This lecture won’t take place until February 28, 2024 and these tickets are for the in person event, that said, here’s more from the February 9, 2024 notice (received via email),
Why We have not discovered Dark Matter: A Theorist’s apology WEDNESDAY, FEBRUARY 28 [2024] at 7:00 pm ET FLIP TANEDO
Astronomical evidence suggests the galaxy is filled with dark matter, which we know little about and expect to be distinct from ordinary matter. Despite 30 years of research, we haven’t found a connection between dark matter and fundamental physics. Dark matter is incredibly elusive despite heroic experimental efforts.
On February 28 [2024], University of California Riverside faculty member Flip Tanedo will discuss how we got things so wrong, why we can be optimistic about the future, and what it means to “do physics” on something where the only thing we really know is that it probably exists.
Don’t miss out! Free tickets to attend this event in person will become available on Monday, February 12 [2024], at 9 am ET.
Speaker: Flip Tanedo, University of California Riverside
Biography: Flip Tanedo spends his time thinking about dark matter. He grew up in Los Angeles and fell in love with physics after reading The Physics of Star Trek. This carried into degrees in mathematics and physics at Stanford, Cambridge, Durham, and a Ph.D at Cornell. After a postdoc at UC Irvine, he is currently faculty at UC Riverside where he is often covered in a layer of chalk dust.
Reminder for those of us on the West Coast, subtract three hours from the time listed, i.e., 9 am at the Perimeter Institute is 6 am PT.
Perimeter institute for Theoretical Physics (located in Waterloo, Ontario, Canada) is presenting one of its public lectures according to a March 31, 2023 PI announcement (received via email),
The Jazz of Physics FRIDAY, APRIL 14 [2023] at 7:00 pm ET Stephon Alexander, Brown University
Take a musical journey of the mind and the cosmos with scientist and musician Stephon Alexander. A professor of physics at Brown University, Alexander began his journey to science in high school, where a teacher introduced him to the magic of jazz, fostering a connection between John Coltrane and Albert Einstein.
In his April 14 [2023] lecture, Alexander will demonstrate how the search for answers to deep cosmological puzzles has parallels to jazz improvisation. He will also explore new ways that music, particularly jazz, mirrors concepts in modern physics such as quantum mechanics, general relativity, and the early universe.
The Black Hole Bistro will not be available for dinner service the evening of the event.
Don’t forget to try to sign into your PI account before Monday morning, so you are ready when tickets go on sale.
If you didn’t get tickets for the lecture, not to worry – you can always catch the livestream on Inside the Perimeter or watch it on YouTube after the fact.
I checked and, at this point, you have to go on a waiting list for tickets. Here’s more about the process and your other options, from the The Jazz of Physics event page,
Waiting Line On the night of the lecture, there will be a waiting line at Perimeter for last minute cancelled tickets. Come to Perimeter after 6:00 PM and pick up a waiting line chit from the ticket table. While you wait, participate in pre-lecture activities. An announcement will be made in the Atrium at 6:50 PM if theatre seats are available. Note: You must arrive in person to be part of the waiting line, and be in the Atrium when the announcement is made.
No Disappointments Everyone who comes to Perimeter will be able to enjoy this lecture. If you do not manage to obtain a theatre ticket, you can join our waiting line and watch live from the quiet of the Time Room.
Live Webcast
All of our lectures are streamed live. You can watch the live stream of this lecture here [not yet active; check on day of event], or watch the recordings at your leisure on our YouTube Channel.
Stephon Alexander has his own website here where you’ll find (amongst other things like his TEDx talk and various interviews; he doesn’t seem to have updated the content since 2022) his 2021 book “Fear of a Black Universe; An Outsider’s Guide to the Future of Physics.” You can see what Kirkus Reviews had to say about the book here.
First off, there’s Canada’s annual Science Odyssey (see my April 26, 2021 posting for more about the government initiative or you can go directly to the Science Odyssey website for a listing of the events).
Since posting about Science Odyssey, I have received a number of emails announcing event and not all of them are part of the Odyssey experience.
From the looks of things, May 2021 is going to be a very busy month. Given how early it is in the month I expect to receive another batch of notices and most likely will post another May 2021 events roundup.
At this point, there’s a heavy emphasis on architecture (human and other) and design.
