This coming Saturday, May 1, 2021 is the start of Canada’s annual Science Odyssey (the rebranded Canada Science and Technology Week). These days the exercise is funded through the Natural Sciences and Engineering Council of Canada’s (NSERC) science promotion (PromoScience) programme.
Let’s move on to the important things: Science Odyssey runs from May 1 – 16, 2021. You can find the events listed here on the Science Odyssey website. where you will find them listed by date. (I was not able to use the filters to narrow down my searches to a geographic area or topic but perhaps your system is more up-to-date than mine.)
You can check out the @Sci_Od Twitter feed or the @OdySci hash tag for tips about events,
Maritime Museum BC @MaritimeMusBC · 1h Marine invertebrates are getting a close-up on May 5th at 10 AM PDT for @Sci_Od. Join @Ocean_Networks for a virtual presentation with MMBC and friends from @BamfieldMSC @FisheriesTrust and @SalishSeaCentre Register for FREE: http://sciod.ca/event/2606/ #KnowTheOcean #MuseumAtHome
Science Rendezvous on May 8, 2021 (part of Science Odyssey)
This year, Science Rendezvous, an annual family festival, is being held on Saturday, May 8, 2021. Here’s a description of this year’s event from the About page,
Science Rendezvous will STEAM Green Saturday, May 8, 2021, and you are invited to the first ever virtual Science Chase. Race between event sites across the country, answer STEAM challenges, learn about Canadian research and innovations along with the art in Science, and collect points for the national Science Chase leaderboard. This FREE kick-off festival for Science Odyssey week will be the most fun your family will have with science all year!
In typical years, Science Rendezvous takes science, technology, engineering, art, and math (STEAM) research and innovation out of the lab and onto the street in true festival style for you to discover and experience. Stage shows, robotics, virtual reality, INVENTours, large-scales experiments and demonstrations, science buskers and Science Chase races are designed to delight and excite the young and the young at heart. Hands on experiments, make-and-take projects, and demonstrations will allow you and your family to participate, and really get in the action. Slime, liquid nitrogen ice-cream, fire tornadoes, walking on water, and explosions are some of our favourite activities! We have been busy this year reimagining these activities in a virtual way to keep us all safe.
Science Rendezvous is unique because it is created by scientists and innovators, and the next generation of STEAM students, the people who are the most passionate about STEAM. We work with Canada’s top research institutes to present a coast-to-coast open house and festival that is FREE for everyone. With over 300 events across 30 cities and 1000’s of mind-blowing activities, Science Rendezvous is Canada’s largest celebration of the amazing feats of science and engineering happening right here at home.
This SATURDAY, MAY 8th 2021 may look a little different due to COVID-19. We are working with Canada’s greatest innovators, researchers, engineers, and scientists from 285 partner organizations to develop some very exciting events~ From the physics of rock and roll to the chemistry of ice-cream, Science Rendezvous has something for everyone!
As for the inspirational video on the Science Rendezvous About page, I had a flashback to a time when Canadian items of interest on television or Canadian educational movies shown in class were narrated by a man with an English accent or a man with a Canadian dainty accent. From the Canadian English entry on Wikipedia,
Historically, Canadian English included a class-based sociolect known as Canadian dainty. Treated as a marker of upper-class prestige in the 19th and early 20th centuries, Canadian dainty was marked by the use of some features of British English pronunciation, resulting in an accent similar, but not identical, to the Mid-Atlantic accent known in the United States. This accent faded in prominence following World War II, when it became stigmatized as pretentious, and is now almost never heard in modern Canadian life outside of archival recordings used in film, television or radio documentaries. [emphasis mine]
As noted in part 1, I’ve taken a very broad approach to this survey of science culture in Canada over the last 10 years. It isn’t exhaustive but part 1 covers science communication, science media (mainstream and others such as blogging) and arts as exemplified by music and dance. Now it’s time for part 2 and the visual arts, festivals, science slams, and more..
Art/Sci or Art/Science or SciArt—take your pick
In 2005 my heart was broken. I had to give up on an event I’d conceived and tried to organize for five years, ‘Twisted: an art/science entrée’. Inspired by an art/science organization in New York, it just wasn’t the right timing for Vancouver or, it seems, for Canada, if the failure of an art/science funding collaboration between the Canada Council and the Natural Sciences and Engineering Council of Canada (NSERC) during roughly during that time period could be considered as another indicator.
The situation has changed considerably during this last decade (or so it seems). There are more performing and visual artists using scientific ideas and principles as inspiration for their work or they’re collaborating outright with scientists, or scientists are expressing themselves through artistic endeavours. Of course, of consequences of all this activity is a naming issue. (Isn’t there always?) I’m not taking sides all i want is clarity.
Part 1 featured more of the ‘inspirational’ art/science efforts. Here you’ll find the more ‘science’ inflected efforts.
ArtSci Salon located at the University of Toronto was founded in 2010 according to its About webpage,
This website documents the activity of the ArtSci Salon, a group of artists, scientists and art-sci-tech enthusiasts meeting once a month to engage in critical discussions on topics at the intersection between the arts and science.
Started in 2010 as a spin-off of the Subtle Technologies Festival, ArtSciSalon responds to the recent expansion in the GTA [Greater Toronto Area] of a community of scientists and artists increasingly seeking collaborations across disciplines to successfully accomplish their research projects and inquiries.
Based on the demographic, the requisites, and the interests of our members, the goal of ArtSci Salon is:
To provide outreach opportunities for local and international innovative research projects in the Sciences and in the Arts;
To foster critical dialogue on topics and concerns shared by the sciences and the arts;
To facilitate new forms of collaboration across fields.
Our guests deliver short presentations, demonstrations or performances on a series of shared topic of interest to artists and scientists.
Many, many ArtSci Salon events have been listed here. I mention it because the ArtSci Salon website doesn’t have a complete listing for its previous events. While I can’t guarantee completeness, you can perform an ‘ArtSci Salon’ search on the blog search engine and it should get you enough to satisfy your curiosity.
