudeau continued his efforts to promote Canada’s technology sector to officials in Washington state on Thursday [May 18, 2017], meeting with Gov. Jay Inslee a day after attending the secretive Microsoft CEO Summit.

Trudeau and Inslee discussed, among other issues, the development of the Cascadia Innovation Corridor, an initiative that aims to strengthen technology industry ties between British Columbia and Washington.

The pair also spoke about trade and investment opportunities and innovation in the energy sector, said Trudeau’s office. In brief remarks before the meeting, the prime minister said Washington and Canada share a lot in common.

But protesters clad in yellow hazardous material suits that read “Keystone XL Toxic Cleanup Crew” gathered outside the hotel to criticize Trudeau’s environmental record, arguing his support of pipelines is at odds with any global warming promises he has made.

Later that afternoon, Trudeau visited Electronic Arts (a US games company with offices in the Vancouver area) for more tech talk as Stephanie Ip notes in her May 18, 2017 article for The Vancouver Sun,

Prime Minister Justin Trudeau was in Metro Vancouver Thursday [may 18, 2017] to learn from local tech and business leaders how the federal government can boost B.C.’s tech sector.

The roundtable discussion was organized by the Vancouver Economic Commission and hosted in Burnaby at Electronic Arts’ Capture Lab, where the video game company behind the popular FIFA, Madden and NHL franchises records human movement to add more realism to its digital characters. Representatives from Amazon, Launch Academy, Sony Pictures, Darkhorse 101 Pictures and Front Fundr were also there.

While the roundtable was not open to media, Trudeau met beforehand with media.

“We’re going to talk about how the government can be a better partner or better get out of your way in some cases to allow you to continue to grow, to succeed, to create great opportunities to allow innovation to advance success in Canada and to create good jobs for Canadians and draw in people from around the world and continue to lead the way in the world,” he said.

“Everything from clean tech, to bio-medical advances, to innovation in digital economy — there’s a lot of very, very exciting things going on”

Comments on the US tech sector and the supposed Canadian tech sector

I wonder at all the secrecy. As for the companies mentioned as being at the roundtable, you’ll notice a preponderance of US companies with Launch Academy and Front Fundr (which is not a tech company but a crowdfunding equity company) supplying Canadian content. As for Darkhorse 101 Pictures,  I strongly suspect (after an online search) it is part of Darkhorse Comics (as US company) which has an entertainment division.

Perhaps it didn’t seem worthwhile to mention the Canadian companies? In that case, that’s a sad reflection on how poorly we and our media support our tech sector.

In fact, it seems Trudeau’s version of the Canadian technology sector is for us to continue in our role as a branch plant remaining forever in service of the US economy or at least the US tech sector which may be experiencing some concerns with the US Trump administration and what appears to be an increasingly isolationist perspective with regard to trade and immigration. It’s a perspective that the tech sector, especially the entertainment component, can ill afford.

As for the Cascadia Innovation Corridor mentioned in the Prime Minister’s news release and in Kane’s article, I have more about that in a Feb. 28, 2017 posting about the Cascadia Data Analytics Cooperative.

I noticed he mentioned clean tech as an area of excitement. Well, we just lost a significant player not to the US this time but to the EU (European Union) or more specifically, Germany. (There’ll be more about that in an upcoming post.)

I’m glad to see that Trudeau remains interested in Canadian science and technology but perhaps he could concentrate on new ways of promoting sectoral health rather than relying on the same old thing.

3D bioprinting: a conference about the latest trends (May 3 – 5, 2017 at the University of British Columbia, Vancouver)

The University of British Columbia’s (UBC) Peter Wall Institute for Advanced Studies (PWIAS) is hosting along with local biotech firm, Aspect Biosystems, a May 3 -5, 2017 international research roundtable known as ‘Printing the Future of Therapeutics in 3D‘.

A May 1, 2017 UBC news release (received via email) offers some insight into the field of bioprinting from one of the roundtable organizers,

This week, global experts will gather [4] at the University of British
Columbia to discuss the latest trends in 3D bioprinting—a technology
used to create living tissues and organs.

In this Q&A, UBC chemical and biological engineering professor
Vikramaditya Yadav [5], who is also with the Regenerative Medicine
Cluster Initiative in B.C., explains how bioprinting could potentially
transform healthcare and drug development, and highlights Canadian
innovations in this field.

WHY IS 3D BIOPRINTING SIGNIFICANT?

