Tag Archives: Deus Ex

Deus Ex, a video game developer, his art, and reality

The topics of human enhancement and human augmentation have been featured here a number of times from a number of vantage points, including that of a video game seires with some thoughtful story lines known under the Deus Ex banner. (My August 18, 2011 posting, . August 30, 2011 posting, and Sept. 1, 2016 posting are three, which mention Deus Ex in the title but there may be others where the game is noted in the posting.)

A March 19, 2021 posting by Timothy Geigner for Techdirt offers a more fulsome but still brief description of the games along with a surprising declaration (it’s too real) by the game’s creator (Note: Links have been removed),

The Deus Ex franchise has found its way onto Techdirt’s pages a couple of times in the past. If you’re not familiar with the series, it’s a cyberpunk-ish take on the near future with broad themes around human augmentation, and the weaving of broad and famous conspiracy theories. That perhaps makes it somewhat ironic that several of our posts dealing with the franchise have to do with mass media outlets getting confused into thinking its augmentation stories were real life, or the conspiracy theories that centered around leaks for the original game’s sequel were true. The conspiracy theories woven into the original Deus Ex storyline were of the grand variety: takeover of government by biomedical companies pushing a vaccine for a sickness it created, the illuminati, FEMA [US Federal Emergency Management Agency] takeovers, AI-driven surveillance of the public, etc.

And it’s the fact that such conspiracy-driven thinking today led Warren Spector, the creator of the series, to recently state that he probably wouldn’t have created the game today if given the chance. [See pull quote below]

Deus Ex was originally released in 2000 but took place in an alternate 2052 where many of the real world conspiracy theories have come true. The plot included references to vaccinations, black helicopters, FEMA, and ECHELON amongst others, some of which have connotations to real-life events. Spector said, “Interestingly, I’m not sure I’d make Deus Ex today. The conspiracy theories we wrote about are now part of the real world. I don’t want to support that.”

… I’d like to focus on how clearly this illustrates the artistic nature of video games. The desire, or not, to create certain kinds of art due to the reflection such art receives from the broader society is exactly the kind of thing artists operating in other artforms have to deal with. Art imitates life, yes, but in the case of speculative fiction like this, it appears that life can also imitate art. Spector notes that seeing what has happened in the world since Deus Ex was first released in 2000 has had a profound effect on him as an artist. [See pull quote below]

Earlier, Spector had commented on how he was “constantly amazed at how accurate our view of the world ended up being. Frankly it freaks me out a bit.” Some of the conspiracy theories that didn’t end up in the game were those surrounding Denver Airport because they were considered “too silly to include in the game.” These include theories about secret tunnels, connections to aliens and Nazi secret societies, and hidden messages within the airport’s artwork. Spector is now incredulous that they’re “something people actually believe.”

It was possible for Geigner even back to an Oct. 18, 2013 posting to write about a UK newspaper that confused Deus Ex with reality,

… I bring you the British tabloid, The Sun, and their amazing story about an augmented mechanical eyeball that, if associated material is to be believed, allows you to see through walls, color-codes friends and enemies, and permits telescopic zoom. Here’s the reference from The Sun.

Oops. See, part of the reason that Sarif Industries’ cybernetic implants are still in their infancy is that the company doesn’t exist. Sarif Industries is a fictitious company from a cyberpunk video game, Deus Ex, set in a future Detroit. …

There’s more about Spector’s latest comments at a 2021 Game Developers Conference in a March 15, 2021 article by Riley MacLeod for Kotaku. There’s more about Warren Spector here. I always thought Deus Ex was developed by Canadian company, Eidos Montréal and, fter reading the company’s Wikipedia entry, it seems I may have been only partially correct.

Getting back to Deus Ex being ‘too real’, it seems to me that the line between science fiction and reality is increasingly frayed.

Xenotransplantation—organs for transplantation in human patients—it’s a business and a science

The last time (June 18, 2018 post) I mentioned xenotransplantation (transplanting organs from one species into another species; see more here), it was in the context of an art/sci (or sciart) event coming to Vancouver (Canada).,

Patricia Piccinini’s Curious Imaginings Courtesy: Vancouver Biennale [downloaded from http://dailyhive.com/vancouver/vancouver-biennale-unsual-public-art-2018/]

The latest edition of the Vancouver Biennale was featured in a June 6, 2018 news item on the Daily Hive (Vancouver),

Melbourne artist Patricia Piccinini’s Curious Imaginings is expected to be one of the most talked about installations of the exhibit. Her style of “oddly captivating, somewhat grotesque, human-animal hybrid creature” is meant to be shocking and thought-provoking.

