Mayurika Chakravorty at Carleton University (Department of English) in Ottawa, (Ontario, Canada) points out that the latest pandemic (COVID-19) is an example of how everything is connected (interconnectedness or globality) by way of science fiction in her July 19, 2020 essay on The Conversation (h/t July 20, 2020 item on phys.org), Note: Links have been removed,
In the early days of the coronavirus outbreak, a theory widely shared on social media suggested that a science fiction text, Dean Koontz’s 1981 science fiction novel, The Eyes of Darkness, had predicted the coronavirus pandemic with uncanny precision. COVID-19 has held the entire world hostage, producing a resemblance to the post-apocalyptic world depicted in many science fiction texts. Canadian author Margaret Atwood’s classic 2003 novel Oryx and Crake refers to a time when “there was a lot of dismay out there, and not enough ambulances” — a prediction of our current predicament.
However, the connection between science fiction and pandemics runs deeper. They are linked by a perception of globality, what sociologist Roland Robertson defines as “the consciousness of the world as a whole.”
Chakravorty goes on to make a compelling case (from her July 19, 2020 essay Note: Links have been removed),
In his 1992 survey of the history of telecommunications, How the World Was One, Arthur C. Clarke alludes to the famed historian Alfred Toynbee’s lecture entitled “The Unification of the World.” Delivered at the University of London in 1947, Toynbee envisions a “single planetary society” and notes how “despite all the linguistic, religious and cultural barriers that still sunder nations and divide them into yet smaller tribes, the unification of the world has passed the point of no return.”
Science fiction writers have, indeed, always embraced globality. In interplanetary texts, humans of all nations, races and genders have to come together as one people in the face of alien invasions. Facing an interplanetary encounter, bellicose nations have to reluctantly eschew political rivalries and collaborate on a global scale, as in Denis Villeneuve’s 2018 film, Arrival.
Globality is central to science fiction. To be identified as an Earthling, one has to transcend the local and the national, and sometimes, even the global, by embracing a larger planetary consciousness.
In The Left Hand of Darkness, Ursula K. Le Guin conceptualizes the Ekumen, which comprises 83 habitable planets. The idea of the Ekumen was borrowed from Le Guin’s father, the noted cultural anthropologist Arthur L. Kroeber. Kroeber had, in a 1945 paper, introduced the concept (from Greek oikoumene) to represent a “historic culture aggregate.” Originally, Kroeber used oikoumene to refer to the “entire inhabited world,” as he traced back human culture to one single people. Le Guin then adopted this idea of a common origin of shared humanity in her novel.
Regarding Canada’s response to the crisis [COVID-19], researchers have noted both the immorality and futility of a nationalistic “Canada First” approach.
I was hoping this would be the concluding part of this series but there was much more than I dreamed. (I know that’s repetitive but I’m truly gobsmacked.)
Astronomy and bird watching (ornithology) are probably the only two scientific endeavours that have consistently engaged nonexperts/amateurs/citizen scientists right from the earliest days through the 21st century. Medical research, physics, chemistry, and others have, until recently and despite their origins in ‘amateur’ (or citizen) science, become the exclusive domain of professional experts.
This situation seems to be changing both here in Canada and elsewhere. One of the earliest postings about citizen science on this blog was in 2010 and, one of the most amusing to me personally, was this March 21, 2013 posting titled: Comparing techniques, citizen science to expert science. It’s about a study by scientists at the University of East Anglia (UK) comparing data collection by citizen scientists with experts. In this particular project where undersea data was being collected and people with diving skills needed, the citizen scientists did a better job than the expert scientists of collecting data. (I’m not trying to suggest that experts can be replaced by amateurs but do suggest that there are advantages to working together.)
Take a look at your car. The bus you take to work. The smart phone you tap on during your commute. They all have one thing in common: science. Science is all around us. It shapes the way we live, the meals we grab on the go and the commute that takes us to school and work.
That is why the Government of Canada is encouraging young Canadians’ interest in science. Research and innovation lead to breakthroughs in agriculture, transit, medicine, green technology and service delivery, improving the quality of life for all Canadians. The outcomes of research also create jobs, strengthen the economy and support a growing middle class.
The Honourable Kirsty Duncan, Minister of Science and Minister of Sport and Persons with Disabilities, carried that message to an audience of young students during her first citizen science Google Hangout today. The Hangout, run by Exploring by the Seat of Your Pants, a not-for-profit organization, featured frog exhibits from the Toronto Zoo and a demonstration of the FrogWatch citizen science project by Dr. Nancy Kingsbury of Environment and Climate Change Canada. Toronto Zoo frog expert Katherine Wright joined Minister Duncan at the zoo to share information about frogs that are local to Ontario.
Minister Duncan, Dr. Kingsbury and Ms. Wright then engaged with elementary school children across Canada in a live Q&A session about the frogs in their own backyards. The Minister highlighted the importance of getting young Canadians interested in science fields and talked about ways they can take part in citizen science projects in their communities. Citizen scientists can share their observations on social media using the hashtag #ScienceAroundMe.