Bioprinted tissues or organs could allow scientists to predict
beforehand how a drug will interact within the body. For every
life-saving therapeutic drug that makes its way into our medicine
cabinets, Health Canada blocks the entry of nine drugs because they are
proven unsafe or ineffective. Eliminating poor-quality drug candidates
to reduce development costs—and therefore the cost to consumers—has
never been more urgent.

In Canada alone, nearly 4,500 individuals are waiting to be matched with
organ donors. If and when bioprinters evolve to the point where they can
manufacture implantable organs, the concept of an organ transplant
waiting list would cease to exist. And bioprinted tissues and organs
from a patient’s own healthy cells could potentially reduce the risk
of transplant rejection and related challenges.

HOW IS THIS TECHNOLOGY CURRENTLY BEING USED?

Skin, cartilage and bone, and blood vessels are some of the tissue types
that have been successfully constructed using bioprinting. Two of the
most active players are the Wake Forest Institute for Regenerative
Medicine in North Carolina, which reports that its bioprinters can make
enough replacement skin to cover a burn with 10 times less healthy
tissue than is usually needed, and California-based Organovo, which
makes its kidney and liver tissue commercially available to
pharmaceutical companies for drug testing.

Beyond medicine, bioprinting has already been commercialized to print
meat and artificial leather. It’s been estimated that the global
bioprinting market will hit $2 billion by 2021.

HOW IS CANADA INVOLVED IN THIS FIELD?

Canada is home to some of the most innovative research clusters and
start-up companies in the field. The UBC spin-off Aspect Biosystems [6]
has pioneered a bioprinting paradigm that rapidly prints on-demand
tissues. It has successfully generated tissues found in human lungs.

Many initiatives at Canadian universities are laying strong foundations
for the translation of bioprinting and tissue engineering into
mainstream medical technologies. These include the Regenerative Medicine
Cluster Initiative in B.C., which is headed by UBC, and the University
of Toronto’s Institute of Biomaterials and Biomedical Engineering.

WHAT ETHICAL ISSUES DOES BIOPRINTING CREATE?

There are concerns about the quality of the printed tissues. It’s
important to note that the U.S. Food and Drug Administration and Health
Canada are dedicating entire divisions to regulation of biomanufactured
products and biomedical devices, and the FDA also has a special division
that focuses on regulation of additive manufacturing – another name
for 3D printing.

These regulatory bodies have an impressive track record that should
assuage concerns about the marketing of substandard tissue. But cost and
pricing are arguably much more complex issues.

Some ethicists have also raised questions about whether society is not
too far away from creating Replicants, à la _Blade Runner_. The idea is
fascinating, scary and ethically grey. In theory, if one could replace
the extracellular matrix of bones and muscles with a stronger substitute
and use cells that are viable for longer, it is not too far-fetched to
create bones or muscles that are stronger and more durable than their
natural counterparts.

WILL DOCTORS BE PRINTING REPLACEMENT BODY PARTS IN 20 YEARS’ TIME?

This is still some way off. Optimistically, patients could see the
technology in certain clinical environments within the next decade.
However, some technical challenges must be addressed in order for this
to occur, beginning with faithful replication of the correct 3D
architecture and vascularity of tissues and organs. The bioprinters
themselves need to be improved in order to increase cell viability after
printing.

These developments are happening as we speak. Regulation, though, will
be the biggest challenge for the field in the coming years.

There are some events open to the public (from the international research roundtable homepage),

OPEN EVENTS

You’re invited to attend the open events associated with Printing the Future of Therapeutics in 3D.

Café Scientifique

Thursday, May 4, 2017
Telus World of Science
5:30 – 8:00pm [all tickets have been claimed as of May 2, 2017 at 3:15 pm PT]

3D Bioprinting: Shaping the Future of Health

Imagine a world where drugs are developed without the use of animals, where doctors know how a patient will react to a drug before prescribing it and where patients can have a replacement organ 3D-printed using their own cells, without dealing with long donor waiting lists or organ rejection. 3D bioprinting could enable this world. Join us for lively discussion and dessert as experts in the field discuss the exciting potential of 3D bioprinting and the ethical issues raised when you can print human tissues on demand. This is also a rare opportunity to see a bioprinter live in action!

Open Session

Friday, May 5, 2017
Peter Wall Institute for Advanced Studies
2:00 – 7:00pm

A Scientific Discussion on the Promise of 3D Bioprinting

The medical industry is struggling to keep our ageing population healthy. Developing effective and safe drugs is too expensive and time-consuming to continue unchanged. We cannot meet the current demand for transplant organs, and people are dying on the donor waiting list every day.  We invite you to join an open session where four of the most influential academic and industry professionals in the field discuss how 3D bioprinting is being used to shape the future of health and what ethical challenges may be involved if you are able to print your own organs.