Proximal Spaces on May 3, 2021
This is one of those event within an event notices. There’s a festival: FACTT 20/21 – Improbable Times. Trans-disciplinary & Trans-national Festival of Art & Science in Portugal and within the festival there is Proximal Spaces in Toronto, Canada. Here’s more from the ArtScience Salon (ArtSci Salon) May 1, 2021 announcement (received via email),
Proximal Spaces
May 3, 2021 – 3.00 PM (EST) [12 pm PST]
Join us at this poetry reading by six Canadian artists responding to the work of eight bioartists. Event with be streamed on Facebook Live.
Please note that you don’t need to sign up in order to access the streaming as it is public.
Proximal Spaces’ is a multi-modal exhibition that explores the environment at multiple scales in concentric circles of proximity to the body. Inspired by Edward Hall’s [Edward Twitchell Hall or E. T. Hall] 1961 notation of intimate (1.5ft), personal (4ft), social (12ft) and public (25ft) spaces in his “Proxemics” diagrams, the installation portion presents similar diagrams of his concentric circles affixed to the wall of the gallery space, as well as developed in Augmented Reality around the venue. Each of these diagrams is a montage of microscopic and sub-microscopic images of the everyday environment as experienced by a collaborative team of international bioartists, and arrayed in a fractal form. In addition, an AR-enabled application explores the invisible environments of computer generated bioaerosols suspended in the air of virtual space.
This work visualizes the variegated response of the biological environment to unprecedented levels of physical distancing and self-isolation and recent developments in vaccine design that impact our understanding of interpersonal and interspecies ‘messaging’. What continues to thrive in the 6ft ‘dead spaces’ between us? What invisible particles linger on and create a biological archive through our movements through space? The artwork presents an interesting mode of interspecies engagement through hybrid virtual and physical interaction.
In the spring of 2021, six Canadian poets – Kelley Aitken, nancy viva davis halifax, Maureen Hynes, Anita Lahey, Dilys Leman, & Sheila Stewart – came together to pursue a lyric response to Proximal Spaces. They were challenged and inspired by the virtual exhibition with its combination of art, science, and proxemics. The focus of the artworks – what inhabits and thrives in the spaces and environments where we live, work, and breathe—generated six distinctive poems.
Poets: Kelley Aitken, nancy viva davis halifax, Maureen Hynes, Anita Lahey, Dilys Leman, & Sheila Stewart
Bioartists: Roberta Buiani, Nathalie Dubois Calero, Sarah Choukah, Nicole Clouston, Jess Holtz, Mick Lorusso, Maro Pebo, Felipe Shibuya
This project is part of FACTT-Improbable Times (http://factt.arteinstitute.org/), a project spearheaded and promoted by the Arte Institute we are in or production and conception partners with Cultivamos Cultura and Ectopia (Portugal), InArts Lab@Ionian University (Greece), ArtSci Salon@The Fields Institute and Sensorium@York University (Canada), School of Visual Arts (USA), UNAM [National Autonomous University of Mexico], Arte+Ciência and Bioscénica (Mexico), and Central Academy of Fine Arts (China). Together we will work and bring into being our ideas and actions for this during the year of 2021!
Morphogenesis: Geometry, Physics, and Biology on May 5, 2021
i love this image, he seems so delighted to show off the bug (?),
Here’s more from the Perimeter Institute for Theoretical Physics (PI) April 30, 2021 announcement (received via email),
Earth is home to millions of different species – from simple plants and unicellular organisms to trees and whales and humans. The incredible diversity of life on Earth led Charles Darwin to lament that it is “enough to drive the sanest man mad.”
How can we make sense of this diversity of form, which arises from the process of morphogenesis that links molecular- and cellular-level processes to conspire and lead to the emergence of “endless forms most beautiful,” as Darwin said?
In his May 5 [2021] lecture webcast, Harvard professor L. Mahadevan [Lakshminarayanan Mahadevan] will take viewers on a journey into the mathematical, physical, and biological workings of morphogenesis to demonstrate how scientists are beginning to unlock many of the secrets that have vexed scientists since Darwin.
Possible Worlds: “How Will We Live Together?” on May 6, 2021
For those who are interested in human architecture, there’s this from a May 3, 3021 Berggruen institute announcement (received via email) about a talk by Chilean architect and 2016 Pritzker Prize winner, Alejandro Gastón Aravena Mori (Alejandro Aravena),
Possible Worlds: How Will We Live Together
May 6, 2021
11am — Virtual
Possible Worlds: The UCLA [University of California at Los Angeles] – Berggruen Institute Speaker Series is a new partnership between the UCLA Division of Humanities and the Berggruen Institute.