“Science is for everyone, and it is important that we encourage today’s youth to be curious. Young Canadians who engage in citizen science today will become the highly skilled workers—engineers, scientists, mathematicians, technology experts and entrepreneurs—of tomorrow. Through citizen science, children can nurture an interest in the natural world. These young people will then go on to discover, to innovate and to find solutions that will help us build a better Canada.” – The Honourable Kirsty Duncan, Minister of Science and Minister of Sport and Persons with Disabilities
“The Toronto Zoo is proud to participate in and encourage citizen science programs, such as FrogWatch, within the community. The Toronto Zoo’s Adopt-A-Pond Wetland Conservation Programme works to engage citizen scientists and deliver impactful conservation-focused research, restoration and outreach that highlight the importance of saving Canada’s sensitive wetland species and their habitats.” – Robin Hale, Interim Chief Executive Officer, Toronto Zoo
NatureWatch, of which FrogWatch is a component, is a community program that engages all Canadians in collecting scientific information on nature to understand our changing environment.
Exploring by the Seat of Your Pants aims to inspire the next generation of scientists, explorers and conservationists by bringing science, exploration, adventure and conservation into classrooms through virtual field trips run by programs like Google Hangout.
The Government of Canada’s Citizen Science Portal is a one-stop shop for science in the community. It showcases science programs, including NatureWatch programs, across the country.
The portal is not nearly as Ontario-centric as the projects mentioned in the news release (in case you were wondering).
Aside: In part 2 of this series, Jesse Hildebrand, founder of Science Literacy Week was mentioned as also being the founder of Exploring by the Seat of Your Pants.
Going to the birds
While bird watching and ornithological studies are not new to the Canadian science culture scene, there were some interesting developments in the 2010-19 period.
Canadian Geographic (magazine) sponsored a contest in 2015, the National Bird Project, where almost 50,000 people submitted suggestions for a national bird. Voting online ensued and on August 31, 2016 popular voting was closed. Five birds attracted the top votes and in September 2016, the Royal Canadian Geographical Society put together an expert panel to debate and decide which would be Canada’s national bird. The choice was announced in November 2016 (Canadian Geographic National Bird Project).
The gray jay (Perisoreus canadensis in Latin, Mésangeai du Canada in French) lives in all 13 provinces and territories — the friendly spirit in Canada’s wild northern boreal and mountain forests. It remains in Canada year-round, is neither hunted nor endangered, and from the Atlantic provinces to the West is an indicator of the health of the boreal and mountain forests and climate change, inspiring a conservation philosophy for all kinds of northern land uses. The gray jay has long been important to Indigenous Peoples, and will draw all Canadians to their national and provincial/territorial parks, yet unlike the loon and snowy owl, it is not already a provincial or territorial bird.
Gray jay is a passerine bird belonging to the family Corvidae. It is mostly found in the boreal forest of North America. The bird is fairly large and has pale gray underparts and dark grey upperpart. Gray jay is a friendly bird and often approach human for food. It is also popularly known as the camp robber, whisky jack, and venison-hawk. Gray jay is listed as Least Concern by the IUCN [International Union for Conservation of Nature]. However, the anthropogenic climate change in the southern range may adversely affect its population. In some Fist Nation cultures, the bird is associated with mythological figures including Wisakedjak who was anglicized to Whiskyjack.
For approximately 200 years, the gray jay was known as “Canadian Jay” to the English speakers. The bird was renamed the “gray jay” in 1957 by the American Ornithologists’ Union. However, scientifically the bird is referred to as Perisoreus Canadensis. The bird is found in almost all the provinces of territories of Canada. the preferred habitat for the species is Canada’s boreal and mountain forests. Gray jay is also one of the smartest birds in the world and has almost the same body-to-brain ratio as human beings.
Canadian Georgraphic offers more depth (and a map) in a November 16, 2016 article, by Nick Walker, titled, Canada, meet your national bird (Note: Links have been removed),
With 450 species in the country to choose from, Canadian Geographic’s decision was made neither lightly nor quickly.
This national debate has been running since January 2015, in fact. But after weighing the opinions and preferences of tens of thousands of Canadians, as well as the expertise of our National Conservation Partners at Bird Studies Canada and other ornithologists and conservationists, as well as cultural experts and Indigenous Peoples, that list was narrowed to five birds. And one finalist best met all reasonable criteria.
We give you the gray jay. …
Not only has the gray jay never been recorded outside of North America, the vast majority of its range is in Canada, with only a small percentage crossing into Alaska and the western mountains of the United States. The species’ preferred habitat is Canada’s boreal and mountain forests — ecozones that stretch from coast to coast and into the North, blanketing nearly two-thirds of the country.
Like the Canadian flag when it was selected in 1965, the gray jay is fresh and new and fitting. To quote David Bird, ornithologist and professor emeritus of wildlife biology at Montreal’s McGill University, we cannot think of a more Canadian bird.