Curiosity Collider‘s first event seems to have been in April 2015 (as noted in my July 7, 2015 posting). i wonder what they’ll do to celebrate their fifth anniversary? Anyway, they describe themselves this way (from the Mandate webpage),
Curiosity Collider Art-Science Foundation is a Vancouver based non-profit organization that is committed to providing opportunities for artists whose work expresses scientific concepts and scientists who collaborate with artists. We challenge the perception and experience of science in our culture, break down the walls between art and science, and engage our growing community to bringing life to the concepts that describe our world.
You can find Curiosity Collider here. I see they don’t have anything scheduled yet for 2020 but they had a very active Fall 2019 season and I expect they needed a breather and now there’s ‘flattening the COVID-19 curve’.
Once Curiosity Collider gets started again, you’ll find they put on different kinds of events, usually evening get togethers featuring various artists and scientists in a relaxed environment or joint events with other groups such Nerd Nite, Science Slam, and others. In 2019, Curiosity Collider hosted its first festival. You’ll find more about that in the Festivals subsection further down in this posting.
ArtSci at Cape Breton University (Nova Scotia) seems to have existed from March 2017 to November 2018. At. least, that’s the period its Twitter feed was active.
… Art the Science facilitates cross-disciplinary relationships between artists and scientists with a goal of fostering Canadian science-art culture. In doing so, we aim to advance scientific knowledge communication to benefit the public, while providing opportunities for artists to exhibit their work in unconventional and technologically innovative ways. By nurturing the expression of creativity, be it in a test-tube or with the stroke of a brush, Art the Science has become one of the most beloved and popular online SciArt (science + art) communities in the world. Since 2015, it has developed numerous digital SciArt exhibitions, and has highlighted the work of both pioneering and upcoming SciArt artists internationally. The organization also promotes the role of SciArt by conducting various outreach initiatives, including delivering lectures and keynote presentations designed to foster public engagement and a deeper appreciation of science and art.
Volunteer Run: Since 2015, Art the Science has been operating with the hard work and dedication of volunteer hours from our board and supporters. We have been busy generating evidence to show the impact and reach of our initiatives. We believe this evidence will help us secure financial support as we move forward.
Their site features information about artist residencies in research laboratories, online exhibitions, and a blog focused on the artists and scientists who create.
National events, festivals, and conferences
These days it’s called Science Odyssey and takes place in May of each year. I first came across the then named National Science and Technology Week in 1993. The rebranding occurred in 2016 after the Liberals swept into victory in October 2015 federal election.
In 2020, Science Odyssey (as noted previously, prior to 2016 this was known as National Science and Technology Week and was held in October each year) it was slated to take place from May 2 to May 17. In most years, it functions as a kind of promotional hub for science events independently organized across the country. The focus is largely on children as you can see in the 2019 promotional video,
Cancelled for 2020, its events have ranged from an open house at a maker lab to lectures at universities to festivals such as Pint of Science and Science Rendezvous that occur during Science Odyssey. (I profiled Science Odyssey, Pint of Science, Science Rendezvous and more in my May 1, 2019 posting.)
Pint of Science
Beer and science is a winning combination as they know in the UK where Pint of Science was pioneered in 2012. Pint of Science Canada was started in 2016 and is scheduled for May 11 – 13, 2020,
Pint of Science Canada invites scientists to your favorite local bars to discuss their latest research and discoveries over a drink or two. This is the perfect opportunity to meet scientists and ask questions. You have no excuse not to come and share a drink with us!
Démystifier la recherche scientifique et la faire découvrir au grand public dans un cadre détendu, avec une bière à la main c’est possible. Parce que oui, la science peut être le fun!
There isn’t a cancellation notice on the website as of April 15, 2020 but I suspect that may change.
Billing itself as a free national kick-off festival for Science Odyssey and the country’s largest celebration of science and engineering, it was founded in 2008 and was confined to Toronto in that first year. In 2019, they promoted over 300 events across the country.
This year, Science Rendezvous is scheduled for May 9, 2020. Please check as it is likely cancelled for 2020.
Science Literacy Week
This week first crossed my radar in 2015 and because I love this passage, here’s an excerpt from my Sept 18, 2015 posting where it’s first mentioned,
Just as Beakerhead ends, Canada’s 2015 Science Literacy Week opens Sept. 21 – 27, 2015. Here’s more about the week from a Sept. 18, 2015 article by Natalie Samson for University Affairs,
On Nov. 12 last year , the European Space Agency landed a robot on a comet. It was a remarkable moment in the history of space exploration and scientific inquiry. The feat amounted to “trying to throw a dart and hit a fly 10 miles away,” said Jesse Hildebrand, a science educator and communicator. “The math and the physics behind that is mindboggling.”
Imagine Mr. Hildebrand’s disappointment then, as national news programs that night spent about half as much time reporting on the comet landing as they did covering Barack Obama’s gum-chewing faux pas in China. For Mr. Hildebrand, the incident perfectly illustrates why he founded Science Literacy Week, a Canada-wide public education campaign celebrating all things scientific.
From Sept. 21 to 27 , several universities, libraries and museums will highlight the value of science in our contemporary world by hosting events and exhibits on topics ranging from the lifecycle of a honeybee to the science behind Hollywood films like Jurassic World and Contact.
Mr. Hildebrand began developing the campaign last year, shortly after graduating from the University of Toronto with a bachelor’s degree in ecology and evolutionary biology. He approached the U of T Libraries for support and “it really snowballed from there,” the 23-year-old said.
In 2020, Science Literacy Week will run from September 21 – 27. (I hope they are able to go forward with this year’s event.) Here’s how the ‘Week’ has developed since 2015, from its About webpage,
The latest edition of Science Literacy Week came to include over 650 events put on by more than 300 partners in over 250 cities across Canada. From public talks to explosive chemistry demos, stargazing sessions to nature hikes, there was sure to be an interesting activity for science lovers of all ages. Science Literacy Week is powered by the Natural Sciences and Engineering Research Council of Canada (NSERC).