Please click here to submit a question to Alejandro Aravena
About Alejandro Aravena Alejandro Aravena is an architect, founder and executive director of the firm Elemental. His works include the “Siamese Towers” at the Catholic University of Chile and the Novartis office campus in Shanghai. In 2016, the New York Times named Aravena one of the world’s “creative geniuses” who had helped define culture. He and Elemental have received numerous honors, including the 2016 Pritzker Architecture Prize, the 2015 London Design Museum’s Design of the Year award and the 2011 Index Award. Aravena currently serves as the president of the Pritzker Prize jury. Aravena’s lecture title, “How Will We Live Together?” echoes the theme of the upcoming international architecture exhibition, Biennale Architettura, in which Elemental will be participating.
Featuring a discussion with moderator Dana Cuff
Dana Cuff is Professor of Architecture and Urban Design at UCLA, where she is also Director of cityLAB, an award-winning think tank that advances goals of spatial justice through experimental urbanism and architecture (www.cityLAB.aud.ucla.edu). Since receiving her Ph.D. in Architecture from Berkeley, Cuff has published and lectured widely about affordable housing, the architectural profession, and Los Angeles’ urban history. She is author of several books, including The Provisional City about postwar housing in L.A., and a co-authored book called Urban Humanities: New Practices for Reimagining the City, documenting her collaborative, crossdisciplinary research and teaching at UCLA funded by the Mellon Foundation. Based on cityLAB’s design research, Cuff co-authored landmark legislation that permits “backyard homes” on some 8.1 million single-family properties, doubling the density of suburbs across California (AB 2299, Bloom-2016). In 2019, cityLAB opened a satellite center in the MacArthur Park/Westlake neighborhood where a deep, multi-year exchange with community organizations is already demonstrating ways that humanistic design of the public realm can create more compassionate cities. Cuff recently received three awards that describe her career: Women in Architecture Activist of the Year (2019, Architectural Record); Distinguished Leadership in Architectural Research (2020, ARCC); and Educator of the Year (2021, American Institute of Architects Los Angeles).
About the Series Possible Worlds: The UCLA – Berggruen Institute Speaker Series is a new partnership between the UCLA Division of Humanities and the Berggruen Institute. This semiannual series will bring some of today’s most imaginative intellectual leaders and creators to deliver public talks on the future of humanity. Through the lens of their singular achievements and experiences, these trailblazers in creativity, innovation, philosophy and politics will lecture on provocative topics that explore current challenges and transformations in human progress.
UCLA faculty and students have long been at the forefront of interpreting the world’s legacy of language, literature, art and science. UCLA Humanities serves a vital role in readying future leaders to articulate their thoughts with clarity and imagination, to interpret the world of ideas, and to live as informed citizens in an increasingly complex world. We are proud to be partnering in this lecture series with the Berggruen Institute, whose work addresses the “Great Transformations” taking place in technology and culture, politics and economics, global power arrangements, and even how we perceive ourselves as humans. The Institute seeks to connect deep thought in the human sciences — philosophy and culture — to the pursuit of practical improvements in governance.
A selection committee comprising representatives of UCLA and the Berggruen Institute has been formed to make recommendations for lecturers. The committee includes:
• Ursula Heise, Professor and Chair, Department of English; Professor, UCLA Institute of the Environment and Sustainability; Marcia H. Howard Term Chair in Literary Studies • Pamela Hieronymi, Professor of Philosophy • Anastasia Loukaitou-Sideris, Professor of Urban Planning; Associate Provost for Academic Planning • Todd Presner, Associate Dean, Digital Initiatives; Chair of the Digital Humanities Program; Michael and Irene Ross Endowed Chair of Yiddish Studies; Professor of Germanic Languages and Comparative Literature • Lynn Vavreck, Professor, Department of Political Science; Marvin Hoffenberg Professor of American Politics and Public Policy • David Schaberg, Senior Dean of the UCLA College; Dean of Humanities; Professor, Asian Languages & Cultures • Nils Gilman, Vice President of Programs, the Berggruen Institute
Generative Art and Computational Creativity starts May 7, 2021
A Spring 2021 MetaCreation Lab (Simon Fraser University; SFU) newsletter (received via email on April 23, 2021) highlights a number of festival submissions and papers along with some news about a free introductory course. First, the video introduction to the course,
This first course in the two-part program, Generative Art and Computational Creativity [there’s a fee for part two], proposes an introduction and overview of the history and practice of generative arts and computational creativity with an emphasis on the formal paradigms and algorithms used for generation. The full program will be taught by Associate Professor from the School of Interactive Arts and Technology at Simon Fraser University and multi-disciplinary researcher, Philippe Pasquier.