Three sets of bird stamps were issued by Canada Post from 2016-2018 saluting “Canada’s avian citizens.” Here’s more from a July 12, 2016 Birds of Canada blog post on the Canada Post website announcing the first series of bird stamps,
Hatched by designer Kosta Tsetsekas and illustrator Keith Martin, these stamps are the first in a three-year series celebrating Canada’s avian citizens. Our first flock includes five official birds: the Atlantic puffin (Newfoundland and Labrador), the great horned owl (Alberta), the common raven (Yukon), the rock ptarmigan (Nunavut) and the sharp-tailed grouse (Saskatchewan).
On behalf of the International Ornithologists’ Union, Vancouver is delighted to welcome ornithologists from around the world to the 27th International Ornithological Congress (IOCongress2018)! Considered the oldest and most prestigious of meetings for bird scientists, the Congress occurs every four years since first being held in Vienna, Austria, in 1884.
Canada has hosted only once previously, Ottawa in 1986, and Vancouver will be the first time the Congress has been on the Pacific Coast of the Americas. The Congress has broad national endorsement, including from the City of Vancouver, the province of British Columbia, Environment Canada, Simon Fraser University, Artists for Conservation, Tourism Vancouver plus an array of scientific societies and conservation organizations.
The convention centre’s webpage features an impressive list of events which were open to the public,
Stars of the Bird World Presentation (August 19): Dr. Rob Butler, chair of the Vancouver International Bird Festival, presents Flyways to Culture: How birds give rise to a cultural awakening, at look at how the growing interest in birds in particular and nature in general, is a foundation for a new Nature Culture in which nature becomes embedded into a west coast culture. 8:30-10 a.m. at the Vancouver Convention Centre. Admission by donation ($10 suggested).
Festival Opening Ceremony – Parade of Birds and a fanfare by Vancouver Symphony Brass Quintet (August 20): The festival begins with a Parade of Birds and a fanfare by the Vancouver Symphony Brass Quintet. The fanfare “Gathering Flock” was composed by Frederick Schipizky. 3:20 p.m. to 5:15 p.m. at the Vancouver Convention Centre.
Artists for Conservation Show (August 22): Artists for Conservation is the official visual arts partner for the festival and congress, showcasing some of the world’s best nature art through its annual juried exhibit, a collaborative mural, artist demo and lecture series and an artist booth expo. Official opening 6-10 p.m. at the Vancouver Convention Centre.
Nature & Bird Expo (until August 25): The three-day Bird Expo is the showcase of birds and nature in Canada, including exhibitors, speakers, yoga, poetry, art and more. Runs until Aug. 25 at the Vancouver Convention Centre. Check out a full event listing at www.vanbirdfest.com/calendar/nature-bird-expo.
Migration Songs – Poetry and Ornithology (August 23): Migration Songs brings together 11 contemporary poets to consider an array of bird species. Each poet was put in conversation with a particular ornithologist or scientist to consider their chosen species collaboratively. The poets involved include well-known west-coast authors, amongst them Governor General’s Award and Griffin Poetry Prize winners. A short book of these collaborations, Migration Songs, with cover art by poet, painter, and weaver Annie Ross, will be available. 6 p.m. at the Vancouver Convention Centre.
Unveiling of the Silent Skies Mural (August 23): A signature event of the week-long Artists for Conservation show is the unveiling of the Silent Skies mural made up of illustrations of the endangered birds of the world — 678 pieces, each depicting a different endangered bird, will make up the 100-foot-long installation that will form the artistic centrepiece for the 8th annual Artists for Conservation Festival, the 27th International Ornithological Congress and Vancouver International Bird Festival. The unveiling takes place at 6:30 p.m. at the Vancouver Convention Centre.
Stewardship Roundtable 2018 (August 24): A forum and showcase of innovative practices championed in B.C. province and beyond, presented by the Stewardship Centre for BC and Bird Studies Canada, in collaboration with the 27th International Ornithological Congress and Vancouver International Bird Festival. 8:30 a.m. until 9 p.m. at the Vancouver Convention Centre. For more information or to register, visit stewardshipcentrebc.ca/programs/wildife-species-risk/stewardship-roundtable.
Closing Ceremony (August 26): The closing ceremony will include remarks from officials and First Nations representatives, and a Heron Dance by the New Dance Centre from Saskatchewan. 5-6:30 p.m. at Vancouver Convention Centre.
I attended the opening ceremony where they announced the final set of stamps in the Birds of Canada series by introducing people who’d dressed for the parade as the birds in question.
The Canadian birding community has continued to create interesting new projects for science outreach. A December 19, 2019 posting by Natasha Barlow for Birds Canada (also known as Bird Studies Canada) announces a new interactive story map,
The Boreal Region is a massive expanse of forests, wetlands, and waterways covering much of the Northern Hemisphere. In Canada, this vast region stretches for 5000 kilometres from Newfoundland and Labrador through the country’s central regions and northwest to the Yukon.