Beaming Science, Exploration, Adventure and Conservation into Classrooms Across North America
Guest Speakers and Virtual Field Trips with Leading Experts from Around the World
Using Technology to Broadcast Live into Classrooms from the Most Remote Regions on the Planet Since
September 2015, We’ve Run Well over 1,000 Live Events Connecting Hundreds of Thousands of Students to Scientists and Explorers in over 70 Countries
Onto another standalone festival.
Calgary’s big art/science/engineering festival, Beakerhead got its start in 2013 as a five-day event as per my December 7, 2012 post. It’s gone through a few changes since then including what appears to be a downsizing. The 2019 event was on September 21, 2019 from 5 pm to 11 pm.
According to his profile on LinkedIn, Jeff Popiel is Beakerhead’s interim CEO and has been since 2018. Mary Anne Moser (one of Breakerhead’s co-founders; the other is Jay Ingram, formerly of the Daily Planet science television show) was welcomed as the new Executive Director for Calgary’s science centre, Telus Spark, in April 2019.
Beakerhead’sr Wikipedia entry, despite being updated in December 2019, lists as its most current iteration of the festival that one that place in 2018.
All organizations experience ups and downs; I certainly hope that this represents a temporary lull. On the plus side, the Beakerhead Twitter feed is being kept current. and there is a February 18, 2020 entry on the Beakerhead’s homepage.
Invasive Species (Curiosity Collider) & Special Projects (ArtSci Salon)
The first and possibly only Collisions Festival (from the Curiosity Collider folks), Invasive Species took place in November 2019. A three-day affair, it featured a number of local (Vancouver area) artist/scientist collaborations. For a volunteer-run organization, putting on a three-day festival is quite an accomplishment. So, brava and bravo!
The ArtSci Salon in Toronto hasn’t held any festivals as such but has hosted a number of ‘special projects’ which extend over days and/or weeks and/or months such as The Cabinet Project, which opened in April 2017 (not sure how long it ran) and featured a number of artists’ talks and tours; Emergent Form from April 1 -30, 2018; EDITED (gene editing) from October 25 – November 30, 2018; and, FACTT-Evolution from March 29 – May 15, 2019.
International conferences and the Canadian art/technology scene
I am sure there are others (I’d be happy to hear about them in the comments) but these two organizations seem particularly enthused about holding conferences in Canada. I would like to spend more time on art and technology in Canada but that’s a huge topic in itself so I’m touching on it lightly.
ISEA 2015 and 2020
Formerly the Inter-Society of Electronic Arts, the organization has rebranded itself as ISEA (pronounced as a word [acronym] with a long ‘s’ like ‘z’). The acronym is used both for the organization’s name, the International Society for Electronic Arts, and its annual International Symposium of Electronic Arts, known familiarly as ISEA (year).
ISEA 2015 took place in Vancouver and was held in August of that year (you can read more about in my April 24, 2015 posting where I announced my presentation of a paper and video “Steep (1): A digital poetry of gold nanoparticles.”).
The upcoming ISEA 2020 was to take place in Montréal from May 19 – 24 but has been rescheduled for October 13 – 18. The theme remains: Why Sentience? Here’s more from the 2020 symposium About page,
Montreal Digital Spring (Printemps numérique) is proud to present ISEA2020 from October 13 to 18, 2020 in Montreal.
ISEA2020 will be the Creativity Pavilion of MTL connect; using digital intelligence as the overarching theme, this international event aims to look across the board at the main questions related to digital development, focusing on its economic, social, cultural and environmental impacts in various sectors of activity.
Montreal was awarded host of the next edition of ISEA in the closing ceremony of ISEA2019, held in Gwangju, South Korea. Soh Yeong Roh, Director of Art Center Nabi in Seoul, hand over the eternal light to Mehdi Benboubakeur, Executive Director of Montreal Digital Spring. As Benboubakeur stated: “ISEA returns to Montreal after 25 years. Back in 1995, ISEA positioned Montreal as a digital art center and brought emerging local artists into the international spotlight. In 2020, Montreal will once more welcome the international community of ISEA and will use this opportunity to build a strong momentum for the future.”
SEA 2020 turns towards the theme of “Why Sentience? Sentience describes the ability to feel or perceive. ISEA2020 will be fully dedicated to examining the resurgence of sentience—feeling-sensing-making sense—in recent art and design, media studies, science and technology studies, philosophy, anthropology, history of science and the natural scientific realm—notably biology, neuroscience and computing. We ask: why sentience? Why and how does sentience matter? Why have artists and scholars become interested in sensing and feeling beyond, with and around our strictly human bodies and selves? Why has this notion been brought to the fore in an array of disciplines in the 21st century?
I notice Philippe Pasquier of Simon Fraser University (Surrey campus, Vancouver area) is a member of the organizing committee. If memory serves, he was also on the organizing committee for ISEA 2015. He was most recently mentioned here in a November 29, 2019 where I featured his Metacreation Lab and when I mentioned the ISEA 2020 call for submissions.
… We received a total of 987 submissions from 58 countries. Thank you to those who took the time to create and submit proposals for ISEA2020 under the theme of sentience. We look forward to seeing you in Montreal from May 19 to 24, 2020 during MTL connect/ISEA2020!
Statistics by categories:
Artist talks: 121
Full papers: 108
Short papers: 96
Workshops / Tutorials: 53
Panels / Roundtables: 24
Institutional presentations: 22
Posters / Demos: 18
Good luck to everyone who made a submission. I hope you get a chance to present your work at ISEA 2020. I wonder if I can attend. I’ll have to make up my mind soon as they stop selling early bird tickets on and around March 16, 2020.
Vancouver hosted SIGGRAPH in 2011, 2014, and 2018 and will host it again in 2022. It is the only Canadian city to have hosted a SIGGRAPH conference since the conference’s inception in 1974. It is a huge meeting. In 2018, Vancouver hosted 16,637 attendees.
If you have a chance, do check out the next SIGGRAPH that you are able to attend. As inspiration you can check out the profile I wrote up for the most recent conference in Vancouver (my August 9, 2018 posting). They’re not as open to the public as I’d like but there are a few free events.
Coffee, tea, or beer with your science?