ROUNDTABLE INFORMATION

The University of British Columbia and the award-winning bioprinting company Aspect Biosystems, are proud to be co-organizing the first “Printing the Future of Therapeutics in 3D” International Research Roundtable. This event will congregate global leaders in tissue engineering research and pharmaceutical industry experts to discuss the rapidly emerging and potentially game-changing technology of 3D-printing living human tissues (bioprinting). The goals are to:

Highlight the state-of-the-art in 3D bioprinting research
Ideate on disruptive innovations that will transform bioprinting from a novel research tool to a broadly adopted systematic practice
Formulate an actionable strategy for industry engagement, clinical translation and societal impact
Present in a public forum, key messages to educate and stimulate discussion on the promises of bioprinting technology

The Roundtable will bring together a unique collection of industry experts and academic leaders to define a guiding vision to efficiently deploy bioprinting technology for the discovery and development of new therapeutics. As the novel technology of 3D bioprinting is more broadly adopted, we envision this Roundtable will become a key annual meeting to help guide the development of the technology both in Canada and globally.

We thank you for your involvement in this ground-breaking event and look forward to you all joining us in Vancouver for this unique research roundtable.

Kind Regards,
The Organizing Committee
Christian Naus, Professor, Cellular & Physiological Sciences, UBC
Vikram Yadav, Assistant Professor, Chemical & Biological Engineering, UBC
Tamer Mohamed, CEO, Aspect Biosystems
Sam Wadsworth, CSO, Aspect Biosystems
Natalie Korenic, Business Coordinator, Aspect Biosystems

I’m glad to see this event is taking place—and with public events too! (Wish I’d seen the Café Scientifique announcement earlier when I first checked for tickets  yesterday. I was hoping there’d been some cancellations today.) Finally, for the interested, you can find Aspect Biosystems here.

Graphene ink image wins top prize in UK national science photography competition

Credit: James Macleod, University of Cambridge

That prizewinning image in the above reminded me of the manhole covers in Vancouver, Canada.

Credit: Daderot 20 June 2015 [downloaded from https://commons.wikimedia.org/wiki/File:Manhole_cover_-_Vancouver,_Canada_-_DSC07640.JPG]

An April 3, 2017 news item on phys.org announces about the prize winner,

An image of spectacular swirling graphene ink in alcohol, which can be used to print electrical circuits onto paper, has won the overall prize in a national science photography competition, organised by the Engineering and Physical Sciences Research Council (EPSRC)

An April 3, 2017 EPSRC press release, which originated the news item, provides more detail about the winning entry and the competition,

‘Graphene – IPA Ink’, by James Macleod, from the University of Cambridge, shows powdered graphite in alcohol which produces a conductive ink. The ink is forced at high pressure through micrometre-scale capillaries made of diamond. This rips the layers apart resulting in a smooth, conductive material in solution.

The image, came first in two categories, Innovation, and Equipment and Facilities, as well as winning overall against many other stunning pictures, featuring research in action, in the EPSRC‘s competition – now in its fourth year.

James Macleod, explained how the photograph came about: We are working to create conductive inks for printing flexible electronics and are currently focused on optimising our recipe for use in different printing methods and for printing onto different surfaces. This was the first time we had used alcohol to create our ink and I was struck by how mesmerising it looked while mixing.

The competition’s five categories were: Eureka and Discovery, Equipment and Facilities, People and Skills, Innovation, and Weird and Wonderful. Other winning images feature:

  • A 3D printed gripper which was programmed to lift delicate, geometrical complex objects like a lightbulb, pneumatically rather than using sensors.
  • A scanning electron microscope image showing the surface of a silicon chip, patterned to create a one metre ultra-thin optical wire, just one millionth of a metre wide made into a spiral and wrapped into an area the size of a square millimetre.
  • Researcher Michael Coto with a local student in Vingunguti, Dar es Salaam, Tanzania, testing and purifying polluted water using new solar active catalysts.
  • An image captured on an iPhone 4s through an optical microscope that shows the variety of textures appearing on the surface of a silicon solar cell, not dissimilar to pyramids surrounded by a sea of dunes in a desert, but with the size of a human hair.
  • Tiny biodegradable polymer particles resembling golf balls being developed to target infectious diseases and cancers. Only 0.04mm across, they form part of scaffolds which are being studied to see if they can support the growth of healthy new cells.