On the technical side, we will study core techniques from mathematics, artificial intelligence, and artificial life that are used by artists, designers and musicians across the creative industry. We will start with processes involving chance operations, chaos theory and fractals and move on to see how stochastic processes, and rule-based approaches can be used to explore creative spaces. We will study agents and multi-agent systems and delve into cellular automata, and virtual ecosystems to explore their potential to create novel and valuable artifacts and aesthetic experiences.
The presentation is illustrated by numerous examples from past and current productions across creative practices such as visual art, new media, music, poetry, literature, performing arts, design, architecture, games, robot-art, bio-art and net-art. Students get to practice these algorithms first hand and develop new generative pieces through assignments and projects in MAX. Finally, the course addresses relevant philosophical, and societal debates associated with the automation of creative tasks.
Music for this course was composed with the StyleMachineLite Max for Live engine of Metacreative Inc.
Artistic direction: Philippe Pasquier, Programmation: Arne Eigenfeldt, Sound Production: Philippe Bertrand
Schedule
This course is in adaptive mode and is open for enrollment. Learn more about adaptive courses here.
Session 1: Introduction and Typology of Generative Art (May 7, 2021) To start off this course, we define generative art and computational creativity and discuss how these relate through the study of prominent examples. We establish a typology of generative systems based on levels of autonomy and agency.
Session 2: History Of Generative Art, Chance Operations, and Chaos Theory (May 14, 2021) Generative art is nothing new, and this session goes through the history of the field from pre-history to the popularization of computers. We study chance, noise, fractals, chaos theory, and their applications in visual art and music.
Session 3: Rule-Based Systems, Grammars and Markov Chains (May 21, 2021) This session introduces and illustrate the generative potential of rule-based and expert systems. We study generative grammars through the Chomsky hierarchy, and introduce L-systems, shape grammars, and Markov chains. We discuss how these have been applied in visual art, music, design, architecture, and electronic literature.
Session 4: Cognitive Agents And Multiagent Systems (May 28, 2021) This session introduces the concepts underlying the notion of artificial agents. We study the belief, desire, and intention (BDI) cognitive architecture, and message based agent communication resting on the speech act theory. We discuss musical agents, conversational agents, chat bots and twitter bots and their artistic potential.
Session 5: Reactive Agents And Multiagent Systems (June 4, 2021) In this session, we introduce reactive agents and the subsumption architecture. We study boids, and detail how complex behaviors can emerge from a distributed population of simple artificial agents. We look at a myriad of applications from ant painting to swarm music and we discuss artistic approaches to virtual ecosystems.
Session 6: A-Life And Cellular Automaton (June 11, 2021) In this concluding session, we introduce artificial life (A-life). We study cellular automaton, multi-agent ecosystems for music, visual art, non-photorealistic rendering, and gaming. The session also concludes the class by reflecting on the state of the art in the field and its consequences on creative practices.
If you’re interested in the lab and its other projects, go to metacreationlab.net.
Architectural Portraits on May 13, 2021
From the May 2021 Dante Alighieri Society of British Columbia’s newsletter,
ARCHITECTURAL PORTRAITS: EXPLORING THE RELATIONSHIP BETWEEN BODY, DESIGN & THE BUILT ENVIRONMENT A talk by architect & photographer Oliviero Godi (Politecnico di Milano)
THURSDAY, May 13, 2021 IN ENGLISH – ON ZOOM at 5:00 pm (PST)
Admission:
FREE for the Dante Society’s members
$5 MINIMUM DONATION for non-members
Become a member! Annual membership $30.00 – See membership benefits here
The human being – so fragile, so ethereal, speaking a sweet language. A piece of architecture – so physically imminent, so solid, speaking a language of hardness.