Piccinini’s interactive [emphasis mine] experience will “challenge us to explore the social impacts of emerging biotechnology and our ethical limits in an age where genetic engineering and digital technologies are already pushing the boundaries of humanity.”

Piccinini’s work will be displayed in the 105-year-old Patricia Hotel in Vancouver’s Strathcona neighbourhood. The 90-day ticketed exhibition [emphasis mine] is scheduled to open this September [2018].

(The show opens on Sept. 14, 2018.)

At the time, I had yet to stumble across Ingfei Chen’s thoughtful dive into the topic in her May 9, 2018 article for Slate.com,

In the United States, the clock is ticking for more than 114,700 adults and children waiting for a donated kidney or other lifesaving organ, and each day, nearly 20 of them die. Researchers are devising a new way to grow human organs inside other animals, but the method raises potentially thorny ethical issues. Other conceivable futuristic techniques sound like dystopian science fiction. As we envision an era of regenerative medicine decades from now, how far is society willing to go to solve the organ shortage crisis?

I found myself pondering this question after a discussion about the promises of stem cell technologies veered from the intriguing into the bizarre. I was interviewing bioengineer Zev Gartner, co-director and research coordinator of the Center for Cellular Construction at the University of California, San Francisco, about so-called organoids, tiny clumps of organlike tissue that can self-assemble from human stem cells in a Petri dish. These tissue bits are lending new insights into how our organs form and diseases take root. Some researchers even hope they can nurture organoids into full-size human kidneys, pancreases, and other organs for transplantation.

Certain organoid experiments have recently set off alarm bells, but when I asked Gartner about it, his radar for moral concerns was focused elsewhere. For him, the “really, really thought-provoking” scenarios involve other emerging stem cell–based techniques for engineering replacement organs for people, he told me. “Like blastocyst complementation,” he said.

Never heard of it? Neither had I. Turns out it’s a powerful new genetic engineering trick that researchers hope to use for growing human organs inside pigs or sheep—organs that could be genetically personalized for transplant patients, in theory avoiding immune-system rejection problems. The science still has many years to go, but if it pans out, it could be one solution to the organ shortage crisis. However, the prospect of creating hybrid animals with human parts and killing them to harvest organs has already raised a slew of ethical questions. In 2015, the National Institutes of Health placed a moratorium on federal funding of this nascent research area while it evaluated and discussed the issues.

As Gartner sees it, the debate over blastocyst complementation research—work that he finds promising—is just one of many conversations that society needs to have about the ethical and social costs and benefits of future technologies for making lifesaving transplant organs. “There’s all these weird ways that we could go about doing this,” he said, with a spectrum of imaginable approaches that includes organoids, interspecies organ farming, and building organs from scratch using 3D bioprinters. But even if it turns out we can produce human organs in these novel ways, the bigger issue, in each technological instance, may be whether we should.

Gartner crystallized things with a downright creepy example: “We know that the best bioreactor for tissues and organs for humans are human beings,” he said. Hypothetically, “the best way to get you a new heart would be to clone you, grow up a copy of yourself, and take the heart out.” [emphasis mine] Scientists could probably produce a cloned person with the technologies we already have, if money and ethics were of no concern. “But we don’t want to go there, right?” he added in the next breath. “The ethics involved in doing it are not compatible with who we want to be as a society.”

This sounds like Gartner may have been reading some science fiction, specifically, Lois McMaster Bujold and her Barrayar series where she often explored the ethics and possibilities of bioengineering. At this point, some of her work seems eerily prescient.

As for Chen’s article, I strongly encourage you to read it in its entirety if you have the time.

Medicine, healing, and big money

At about the same time, there was a May 31, 2018 news item on phys.org offering a perspective from some of the leaders in the science and the business (Note: Links have been removed),

Over the past few years, researchers led by George Church have made important strides toward engineering the genomes of pigs to make their cells compatible with the human body. So many think that it’s possible that, with the help of CRISPR technology, a healthy heart for a patient in desperate need might one day come from a pig.

“It’s relatively feasible to change one gene in a pig, but to change many dozens—which is quite clear is the minimum here—benefits from CRISPR,” an acronym for clustered regularly interspaced short palindromic repeats, said Church, the Robert Winthrop Professor of Genetics at Harvard Medical School (HMS) and a core faculty member of Harvard’s Wyss Institute for Biologically Inspired Engineering. Xenotransplantation is “one of few” big challenges (along with gene drives and de-extinction, he said) “that really requires the ‘oomph’ of CRISPR.”

To facilitate the development of safe and effective cells, tissues, and organs for future medical transplantation into human patients, Harvard’s Office of Technology Development has granted a technology license to the Cambridge biotech startup eGenesis.