Over 300 bird species regularly breed here, from tiny songbirds like kinglets and warblers to comparatively giant swans and cranes. The Boreal is home to literally billions of birds, and serves as the continent’s bird “nursery” since it is such an important breeding ground.
While extensive tracts of Canada’s northern Boreal still remain largely undisturbed from major industrial development, the human footprint is expanding and much of the southern Boreal is already being exploited for its resources.
Birds Canada, in partnership with the Nature Conservancy of Canada, has created an interactive story map that details the importance of the Boreal region for birds.
Climate change, ecology, and Indigenous knowledge (science)
There is more focus on climate change everywhere in the world and much of the latest energy and focus internationally can be traced to Swedish teenager, Greta Thunberg who turned 17 in January 2020. Her influence has galvanized a number of youth climate strikes in Canada and around the world.
There is a category of science fiction or speculative fiction known as Climate Fiction (cli-fi or clifi). Margaret Atwood (of course) has produced a trilogy in that subgenre of speculative fiction, from the Climate Fiction Wikipedia entry, Note: Links have been removed,
Margaret Atwood explored the subject in her dystopian trilogy Oryx and Crake (2003), The Year of the Flood (2009) and MaddAddam (2013). In Oryx and Crake Atwood presents a world where “social inequality, genetic technology and catastrophic climate change, has finally culminated in some apocalyptic event”. The novel’s protagonist, Jimmy, lives in a “world split between corporate compounds”, gated communities that have grown into city-states and pleeblands, which are “unsafe, populous and polluted” urban areas where the working classes live.
There is some other cli-fi literature by Canadians, notably an anthology of Canadian short stories edited by Bruce Meyer, from a March 9, 2018 review by Emilie Moorhouse published in Canada’s National Observer (review originally published in Prism magazine on March 8, 2018), Note: A link has been removed,
A woman waits in line to get her water ration. She hasn’t had a sip of water in nearly three days. Her mouth is parched; she stumbles as she waits her turn for over an hour in the hot sun. When she he finally gets to the iTap and inserts her card into the machine that controls the water flow, the light turns red and her card is rejected. Her water credits have run out.
This scenario from “The Way of Water” by Nina Munteanu is one of many contained in the recently published anthology of short stories, Cli-Fi: Canadian Tales of Climate Change. The seventeen stories in this book edited by Bruce Meyer examine how humankind might struggle with the potential devastation of climate change in the near or distant future. Soon after I finished reading the book, Cape Town—known in precolonial times as “the place where clouds gather”—announced that it was only a few months away from what it called “Day Zero,” the day the city would officially run out of water, making the similarities between fiction and reality more than unsettling. Munteanu’s story is set in a futuristic Canada that has been mined of all its water by thirsty corporations who have taken over control of the resource. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation preventing rain clouds from going anywhere north of the Canada-US border.
Indigenous knowledge (science)
The majority of Canada’s coastline is in the Arctic and climate change in that region is progressing at a disturbing pace. Weather, Climate Change, and Inuit Communities in the Western Canadian Arctic, a September 30, 2017 blog posting, by Dr. Laura Eerkes-Medrano at the University of Victoria (British Columbia) for Historical Climatology describes it this way (Note: A link has been removed),
Global climate change brings with it local weather that communities and cultures have difficulty anticipating. Unpredictable and socially impactful weather is having negative effects on the subsistence, cultural activities, and safety of indigenous peoples in Arctic communities. Since 2013, Professor David Atkinson and his team at the University of Victoria have been working with Inuvialuit communities in Tuktoyaktuk, Ulukhaktok, and Sachs Harbour. The main goal is to understand how impactful weather is affecting residents’ subsistence activities, particularly when they are on the water. The project involves site visits, interviews, and regular phone calls with residents.
Inuvialuit residents regularly observe the waves, winds, snow, and ice conditions that interfere with their hunting, fishing, camping, and other subsistence and cultural activities. In this project, communities identify specific weather events that impact their activities. These events are then linked to the broader atmospheric patterns that cause them. Summaries of the events will be provided to Environment Canada to hopefully assist with the forecasting process.
By taking this approach, the project links Western scientific knowledge and traditional knowledge to generate insights [emphasis mine] into how climate change is affecting Inuvialuit activities in the Canadian Arctic. An oversight committee has been established in each community to give direction to the project. This oversight committee includes representatives from each of the main community organizations, which ensures that the respective organizations provide direction to the project and advise on how to engage residents and communities.
Western science learning from and taking from traditional knowledge is not new. For example, many modern medicines are still derived from traditional remedies. Unfortunately, traditional practitioners have not benefited from sharing their knowledge.
It is to be hoped things are changing with projects like Atkinson’s and another one I mentioned in a December 2, 2019 posting featuring a discovery about ochre (a red dye used for rock art). The dye being examined was produced (in a manner that appears to be unique) in the Babine Lake region of British Columbia and the research may have applications for industrial use leading to economic benefits for the indigenous folks of that region. As important as the benefits, the science team worked closely with the indigenous communities in that area.
Canada will finally have its first Arctic university.