There are many ways to enjoy your science.Here are various groups (volunteer for the most part) that host regular (more or less) science nights at cafés and/or pubs and/or bars. Although I mentioned Café Scientifique Vancouver in part 1, it doesn’t really fit into either part 1 or part 2 of this review of the last decade but it’s being included (in a minor way) because the parent organization, Café Scientifique, is in a sense the progenitor for all the other ‘Café’ type efforts (listed in this subsection) throughout Canada. In addition, Café Scientifique is a truly global affair, which means if you’re traveling, it’s worth checking out the website to see if there’s any event in the city you’re visiting.
Science slams have been popular in Europe for more than a decade but have only recently gained traction in North America. Science Slam Canada was founded in 2016 and now runs regular science slams in Vancouver. Given wide interest and support, Science Slam Canada is continuing to grow, with upcoming events in Edmonton and Ottawa.
Based on the format of a poetry slam, a science slam is a competition that allows knowledge holders, including researchers, students, educators, professionals, and artists to share their science with a general audience. Competitors have five minutes to present on any science topic and are judged based on communication skills, audience engagement, and scientific accuracy. Use of a projector or slideshow is not allowed, but props and creative presentation styles are encouraged.
The slam format provides an informal medium for the public and the scientific community to connect with and learn from each other. Science slams generally take place in bars, cafes, or theaters, which remove scientists from their traditional lecture environments. The lack of projector also takes away a common presentation ‘crutch’ and forces competitors to engage with their audience more directly.
Competitors and judges are chosen through a selection process designed to support diversity and maximize the benefit to speakers and the audience. Past speakers have ranged from students and researchers to educators and actors. Judges have included professors, media personalities, comedians and improvisers. And since the event is as much about the audience as about the speakers, spectators are asked to vote for their favourite speaker.
Our dream is to create a national network of local science slams, with top competitors meeting at a national SUPER Slam to face off for the title of Canadian Science Slam Champion. This past year, we ran a regional slam in Vancouver, bringing together speakers from across BC’s Lower Mainland. Next year, we hope to extend our invitation even further.
Their last Vancouver Slam was in November 2019. I don’t see anything scheduled for 2020 either on the website or on their Twitter feed. Of course, they don’t keep a regular schedule so my suggestion is to keep checking. And, there’s their Facebook site.
Alan Shapiro who founded Science Slam Canada maintains an active Twitter feed where his focus appears to be water but he includes much more. If you’re interested in Vancouver’s science scene, check him out. By the way, his day job is at STEMCELL Technologies, which you may remember, if you read part 1, funds the Science in the City website mentioned under the Science blogging in Canada subhead (scroll down about 50% of the way).
Sometime around 2003, Chris Balakrishnan founded Nerd Nite. Today, he’s a professor with his own lab (Balakrishnan Laboratory of Evolution, Behavior and Other Fine Sciences) at East Carolina University; he also maintains an active interest in Nerd Nite.
I’m not sure when it made its way to Canada but there are several cities which host Nerd Nites (try ‘nerd nite canada’ in one of the search engines). In addition to Nerd Nite Vancouver (which got its start in 2013, if it’s existence on Twitter can be used as evidence), I found ones in Toronto, Kitchener-Waterloo, Edmonton, Calgary, and, I believe there is also one in North Vancouver.
Their events are monthly (more or less) and the last one was on February 26, 2020. You can read more about it here. They maintain an active Twitter feed listing their own events and, on occasion, other local science events.
This US organization (Story Collider; true personal stories about science) was founded in 2010 and was first featured here in a February 15, 2012 posting. Since then, it has expanded to many cities including Vancouver. Here’s more about the organization and its worldwide reach (from the Story Collider About Us webpage), Note: Links have been removed,
The Story Collider is a 501(c)3 nonprofit organization dedicated to true, personal stories about science. Since 2010, we have been working with storytellers from both inside and outside science to develop these stories, and we share them through our weekly podcast and our live shows around the world.
We bring together dedicated staff and volunteers from both science and art backgrounds to produce these shows — starting with our executive director, Liz Neeley, who has a background in marine biology and science communication, and our artistic director, Erin Barker, a writer and experienced storyteller — because we believe both have value in this space. Currently, The Story Collider has a home in fourteen cities — New York, Boston, DC, Los Angeles, St. Louis, Atlanta, Chicago, Dallas, Seattle, Milwaukee, Toronto, Vancouver, Cambridge, UK, and Wellington, New Zealand — where events organized by local producers are held on a monthly or quarterly basis. We’ve also been delighted to work with various partners — including publishers such as Springer Nature and Scientific American; conferences for organizations such as the American Geophysical Union and the Gulf of Mexico Research Initiative; and universities such as Yale University, North Carolina State University, Colorado University, and more — to produce shows in other locations. Every year, we produce between 50 and 60 live events featuring more than 250 stories in total, and we share over a hundred of these stories on our podcast.
Vancouver’s first Story Collider of 2020, ‘Misfits’ was scheduled for February 1 at The Fox Cabaret at 2321 Main Street . You can see more about the event (which in all likelihood took place) and the speakers here.
As for when Story Collider set down a few roots in Vancouver, that’s likely to be some time after February 2012. The two Vancouver Story Collider organizers, Kayla Glynn and Josh Silberg each have active Twitter feeds. Glynn is focuses mainly on local events; Silberg provides a more eclectic experience.
This is a series of neuroscience’ talks held monthly (more or less) held at Vancouver General Hospital. They served wine out of a box and cheese and crackers at the one talk (it was about robots) I attended. Here’s more about the inspiration for this series from the University of British Columbia Brain Talks Vision page
BrainTalks is a forum for academics and members of the general public to create a dialogue about the rapidly expanding information in neuroscience. The BrainTalks series, was inspired in part by the popularity of the TED Talks series. Founded by Dr. Maia Love in October 2010, the goal is for neuroscientists, neurologists, neuroradiologists, psychiatrists, and people from affiliated fields to meet and dialogue monthly, in the hopes of promoting excellence in research, facilitating research and clinician connections and discussion, and disseminating knowledge to the general public. Additionally, the hope to reduce stigma associated with mental illness, and promote compassion for those suffering with brain illnesses, be they called neurologic or psychiatric, was part of the reason to create the series.