Co-founded by Church and former HMS doctoral student Luhan Yang in 2015, eGenesis announced last year that it had raised $38 million to advance its research and development work. At least eight former members of the Church lab—interns, doctoral students, postdocs, and visiting researchers—have continued their scientific careers as employees there.

“The Church Lab is well known for its relentless pursuit of scientific achievements so ambitious they seem improbable—and, indeed, [for] its track record of success,” said Isaac Kohlberg, Harvard’s chief technology development officer and senior associate provost. “George deserves recognition too for his ability to inspire passion and cultivate a strong entrepreneurial drive among his talented research team.”

The license from Harvard OTD covers a powerful set of genome-engineering technologies developed at HMS and the Wyss Institute, including access to foundational intellectual property relating to the Church Lab’s 2012 breakthrough use of CRISPR, led by Yang and Prashant Mali, to edit the genome of human cells. Subsequent innovations that enabled efficient and accurate editing of numerous genes simultaneously are also included. The license is exclusive to eGenesis but limited to the field of xenotransplantation.

A May 30, 2018 Harvard University news release by Caroline Petty, which originated the news item, explores some of the issues associated with incubating humans organs in other species,

The prospect of using living, nonhuman organs, and concerns over the infectiousness of pathogens either present in the tissues or possibly formed in combination with human genetic material, have prompted the Food and Drug Administration to issue detailed guidance on xenotransplantation research and development since the mid-1990s. In pigs, a primary concern has been that porcine endogenous retroviruses (PERVs), strands of potentially pathogenic DNA in the animals’ genomes, might infect human patients and eventually cause disease. [emphases mine]

That’s where the Church lab’s CRISPR expertise has enabled significant advances. In 2015, the lab published important results in the journal Science, successfully demonstrating the use of genome engineering to eliminate all 62 PERVs in porcine cells. Science later called it “the most widespread CRISPR editing feat to date.”

In 2017, with collaborators at Harvard, other universities, and eGenesis, Church and Yang went further. Publishing again in Science, they first confirmed earlier researchers’ fears: Porcine cells can, in fact, transmit PERVs into human cells, and those human cells can pass them on to other, unexposed human cells. (It is still unknown under what circumstances those PERVs might cause disease.) In the same paper, they corrected the problem, announcing the embryogenesis and birth of 37 PERV-free pigs. [Note: My July 17, 2018 post features research which suggests CRISPR-Cas9 gene editing may cause greater genetic damage than had been thought.]

“Taken together, those innovations were stunning,” said Vivian Berlin, director of business development in OTD, who manages the commercialization strategy for much of Harvard’s intellectual property in the life sciences. “That was the foundation they needed, to convince both the scientific community and the investment community that xenotransplantation might become a reality.”

“After hundreds of tests, this was a critical milestone for eGenesis — and the entire field — and represented a key step toward safe organ transplantation from pigs,” said Julie Sunderland, interim CEO of eGenesis. “Building on this study, we hope to continue to advance the science and potential of making xenotransplantation a safe and routine medical procedure.”

Genetic engineering may undercut human diseases, but also could help restore extinct species, researcher says. [Shades of the Jurassic Park movies!]

It’s not, however, the end of the story: An immunological challenge remains, which eGenesis will need to address. The potential for a patient’s body to outright reject transplanted tissue has stymied many previous attempts at xenotransplantation. Church said numerous genetic changes must be achieved to make porcine organs fully compatible with human patients. Among these are edits to several immune functions, coagulation functions, complements, and sugars, as well as the PERVs.

“Trying the straight transplant failed almost immediately, within hours, because there’s a huge mismatch in the carbohydrates on the surface of the cells, in particular alpha-1-3-galactose, and so that was a showstopper,” Church explained. “When you delete that gene, which you can do with conventional methods, you still get pretty fast rejection, because there are a lot of other aspects that are incompatible. You have to take care of each of them, and not all of them are just about removing things — some of them you have to humanize. There’s a great deal of subtlety involved so that you get normal pig embryogenesis but not rejection.

“Putting it all together into one package is challenging,” he concluded.

In short, it’s the next big challenge for CRISPR.

Not unexpectedly, there is no mention of the CRISPR patent fight between Harvard/MIT’s (Massachusetts Institute of Technology) Broad Institute and the University of California at Berkeley (UC Berkeley). My March 15, 2017 posting featured an outcome where the Broad Institute won the first round of the fight. As I recall, it was a decision based on the principles associated with King Solomon, i.e., the US Patent Office, divided the baby and UCBerkeley got the less important part of the baby. As you might expect the decision has been appealed. In an April 30, 2018 piece, Scientific American reprinted an article about the latest round in the fight written by Sharon Begley for STAT (Note: Links have been removed),

All You Need to Know for Round 2 of the CRISPR Patent Fight

It’s baaaaack, that reputation-shredding, stock-moving fight to the death over key CRISPR patents. On Monday morning in Washington, D.C., the U.S. Court of Appeals for the Federal Circuit will hear oral arguments in University of California v. Broad Institute. Questions?

