Tag Archives: Lawrence Berkeley National Laboratory

Carbon sequestration (capturing carbon dioxide) and Zeo++

Carbon capture has been proposed as a way to mitigate global climate change and Zeo++ is a software which promises to help the search for porous materials that will filter out carbon (capture carbon) before it reaches the atmosphere. From the Mar. 1, 2012 news item on Nanowerk,

Approximately 75 percent of electricity used in the United States is produced by coal-burning power plants that spew carbon dioxide (CO2) into the atmosphere and contribute to global warming. To reduce this effect, many researchers are searching for porous materials to filter out the CO2 generated by these plants before it reaches the atmosphere, a process commonly known as carbon capture. But identifying these materials is easier said than done.

“There are a number of porous substances—including crystalline porous materials, such as zeolites, and metal-organic frameworks—that could be used to capture carbon dioxide from power plant emissions,” says Maciej Haranczyk, a scientist in the Lawrence Berkeley National Laboratory’s (Berkeley Lab) Computational Research Division.

In the category of zeolites alone, Haranczyk notes that there are around 200 known materials and 2.5 million structures predicted by computational methods. That’s why Haranczyk and colleagues have developed a computational tool that can help researchers sort through vast databases of porous materials to identify promising carbon capture candidates—and at record speeds. They call it Zeo++.

Here’s a description of the software from the Zeo++ home page,

Zeo++ is a software package for analysis of crystalline porous materials. Zeo++ can be used to perform geometry-based analysis of structure and topology of the void space inside a material, to alternate structures as well as to generate structure representations to-be-used in structure similarity calculations. Zeo++ can be used to either analyze a single structure or perform high-throughput analysis of a large database.

Here’s what the scientists are trying to determine when they use the software to analyze the proposed carbon capture materials (from the news item),

Porous materials like zeolites or metal organic frameworks come in a variety of shapes and have a range of pore sizes. It is actually the shape and pore sizes that determine which molecules get absorbed into the material and which ones pass through.

Like molecular sponges, porous materials can also be reused in a cycle of capture and release. For instance, in the case of carbon capture, once the material is saturated and cannot absorb any more CO2, the gas can be extracted, and the cycle repeated.

“Understanding how all of these factors combine to effectively capture carbon is a challenge,” says Richard Luis Martin, a member of the Zeo++ development team and a postdoctoral researcher in Berkeley Lab’s Computational Research Division. “Until Zeo++, there were no easy methods for analyzing such large numbers of material structures and identifying what makes a material an outstanding carbon catcher.”

He notes that silicious zeolites, to take one example, are composed of the same tetrahedral blocks of silicon and oxygen atoms, but the geometric arrangement of these blocks differs from one zeolite to the next, and this configuration is what determines how CO2 or any other molecule will interact with the porous material.

Before Zeo++, scientists would typically characterize a porous structure based on a single feature, like the size of its largest pore or its total volume of empty space, then compare and categorize it based on this single observation.

“The problem with this one-dimensional description is that it does not tell you anything about how a molecule like CO2 will move through the material,” says Martin. “To identify the most effective materials for absorbing CO2, we need to understand the porous structure from the perspective of the penetrating molecule.”

This is precisely why Zeo++ characterizes these structures by mapping the empty spaces between their atoms. Drawing from a database of the coordinates of all the atoms in each porous structure, Zeo++ generates a 3D map of the voids in each material. This 3D network allows researchers to see where the channels between atoms intersect to create cavities. The size and shape of these cavities determine whether a molecule will pass through the system or be absorbed.

“Zeo++ allows us to do things that would otherwise be physically impossible,” says Smit [Berend Smit leads the Energy Frontier Research Center for Gas Separations Relevant to Clean Energy Technologies at the University of California at Berkeley], whose group is developing laboratory and computational methods for identifying carbon dioxide-absorbing nanomaterials.

For anyone who’s curious about zeolites, I’ve excerpted this from an essay on Wikipedia (all notes and links have been removed),

Zeolites are microporous, aluminosilicate minerals commonly used as commercial adsorbents.The term zeolite was originally coined in 1756 by Swedish mineralogist Axel Fredric Cronstedt, who observed that upon rapidly heating the material stilbite, it produced large amounts of steam from water that had been adsorbed by the material. Based on this, he called the material zeolite, from the Greek ζέω (zéo̱), meaning “to boil” and λίθος (líthos), meaning “stone”.