The structure is a casual environment with brief presentations by local experts that challenge and inspire dialogue. Discussions focus on current knowledge about the mind and our understanding of how the mind works. Presentations are followed by a panel discussion, catered snacks, and networking.
BrainTalks is now part of the programming for the University of British Columbia’s Department of Psychiatry. The Department of Education, and the Department of Continuing Professional Development include BrainTalks at UBC as part of their goal to enhance public knowledge of psychiatry, enhance clinician knowledge in areas that may affect psychiatric practice, and disseminate recent research in brain science to the public.
Thanks to Alan Shapiro (founder of Science Slam Canada) and his Twitter feed for information about a new science event that may be coming to Vancouver, SoapBox Science founded in the UK in 2011 puts on events that can be found worldwide (from the homepage),
Soapbox Science is a novel public outreach platform for promoting women scientists and the science they do. Our events transform public areas into an arena for public learning and scientific debate; they follow the format of London Hyde Park’s Speaker’s Corner, which is historically an arena for public debate. With Soapbox Science, we want to make sure that everyone has the opportunity to enjoy, learn from, heckle, question, probe, interact with and be inspired by some of our leading scientists. No middle man, no PowerPoint slide, no amphitheatre – just remarkable women in science who are there to amaze you with their latest discoveries, and to answer the science questions you have been burning to ask. Look out for bat simulators, fake breasts or giant pictures of volcanoes. Or simply hear them talk about what fascinates them, and why they think they have the most fantastic job in the world!
2020 is an exciting year for us. We are running 56 events around the world, making this the biggest year yet! Since 2011 we have featured over 1500 scientists and reached 150,000 members of the public! Soapbox Science was commended by the Prime Minister in 2015, and was awarded a Silver Medal from the Zoological Society of London (ZSL) in June 2016. Both Soapbox Science co-founders were also invited to provide oral evidence at a 2016 Parliamentary inquiry on science communication.
I believe 2020 is/was to have been the first year for a SoapBox Science event in Vancouver. There aren’t any notices of cancellation for the Vancouver event that I’ve been able to find. I expect there will although with a planned June 2020 date there’s still hope, In any case, you might find it interesting to view their ‘Apply to speak’ webpage, (Note: I have rearranged the order of some of these paragraphs),
Are you a woman* who works in science and who is passionate about your research? Are you eager to talk to the general public about your work in a fun, informal setting? If so, then Soapbox Science needs YOU! We are looking for scientists in all areas of STEMM, from PhD students to Professors, and from entry-level researchers to entrepreneurs, to take part in this grassroots science outreach project.
*Soapbox Science uses an inclusive definition of ‘woman’ and welcomes applications from Non-binary and Genderqueer speakers.
The deadline for applications has now passed but you’ll find on their ‘Apply to speak’ webpage, a list of cities hosting 2020 SoapBox Science events,
Argentina: Tucumán- 12th September
Australia: Armidale- August Sydney- 15th August Queensland- August
Belgium: Brussels- 27th June
Brazil: Maceio- 22nd November Rio de Janeiro- 18th July Salvador- 5th June
Canada: Calgary- 2nd May Halifax- July Hamilton- Date TBC Ottawa- 19th September Québec- June Toronto- 27th September St John’s- 5th September Vancouver- June Waterloo- 13th June Winnipeg- May
Germany: Berlin- June Bonn- May Düsseldorf- 25th July Munich- 27th June
Ireland: Dublin- Date TBC Cork- July Galway- July
Nigeria: Lagos- August Lagos- 7th November
Malaysia: Kuala Lumpur- April
Portugal: Lisbon- 19th Sept
South Africa: Cape Town- September
Sweden: Uppsala- 16th May Gothenburg- 24th April- Closing date 31st January
Tanzania: Arusha- 8th August
UK: Aberdeen- 30th May Birmingham- Date TBC Brighton- 30th May Bristol- 4th July Cardiff- Date TBC Edinburgh- Date TBC Exeter- June Keswick- 26th May Leicester- 6th June Leeds- July London- 23rd May Milton Keynes- 27th June Newcastle- 13th June Nottingham- Date TBC Plymouth- 30th May Stoke-on-Trent, Date TBC Swansea- Date TBC York- 13th June
USA: Boulder- 26th April Denver- Date TBC Detroit- September Philadelphia- 18th April
Thanks to Dirk Steinke’s February 9, 2018 posting at the DNA Barcode blog for information about this science engagement/outreach project from Canada’s NSERC (Natural Sciences and Engineering Council),
NSERC has a great video competition for students which runs annually – Science, action! Students are invited to submit 1:00 min videos describing their research projects. The 15 videos that tell the best stories will receive a cash prize and be featured as part of museum exhibits, science fairs and during larger STEM outreach events at schools.
NSERC has long had science promotion initiative but it’s been anemic for years so it’s good to see the renewed vitality (from the NSERC Science Promoters webpage),
NSERC’s PromoScience program offers financial support for organizations working with young Canadians to promote an understanding of science and engineering (including mathematics and technology). PromoScience supports hands-on learning experiences for young students and their science teachers.
NSERC leads Science Odyssey, a ten-day celebration of science and technology taking place in May every year. The focus is to engage and inspire young Canadians and the general public across the country by showcasing Canada’s STEM accomplishments. This unique science festival is a connection point that brings together a wide variety of partners that deliver fun, engaging, innovative and captivating science promotion experiences from Canada’s prolific scientific community.
Science Literacy Week is a nationwide back-to-school celebration of books, organizations and activities that explore science, technology, engineering and mathematics (STEM) topics. It is an opportunity to expose Canadians to the wide range of science literature available at libraries, stores, museums and science centres.
SciPOP is an event to inspire students in STEM. Teachers and schools across Canada hold hands-on science activities with their students and share a picture that can win them a spectacular prize. This year, on May 16, 2018, elementary and secondary school teachers are invited to devote a period of the day to science activities. It is organized within the framework of Science Odyssey – a national 10-day celebration of science.