How did we get here? The patent office ruled in February 2017 that the Broad’s 2014 CRISPR patent on using CRISPR-Cas9 to edit genomes, based on discoveries by Feng Zhang, did not “interfere” with a patent application by UC based on the work of UC Berkeley’s Jennifer Doudna. In plain English, that meant the Broad’s patent, on using CRISPR-Cas9 to edit genomes in eukaryotic cells (all animals and plants, but not bacteria), was different from UC’s, which described Doudna’s experiments using CRISPR-Cas9 to edit DNA in a test tube—and it was therefore valid. The Patent Trial and Appeal Board concluded that when Zhang got CRISPR-Cas9 to work in human and mouse cells in 2012, it was not an obvious extension of Doudna’s earlier research, and that he had no “reasonable expectation of success.” UC appealed, and here we are.

For anyone who may not realize what the stakes are for these institutions, Linda Williams in a March 16, 1999 article for the LA Times had this to say about universities, patents, and money,

The University of Florida made about $2 million last year in royalties on a patent for Gatorade Thirst Quencher, a sports drink that generates some $500 million to $600 million a year in revenue for Quaker Oats Co.

The payments place the university among the top five in the nation in income from patent royalties.

Oh, but if some people on the Gainesville, Fla., campus could just turn back the clock. “If we had done Gatorade right, we would be getting $5 or $6 million (a year),” laments Donald Price, director of the university’s office of corporate programs. “It is a classic example of how not to handle a patent idea,” he added.

Gatorade was developed in 1965 when many universities were ill equipped to judge the commercial potential of ideas emerging from their research labs. Officials blew the university’s chance to control the Gatorade royalties when they declined to develop a professor’s idea.

The Gatorade story does not stop there and, even though it’s almost 20 years old, this article stands the test of time. I strongly encourage you to read it if the business end of patents and academia interest you or if you would like to develop more insight into the Broad Institute/UC Berkeley situation.

Getting back to the science, there is that pesky matter of diseases crossing over from one species to another. While, Harvard and eGenesis claim a victory in this area, it seems more work needs to be done.

Infections from pigs

An August 29, 2018 University of Alabama at Birmingham news release (also on EurekAlert) by Jeff Hansen, describes the latest chapter in the quest to provide more organs for transplantion,

A shortage of organs for transplantation — including kidneys and hearts — means that many patients die while still on waiting lists. So, research at the University of Alabama at Birmingham and other sites has turned to pig organs as an alternative. [emphasis mine]

Using gene-editing, researchers have modified such organs to prevent rejection, and research with primates shows the modified pig organs are well-tolerated.

An added step is needed to ensure the safety of these inter-species transplants — sensitive, quantitative assays for viruses and other infectious microorganisms in donor pigs that potentially could gain access to humans during transplantation.

The U.S. Food and Drug Administration requires such testing, prior to implantation, of tissues used for xenotransplantation from animals to humans. It is possible — though very unlikely — that an infectious agent in transplanted tissues could become an emerging infectious disease in humans.

In a paper published in Xenotransplantation, Mark Prichard, Ph.D., and colleagues at UAB have described the development and testing of 30 quantitative assays for pig infectious agents. These assays had sensitivities similar to clinical lab assays for viral loads in human patients. After validation, the UAB team also used the assays on nine sows and 22 piglets delivered from the sows through caesarian section.

“Going forward, ensuring the safety of these organs is of paramount importance,” Prichard said. “The use of highly sensitive techniques to detect potential pathogens will help to minimize adverse events in xenotransplantation.”

“The assays hold promise as part of the screening program to identify suitable donor animals, validate and release transplantable organs for research purposes, and monitor transplant recipients,” said Prichard, a professor in the UAB Department of Pediatrics and director of the Department of Pediatrics Molecular Diagnostics Laboratory.

The UAB researchers developed quantitative polymerase chain reaction, or qPCR, assays for 28 viruses sometimes found in pigs and two groups of mycoplasmas. They established reproducibility, sensitivity, specificity and lower limit of detection for each assay. All but three showed features of good quantitative assays, and the lower limit of detection values ranged between one and 16 copies of the viral or bacterial genetic material.

Also, the pig virus assays did not give false positives for some closely related human viruses.

As a start to understanding the infectious disease load in normal healthy animals and ensuring the safety of pig tissues used in xenotransplantation research, the researchers then screened blood, nasal swab and stool specimens from nine adult sows and 22 of their piglets delivered by caesarian section.