Photo by Oliviero Godi – Frantoio Ipogeo nel Salento
Join photographer & architect Oliviero Godi as he explores the relationship between the body & the material, the transient & the permanent, in search of the correct balance where neither element prevails.
To make your donation, please send an e-transfer to info@dantesocietybc.ca. Thank you!
Learn More [about this other upcoming Cultural Events]
Respiration and the Brain on May 25, 2021
Before getting to the April 29, 2021 BrainTalks announcement, here’s a little bit about BrainTalks from their webspace on the University of British Columbia (UBC) website,
BrainTalks is a series of talks inviting you to contemplate emerging research about the brain. Researchers studying the brain, from various disciplines including psychiatry, neuroscience, neuroimaging, and neurology, gather to discuss current leading edge topics on the mind.
As an audience member, you join the discussion at the end of the talk, both in the presence of the entire audience, and with an opportunity afterwards to talk with the speaker more informally in a catered networking session. The talks also serve as a connecting place for those interested in similar topics, potentially launching new endeavours or simply connecting people in discussions on how to approach their research, their knowledge, or their clinical practice.
For the general public, these talks serve as a channel where by knowledge usually sequestered in inaccessible journals or university classrooms, is now available, potentially allowing people to better understand their brains and minds, how they work, and how to optimize brain health.
[UBC School of Medicine Department of Psychiatry]
Onto the April 29, 2021 BrainTalks announcement (received via email),
BrainTalks: Respiration and the Brain
Tuesday, May 25th, 2021 from 6:00 PM – 7:30 PM [PT]
Join us for a series of online talks exploring questions of respiration and the brain. Emerging empirical research will be presented on ventilation-associated brain injury and breathing-based interventions for the treatment of stress and anxiety disorders. We presenters will include Dr. Thiago Bassi, Dr. Lloyd Lalande and Taylor Willi, MSc.
Dr. Thiago Bassi will address the biological connection between the brain and lungs, exploring the potential adverse effects of mechanical ventilation on the brain. Dr. Bassi is a neurosurgeon and neuroscientist, who worked clinically for more than ten years in Brazil. He joined the Lungpacer Medical team and C2B2 lab in 2017, and is currently completing his doctorate in Biomedicine Physiology at Simon Fraser University.
Dr. Lloyd Lalande will describe Guided Respiration Mindfulness Therapy (GRMT), as an emerging clinical breathwork intervention for its effectiveness in reducing depression, anxiety and stress, and in increasing mindfulness and sense of wellbeing. Dr. Lalonde is an Assistant Professor teaching psychology at the Buddhist TzuChi University of Science and Technology, and the developer of GRMT. His current research is based out of the TzuChi Buddhist General Hospital, investigating GRMT as an evidence-based treatment for a variety of outcomes.
Mr. Taylor Willi will present the findings of his dissertation research comparing the effect of performing daily brief relaxation techniques on measures of stress and anxiety. Mr. Willi completed a Masters Degree of Neuroscience at the University of British Columbia, and is currently completing his doctorate in Clinical Psychology at Simon Fraser University.
Each of the speakers will present an overview of their research findings investigating respiration in three unique ways. Following their presentations, the speakers will be available for an audience-drive panel discussion.
They don’t mention COVID-19 but given that seriously ill patients with the disease are routinely placed on ventilators, it is almost certainly going to be mentioned in the presentations.
We would be very grateful if you would circulate this information to outstanding early career candidates who may be interested in this opportunity.
Perimeter Institute offers a dynamic, multi-disciplinary environment with maximum research freedom and opportunity to collaborate. Consideration of applications will begin on December 1, 2020; however, applications will be considered until the positions are filled.
Perimeter Scholars International (PSI) master’s programme
From an Oct. 13, 2020 Perimeter Institute for Theoretical Physics (PI) announcement (received via email),
PSI is a master’s-level course in theoretical physics designed to bring highly qualified and exceptionally motivated graduate students to the cutting edge of the field in an inclusive training environment.
This unique Master’s program, in partnership with the University of Waterloo, seeks not only students with stellar undergraduate physics and/or mathematics track records, but also those with diverse backgrounds, collaborative spirit, creativity, and other attributes that will set them apart as future innovators.
Program features
– Removal of financial barriers: Most students who receive and accept offers of admission to PSI will receive a full scholarship. Perimeter Institute also helps with travel arrangements and any immigration arrangements necessary.