I first mentioned zeolite on this blog in a July 1, 2010 posting about ‘green’ nanotechnology in Alberta’s oil sands.

Abracadabra! A new material!

A Nov. 3, 2011 news release from the US Dept. of Energy (DOE) announced the Materials Project,

Researchers from the Department of Energy’s (DOE’s) Lawrence Berkeley National Laboratory (Berkeley Lab) and the Massachusetts Institute of Technology (MIT) jointly launched today a groundbreaking new online tool called the Materials Project, which operates like a “Google” of material properties, enabling scientists and engineers from universities, national laboratories and private industry to accelerate the development of new materials, including critical materials.

Discovering new materials and strengthening the properties of existing materials are key to improving just about everything humans use – from buildings and highways to modern necessities. For example, advances in a group of materials called “critical materials” are more important to America’s competitiveness than ever before – particularly in the clean energy field.  Cell phones, wind turbines, solar panels and a variety of military technologies depend on these roughly fourteen elements (including nine “rare earth” elements).  With about 90 percent coming from China, there are growing concerns about potential supply shortages and disruptions.

The Dec. 20, 2011 news item on Nanowerk provides more detail,

The project is a direct outgrowth of MIT’s Materials Genome Project, initiated in 2006 by Gerbrand Ceder, the Richard P. Simmons (1953) Professor of Materials Science and Engineering. The idea, he says, is that the site “would become the Google of material properties,” making available data previously scattered in many different places, most of them not even searchable.

For example, it used to require months of work — consulting tables of data, performing calculations and carrying out precise lab tests — to create a single phase diagram showing when compounds incorporating several different elements would be solid, liquid or gas. Now, such a diagram can be generated in a matter of minutes, Ceder says.

The new tool could revolutionize product development in fields from energy to electronics to biochemistry, its developers say, much as search engines have transformed the ability to search for arcane bits of knowledge.

Already, more than 500 researchers from universities, research labs and companies have used the new system to seek new materials for lithium-ion batteries, photovoltaic cells and new lightweight alloys for use in cars, trucks and airplanes. The Materials Project is available for use by anyone, although users must register (free of charge) in order to spend more than a few minutes, or to use the most advanced features.

Interestingly, the Materials Project could have an impact on education too,

The tools could also make a big difference in education, Ceder says: When professors set up experiments to help students learn specific principles, “it used to be that we had to pick easy examples” with known outcomes, he says. Now, it’s possible to set much more challenging exercises.

I wasn’t expecting to find a quote from a Canadian academic but here goes,

Mark Obrovac, an associate professor of chemistry and physics at Dalhousie University in Nova Scotia, says, “The Materials Project has made complex computational techniques available to materials researchers at a click of a mouse. This is a major innovation in materials science, enabling researchers to rapidly predict the structure and properties of materials before they make them, and even of materials that cannot be made. This can significantly accelerate materials development in many important areas, including advanced batteries, microelectronics and telecommunications.”

You can find the Materials Project here.

The latest in smart windows

At last there’s a new development in smart windows giving me fresh hope that I will see these in my lifetime. From the Sept. 6, 2011 news item on Nanowerk,

Researchers with the U.S. Department of Energy (DOE)’s Lawrence Berkeley National Laboratory (Berkeley Lab) have unveiled a semiconductor nanocrystal coating material capable of controlling heat from the sun while remaining transparent (“Dynamically Modulating the Surface Plasmon Resonance of Doped Semiconductor Nanocrystals”). Based on electrochromic materials, which use a jolt of electric charge to tint a clear window, this breakthrough technology is the first to selectively control the amount of near infrared radiation. This radiation, which leads to heating, passes through the film without affecting its visible transmittance. Such a dynamic system could add a critical energy-saving dimension to “smart window” coatings.

“To have a transparent electrochromic material that can change its transmittance in the infrared portion of sunlight is completely unprecedented,” says Delia Milliron, director of the Inorganic Nanostructures Facility with Berkeley Lab’s Molecular Foundry, who led this research.

These kinds of coatings offer substantive energy savings. A lot of people don’t realize that buildings account for approximately 40% of the carbon emissions in the US. A smart window could theoretically lower the use of air conditioning and lighting by as much as 49% and 51% respectively according to the authors of the news item. I have seen similarly high numbers elsewhere so I am inclined to believe them.