This past week [of December 1, 2019], the Yukon legislature passed a bill to make Yukon College a university. It will be an institution with an Indigenous flavour that will make it as unique as the region it is to serve.
“Everybody knows we’re moving toward something big and something special,” said Tom Ullyett, chairman of the board of governors.
The idea of a northern university has been kicked around since at least 2007 when a survey in all three territories found residents wanted more influence over Arctic research. Northern First Nations have been asking for one for 50 years.
Research is to centre on issues around environmental conservation and sustainable resource development. It will be conducted in a new, $26-million science building funded by Ottawa and currently being designed.
Indigenous content will be baked in.
“It’s about teaching with northern examples,” said Tosh Southwick, in charge of Indigenous engagement. “Every program will have a northern component.”
Science programs will have traditional knowledge embedded in them and talk about ravens and moose instead of, say, flamingos and giraffes. Anthropology classes will teach creation stories alongside archeological evidence.
The institution will report to Yukon’s 14 First Nations as well as to the territorial legislature. More than one-quarter of its current students are Indigenous.
“Our vision is to be that first northern university that focuses on Indigenous governance, that focuses on sustainable natural resources, that focuses on northern climate, and everything that flows from that.”
Climate adaptation and/or choices
While we have participated in a number of initiatives and projects concerned with climate change, I believe there is general agreement we should have done more. That said I would prefer to remain hopeful.
A newly launched institute for climate policy research will have a Yukon connection. Brian Horton, Manager of Northern Climate ExChange at the Yukon Research Centre, has been named to the Canadian Institute for Climate Choices expert advisory panel for Climate Adaptation.
The Institute, launched Tuesday morning, aims to bring clarity to Canada’s climate policy choices. The Institute’s initial report, Charting our Course, describes the current climate landscape in Canada and provides recommendations for policy makers and governments seeking to implement more effective policy.
In order to remain grounded in issues of importance to Canadians, the Institute has appointed three Expert Advisory Panels (Adaptation, Mitigation and Clean Growth) to provide evidence-based research, analysis and engagement advice to support integrative policy decisions.
“It is exciting to have a role to play in this dynamic new network,” said Horton. “The climate is rapidly changing in the North and affecting our landscapes and lives daily. I look forward to contributing a Northern voice to this impactful pan-Canadian expert collaboration.”
At Yukon College, Horton’s research team focusses on applied research of climate impacts and adaptation in Yukon and Northwest Territories. Northern Climate ExChange works with communities, governments, and the private sector to answer questions about permafrost, hydrology, and social factors to facilitate adaptation to climate change.
January 21, 2020 | OTTAWA — Dozens of academics and policy experts today launched the Canadian Institute for Climate Choices, a new independent national research body. The Institute aims to bring clarity to the transformative challenges, opportunities and choices ahead for Canada as governments at all levels work to address climate change.
Experimental Lakes Area
This is a very special research effort originally funded and managed by the Canadian federal government. Rather controversially, Stephen Harper’s Conservative government defunded the research but that may not have been the tragedy many believed (from the Experimental Lakes Area Wikipedia entry),
IISD Experimental Lakes Area (IISD-ELA, known as ELA before 2014) is an internationally unique research station encompassing 58 formerly pristine freshwater lakes in Kenora District Ontario, Canada. Previously run by Fisheries and Oceans Canada, after being de-funded by the Canadian Federal Government, the facility is now managed and operated by the International Institute for Sustainable Development (IISD) and has a mandate to investigate the aquatic effects of a wide variety of stresses on lakes and their catchments. IISD-ELA uses the whole ecosystem approach and makes long-term, whole-lake investigations of freshwater focusing on eutrophication.
In an article published in AAAS’s well-known scientific journal Science, Eric Stokstad described ELA’s “extreme science” as the manipulation of whole lake ecosystem with ELA researchers collecting long-term records for climatology, hydrology, and limnology that address key issues in water management. The site has influenced public policy in water management in Canada, the USA, and around the world.
Minister of State for Science and Technology, Gary Goodyear, argued that “our government has been working hard to ensure that the Experimental Lakes Area facility is transferred to a non-governmental operator better suited to conducting the type of world-class research that can be undertaken at this facility” and that “[t]he federal government has been leading negotiations in order to secure an operator with an international track record.” On April 1, 2014, the International Institute for Sustainable Development announced that it had signed three agreements to ensure that it will be the long-term operator of the research facility and that the facility would henceforth be called IISD Experimental Lakes Area. Since taking over the facility, IISD has expanded the function of the site to include educational and outreach opportunities and a broader research portfolio.
Part 5 is to a large extent a grab bag for everything I didn’t fit into parts 1 -4. As for what you can expect to find in Part 5: some science podcasting, eco art, a Saskatchewan lab with an artist-in-residence, and more.
I’ve already written about October 2019 science and art/science events in Canada (see my Sept. 26, 2019 posting), but more event notices for Octoberhave come my way. These events are all art/science (or sciart as it’s sometimes called).