Little Inventors takes children’s invention ideas and makes them real. NSERC brings Little Inventors to Canada in partnership with the project originators in the UK. The central mission which defines NSERC’s strategy is to ‘Build a Culture of Scientific Discovery and Innovation’, and we strongly believe this applies to young people too. The purpose of Little Inventors is to stimulate, at an early stage of life, the intrigue and involvement in this mission through activities that nurture creativity and an inquisitive mind.
Promoting careers for women in the natural sciences and engineering is a priority for NSERC. We are committed to increasing the number of women in these fields, facilitating the accommodation of career and family, and nurturing mentorship. Explore this page to learn more about the policies, programs and activities NSERC has developed to help achieve these goals.
A picture is truly worth a thousand words. The Science Exposed image contest challenges research groups or individuals to tell science stories through vibrant and exciting images. This is your chance to showcase your work and your creativity to provide Canadians with a whole new perspective on science.
NSERC’s Science, Action! video contest challenges postsecondary students to film the people, research and innovations that are transforming the way Canadians live and work. The contest is your chance to help Canadians discover how science and engineering contributes to our understanding of the world and universe around us.
The NSERC Awards for Science Promotion honour individuals and groups who make an outstanding contribution to the promotion of science in Canada through activities encouraging popular interest in science or developing science abilities.
I’ve got two ‘creativity’ opportunities, one for people working on an art/sci (sciart) project and another for people with scripts,
SciArt Gallery @ Science Rendezvous
This notice arrived in a January 31, 2018 email from the ArtSci Salon people in Toronto (Ontario, Canada),
Science Rendezvous is a free Canada‐wide outreach festival that spurs interest in scientific research among the general public and last year at U of T, we attracted over 30,000 guests! This year we are hosting our first science-inspired art gallery called the SciArt Gallery! We are actively recruiting artists for the gallery to display their science-inspired works! Painting, design, music, dance, theatre, textiles, ceramics: We welcome all artists to apply!
We work with Canada’s top research institutes to present a coast-to-coast open house and festival that is FREE for everyone. With over 300 events across 30 cities and 1000’s of mind-blowing activities, Science Rendezvous is Canada’s largest celebration of the amazing feats of science and engineering happening right here at home.
In 2017, more than 210,000 attendees participated in our unique brand of hands-on science, a new landmark for such events in Canada. Science Rendezvous is the only organization that generates this level of public engagement with science, and direct face-to-face involvement with those at the very frontiers of innovation.
This SATURDAY, MAY 12th 2018 [emphasis mine] over 6,000 of Canada’s greatest innovators, researchers, engineers, and scientists from 125 partner organizations will open their doors and close city streets to present exciting demonstrations, hands-on activities, and explosive experiments. From the physics of rock and roll to the chemistry of ice-cream, Science Rendezvous has something for everyone!
Science Rendezvous is a science outreach pioneer in Canada. Offering direct engagement with 6,000 of Canada’s top researchers and scientists at 300 simultaneous events and 1000’s of hands-on experiments for the public to try themselves.
The Science Rendezvous head office acts as an umbrella organization that coordinates the efforts of all participating institutions, reinvents public engagement with science through festival programming, and offers direction for event organizers all while promoting both the festival and Canadian science on a national level.
The theme for SR 2018 is “Full S.T.E.A.M. Ahead!” – We’re placing an emphasis on the Art in S.T.E.M. [science, technology, engineering, and mathematics] this year and hosting our first and hopefully annual SciArt Gallery! We want to create a gallery full of science-inspired art and showcase the talent of our local Toronto artists! We hope that artists will be able to share their enthusiasm and teach visitors about how science inspired you to create and the science behind the art!
Artists will be permitted to sell their wares and will be provided with tents, chairs, volunteers, t-shirts, and lunch if accepted to the gallery. SR2018 is currently accepting applications for its SciArt Gallery taking place on Saturday, May 12, 2018 from 11am to 5pm.
There will be a $20 table deposit fee that will be refunded upon your attendance at SR. SR hopes to showcase science-inspired works of art and host workshops to allow artists to inspire kids and adults about their art medium.
*** Applications will close on Friday, February 23rd, 2018 at 11:59pm! ***
The name and photo associated with your Google account will be recorded when you upload files and submit this form.
I don’t know if you noticed but the application page specifies Toronto artists while the email did not. You may want to contact the organizers for more details. At a guess, they don’t want to fund any trips or accommodation for out-of-town artists but if you’re willing to self-fund they’ll consider your application.
One final thing worth mentioning, there may be opportunities in your home community. So, it may be worthwhile to check out the Science Rendezvous website.
SciFi and fantasy screenplay contest
I got this January 31, 2018 withoutabox.com announcement via email,
… the 4th Annual ScreenCraft Sci-Fi & Fantasy Screenplay Contest, an out of this world screenplay competition set to discover talented writers. The 2018 contest judges are Steven Douglas-Craig, Development at Sony Pictures, the studio behind Passengers, Ghostbusters, Men In Black, Resident Evil, and Spider-Man; Jonathan Wu, Development Executive at 20th Century Fox, the studio behind Avatar, X-Men, Another Earth, Rise Of The Planet Of The Apes, and Prometheus ; and Michael Doven, CEO of United Pictures, producer of such celebrated movies as Mission: Impossible, Vanilla Sky, Minority Report, and The Last Samurai.
The Grand Prize winner will receive a $1,000 USD cash award and personal introductions to producers, managers, agents and studio executives. Additionally, the top finalists will be circulated to ScreenCraft’s vetted network of over 60 producers, studio executives, managers and agents. Whether you’re writing a contained science fiction drama or an epic fantasy saga, ScreenCraft wants to read your sci-fi or fantasy feature film screenplay. Great science fiction explores the human condition against the backdrop of a heightened imagined world, impacted by technology and human creativity and imagination.
Past ScreenCraft winners have optioned their projects and signed with top representatives at top Hollywood companies including WME, CAA, 3Arts Entertainment, Anonymous Content, Paradigm Talent Agency, ICM, Bellevue Productions Zero Gravity Management, Kaplan/Perrone and many more.
MISSION AND OBJECTIVE
ScreenCraft’s screenwriting contests are dedicated to discovering talented screenwriters and connecting them with producers, agents and managers.