Here’s what I think is the nifty part,

“Traditional electrochromic windows cannot selectively control the amount of visible and near infrared light that transmits through the film. When operated, these windows can either block both regions of light or let them in simultaneously,” says Guillermo Garcia, a graduate student researcher at the Foundry. “This work represents a stepping stone to the ideal smart window, which would be able to selectively choose which region of sunlight is needed to optimize the temperature inside a building.”

And then there’s the robot,

“Our ability to leverage plasmons in doped semiconductors with a very sensitive switching response in the near-infrared region also brings to mind applications in telecommunications,” Milliron adds. “We’ve also brought this synthesis into WANDA, our nanocrystal robot, which means we will be able to provide materials for a wide variety of user projects. “

I don’t see anything which indicates when this might be commercially available.

This latest development reminded me of Switch Materials, the Canadian smart window company that’s located in the Vancouver region. I last wrote about them in my May 14, 2010 posting and thought I’d check them out again. They have a new look on their website and a number of headings for different categories of purchasers such as architects, manufacturers, owners, etc. There’s also a list of the various media outlets that have featured the company. Strangely, there’s no mention of any customers and other than a very general description heavily weighted towards the advantages of the technology I was not able to find much detail about the technology. That’s also true of the news item but I expect more from a company website, especially a company offering an emerging technology. Finally, I was not able to discover how to purchase the product other than contacting a general phone number or sending a general inquiry to info@switchmaterials.com.

15th Century painting techniques and nanotechnology; Conference Board of Canada and copyright; Real Vancouver Writers; Better Living

Kate Nichols is a fellow at TED. She is also a painter who trained in 15th century techniques. From the article by Kristen Philipkoski on Boing, Boing,

Nichols learned painting as painters did in 15th century Flanders: by apprenticing under a master and learning to make her own paints. She became skilled at creating the type of complex colors only possible as light travels through thin layers of oil glaze. But she eventually found that no amount of layering could recreate the complexity she saw in the Morpho butterfly’s wings. [I previously posted about nanotech and the colour of butterfly wings here.]

As Philipkoski goes on to recount, the desire to recreate the colours of a Morpho butterfly’s wings is what led her to working with nanotechnology but, first, working with mathematician, Judy Holdener, she learned why she couldn’t recreate those colours with her traditional techniques. Nichols eventually contacted someone at a nanotech laboratory in her pursuit and went on to become the first artist-in-residence at that lab (the Lawrence Berkeley National Laboratory at the University of California at Berkeley). (You can see images of her work at the article on the Boing Boing site.)

More recently she was awarded the TED fellowship I’ve already mentioned. TED stands for Technology Entertainment Design and it started out as an annual conference. You can find out more about TED here and more about this year’s annual conference here. As for the fellowship, it sounds a bit like a mentoring programme but you can read the description for yourself here.

One last quote from the article,

“I love thinking about plasmon resonance–likely, because I paint motion and grew up dancing,” Nichols said. When light comes into contact with a metal, electrons are displaced. Because the electrons are attracted to the nuclei of the metallic atoms, the electrons fall back into their original positions only to be exiled again, over and over. This oscillatory dance is called a plasmon and we perceived it as color when the wavelength falls within the visible spectrum.

On the copyright (intellectual property) front, Michael Geist is commenting on the latest Conference Board of Canada’s report. As you may recall, the Conference Board was embarrassed last year when it released a report that had large chunks plagiarized from a US lobby group’s materials. You can read more about the contretemps here on Techdirt and Geist’s comments here. From Geist’s blog,

The new report, which weighs in at 113 pages, was completed by Ruth Corbin, a Toronto-based IP expert. Corbin started from scratch, reading a broad range of materials, conducting interviews, and leading a private roundtable on the issue (I participated in the roundtable and met separately with her). While there is much to digest, the lead takeaway is to marvel at the difference between a report cribbed from lobby speaking points and one that attempts to dig into the issues in a more balanced fashion. Three examples:

First, the report puts intellectual property policy into perspective as just one portion of the innovation agenda, noting that over-protection can be lead to diminishing returns…

W2 Community Media House (in Vancouver, Canada) is hosting a writer’s series that has two more weeks to go. The next event is Feb. 17, 2010.