… on the future of life forms … a two-night (Oct./Nov.) discussion in Toronto, Canada
Here’s more from the ArtSci Salon’s October 3, 2019 announcement (received via email)
“…now they were perfecting a pigoon that could grow five or six kidneys at a time. Such a host animal could be reaped of its extra kidneys; then, rather than being destroyed, it could keep on living and grow more organs, much as a lobster could grow another claw to replace a missing one. That would be less wasteful, as it took a lot of food and care to grow a pigoon. A great deal of investment money had gone into OrganInc Farms…” (Margaret Atwood – Oryx & Crake 2003)
In Oryx and Crake Margaret Atwood describes a not-too-distant future where humans have perfected the art of fabricating and modifying a variety of creatures to improve and prolongue their own lives and wellbeing.
As Atwood has stated in various occasions, this is not science fiction.
It is in fact already happening. New forms of life appear not only as the product of lab fabrication or gene editing, but also as the result of toxic pollutants and climate change induced adaptation.
what to make of them?
how to cope with a world where extinction, adaptation and mutation risk to make traditional categories and taxonomies obsolete?
Join us to this two-parts series to discuss the ethics and implications of these transformations with artists, scientists and bioethicists.
Part 1 Thursday, October 17, 6:00-8:00 pm The Fields Institute for Research in Mathematical Sciences
Altered Inheritance: extinction, recreation or transformation? a dialogue and discussion on the implications of genome editing on humans and other organisms
with Francoise Baylis – Research Professor, Bioethicist, Dalhousie University
Karen Maxwell – Dept. of Biochemistry, Maxwell Lab, University of Toronto
emergent artists from OCADU [Ontario College of Art and Design University] and YorkU [York University, Toronto]
Part 2 Thursday, November 21, 6:00-8:00 pm The Fields Institute for Research in Mathematical Sciences
Classifying the new? why do we classify? what is it good for? what is the limit of taxonomy and classification in a transforming world?
with Richard Pell – Centre for PostNatural History, Pittsburgh, PA
Laurence Packer – Mellitologist, Professor of biology and environmental studies, York University
Stefan Herda – earth science artist
Cole Swanson – artist and educator (Art Foundation and Visual and Digital Arts, Humber college)
Anna Marie O’Brien – Frederickson, Rochman, and Sinton labs, University of Toronto
Françoise Baylis is University Research Professor at Dalhousie University. She is a member of the Order of Canada and the Order of Nova Scotia, as well as a fellow of the Royal Society of Canada and of the Canadian Academy of Health Sciences. Baylis was one of the organizers of, and a key participant in, the 2015 International Summit on Human Gene Editing. She is a member of the WHO expert advisory committee on Developing Global Standards for Governance and Oversight of Human Genome Editing. Her new book “Altered Inheritance. CRISPR and the Ethics of Human Genome Editing” is published by Harvard University Press
Karen Maxwell is a research professor in the dept of biochemistry at the university of toronto, where she runs the Maxwell Lab. Among other topics, the lab’s three branches “Anti-CRISPR”, “Phage morons” and “Anti-Phage defences” study the interplay of phages with their bacterial hosts, with a focus on phage mediated bacterial virulence mechanisms and inhibitors of anti-phage bacterial defenses.
Richard Pell works at the intersections of science, engineering, and culture. He has worked in a variety of electronic media from documentary video to robotics to bioart to museum exhibition. He is the founder and director of the Center for PostNatural History (CPNH), an organization dedicated to the collection and exposition of life-forms that have been intentionally and heritably altered through domestication, selective breeding, tissue culture or genetic engineering. The CPNH operates a permanent museum in Pittsburgh, Pennsylvania, and produces traveling exhibitions that have appeared in science and art museums throughout Europe and the United States, including being the subject of a major exhibition at the Wellcome Collection in London.
Laurence Packer is a mellitologist, ie a scholar whose main subject of study is wild bees. his research primarily involves the systematics of the bee subfamily Xeromelissinae – an obscure, but fascinating group of bees, restricted to the New World south of central Mexico. he has also expended considerable energy leading the global campaign to barcode the bees of the world. his work is concerned with promulgating the importance of bees: for genetic reasons, it seems that bees are more extinction prone than are almost all other organisms
Stefan Herda‘s practice explores our troubling relationship to the natural world through drawing, sculpture and video. Inspired by the earth sciences, Herda’s work navigates the space between truth and fiction. His material and process-based investigations fuse elements of authenticity, façade, the natural and the manufactured together. He received his BAH from the University of Guelph in 2010. His work in both sculpture and video has been included in exhibitions nationally and has been featured by CBC Arts and Daily VICE. Recently, Stefan has held solo shows at Patel Projects (Toronto) and Wil Kucey Gallery (Toronto), participated in group shows such as Cultivars: Possible Worlds at InterAccess (Toronto) and was featured as one of 12 artists in the Cabinet Project at the University of Toronto
Cole Swanson is an artist and educator based in Toronto, Canada. He has exhibited in solo and group exhibitions across Canada and throughout international venues in North America, South America, Europe, and Asia. At the heart of recent work is a cross-disciplinary exploration of materials and their sociocultural and biological histories. Embedded within art media and commonplace resources are complex relations between nature and culture, humans and other agents, consumers and the consumed. Swanson has engaged in a broad material practice using sound, installation, painting, and sculpture to explore interspecies relationships.