MORE ABOUT THE FESTIVAL
ScreenCraft runs a suite of screenwriting competitions that have a long history of getting writers represented and working. The secret is that ScreenCraft actually determines the winners with judges who work in the particular genre or space – real industry executives (not just readers). The winners get actual meetings with actual executives, so that a relationship forms beyond just a great script.
Submissions are accepted via electronic submission only, between January 10, 2018 and March 30, 2018.
Entry fee for each feature film screenplay is $49 until the early deadline on February 9, 2018, then $69 until the final deadline on March 30, 2018.
Optional feedback from a professional reader may be requested at the time of entry. Requests for feedback after an entry is submitted will not be accepted.
Screenplays must be a minimum of 75 pages and a maximum of 150 pages.
There is no limit to the number of projects you may submit.
Entries must be received on or before the deadline dates by 11:59PM Pacific Time, and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable.
All submitted material must be original, and all rights must be wholly owned by the writer(s).
Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s). All writers must be credited on title page.
If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing the prize money.
Substitutions of either corrected pages or new drafts of the entered material will be allowed for a limited time with a $5 reentry fee through Coverfly. Please proofread your script carefully before submitting.
It is recommended that original material be registered with the WGA or The Library of Congress before submitting to any competition, however we do not require registration.
Contact info may be included on the cover page of the screenplay, however it is not required.
All ownership and rights to the scripts submitted to this contest remains with the original rights holders.
All writers at least 18 years of age are eligible. However, a writer who has earned more than $50,000 (or equivalent currency) from professional writing services for film or TV in the preceding year is not. (Contest winnings not included.)
All persons from anywhere in the world are eligible; however the material submitted must be in English (occasional dialogue in other languages is acceptable, if subtitle translation is provided).
All material submitted to other competitions or contests are eligible for this contest.
There are no requirements as to when the material was written.
Screenplay and intellectual property must be wholly owned and submitted by the writer(s).
Material should be submitted in standard screenplay format, font, spacing and margin.
We have no preferences regarding title page content. Title and name of writer would suffice.
Entries for this competition are managed on the submission platform Coverfly.
Adaptations are ineligible unless the underlying rights are owned by the writer or the work is in the public domain.
Feature screenplays longer than 150 pages will not be eligible.
All material must be submitted electronically as a PDF or it will not be eligible.
When was the last time you saw a six-year old or a twelve-year old attend a political candidates’ meeting or vote in an election? Sadly, most creative science outreach in Canada is aimed at children and teenagers in the misbegotten belief that adults don’t matter and ‘youth are the future’. There are three adult science outreach scenarios although they didn’t tend to be particularly creative. (1) Should scientists feel hard done by elected representatives, they reach out to other adults for support. (2) Should those other adults become disturbed by any scientific or technological ‘advance’ then scientific experts will arrive to explain why that’s wrong. (3) Should the science enterprise want money, then a call goes out (see my May 12, 2017 posting about the Canada Science and Technology Museums Corporation gala and, yes, they were a bit creative about it).
I am oversimplifying the situation but not by much especially if one considers two upcoming national Canadian science events: Science Rendezvous which is a day-long (May 13, 2017) cross country science event taking place during while the Science Odyssey holds a 10-day (May 12 – 2017) cross country science event. The two groups arranged their events separately and then decided to coordinate their efforts. Science Odyssey is a rebranding of the Canada Science and Technology Week organized by the federal government for at least two decades and which was held (until 2016) in the fall of each year. Science Rendezvous (About page) was launched in Toronto in 2008 (University of Toronto, Ryerson University, York University and the University of Ontario Institute of Technology (UOIT)).
Regardless, both events are clearly aimed at children (and families).
I’m not suggesting that exciting science outreach for children should be curtailed. Let’s expand the efforts to9 include the adult and senior populations too.
Philip Guo caught the coding bug in high school, at a fairly typical age for a Millennial. Less typical is that the UC San Diego cognitive scientist is now eager to share his passion for programming with a different demographic. And it’s not one you’re thinking of – it’s not elementary or middle school-aged kids. Guo wants to get adults age 60 and up.
In the first known study of older adults learning computer programming, Guo outlines his reasons: People are living and working longer. This is a growing segment of the population, and it’s severely underserved by learn-to-code intiatives, which usually target college students and younger. Guo wants to change that. He would like this in-demand skill to become more broadly accessible.
“Computers are everywhere, and digital literacy is becoming more and more important,” said Guo, assistant professor in the Department of Cognitive Science, who is also affiliated with UC San Diego’s Design Lab and its Department of Computer Science and Engineering. “At one time, 1,000 years ago, most people didn’t read or write – just some monks and select professionals could do it. I think in the future people will need to read and write in computer language as well. In the meantime, more could benefit from learning how to code.”
Guo’s study was recently awarded honorable mention by the world’s leading organization in human-computer interaction, ACM SIGCHI. Guo will present his findings at the group’s premier international conference, CHI, in May .
When prior human-computer interaction studies have focused on older adults at all, Guo said, it has been mostly as consumers of new technology, of social networking sites like Facebook, say, or ride-sharing services. While a few have investigated the creation of content, like blogging or making digital music, these have involved the use of existing apps. None, to his knowledge, have looked at older adults as makers of entirely new software applications, so he set out to learn about their motivations, their frustrations and if these provided clues to design opportunities.
Guo’s survey included 504 people between the ages of 60 and 85, from 52 different countries. Some were retired and semi-retired while others were still working.
What Guo discovered: Older adults are motivated to learn programming for a number of reasons. Some are age-related. They want to make up for missed opportunities during youth (22 percent) and keep their brains “challenged, fresh and sharp” as they age (19 percent). A few (5 percent) want to connect with younger family members.
Reasons not related to age include seeking continuing education for a current job (14 percent) and wanting to improve future job prospects (9 percent). A substantial group is in it just for personal enrichment: 19 percent to implement a specific hobby project idea, 15 percent for fun and entertainment, and 10 percent out of general interest.
Interestingly, 8 percent said they wanted to learn to teach others.