Mycoplasma species and two distinct herpesviruses were the most commonly detected microorganisms. Yet 14 piglets that were delivered from three sows infected with either or both herpesviruses were not infected with the herpesviruses, showing that transmission of these viruses from sow to the caesarian-delivery piglet was inefficient.

Prichard says the assays promise to enhance the safety of pig tissues for xenotransplantation, and they will also aid evaluation of human specimens after xenotransplantation.

The UAB researchers say they subsequently have evaluated more than 300 additional specimens, and that resulted in the detection of most of the targets. “The detection of these targets in pig specimens provides reassurance that the analytical methods are functioning as designed,” said Prichard, “and there is no a priori reason some targets might be more difficult to detect than others with the methods described here.”

As is my custom, here’s a link to and a citation for the paper,

Xenotransplantation panel for the detection of infectious agents in pigs by Caroll B. Hartline, Ra’Shun L. Conner, Scott H. James, Jennifer Potter, Edward Gray, Jose Estrada, Mathew Tector, A. Joseph Tector, Mark N. Prichard. Xenotransplantaion Volume 25, Issue 4 July/August 2018 e12427 DOI: https://doi.org/10.1111/xen.12427 First published: 18 August 2018

This paper is open access.

All this leads to questions about chimeras. If a pig is incubating organs with human cells it’s a chimera but then means the human receiving the organ becomes a chimera too. (For an example, see my Dec. 22, 2013 posting where there’s mention of a woman who received a trachea from a pig. Scroll down about 30% of the way.)

What is it to be human?

A question much beloved of philosophers and others, the question seems particularly timely with xenotransplantion and other developments such neuroprosthetics (cyborgs) and neuromorphic computing (brainlike computing).

As I’ve noted before, although not recently, popular culture offers a discourse on these issues. Take a look at the superhero movies and the way in which enhanced humans and aliens are presented. For example, X-Men comics and movies present mutants (humans with enhanced abilities) as despised and rejected. Video games (not really my thing but there is the Deus Ex series which has as its hero, a cyborg also offer insight into these issues.

Other than popular culture and in the ‘bleeding edge’ arts community, I can’t recall any public discussion on these matters arising from the extraordinary set of technologies which are being deployed or prepared for deployment in the foreseeable future.

(If you’re in Vancouver (Canada) from September 14 – December 15, 2018, you may want to check out Piccinini’s work. Also, there’s ” NCSU [North Carolina State University] Libraries, NC State’s Genetic Engineering and Society (GES) Center, and the Gregg Museum of Art & Design have issued a public call for art for the upcoming exhibition Art’s Work in the Age of Biotechnology: Shaping our Genetic Futures.” from my Sept. 6, 2018 posting. Deadline: Oct. 1, 2018.)

At a guess, there will be pushback from people who have no interest in debating what it is to be human as they already know, and will find these developments, when they learn about them, to be horrifying and unnatural.

Disability and technology

There’s a human enhancement or,more specifically, a ‘technology and disability’ event being held by Future Tense (a collaboration between Slate.com, New America, and Arizona State University) on March 4, 2015. Here’s more from the Feb. 20, 2015 Slate.com post,

Attention-grabbing advances in robotics and neurotechnology have caused many to rethink the concept of human disability. A paraplegic man in a robotic suit took the first kick at the 2014 World Cup, for instance, and the FDA has approved a bionic arm controlled with signals from the brain. It’s not hard to imagine that soon these advances may allow people to run, lift, and even think better than what is currently considered “normal”—challenging what it means to be human. But some in the disability community reject these technologies; for others, accessing them can be an overwhelmingly expensive and bureaucratic process. As these technological innovations look more and more like human engineering, will we need to reconsider what it means to be able and disabled?

We’ll discuss these questions and more at noon [EST] on Wednesday, March 4, at the New America office in Washington, D.C. The event is presented by Future Tense in collaboration with the award-winning documentary on disability and technology Fixed: The Science/Fiction of Human Enhancement [mentioned in an Aug. 3, 2010 posting]. You can find the event agenda and the trailer for Fixed below; to RSVP, click here. The venue is wheelchair accessible, and an American Sign Language interpreter will be present.