– Students learn from many of the leading minds in theoretical physics while earning a Master’s degree from the University of Waterloo
– Collaboration is valued over competition; deep understanding and creativity are valued over rote learning and examination
– PSI recruits worldwide: 85 percent of students come from outside of Canada
– PSI seeks extraordinary talent who may have non-traditional academic backgrounds, but have demonstrated exceptional scientific aptitude
…
Early application deadline: November 15, 2020. Final application deadline: February 1, 2021.
I love mysteries and am quite interested in the nature of reality (you, too?) and that gives us something in common with a couple of Perimeter Institute for Theoretical Physics (PI; Canada) researchers. From The Quantum Physicist as Causal Detective event page on the insidetheperimeter.ca website (notice received via email),
In their live webcast from Perimeter on October 7 [2020], Robert Spekkens and Elie Wolfe will shed light on the exciting possibilities brought about by applying quantum thinking to the science of cause and effect.
Watch the live webcast on this page on Wednesday, October 7 [2020] at 7 pm ET.
What do data science and the foundations of quantum theory have to do with one another?
A great deal, it turns out. The particular branch of data science known as causal inference focuses on a problem which is central to disciplines ranging from epidemiology to economics: that of disentangling correlation and causation in statistical data.
Meanwhile, in a slightly different guise, this same problem has been pondered by quantum physicists as part of a continuing effort to make sense of various puzzling quantum phenomena. On top of that, the most celebrated result concerning quantum theory’s meaning for the nature of reality – Bell’s theorem – can be seen in retrospect to be built on the solution to a particularly challenging problem in causal inference.
Recent efforts to elaborate upon these connections have led to an exciting flow of techniques and insights across the disciplinary divide.
Perimeter researchers Robert Spekkens and Elie Wolfe have done pioneering work studying relations of cause and effect through a quantum foundational lens, and can be counted among a small number of physicists worldwide with expertise in this field.
In their joint webcast from Perimeter [at 7 pm ET] on October 7 [2020], Spekkens and Wolfe will explore what is happening at the intersection of these two fields and how thinking like a quantum physicist leads to new ways of sussing out cause and effect from correlation patterns in statistical data.
For those of us on the West Coast, that webcast will be at 4 p.m. on Wednesday, Oct. 7, 2020 and I believe you can watch it here.
Dedicated to foundational theoretical physics, the Perimeter Institute (PI) has an active outreach programme. In their latest ‘newsletter’ (received via email on September 19, 2018) highlights poetry written by scientists, (from the ’12 poignant poems’ webpage),
It can be said that science and poetry share the common purpose of revealing profound truths about the universe and our place in it.
Physicist Paul Dirac, a known curmudgeon, would have dismissed that idea as hogwash.
“The aim of science is to make difficult things understandable in a simpler way; the aim of poetry is to state simple things in an incomprehensible way,” Dirac grouched to a colleague. “The two are incompatible.”
The colleague to whom Dirac was grumbling, J. Robert Oppenheimer, was a lover of poetry who dabbled in it himself — as did, it turns out, quite a few great physicists, past and present. Physicists have often turned to poetry to express ideas for which there are no equations.
Here’s a look at some of the loveliest stanzas from physicists past and present, plus a few selections of rhyming silliness that get an A+ for effort.
Considering his reported distaste for poetry, it seems Dirac may have committed a few lines to verse. A four-line poem credited to Dirac laments the belief that, once past the age of 30, physicists have already passed their peak intellectual years.
Perhaps the most prolific of all the poetic physicists was the Scottish genius [James Clerk Maxwell] whose equations for electromagnetism have been called “the second great unification in physics” (second to Isaac Newton’s marriage of physics and astronomy).
Maxwell’s best-known poetic composition is “Rigid Body Sings,” a ditty he used to sing while playing guitar, which is based on the classic Robbie Burns poem “Comin’ Through the Rye” (the inspiration for the title of J.D. Salinger’s TheCatcher in the Rye). In terms of melding poetry and physics, however, Maxwell’s geekiest composition might be “A Problem in Dynamics,” which shows both his brilliance and sense of humour.
If Maxwell’s “A Problem in Dynamics,” is a little too technical for your mathematical comfort level, his fellow Scottish physicist William J.M. Rankine penned poetry requiring only a rudimentary understanding of algebra (and a peculiar understanding of love).