Topping the list of frustrations for older students of coding was bad pedagogy. It was mentioned by 21 percent of the respondents and ranged from the use of jargon to sudden spikes in difficulty levels. Lack of real-world relevance came up 6 percent of the time. A 74-year-old retired physician wrote: “Most [tutorials] are offered by people who must know how to program but don’t seem to have much training in teaching.”
Other frustrations included a perceived decline in cognitive abilities (12 percent) and no human contact with tutors and peers (10 percent).
The study’s limitations are tied in part to the instrument – self-reporting on an online survey – and in part to the survey respondents themselves. Most hailed from North America and other English-speaking nations. Most, 84 percent, identified themselves as male; this stat is consistent with other surveys of online learning, especially in math and science topics. There was a diverse array of occupations reported, but the majority of those surveyed were STEM professionals, managers and technicians. These learners, Guo said, likely represent “early adopters” and “the more technology-literate and self-motivated end of the general population.” He suggests future studies look both at in-person learning and at a broader swath of the public. But he expects the lessons learned from this group will generalize.
Based on this first set of findings and using a learner-centered design approach, Guo proposes tailoring computer-programming tools and curricula specifically for older learners. He notes, for example, that many of his respondents seemed to take pride in their years and in their tech-savvy, so while it may be good to advertise products as targeting this age group, they should not appear patronizing. It might make sense to reframe lessons as brain-training games, like Lumosity, now popular among the older set.
Just as it’s key to understand who the learners are so is understanding where they have trouble. Repetition and frequent examples might be good to implement, as well as more in-person courses or video-chat-based workshops, Guo said, which may lead to improvements in the teaching of programming not just for older adults but across the board.
Context matters, too. Lessons are more compelling when they are put into domains that people personally care about. And Guo recommends coding curricula that enable older adults to tell their life stories or family histories, for example, or write software that organizes health information or assists care-givers.
Guo, who is currently working on studies to extend coding education to other underrepresented groups, advocates a computing future that is fully inclusive of all ages.
“There are a number of social implications when older adults have access to computer programming – not merely computer literacy,” he said. “These range from providing engaging mental stimulation to greater gainful employment from the comfort of one’s home.”
By moving the tech industry away from its current focus on youth, Guo argues, we all stand to gain. [emphasis mine]
Guo joined the UC San Diego cognitive science faculty in 2016 after two years as an assistant professor at the University of Rochester. He received his bachelor’s and master’s degrees in computer science from MIT in 2006 and his Ph.D. from Stanford in 2012. Before becoming a professor, he built online learning tools as a software engineer at Google and a research scientist at edX. He also blogs, vlogs and podcasts at http://pgbovine.net/
When was the last time you heard about a ‘coding’ camp for adults and seniors in Canada? Also,, ask yourself if after you’d reached a certain age (40? 50? more? less?) you’d feel welcome at the Science Rendezvous events (without a child in tow), Science Odyssey events (without a child in tow), or the May 17, 2017 National Science and Innovation Gala in Ottawa (from my May 12, 2017 posting “It would seem the only person over the age of 30 who’s expected to attend is the CBC host, Heather Hiscox.”)?
Canada’s National Science and Technology Week was a ten-day (yes, not a week) affair held annually in October. At one time, it had some decent funding but over the years (under Liberal and Conservative governments) that funding became less adequate. So, I’m delighted to see the current government has decided to pump some new life into the effort, which has been rebranded as Science Odyssey and is taking place from May 6 – May 15, 2016. Here’s more from the event’s homepage (you can find links to event(s) taking place in your community there),
Embark with us on a Science Odyssey, a collaborative event geared to engage and inspire Canadians of all ages with accomplishments and activities in science, technology and engineering and mathematics.
Science Odyssey brings together a series of fun activities across the country from Friday, May 6 to Sunday, May 15, 2016. Events go from science-to-the –streets celebrations, to visits to labs, science fairs, talks and conferences, school field trips, encounters with researchers and scientists, museums and science centres special exhibits, community organizations hosting scientific events, online activities, and much more.
What is Science Odyssey?
Science Odyssey evolved from the National Science and Technology Week (NSTW) to a celebration of science from the whole of Canada’s prolific scientific community.
Events will come from federal government scientific research and technological initiatives; it will also serve as an occasion to showcase the excellence in science, technology and engineering housed at Canadian universities, colleges and polytechnics; it is also an opportunity to highlight the work of many other institutions, community organizations and groups dedicated to science promotion activities.
Science Odyssey is a collaborative event led by the Natural Sciences and Engineering Research Council (NSERC) in collaboration with many other federal departments and agencies and community organizations.
The Honourable Kirsty Duncan, Minister of Science, announced $4.8 million dollars in awards today for 43 recipients to be supported by the PromoScience program, which enables science outreach across Canada. The announcement was made at the Canadian Association of Science Centres annual conference in Vancouver, British Columbia. The program provides funding to science centres, day camps, after-school programs, science outreach organizations, networks and more to support youth engagement in science
Minister Duncan, along with Dr. B. Mario Pinto, President of the Natural Sciences and Engineering Research Council of Canada (NSERC), made the announcement at the start of ScienceOdyssey, a 10-day national celebration of science-based activities and events across Canada. The focus of Science Odyssey is to showcase the wonders of Canadian science, technology, engineering and math to youth and the public at large.
Interestingly, there was another nationwide STEM event taking place. Science Rendezvous was held on Saturday, May 7, 2016. They seem to have allied themselves with Science Odyssey (listed as a sponsor), from the ScienceRendezvous homepage,
Science Rendezvous is an annual festival that takes science out of the lab and onto the street! We work with Canada’s top research institutes to present a coast-to-coast open house and festival that is for everyone. With over 300 events across 30 cities and 1000’s of mind-blowing activities, Science Rendezvous is Canada’s largest celebration of the amazing feats of science and engineering happening right here at home.
In 2015, more than 200,000 attendees participated in our unique brand of hands-on science, a new landmark for such events in Canada.
Science Rendezvous is the only organization that generates this level of public engagement with science, and direct face-to-face involvement with those at the very frontiers of innovation.