The Will Technology Put an End to Disability? event page includes an agenda,

Agenda:

12:00 pm Engineering Ability

Jennifer French
Executive Director, Neurotech Network

Larry Jasinksi
CEO, ReWalk Robotics
@ReWalk_Robotics

Will Oremus
Senior Technology Writer, Slate
@WillOremus

12:45 pm T​he Promise and Peril of Human Enhancement

​Gregor Wolbring
Associate Professor, University of Calgary
@Wolbring

Julia Bascom
Director of Programs, Autistic Self Advocacy Network
@autselfadvocacy

Teresa Blankmeyer Burke
Assistant Professor of Philosophy, Gallaudet University
@teresaburke

Moderator:
Lawrence Carter-Long
Public Affairs Specialist, National Council on Disability
@LCarterLong

Gregor Wolbring who’s scheduled for 1245 hours EST has been mentioned here more than once (most recently in a Jan. 10, 2014 posting titled, Chemistry of Cyborgs: review of the state of the art by German researchers, which includes further links. Gregor is also mentioned in the Aug. 3, 2010 posting about the movie ‘Fixed’. You can find out more about Wolbring and his work here.

Coincidentally, there’s a March 2, 2015 article titled: Deus Ex and Human Enhancement by Adam Koper for nouse.co.uk which conflates the notion of nanotechnology and human enhancement. It’s a well written and interesting article (there is a proviso) about a game, Deus Ex, which features nanotechnology=enabled human enhancement.  Despite Koper’s description not all human enhancement is nanotechnology-enabled and not all nanotechnology-enabled solutions are oriented to human enhancement. However, many human enhancement efforts are enabled by nanotechnology.

By the way, the game is published in Montréal (Québec, Canada) by Eidos (you will need your French language skills; I was not able to find an English language site).

Graphene and an artificial retina

A graphene-based artificial retina project has managed to intermingle the European Union’s two major FET (Future and Emerging Technologies) funding projects, 1B Euros each to be disbursed over 10 years, the Graphene Flagship and the Human Brain Project. From an Aug. 7, 2014 Technische Universitaet Muenchen (TUM) news release (also on EurekAlert),

Because of its unusual properties, graphene holds great potential for applications, especially in the field of medical technology. A team of researchers led by Dr. Jose A. Garrido at the Walter Schottky Institut of the TUM is taking advantage of these properties. In collaboration with partners from the Institut de la Vision of the Université Pierre et Marie Curie in Paris and the French company Pixium Vision, the physicists are developing key components of an artificial retina made of graphene.

Retina implants can serve as optical prostheses for blind people whose optical nerves are still intact. The implants convert incident light into electrical impulses that are transmitted to the brain via the optical nerve. There, the information is transformed into images. Although various approaches for implants exist today, the devices are often rejected by the body and the signals transmitted to the brain are generally not optimal.

Already funded by the Human Brain Project as part of the Neurobotics effort, Garrido and his colleagues will now also receive funding from the Graphene Flagship. As of July 2014, the Graphene Flagship has added 86 new partners including TUM according to the news release.

Here’s an image of an ‘invisible’ graphene sensor (a precursor to developing an artificial retina),

Graphene electronics can be prepared on flexible substrates. Only the gold metal leads are visible in the transparent graphene sensor. (Photo: Natalia Hutanu / TUM)

Graphene electronics can be prepared on flexible substrates. Only the gold metal leads are visible in the transparent graphene sensor. (Photo: Natalia Hutanu / TUM)

Artificial retinas were first featured on this blog in an Aug. 18, 2011 posting about video game Deus Ex: Human Revolution which features a human character with artificial sight. The post includes links to a video of a scientist describing an artificial retina trial with 30 people and an Israeli start-up company, ‘Nano Retina’, along with information about ‘Eyeborg’, a Canadian filmmaker who on losing an eye in an accident had a camera implanted in the previously occupied eye socket.

More recently, a Feb. 15, 2013 posting featured news about the US Food and Drug Administration’s decision to allow sale of the first commercial artificial retinas in the US in the context of news about a neuroprosthetic implant in a rat which allowed it to see in the infrared range, normally an impossible feat.

Almost Human (tv series), smartphones, and anxieties about life/nonlife

The US-based Fox Broadcasting Company is set to premiere a new futuristic television series, Almost Human, over two nights, Nov. 17, and 18, 2013 for US and Canadian viewers. Here’s a description of the premise from its Wikipedia essay (Note: Links have been removed),

The series is set thirty-five years in the future when humans in the Los Angeles Police Department are paired up with lifelike androids; a detective who has a dislike for robots partners with an android capable of emotion.

One of the showrunners, Naren Shankar, seems to have also been functioning both as a science consultant and as a crime writing consultant,in addition to his other duties. From a Sept. 4, 2013 article by Lisa Tsering for Indiawest.com,

FOX is the latest television network to utilize the formidable talents of Naren Shankar, an Indian American writer and producer best known to fans for his work on “Star Trek: Deep Space Nine,” “Star Trek: Voyager” and “Star Trek: The Next Generation” as well as “Farscape,” the recently cancelled ABC series “Zero Hour” and “The Outer Limits.”