This description from Heather Haley (poet) highlights a couple of radio interviews and her upcoming Real Vancouver Writers appearance,

Real Vancouver Writers Series at the W2 Culture and Media House
Located across from the refurbished Woodwards Building in Downtown Vancouver
Wednesday, February 17, 2010
7:00pm – 10:00pm
112 E. Hastings
“Poet, author, musician and media artist Heather Susan Haley pushes boundaries by creatively integrating disciplines, genres and media. Published in numerous journals and anthologies, her poetry collections Sideways (Anvil Press) and Three Blocks West of Wonderland (Ekstasis Editions) have been described as ³supple and unusual” and ³brawny and uncompromising.² She was an editor for the LA Weekly, publisher of Rattler and the Edgewise Cafe, one of Canada’s first electronic literary magazines. Architect of the Edgewise ElectroLit Centre, the Vancouver Videopoem Festival and SEE THE VOICE: Visible Verse at Pacific Cinémathèque, her works have been official selections at dozens of international film festivals. Haley has gained renown as an engaging performer, sharing her poetry and music with audiences around the world. Most recently she toured eastern Canada and the U.S. in support of her critically acclaimed AURAL Heather CD of spoken word songs, Princess Nut.”
She will be appearing with Teresa McWhirter, Lee Henderson, Elizabeth Bachinsky, Nikki Reimer, Chris Hutchinson, Dina Del Bucchia, Amber Dawn, Donato Mancini, Sonnet L¹Abbe, Jonathon Wilcke and Catherine Owen.
RADIO APPEARANCES:
Heather will be live in ‘The Artist Lounge’ hosted by J Peachy on CJSF 90.1 FM on Tuesday Feb 16th at 7pm. Hope you can tune in, its also online at http://wwwcjsf.ca. The next day, the day of the reading, Wed. Feb. 17 Heather will be visiting friends Steve Duncan and RC Weslowki on Wax Poetic @ 2pm (PST) 102.7fm CFRO Co-op Radio, http://www.coopradio.org/. *See* you there!

I like to feature more about the arts and new media on Fridays or, at least, to have something amusing here. Today, I’ve managed both now that I’ve come to this item by Alissa Walker in Fast Company ,

Who knew that paper clips and staples could teach such smart life lessons? Everyday objects you might find at your desk are the stars in Hints for Better Living , a short film by Los Angeles-based designer Mike Afsa, who also does work for companies like Chiat\Day and Quiksilver.

It’s charming and it gave me a whole new perspective on paper clips and staples. Happy Weekend!

Plenty of Room at the Bottom’s 50th anniversary; new advance in nanoassembly; satirizing the copyright wars; China’s social media map

There’s plenty of room at the bottom, Richard Feynman’s December 29, 1959 talk for the American Physical Society is considered to be the starting point or origin for nanotechnology and this December marks its 50th anniversary. Chris Toumey, a cultural anthropologist at the University of South Carolina NanoCenter, has an interesting commentary about it (on Nanowerk) and he poses the question, would nanotechnology have existed without Richard Feynman’s talk? Toumey answers yes. You can read the commentary here.

In contrast to Toumey’s speculations, there’s  Colin Milburn (professor at University of California, Davis) who in his essay, Nanotechnology in the Age of Posthuman Engineering: Science Fiction as Science, suggests that nanotechnology originated in science fiction. You can read more about Milburn, find the citations for the essay I’ve mentioned, and/or download three of his other essays from here.

Ting Xu and her colleagues at the US Dept. of Energy’s Lawrence Berkeley National Laboratory have developed a new technique for self-assembling nanoparticles. From the news item on Physorg.com,

“Bring together the right basic components – nanoparticles, polymers and small molecules – stimulate the mix with a combination of heat, light or some other factors, and these components will assemble into sophisticated structures or patterns,” says Xu. “It is not dissimilar from how nature does it.”

More details are available here.

TechDirt featured a clip from This hour has 22 minutes, a satirical Canadian comedy tv programme, which pokes fun at the scaremongering which features mightily in discussions about copyright. You can find the clip here on YouTube.

I’ve been meaning to mention this tiny item from Fast Company (by Noah Robischon) about China’s social media. From the news bit,

The major players in the U.S. social media world can be counted on one hand: Facebook, MySpace, Twitter, LinkedIn. Not so in China, where the country’s 300 million online users have a panoply of popular social networks to choose from–and Facebook doesn’t even crack the top 10.

Go here to see the infographic illustrating China’s social media landscape.

Happy weekend!