Anna Marie O’Brien is a post doc in the Frederickson, Rochman, and Sinton labs at University of Toronto, working on duckweeds, microbes, urban contaminants, and phenotypes.her PhD work was at Davis, with thesis advisors Dr. Jeffrey Ross-Ibarra and Dr. Sharon Strauss. she also collaborated closely with Dr. Ruairidh Sawers at LANGEBIO-CINVESTAV in Guanajuato, Mexico.
The first highlighted speaker, Françoise Baylis, has been mentioned here twice before, in a May 17, 2019 posting (scroll down to the ‘Global plea for moratorium on heritable genome editing’ subheading) and in an April 26, 2019 posting (scroll down to the ‘Finally’ subheading, the second paragraph). Both postings touch on the topic of CRISPR (clustered regularly interspaced short palindromic repeats) and germline editing (genetic editing that will affect all of your descendents).
Cartooney in New Westminster (near Vancouver, Canada) starting October 18, 2019
I like physics but I love cartoons Stephen Hawking
There you have it from one of the 20th/early 21st century’s most famous physicists. The quote is the opening line for the New Westminster (near Vancouver, Canada) New Media Gallery’s latest event webpage, Cartooney,
The impact of animated cartoons has been profound. In the early 20th century, we began exploiting the possibilities of the animated frame. The seven artists in this exhibition don’t create cartoons, they deconstruct those that already exist; from Looney Tunes, to The Simpsons to Charlie Brown. They exploit this potent material to reveal the inner and outer workings of our human world. The original cartoon is ever-present, haunting us with suggestive content.
The artists in this exhibition reframe our world. Here we are asked to consider the laws, systems and iconographies of the cartoon world while drawing parallels with our human world; physical laws, the laws of gravitation, matter + light, the physics of motion, and societal psychologies & behaviours. We are presented with fascinating catalogues and overlaying systems of symbolic language. The purposeful demolition of expectation in these works, mirrors the instabilities and dreams of modern life. They remind us that the pervasive medium of the cartoon can reflect and influence how we navigate the world. If there is a paradox here, it might be that dismantling a cartoon can throw open the doors of perception.
The New Westminster New Media Gallery’s next exhibition is exploring the impact of animated cartoons.
Cartooney opens at the gallery on Friday, Oct. 18 and runs until Dec. 8 , then again from Jan. 7 to Feb. 2 .
Artist Kevin McCoy, one-half of the duo of Jennifer and Kevin McCoy, will be on hand for an artist talk on opening night, Friday, Oct. 18. The talk will run from 6:30 to 7:30 p.m., with a reception and open exhibition from 7:30 to 9 p.m.
Laws of Motion in a Cartoon Landscape, by Andy Holden (U.K.):
In his two-channel audiovisual installation, 57 minutes long, Holden becomes a cartoon avatar, giving both a lecture on cartoons and a cartoon lecture, describing how our world is best now understood as a cartoon. The project incorporates Greek philosophy, Stephen Hawking, critical theory, physics, art, the financial crisis and Donald Trump, while adapting 10 laws of cartoon physics to create a theory of the world and a prophetic glimpse of the world we live in.
CB-MMXVIII (I’ve been thinking of giving sleeping lessons), by Patten (U.K.):
In this multi-screen audiovisual installation, the artist duo Patten subjects Charlie Brown to all the digital stresses, distortions and manipulations available in 2018, testing his plasticity.
“Sampled texts from philosophy, science and critical theory criss-cross the screens and are linked with scrolling images related to the natural world, DNA, systems, multiples; all serving to influence our reading of the cartoon character and the texts,” says the release. The ambient soundtrack is a dramatically slowed down Linus and Lucy theme.
You can find the New Westminster New Media Gallery on the third floor at the Anvil Centre, 777 Columbia St. See www.newmediagallery.ca for more details.
Collisions Festival: Invasive Systems in Vancouver, November 2019
Curiosity Collider, a Vancouver-based not-for-profit organization, will be hosting its inaugural art-science Collisions Festival: Invasive Systems at the VIVO Media Arts Centre from November 8 to 10, 2019. The festival features an art-science exhibition showcasing independent works and collaborative works by artist/scientist pairs, a hands-on DNA sonification workshop, an opening reception with performances, and guided discussions and tours.
Curated by Curiosity Collider’s Creative Director Char Hoyt, the theme of the festival focuses on the “invasive systems” that surround us – from technology and infections, to pollution and invasive species. “We want to create a space to explore the influence of the invasive aspects of our world on our inner and outer lives” said Char. “We will examine our observations from both scientific and artistic perspectives- are these influences beneficial, inevitable, or preventable?” Attendees can anticipate a deep dive into the delicate and complicated nature of how both living and inanimate things redefine our lives and environments – through visual art, multimedia installations, and interactive experiences.
