Tag Archives: culture

D-PLACE: an open access database of places, language, culture, and enviroment

In an attempt to be a bit more broad in my interpretation of the ‘society’ part of my commentary I’m including this July 8, 2016 news item on ScienceDaily (Note: A link has been removed),

An international team of researchers has developed a website at d-place.org to help answer long-standing questions about the forces that shaped human cultural diversity.

D-PLACE — the Database of Places, Language, Culture and Environment — is an expandable, open access database that brings together a dispersed body of information on the language, geography, culture and environment of more than 1,400 human societies. It comprises information mainly on pre-industrial societies that were described by ethnographers in the 19th and early 20th centuries.

A July 8, 2016 University of Toronto news release (also on EurekAlert), which originated the news item, expands on the theme,

“Human cultural diversity is expressed in numerous ways: from the foods we eat and the houses we build, to our religious practices and political organisation, to who we marry and the types of games we teach our children,” said Kathryn Kirby, a postdoctoral fellow in the Departments of Ecology & Evolutionary Biology and Geography at the University of Toronto and lead author of the study. “Cultural practices vary across space and time, but the factors and processes that drive cultural change and shape patterns of diversity remain largely unknown.

“D-PLACE will enable a whole new generation of scholars to answer these long-standing questions about the forces that have shaped human cultural diversity.”

Co-author Fiona Jordan, senior lecturer in anthropology at the University of Bristol and one of the project leads said, “Comparative research is critical for understanding the processes behind cultural diversity. Over a century of anthropological research around the globe has given us a rich resource for understanding the diversity of humanity – but bringing different resources and datasets together has been a huge challenge in the past.

“We’ve drawn on the emerging big data sets from ecology, and combined these with cultural and linguistic data so researchers can visualise diversity at a glance, and download data to analyse in their own projects.”

D-PLACE allows users to search by cultural practice (e.g., monogamy vs. polygamy), environmental variable (e.g. elevation, mean annual temperature), language family (e.g. Indo-European, Austronesian), or region (e.g. Siberia). The search results can be displayed on a map, a language tree or in a table, and can also be downloaded for further analysis.

It aims to enable researchers to investigate the extent to which patterns in cultural diversity are shaped by different forces, including shared history, demographics, migration/diffusion, cultural innovations, and environmental and ecological conditions.

D-PLACE was developed by an international team of scientists interested in cross-cultural research. It includes researchers from Max Planck Institute for the Science of Human history in Jena Germany, University of Auckland, Colorado State University, University of Toronto, University of Bristol, Yale, Human Relations Area Files, Washington University in Saint Louis, University of Michigan, American Museum of Natural History, and City University of New York.

The diverse team included: linguists; anthropologists; biogeographers; data scientists; ethnobiologists; and evolutionary ecologists, who employ a variety of research methods including field-based primary data collection; compilation of cross-cultural data sources; and analyses of existing cross-cultural datasets.

“The team’s diversity is reflected in D-PLACE, which is designed to appeal to a broad user base,” said Kirby. “Envisioned users range from members of the public world-wide interested in comparing their cultural practices with those of other groups, to cross-cultural researchers interested in pushing the boundaries of existing research into the drivers of cultural change.”

Here’s a link to and a citation for the paper,

D-PLACE: A Global Database of Cultural, Linguistic and Environmental Diversity by Kathryn R. Kirby, Russell D. Gray, Simon J. Greenhill, Fiona M. Jordan, Stephanie Gomes-Ng, Hans-Jörg Bibiko, Damián E. Blasi, Carlos A. Botero, Claire Bowern, Carol R. Ember, Dan Leehr, Bobbi S. Low, Joe McCarter, William Divale, Michael C. Gavin.  PLOS ONE, 2016; 11 (7): e0158391 DOI: 10.1371/journal.pone.0158391 Published July 8, 2016.

This paper is open access.

You can find D-PLACE here.

While it might not seem like that there would be a close link between anthropology and physics in the 19th and early 20th centuries, that information can be mined for more contemporary applications. For example, someone who wants to make a case for a more diverse scientific community may want to develop a social science approach to the discussion. The situation in my June 16, 2016 post titled: Science literacy, science advice, the US Supreme Court, and Britain’s House of Commons, could  be extended into a discussion and educational process using data from D-Place and other sources to make the point,

Science literacy may not be just for the public, it would seem that US Supreme Court judges may not have a basic understanding of how science works. David Bruggeman’s March 24, 2016 posting (on his Pasco Phronesis blog) describes a then current case before the Supreme Court (Justice Antonin Scalia has since died), Note: Links have been removed,

It’s a case concerning aspects of the University of Texas admissions process for undergraduates and the case is seen as a possible means of restricting race-based considerations for admission.  While I think the arguments in the case will likely revolve around factors far removed from science and or technology, there were comments raised by two Justices that struck a nerve with many scientists and engineers.