One of the judges was physicist, oceanographer and broadcaster, Dr Helen Czerski, Lecturer at UCL, she said: Scientists and engineers are often so busy focusing on the technical details of their research that they can be blind to what everyone else sees first: the aesthetics of their work. Science is a part of our culture, and it can contribute in many different ways. This competition is a wonderful reminder of the emotional and artistic aspects of science, and it’s great that EPSRC researchers have found this richness in their own work.

Congratulating the winners and entrants, Professor Tom Rodden, EPSRC‘s Deputy Chief Executive, said: The quality of entries into our competition demonstrates that EPSRC-funded researchers are keen to show the world how beautiful and interesting science and engineering can be. I’d like to thank everyone who entered; judging was really difficult.

These stunning images are a great way to engage the public with the research they fund, and inspire everyone to take an interest in science and engineering.

The competition received over 100 entries which were drawn from researchers in receipt of EPSRC funding.

The judges were:

  • Martin Keene – Group Picture Editor – Press Association
  • Dr Helen Czerski – Lecturer at the Department of Mechanical Engineering, University College London
  • Professor Tom Rodden – EPSRC‘s Deputy Chief Executive

Solange Knowles and the Rennie Museum in Vancouver, Canada on April 27 and 28, 2017

Tickets ($35 CAD?) were sold out in less than an hour. Drat! On the upside, the Rennie Museum (formerly the Rennie Collection) is one of nine venues in nine cities hosting Solange Knowles’ music tour of art museums. (Not my usual topic but I have covered shows at the Rennie many times throughout the years.) This tour is discussed in Emilia Petrarca’s April 24, 2017 article for W magazine,

While Knowles isn’t formally touring for A Seat at the Table, she will continue on the festival circuit and is also working on a performance art-inspired “museum tour,” which she’ll perform at the San Francisco Museum of Modern Art as well as the Guggenheim Museum in May [2017].

On wanting to be more than just a singer:

“Singer is probably at the bottom of the barrel in terms of what I’m trying to achieve as an artist. Visually, through many mediums—through dance, through art direction, through color theory—there are so many things that I’ve dabbled in that I’ve yet to immerse myself in fully. But I think right now, I’m creating the live show and music composition, production, and creating from the ground up is when I feel the most at home.”

On her history as a dancer:

“I used to want to be a modern dancer when I was younger and go to Juilliard and do the whole thing, but I had a knee injury when I was 15. I was actually dancing for Destiny’s Child. And that was how I started to write, because I thought I was going to be an [Alvin] Ailey girl [emphasis mine] somewhere.”

On styling the costumes for her festival shows and museum tour:

“I’m touring two shows this spring/summer/fall, and one takes place in museum lobbies. For me, Donald Judd’s idea that we take on our surroundings as a part of the art itself really, really punctured me in the way that I look at performance art. It’s really rare that an artist gets to perform in daylight, unless it’s at a festival. So I really wanted to play with creating a strong color palette. I’ve been playing around with a lot of neutral tones since the record came out and Issey Miyake has been a huge influence. We’re also wearing a lot of Phillip Lim and really comfortable, moveable fabrics. On stage, I’ve really been empowered by the color red. I think it’s associated, especially with women, as this fiery, super volatile, and strong-willed color. Almost stubborn, if you will. So we’re wearing all-red for our festival shows and playing with the lighting for all the moods red can express. Color theory is this really nerdy side of me that I’ve been wanting to explore more of.”

It’s impossible to emphasize Alvin Ailey’s impact enough. Prior to him, there were no African American dancers in dance It was thought African Americans had the wrong body type until Alvin Ailey proved them wrong. (The topic of body type and dance is bizarre to an outsider, especially where ballet is concerned. It lends itself to racism but is rampant throughout the world of modern dance and ballet. I followed the topic for a number of years.)

Getting back to Solange Knowles, Tavi Gevinson’s Sept. 30, 2016 article for W explores her then new album ‘A Seat at the Table’,

Solange’s new album, A Seat at the Table, is so many things at once: an antidote to hate, a celebration of blackness, an expression of the right to feel it all. After a move to Louisiana and period of self-reflection, the artist joined forces with a range of collaborators to put her new discoveries to music. Hearing it for the very first time, my heart went in and out of slow motion: swelled at a layered vocal, stopped at a painfully apt choice of words, sped up with a perfect bass-line. Mostly I was struck by A Seat at the Table as a nurturing force among the trauma of anti-blackness; a further exploration of questions posed by Solange on her Twitter, last summer: “Where can we be safe? Where can we be free? Where can we be black?”

So much of your album explicitly discusses racism and celebrating blackness, and one of the interludes talks about taking all the anger and metabolizing it through the work. Does that start with you through the lyrics or the sounds?