“I am not a scientist and do not come from a family of scientists, but I have always appreciated knowing how things work, how things are connected and how things evolve – collaboration between art and science feel natural to me,” said Vancouver artist Dzee Lousie. “Both artists and scientists are curious, perform experiments and are driven by questions.” Dzee’s work Crossing, an interactive puzzle painting that examines how microbial colonies can impact our behaviours and processes in our body, is the result of a collaboration with UBC PhD candidate Linda Horianopoulos. “As scientists, we often want people to take notice of our work and engage with it. I think that art attracts people to do exactly that,” said Linda.
The sculptural work Invasion by Prince George artist Twyla Exner explores the remnants of technology. “My artworks propose hybrids of technological structures and living organisms. They take form as abandoned technologies that have sprouted with new life, clever artificialities that imitate nature, or biotechnological fixtures of the not-so-distant future,” Twyla shared. Like Dzee, she feels that artists and scientists share the sense of curiosity, experimentation, and creative problem solving. “Both art and science have the ability to tell stories and shape how people see and interpret the world around them.”
The festival is hosted in collaboration with the VIVO Media Arts Centre (2625 Kaslo Street, Vancouver, BC V5M 3G9). It will open on the evening of November 8th, with a reception and a live performance by local sound artist Edzi’u, during which her sculptural installation Moose are Life will be brought to life. On Saturday, artist Laara Cerman will co-host a DNA sonification workshop with scientist Scott Pownall. Their work Flora’s Song No. 1 in C Major – a hand-cranked music box that plays a tune created from the DNA of local invasive plants – will be on exhibit during the festival. The festival will also include tours by the curator at 3:30pm and guided discussions at 4pm on both Saturday and Sunday. Visit https://collisionsfestival2019.eventbrite.ca for festival tickets and http://bit.ly/collisionsfestival2019 for festival information.
Curiosity Collider and VIVO Media Arts Centre gratefully acknowledge the support of BC Arts Council, Canada Council for the Arts, City of Vancouver, Metro Vancouver Regional Cultural Project Grants Program, UBC Faculty of Science, and our printing sponsor Jukebox, for making Collisions Festival: Invasive Systems possible.
About Curiosity Collider Art-Science Foundation
Curiosity Collider Art-Science Foundation is a Vancouver based non-profit organization that is committed to providing opportunities for artists whose work expresses scientific concepts and scientists who collaborate with artists. We challenge the perception and experience of science in our culture, break down the walls between art and science, and engage our growing community to bringing life to the concepts that describe our world.
In this DNA sonification workshop, participants will learn the process of DNA barcoding of invasive plant species, and how to sonify DNA sequences with basic music theory and MIDI freeware. Participants will also get hands-on experience in amplying specific genetic regions in plants through polymerase chain reaction (PCR), a step necessary in preparing samples for DNA barcoding.
This workshop will be led by artist Laara Cerman and scientist Scott Pownall, whose art-science collaborative work “Flora’s Song No. 1 in C Major” will be on exhibit during Collisions Festival: Invasive Systems. Laara and Scott will also share their process of working together, and how decisions were made to arrive at their collaborative work of art and science.
We acknowledge that Collisions Festival and its events take place on the traditional, ancestral, unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil- Waututh) Nations. We are grateful for the opportunity to live and work on this land.
I asked the Curiosity Collider folks (@CCollider on Twitter) if you needed to bring any equipment or have any knowledge of music. The answer was: no, you don’t need to bring anything (unless you want to) and you don’t need to know about music.
Uncorked at Science World at TELUS World of Science in Vancouver on November 14, 2019
This is not a cheap night out. An October 10, 2019 article by Lindsay William-Ross for the Daily Hive website gives you reasons to go anyway (Note: Links have been removed),
A new wine-themed event will have Vancouverites swirling with nerdy glee. Uncorked: A Celebration of the Science of Wine is an evening of sipping and learning that will bring together world-renown winemakers, chefs, and science experts for an unforgettable event.
Participating wineries are:
Mission Hill Family Estate CedarCreek Estate Winery CheckMate Artisanal Winery Martin’s Lane Winery Road 13 Vineyards
The wines will be paired with bites from Chef Patrick Gayler from Mission Hill’s Terrace Restaurant and Chef Neil Taylor from CedarCreek’s new Home Block Restaurant.
Programming for the evening includes seminars on the science of blending wine, the science of aging wine, the role of technology at modern vineyards, and the science of soil and terroir.
Proceeds from Uncorked will support Science World’s On the Road program, which last year brought live science performances to 41,500 students throughout B.C. who otherwise might not have had a chance to visit TELUS World of Science.
Tickets are $89 and can be purchased here. You may also want to reserve some money for the silent auction. Don’t forget, it’s November 14, 2019 from 7 pm to 10 pm at Science World in Vancouver. You can find directions and a map here.