Both Justice Antonin Scalia and Chief Justice John Roberts raised questions about the validity of having diversity where science and scientists are concerned [emphasis mine].  Justice Scalia seemed to imply that diversity wasn’t esential for the University of Texas as most African-American scientists didn’t come from schools at the level of the University of Texas (considered the best university in Texas).  Chief Justice Roberts was a bit more plain about not understanding the benefits of diversity.  He stated, “What unique perspective does a black student bring to a class in physics?”

To that end, Dr. S. James Gates, theoretical physicist at the University of Maryland, and member of the President’s Council of Advisers on Science and Technology (and commercial actor) has an editorial in the March 25 [2016] issue of Science explaining that the value of having diversity in science does not accrue *just* to those who are underrepresented.

Dr. Gates relates his personal experience as a researcher and teacher of how people’s background inform their practice of science, and that two different people may use the same scientific method, but think about the problem differently.

I’m guessing that both Scalia and Roberts and possibly others believe that science is the discovery and accumulation of facts. In this worldview science facts such as gravity are waiting for discovery and formulation into a ‘law’. They do not recognize that most science is a collection of beliefs and may be influenced by personal beliefs. For example, we believe we’ve proved the existence of the Higgs boson but no one associated with the research has ever stated unequivocally that it exists.

More generally, with D-PLACE and the recently announced Trans-Atlantic Platform (see my July 15, 2016 post about it), it seems Canada’s humanities and social sciences communities are taking strides toward greater international collaboration and a more profound investment in digital scholarship.

Upcoming PoetryFilm appearances and events

It’s been a while since I last (in a March 17, 2015 post) featured PoetryFilm. Here’s the latest from the organization’s Oct. 2015 newsletter,

Forthcoming
  • I have been invited to join the International Jury for the CYCLOP International Videopoetry Festival, 20-22 November 2015 (Kiev, Ukraine)
  • PoetryFilm Paradox events, featuring poetry films about love, as part of the BFI LOVE season, 6 and 22 December 2015 (London, UK)
  • PoetryFilm screening + Zata Banks in conversation with filmmaker Roxana Vilk at The Scottish Poetry Library, 3 December 2015 (Scotland, UK)
  • I have been invited to judge the Carbon Culture Review poetry film competition (USA)
  • poetryfilmkanal in Germany recently invited me to write an article about the poetry film artform – it can be read here

FYI, the “I” in the announcement’s text is for Zata Banks, the founder and director of PoetryFilm since 2002.

There’s more about the CYCLOP International Videopoetry Festival in a Sept. 13, 2015 posting on the PoetryFilm website,

*The 5th CYCLOP International Videopoetry Festival will take place on 20 – 22 November 2015 in Ukraine (Kyiv). The festival programme features video poetry-related lectures, workshops, round tables, discussions, presentations of international contests and festivals, as well as a demonstration of the best examples of Ukrainian and world videopoetry, a competitive programme, an awards ceremony and other related projects.

One of the projects is a new Contest for International poetry films within the framework of the CYCLOP festival. The International Jury: Alastair Cook (Filmpoem Festival, Edinburgh, Scotland), Zata Banks (PoetryFilm, London, United Kingdom), Javier Robledo (VideoBardo, Buenos Aires, Argentina), John Bennet (videopoet, USA),  Alice Lyons (Videopoet, Sligo, Ireland), Sigrun Hoellrigl (Art Visuals & Poetry, Vienna, Austria), Lucy English (Liberated Words, Bristol, United Kingdom), Tom Konyves (poet, video producer, educator and a pioneer in the field of videopoetry, British Columbia, Canada), Polina Horodyska (CYCLOP Videopoetry Festival, Kyiv, Ukraine) and Thomas Zandegiacomo (ZEBRA Poetry Film Festival, Berlin, Germany).

*Copy taken from the CYCLOP website

You can find the CYCLOP website here but you will need Ukrainian language reading skills.

I can’t find a website for the Carbon Culture Review poetry film competition or a webpage for it on the Carbon Culture Review website but  here’s what they have to say about themselves on the journal’s About page,

Carbon Culture Review is a journal at the intersection of new literature, art, technology and contemporary culture. We define culture broadly as the values, attitudes, actions and inventions of our global society and its subcultures in our modern age. Carbon Culture Review is distributed in the United States and countries throughout the world by Publisher’s Distribution Group, Inc. and Annas International as well as digitally through 0s&1s, Magzter and Amazon. CCR is a member of Councils of Literary Magazines and Presses and also publishes monthly online issues.