The writing process of this album was not more unique than any of my other processes, in that it typically starts with the melody idea and the words evolve based off of what I listen back to. Nine times out of ten, you’re freestyling, but you’re piecing the puzzle pieces together after you settle on a melody that you like. I definitely had concepts I wanted to explore. I knew that I wanted to make a song experiencing and communicating the exhaustion, the feeling of being weary and tired and energetically drained. I knew that I wanted to discuss this idea of the “angry black woman” in society, and dissect a conversation that I’ve had one too many times. I knew I had these concepts that I wanted to communicate, but I was resistant to letting them lead the creative process. So the first layer of making the album, I just jammed in a room with some incredible musicians. It was a great energy in the room, because it was not so much like, ‘I’m going to make this album about this specific thing. It was just music-making. Then, I took that music and I went to New Iberia for that time, and I needed that insular time to break down what I was saying, what I was going to communicate and how I was going to do that. From there, I spent that summer writing lyrics. It was an interesting process because I’m a mother and I had to balance making an album and raising a preteen. And having my hands in all these different pots, so it was either all or nothing to me. I spent three months in New Iberia, and I recorded some of the album in Ghana and Jamaica. I had to have these isolated experiences creatively in order to turn off and listen to myself.

For all of the continued awareness of systemic violence and oppression, there isn’t a lot of talk about that psychological toll of racism, at least in white circles and white media. That is so heavy in the album, and I’m really excited for people to have that to turn to.

That is such an ignored part of the conversation. I feel there were a lot of traumas that I had to experience during this creative process, that I didn’t identify as traumas until I realized just how much weight and how many triggers [there are] like constantly seeing the images of young black people lifeless in the street, and how many cries of mothers that you’re constantly hearing on a daily basis. Outside of those traumas, just the nuances that you have to navigate through everyday as a black person living in this country. It absolutely has a psychological effect on you. There are clinical and scientific studies that show the brain dealing with the same type of PTSD that we know of in other traumatic instances and experiences, but society has not yet come to terms with applying it to race. But I have a lot of optimism in the fact that we’re even able to have this conversation now. This isn’t something that my mom and one of her white friends would be discussing in their time. It’s not always easy, and it’s not always comfortable, and the person leading it usually gets a lot of shit for it, but that’s with any revolution.

Here’s a little information about the upcoming Vancouver show from an April 21, 2017 news item on the Georgia Straight (Note: Links have been removed),

Solange Knowles, woke artist, activist, feminist, and producer of one of 2016’s most critically acclaimed albums, has announced that she will be playing a show at Vancouver’s Rennie Museum (51 East Pender Street) on April 27.

The singer published an image to her Instagram page yesterday (April 20), revealing that Vancouver is one of nine cities she will be stopping in over the next two months. Shortly after, the Rennie Collection, one of the country’s largest collections of contemporary art exhibited at the Wing Sang building in Chinatown, shared on its social media pages that Knowles will be conducting a “special performance”.

“Her album [A Seat at the Table] is very artistic,” Wendy Chang, director at the Rennie, tells the Straight by phone. “She’s on the West Coast this week and, because she has nothing planned for Vancouver at all, we thought we’d take advantage of that and have her perform and have all proceeds go to a charity.”

Chang reveals that the “very small, very intimate” performance will benefit the Atira Women’s Resource Society, a DTES–based nonprofit that provides safe housing and support for women and children affected by violence.

Not much else has been confirmed about the last-minute show, though given the venue and the sold-out act Knowles plans to present at New York’s Guggenheim Museum in May, fans can expect an interdisciplinary set that explores blackness, prejudice, and womanhood both visually and sonically.

In March, Knowles also debuted “Scales”, a performance project “examining protest as meditation through movement and experimentation of unique compositions and arrangements from A Seat at the Table”, at Houston’s Menil Collection. More recently, she appeared at the Pérez Art Museum Miami.

In addition to Vancouver, Knowles is making stops in cities such as San Francisco, Mayer, Arizona, and Boston between now and June [2017].

I did find a review for Knowles’ April 21, 2017 show in Portland, Oregon (from  Emerson Malone’s April 22, 2017 review for DailyEmerald.com,

The unsinkable Solange Knowles played the headlining slot for Soul’d Out Music Fest, a soul and R&B music festival based in multiple venues around Portland, on Friday, April 21, at the Arlene Schnitzer Concert Hall. The festival’s events from April 19–23 have included Travis Scott (who brought Drake out to get cozy in the crowd); Giorgio Moroder, The Ohio Players and Cory Henry and the Funk Apostles.