Set 35 years in the future, “Almost Human” stars Karl Urban and Michael Ealy as a crimefighting duo of a cop who is part-machine and a robot who is part-human. [emphasis mine]

“We are extrapolating the things we see today into the near future,” he explained. For example, the show will comment on the pervasiveness of location software, he said. “There will also be issues of technology such as medical ethics, or privacy; or how technology enables the rich but not the poor, who can’t afford it.”

Speaking at Comic-Con July 20 [2013], Shankar told media there, “Joel [J.H. Wyman] was looking for a collaboration with someone who had come from the crime world, and I had worked on ‘CSI’ for eight years.

“This is like coming back to my first love, since for many years I had done science fiction. It’s a great opportunity to get away from dismembered corpses and autopsy scenes.”

There’s plenty of drama — in the new series, the year is 2048, and police officer John Kennex (Karl Urban, “Dr. Bones” from the new “Star Trek” films) is trying to bounce back from one of the most catastrophic attacks ever made against the police department. Kennex wakes up from a 17-month coma and can’t remember much, except that his partner was killed; his girlfriend left him and one of his legs has been amputated and is now outfitted with a high-tech synthetic appendage. According to police department policy, every cop must partner with a robot, so Kennex is paired with Dorian (Ealy), an android with an unusual glitch that makes it have human emotions.

Shankar took an unusual path into television. He started college at age 16 and attended Cornell University, where he earned a B. Sc., an M.S. and a Ph.D. in engineering physics and electrical engineering, and was a member of the elite Kappa Alpha Society, he decided he didn’t want to work as a scientist and moved to Los Angeles to try to become a writer.

Shankar is eager to move in a new direction with “Almost Human,” which he says comes at the right time. “People are so technologically sophisticated now that maybe the audience is ready for a show like this,” he told India-West.

I am particularly intrigued by the ‘man who’s part machine and the machine that’s part human’ concept (something I’ve called machine/flesh in previous postings such as this May 9, 2012 posting titled ‘Everything becomes part machine’) and was looking forward to seeing how they would be integrating this concept along with some of the more recent scientific work being done on prosthetics and robots, given they had an engineer as part of the team (albeit with lots of crime writing experience), into the stories. Sadly, only days after Tserling’s article was published, Shankar parted ways with Almost Human according to the Sept. 10, 2013 posting on the Almost Human blog,

So this was supposed to be the week that I posted a profile of Naren Shankar, for whom I have developed a full-on crush–I mean, he has a PhD in Electrical Engineering from Cornell, he was hired by Gene Roddenberry to be science consultant on TNG, he was saying all sorts of great things about how he wanted to present the future in AH…aaaand he quit as co-showrunner yesterday, citing “creative differences.” That leaves Wyman as sole showrunner, with no plans to replace Shankar.

I’d like to base some of my comments on the previews, unfortunately, Fox Broadcasting,, in its infinite wisdom, has decided to block Canadians from watching Almost Human previews online. (Could someone please explain why? I mean, Canadians will be tuning in to watch or record for future viewing  the series premiere on the 17th & 18th of November 2013 just like our US neighbours, so, why can’t we watch the previews online?)

Getting back to machine/flesh (human with prosthetic)s and life/nonlife (android with feelings), it seems that Almost Human (as did the latest version of Battlestar Galactica, from 2004-2009) may be giving a popular culture voice to some contemporary anxieties being felt about the boundary or lack thereof between humans and machines and life/nonlife. I’ve touched on this topic many times both within and without the popular culture context. Probably one of my more comprehensive essays on machine/flesh is Eye, arm, & leg prostheses, cyborgs, eyeborgs, Deus Ex, and ableism from August 30, 2011, which includes this quote from a still earlier posting on this topic,

Here’s an excerpt from my Feb. 2, 2010 posting which reinforces what Gregor [Gregor Wolbring, University of Calgary] is saying,

This influx of R&D cash, combined with breakthroughs in materials science and processor speed, has had a striking visual and social result: an emblem of hurt and loss has become a paradigm of the sleek, modern, and powerful. Which is why Michael Bailey, a 24-year-old student in Duluth, Georgia, is looking forward to the day when he can amputate the last two fingers on his left hand.

“I don’t think I would have said this if it had never happened,” says Bailey, referring to the accident that tore off his pinkie, ring, and middle fingers. “But I told Touch Bionics I’d cut the rest of my hand off if I could make all five of my fingers robotic.” [originally excerpted from Paul Hochman’s Feb. 1, 2010 article, Bionic Legs, i-Limbs, and Other Super Human Prostheses You’ll Envy for Fast Company]

Here’s something else from the Hochman article,

But Bailey is most surprised by his own reaction. “When I’m wearing it, I do feel different: I feel stronger. As weird as that sounds, having a piece of machinery incorporated into your body, as a part of you, well, it makes you feel above human. [semphasis mine] It’s a very powerful thing.”