The last item from the announcement that I’m highlighting is Zata’s essay for poetryfilmkanal ,

Poetry films offer creative opportunities for exploring new semiotic modes and for communicating messages and meanings in innovative ways. Poetry films open up new methods of engagement, new audiences, and new means of self-expression, and also provide rich potential for the creation, perception and experience of emotion and meaning.

We are surrounded by communicative signs in literature, art, culture and in the world at large. Whilst words represent one system of communicating, there are many other ways of making meanings, for instance, colour semiotics, typographic design, and haptic, olfactive, gustatory and durational experiences – indeed, a comprehensive list could be infinite. The uses of spoken and written words to communicate represent just two approaches among many. Through using meaning-making systems other than words, by communicating without words, or by not using words alone, we can bypass these direct signifiers and tap directly into pools of meaning, or the signifieds, associated with those words. Different combinations of systems, or modes, can reinforce each other, render meanings more complex and subtle, or contrast with each other to illuminate different perspectives. Powerful juxtapositions, associations and new meanings can therefore emerge.

The essay is a good introduction for beginners and a good refresher for those in need. Btw, I understand Zata got married in March 2015. Congratulations to Zata and Joe!

Mathematics, music, art, architecture, culture: Bridges 2015

Thanks to Alex Bellos and Tash Reith-Banks for their July 30, 2015 posting on the Guardian science blog network for pointing towards the Bridges 2015 conference,

The Bridges Conference is an annual event that explores the connections between art and mathematics. Here is a selection of the work being exhibited this year, from a Pi pie which vibrates the number pi onto your hand to delicate paper structures demonstrating number sequences. This year’s conference runs until Sunday in Baltimore (Maryland, US).

To whet your appetite, here’s the Pi pie (from the Bellos/Reith-Banks posting),

Pi Pie by Evan Daniel Smith Arduino, vibration motors, tinted silicone, pie tin “This pie buzzes the number pi onto your hand. I typed pi from memory into a computer while using a program I wrote to record it and send it to motors in the pie. The placement of the vibrations on the five fingers uses the structure of the Japanese soroban abacus, and bears a resemblance to Asian hand mnemonics.” Photograph: The Bridges Organisation

Pi Pie by Evan Daniel Smith
Arduino, vibration motors, tinted silicone, pie tin
“This pie buzzes the number pi onto your hand. I typed pi from memory into a computer while using a program I wrote to record it and send it to motors in the pie. The placement of the vibrations on the five fingers uses the structure of the Japanese soroban abacus, and bears a resemblance to Asian hand mnemonics.”
Photograph: The Bridges Organisation

You can find our more about Bridges 2015 here and should you be in the vicinity of Baltimore, Maryland, as a member of the public, you are invited to view the artworks on July 31, 2015,

July 29 – August 1, 2015 (Wednesday – Saturday)
Excursion Day: Sunday, August 2
A Collaborative Effort by
The University of Baltimore and Bridges Organization

A Five-Day Conference and Excursion
Wednesday, July 29 – Saturday, August 1
(Excursion Day on Sunday, August 2)

The Bridges Baltimore Family Day on Friday afternoon July 31 will be open to the Public to visit the BB Art Exhibition and participate in a series of events such as BB Movie Festival, and a series of workshops.

I believe the conference is being held at the University of Baltimore. Presumably, that’s where you’ll find the art show, etc.

Thoughts on science funding and policy in Canada: Part 3

In all the talk about commercializing science, there’s very little discussion about impact of the civil service bureaucrats who administer the programmes. The focus tends to be on the politicians who are in the position of being elected for one or more terms and may or may not achieve a position in the cabinet. No matter how you look at it, a politician’s impact is mitigated by the long term civil service employees who are tasked with implementing the government programmes or directives.

A bureucrat’s life compared to a politician’s tends to be rather stable. No matter how the elections went, the bureaucrat remains. The very top level, deputy ministers do trudge in and out according to the prevailing political winds but bureaucrats below that level, the ones who actually implement and administer the programmes, don’t move around that much.

Typically, these bureaucrats don’t have a lot of business experience (many have none) and as far as I’m aware business people are not on the panels that adjudicate grants. This seems problematic to me. How can someone who’s never been in business assess research that could lead to a commercial product?

And even if they (bureaucrats or panel members) do have business experience, consider the huge difference between working in a corporation, e.g. IBM, and starting up your own company/working in a startup company. The mentalities are quite different and their notions as to what constitutes a viable commercial application are similarly different. Let’s not forget that each industrial sector has its own particular culture and outlook. (I know from experience how very different telecommunications companies are from graphic arts [printers] companies. For example, information that is shared freely in one sector is a closely guarded secret in another sector.)

My point is that commercializing science is a lot more complex than just saying “research something that can be commercialized.”

Next week I will be summarizing this series of comments about commercializing science.