One of the most admirable elements of Solange’s live show is the impeccable choreography. It’s so precisely designed that every subtle movement, every head nod and jazz hand-wave, was on cue. At times the group would form a tight chorus line and sway back and forth in unison, with everyone (save the trombonists) continuing to play.

When she demanded that everyone dance during the bubblegum-pop hit “Losing You” from her 2012 EP “True,” the entire hall erupted at her behest. The encore performance “Don’t Touch My Hair” — Solange’s exhortation of the casual fetishization of black women  — was phenomenal. She turned her back to the audience and acted as conductor, commanding the musicians with loud, grandiose gestures. As the drummer smashed the cymbals, she mirrored him, thrashed her limbs and windmilled her arms.

Following the show, even one of the Arlene’s security guards — who just spent the last hour dancing — was quietly weeping and speechlessly shaking her head in awe. Solange isn’t just a firebrand individual, and her show isn’t just an opulent, elegant triumph of performance art. She is a puppet master; we’re marionettes.

Unfortunately, the Solange Knowles’ Vancouver show sold out within minutes (yes, I know I’m repeating it but it was heartbreaking) and I gather from the folks at the Rennie Museum that they had very little notice about the show which is being organized solely by Knowles’ people in response to my somewhat grumbling email. Ah well, them’s the breaks. In any event, there are only 100 tickets per performance available so for those who did get a ticket, you are going to have an intimate experience with the artist  and given the venue, this will be a performance art experience rather than a music show such as the one in Portland, Oregon. There will be three performances in Vancouver,. one on Thursday, April 27, 2017 and two on Friday, April 28, 2017 (you can see the listing here). Enjoy!

Dancing quantum entanglement (Ap. 20 – 22, 2017) and performing mathematics (Ap. 26 – 30, 2017) in Vancouver, Canada

I have listings for two art/science events in Vancouver (Canada).

Dance, poetry and quantum entanglement

From April 20, 2017 (tonight) – April 22, 2017, there will be 8 p.m. performances of Lesley Telford’s ‘Three Sets/Relating At A Distance; My tongue, your ear / If / Spooky Action at a Distance (phase 1)’ at the Scotiabank Dance Centre, 677 Davie St, Yes, that third title is a reference to Einstein’s famous phrase describing his response of the concept of quantum entanglement.

An April 19, 2017 article by Janet Smith for the Georgia Straight features the dancer’s description of the upcoming performances,

One of the clearest definitions of quantum entanglement—a phenomenon Albert Einstein dubbed “spooky action at a distance”—can be found in a vampire movie.

In Jim Jarmusch’s Only Lovers Left Alive Tom Hiddleston’s depressed rock-star bloodsucker explains it this way to Tilda Swinton’s Eve, his centuries-long partner: “When you separate an entwined particle and you move both parts away from the other, even at opposite ends of the universe, if you alter or affect one, the other will be identically altered or affected.”

In fact, it was by watching the dark love story that Vancouver dance artist Lesley Telford learned about quantum entanglement—in which particles are so closely connected that they cannot act independently of one another, no matter how much space lies between them. She became fascinated not just with the scientific possibilities of the concept but with the romantic ones. …

 “I thought, ‘What a great metaphor,’ ” the choreographer tells the Straight over sushi before heading into a Dance Centre studio. “It’s the idea of quantum entanglement and how that could relate to human entanglement.…It’s really a metaphor for human interactions.”

First, though, as is so often the case with Telford, she needed to form those ideas into words. So she approached poet Barbara Adler to talk about the phenomenon, and then to have her build poetry around it—text that the writer will perform live in Telford’s first full evening of work here.

“Barbara talked a lot about how you feel this resonance with people that have been in your life, and how it’s tied into romantic connections and love stories,” Telford explains. “As we dig into it, it’s become less about that and more of an underlying vibration in the work; it feels like we’ve gone beyond that starting point.…I feel like she has a way of making it so down-to-earth and it’s given us so much food to work with. Are we in control of the universe or is it in control of us?”

Spooky Action at a Distance, a work for seven dancers, ends up being a string of duets that weave—entangle—into other duets. …

There’s more information about the performance, which concerns itself with more than quantum entanglement in the Scotiabank Dance Centre’s event webpage,

Lesley Telford’s choreography brings together a technically rigorous vocabulary and a thought-provoking approach, refined by her years dancing with Nederlands Dans Theater and creating for companies at home and abroad, most recently Ballet BC. This triple bill features an excerpt of a new creation inspired by Einstein’s famous phrase “spooky action at a distance”, referring to particles that are so closely linked, they share the same existence: a collaboration with poet Barbara Adler, the piece seeks to extend the theory to human connections in our phenomenally interconnected world. The program also includes a new extended version of If, a trio based on Anne Carson’s poem, and the duet My tongue, your ear, with text by Wislawa Szymborska.