Richard Feynman was known for both his brilliance and his eclectic lifestyle, which included playing the bongos, safe-cracking, and, occasionally, writing poetry.
Although theoretical physics is her specialty, Shohini Ghose is a true polymath. Born in India, educated in the US, and now a multi-award-winning professor at Wilfrid Laurier University, Ghose has delivered popular talks on subjects ranging from climate change to sexism in science. She recently joined Perimeter Institute as an affiliate researcher and an Equity, Inclusion & Diversity Specialist. On top of all that, she is a poet too.
English mathematician James Joseph Sylvester was a prolific scholar whose collected works on matrix theory, number theory, and combinatorics fill four (large) volumes. In his honour, the Royal Society of London bestows the Sylvester Medal every two years to an early-career mathematician who shows potential to make major breakthroughs, just as the medal’s namesake did. It is only fitting that Sylvester’s best known work of poetry is an ode to a missing part of an algebraic formula.
Sonali Mohapatra is a Chancellor’s PhD Student at the University of Sussex and an alumna of the Perimeter Scholars International master’s program (during which she sang on the nationally broadcast CBC Radio program Ideas). She’s also the author of the poetry compilation Leaking Ink and runs an international magazine on creative resistance called Carved Voices. In her spare time — which, remarkably, she occasionally has — she delivers motivational talks on physics, feminism, and the juxtaposition of the personal and the professional.
William Rowan Hamilton was an extraordinary mathematician whose research had long-lasting implications for modern physics. As a poet, he was a bit of a hack, at least in the eyes of his friend and renowned poet William Wordsworth. Hamilton often sent his poems to Wordsworth for feedback, and Wordsworth went to great pains to provide constructive criticism without hurting his friend’s feelings. Upon reading one of Hamilton’s poems, Wordsworth replied: “I do venture to submit to your consideration, whether the poetical parts of your nature would not find a field more favourable to their exercise in the regions of prose.” Translation: don’t quit your day job, Bill. Here’s one of Hamilton’s better works — a tribute to another giant of mathematics and physics, Joseph Fourier.
For some lyrical physicists, poetry is not always a hobby separate from scientific research. For some (at least one), poetry is a way to present scientific findings. In 1984, Australian physicist J.W.V. Storey published a research paper — The Detection of Shocked Co/ Emission from G333.6-0.2 — as a 38-stanza poem. To any present-day researchers reading this: we dare you to try it.
Caltech physicist John Preskill is one of the world’s leading researchers exploring quantum information and the application of quantum computing to big questions about spacetime. Those are extremely complex topics, but Preskill also has a knack for explaining complicated subjects in accessible (and, occasionally, rhyming) terms. Here’s a snippet from a poem he wrote called “Quantum Cryptography.”
Nitica Sakharwade is a PhD student who, when not tackling foundational puzzles in quantum mechanics and quantum information, writes poetry and performs spoken word. In fact, she’s performing at the Canadian Festival of Spoken Word in October 2018. Though her poems don’t always relate to physics, when they do, they examine profound ideas like the Chandrasekhar limit (the mass threshold that determines whether a white dwarf star will explode in a cataclysmic supernova).
David Morin is a physics professor at Harvard who has become somewhat legendary for sprucing up his lessons with physics-based limericks. Some are quite catchy and impressively whittle a complex subject down to a set of simple rhyming verses, like the one below about Emmy Noether’s landmark theorem.
Other poems by Morin — such as this one, explaining how a medium other than a vacuum would affect a classic experiment — border on the absurd.
Lastly, we can’t resist sharing a poem by the brilliant Katharine Burr Blodgett, a physicist and chemist who, among other achievements, invented non-reflective “invisible” glass. That glass became very useful in filmmaking and was first put to use by Hollywood in a little movie called Gone With the Wind. After she retired from a long and successful career at General Electric (where she also pioneered materials to de-ice airplane wings, among many other innovations), she amused herself by writing quirky poetry.
I’d usually edit a bit in an effort to drive readers over to the Perimeter website but I just can’t bear to cut this up. Thank you to Colin Hunter for compiling the poems and the write ups. For anyone who wants to investigate the Perimeter Institute further and doesn’t have a PhD in physics, there’s the Slices of PI webpage featuring “fun, monthly dispatches about science designed for social sharing.”