Here’s what appears to be an excerpt from a rehearsal for ‘Spooky Action …’,

I’m not super fond of the atonal music/sound they’re using. The voice you hear is Adler’s and here’s more about Barbara Adler from her Wikipedia entry (Note: Links have been removed),

Barbara Adler is a musician, poet, and storyteller based in Vancouver, British Columbia. She is a past Canadian Team Slam Champion, was a founding member of the Vancouver Youth Slam, and a past CBC Poetry Face Off winner.[1]

She was a founding member of the folk band The Fugitives with Brendan McLeod, C.R. Avery and Mark Berube[2][3] until she left the band in 2011 to pursue other artistic ventures. She was a member of the accordion shout-rock band Fang, later Proud Animal, and works under the pseudonym Ten Thousand Wolves.[4][5][6][7][8]

In 2004 she participated in the inaugural Canadian Festival of Spoken Word, winning the Spoken Wordlympics with her fellow team members Shane Koyczan, C.R. Avery, and Brendan McLeod.[9][10] In 2010 she started on The BC Memory Game, a traveling storytelling project based on the game of memory[11] and has also been involved with the B.C. Schizophrenia Society Reach Out Tour for several years.[12][13][14] She is of Czech-Jewish descent.[15][16]

Barbara Adler has her bachelor’s degree and MFA from Simon Fraser University, with a focus on songwriting, storytelling, and community engagement.[17][18] In 2015 she was a co-star in the film Amerika, directed by Jan Foukal,[19][20] which premiered at the Karlovy Vary International Film Festival.[21]

Finally, Telford is Artist in Residence at the Dance Centre and TRIUMF, Canada’s national laboratory for particle and nuclear physics and accelerator-based science.

To buy tickets ($32 or less with a discount), go here. Telford will be present on April 21, 2017 for a post-show talk.

Pi Theatre’s ‘Long Division’

This theatrical performance of concepts in mathematics runs from April 26 – 30, 2017 (check here for the times as they vary) at the Annex at 823 Seymour St.  From the Georgia Straight’s April 12, 2017 Arts notice,

Mathematics is an art form in itself, as proven by Pi Theatre’s number-charged Long Division. This is a “refreshed remount” of Peter Dickinson’s ambitious work, one that circles around seven seemingly unrelated characters (including a high-school math teacher, a soccer-loving imam, and a lesbian bar owner) bound together by a single traumatic incident. Directed by Richard Wolfe, with choreography by Lesley Telford and musical score by Owen Belton, it’s a multimedia, movement-driven piece that has a strong cast. …

Here’s more about the play from Pi Theatre’s Long Division page,

Long Division uses text, multimedia, and physical theatre to create a play about the mathematics of human connection.

Long Division focuses on seven characters linked – sometimes directly, sometimes more obliquely – by a sequence of tragic events. These characters offer lessons on number theory, geometry and logic, while revealing aspects of their inner lives, and collectively the nature of their relationships to one another.

Playwright: Peter Dickinson
Director: Richard Wolfe
Choreographer: Lesley Telford, Inverso Productions
Composer: Owen Belton
Assistant Director: Keltie Forsyth

Cast:  Anousha Alamian, Jay Clift, Nicco Lorenzo Garcia, Jennifer Lines, Melissa Oei, LInda Quibell & Kerry Sandomirsky

Costume Designer: Connie Hosie
Lighting Designer: Jergus Oprsal
Set Designer: Lauchlin Johnston
Projection Designer: Jamie Nesbitt
Production Manager: Jayson Mclean
Stage Manager: Jethelo E. Cabilete
Assistant Projection Designer: Cameron Fraser
Lighting Design Associate: Jeff Harrison

Dates/Times: April 26 – 29 at 8pm, April 29 and 30 at 2pm
Student performance on April 27 at 1pm

A Talk-Back will take place after the 2pm show on April 29th.

Shawn Conner engaged the playwright, Peter Dickinson in an April 20, 2017 Q&A (question and answer) for the Vancouver Sun,

Q: Had you been working on Long Division for a long time?

A: I’d been working on it for about five years. I wrote a previous play called The Objecthood of Chairs, which has a similar style in that I combine lecture performance with physical and dance theatre. There are movement scores in both pieces.

In that first play, I told the story of two men and their relationship through the history of chair design. It was a combination of mining my research about that and trying to craft a story that was human and where the audience could find a way in. When I was thinking about a subject for a new play, I took the profession of one of the characters in that first play, who was a math teacher, and said, “Let’s see what happens to his character, let’s see where he goes after the breakup of his relationship.”

At first, I wrote it (Long Division) in an attempt at completely real, kitchen-sink naturalism, and it was a complete disaster. So I went back into this lecture-style performance.

Q: Long Division is set in a bar. Is the setting left over from that attempt at realism?

A: I guess so. It’s kind of a meta-theatrical play in the sense that the characters address the audience, and they’re aware they’re in a theatrical setting. One of the characters is an actress, and she comments on the connection between mathematics and theatre.

Q: This is being called a “refreshed” remount. What’s changed since its first run 

A: It’s mostly been cuts, and some massaging of certain sections. And I think it’s a play that actually needs a little distance.

Like mathematics, the patterns only reveal themselves at a remove. I think I needed that distance to see where things were working and where they could be better. So it’s a gift for me to be given this opportunity, to make things pop a little more and to make the math, which isn’t meant to be difficult, more understandable and relatable.

You may have noticed that Lesley Telford from Spooky Action is also choreographer for this production. I gather she’s making a career of art/science pieces, at least for now.

In the category of ‘Vancouver being a small town’, Telford lists a review of one of her pieces,  ‘AUDC’s Season Finale at The Playhouse’, on her website. Intriguingly, the reviewer is Peter Dickinson who in addition to being the playwright with whom she has collaborated for Pi Theatre’s ‘Long Division’ is also the Director of SFU’s (Simon Fraser University’s) Institute for Performance Studies. I wonder how many more ways these two crisscross professionally? Personally and for what it’s worth, it might be a good idea for Telford (and Dickinson, if he hasn’t already done so) to make readers aware of their professional connections when there’s a review at stake.

Final comment: I’m not sure how quantum entanglement or mathematics with the pieces attributed to concepts from those fields but I’m sure anyone attempting to make the links will find themselves stimulated.

ETA April 21, 2017: I’m adding this event even though the tickets are completely subscribed. There will be a standby line the night of the event (from the Peter Wall Institute for Advanced Studies The Hidden Beauty of Mathematics event page,

02 May 2017

7:00 pm (doors open at 6:00 pm)

The Vogue Theatre

918 Granville St.

Vancouver, BC

Register

Good luck!

Café Scientifique (Vancouver, Canada) April 25, 2017 talk: No Small Feat: Seeing Atoms and Molecules

I thought I’d been knocked off the list but finally I have a notice for an upcoming Café Scientifique talk that arrived and before the event, at that.  From an April 12, 2017 notice (received via email),

Our next café will happen on TUESDAY APRIL 25TH, 7:30PM in the back
room at YAGGER’S DOWNTOWN (433 W Pender). Our speaker for the
evening will be DR. SARAH BURKE, an Assistant Professor in the
Department of Physics and Astronomy/ Department of Chemistry at UBC [University of British Columbia]. The title of her talk is:

NO SMALL FEAT: SEEING ATOMS AND MOLECULES

From solar cells to superconductivity, the properties of materials and
the devices we make from them arise from the atomic scale structure of
the atoms that make up the material, their electrons, and how they all
interact.  Seeing this takes a microscope, but not like the one you may
have had as a kid or used in a university lab, which are limited to
seeing objects on the scale of the wavelength of visible light: still
thousands of times bigger than the size of an atom.  Scanning probe
microscopes operate more like a nanoscale record player, scanning a very
sharp tip over a surface and measuring interactions between the tip and
surface to create atomically resolved images.  These techniques show us
where atoms and electrons live at surfaces, on nanostructures, and in
molecules.  I will describe how these techniques give us a powerful
glimpse into a tiny world.

I have a little more about Sarah Burke from her webpage in the UBC Physics and Astronomy webspace,

Building an understanding of important electronic and optoelectronic processes in nanoscale materials from the atomic scale up will pave the way for next generation materials and technologies.

My research interests broadly encompass the study of electronic processes where nanoscale structure influences or reveals the underlying physics. Using scanning probe microscopy (SPM) techniques, my group investigates materials for organic electronics and optoelectronics, graphene and other carbon-based nanomaterials, and other materials where a nanoscale view offers the potential for new understanding. We also work to expand the SPM toolbox; developing new methods in order to probe different aspects of materials, and working to understand leading edge techniques.

For the really curious, you can find more information about her research group, UBC Laboratory for Atomic Imaging Research (LAIR) here.