Bailey isn’t  almost human’, he’s ‘above human’. As Hochman points out. repeatedly throughout his article, this sentiment is not confined to Bailey. My guess is that Kennex (Karl Urban’s character) in Almost Human doesn’t echo Bailey’s sentiments and, instead feels he’s not quite human while the android, Dorian, (Michael Ealy’s character) struggles with his feelings in a human way that clashes with Kennex’s perspective on what is human and what is not (or what we might be called the boundary between life and nonlife).

Into this mix, one could add the rising anxiety around ‘intelligent’ machines present in real life, as well as, fiction as per this November 12 (?), 2013 article by Ian Barker for Beta News,

The rise of intelligent machines has long been fertile ground for science fiction writers, but a new report by technology research specialists Gartner suggests that the future is closer than we think.

“Smartphones are becoming smarter, and will be smarter than you by 2017,” says Carolina Milanesi, research vice president at Gartner. “If there is heavy traffic, it will wake you up early for a meeting with your boss, or simply send an apology if it is a meeting with your colleague. The smartphone will gather contextual information from its calendar, its sensors, the user’s location and personal data”.

Your smartphone will be able to predict your next move or your next purchase based on what it knows about you. This will be made possible by gathering data using a technique called “cognizant computing”.

Gartner analysts will be discussing the future of smart devices at the Gartner Symposium/ITxpo 2013 in Barcelona from November 10-14 [2013].

The Gartner Symposium/Txpo in Barcelona is ending today (Nov. 14, 2013) but should you be curious about it, you can go here to learn more.

This notion that machines might (or will) get smarter or more powerful than humans (or wizards) is explored by Will.i.am (of the Black Eyed Peas) and, futurist, Brian David Johnson in their upcoming comic book, Wizards and Robots (mentioned in my Oct. 6, 2013 posting),. This notion of machines or technology overtaking human life is also being discussed at the University of Cambridge where there’s talk of founding a Centre for the Study of Existential Risk (from my Nov. 26, 2012 posting)

The idea that robots of one kind or another (e.g. nanobots eating up the world and leaving grey goo, Cylons in both versions of Battlestar Galactica trying to exterminate humans, etc.) will take over the world and find humans unnecessary  isn’t especially new in works of fiction. It’s not always mentioned directly but the underlying anxiety often has to do with intelligence and concerns over an ‘explosion of intelligence’. The question it raises,’ what if our machines/creations become more intelligent than humans?’ has been described as existential risk. According to a Nov. 25, 2012 article by Sylvia Hui for Huffington Post, a group of eminent philosophers and scientists at the University of Cambridge are proposing to found a Centre for the Study of Existential Risk,

Could computers become cleverer than humans and take over the world? Or is that just the stuff of science fiction?

Philosophers and scientists at Britain’s Cambridge University think the question deserves serious study. A proposed Center for the Study of Existential Risk will bring together experts to consider the ways in which super intelligent technology, including artificial intelligence, could “threaten our own existence,” the institution said Sunday.

“In the case of artificial intelligence, it seems a reasonable prediction that some time in this or the next century intelligence will escape from the constraints of biology,” Cambridge philosophy professor Huw Price said.

When that happens, “we’re no longer the smartest things around,” he said, and will risk being at the mercy of “machines that are not malicious, but machines whose interests don’t include us.”

Our emerging technologies give rise to questions abut what constitutes life and where human might fit in. For example,

  • are sufficiently advanced machines a new form of life,?
  • what does it mean when human bodies are partially integrated at the neural level with machinery?
  • what happens when machines have feelings?
  • etc.

While this doesn’t exactly fit into my theme of life/nonlife or machine/flesh, this does highlight how some popular culture efforts are attempting to integrate real science into the storytelling. Here’s an excerpt from an interview with Cosima Herter, the science consultant and namesake/model for one of the characters on Orphan Black (from the March 29, 2013 posting on the space.ca blog),

Cosima Herter is Orphan Black’s Science Consultant, and the inspiration for her namesake character in the series. In real-life, Real Cosima is a PhD. student in the History of Science, Technology, and Medicine Program at the University of Minnesota, working on the History and Philosophy of Biology. Hive interns Billi Knight & Peter Rowley spoke with her about her role on the show and the science behind it…

Q: Describe your role in the making of Orphan Black.

A: I’m a resource for the biology, particularly insofar as evolutionary biology is concerned. I study the history and the philosophy of biology, so I do offer some suggestions and some creative ideas, but also help correct some of the misconceptions about science.  I offer different angles and alternatives to look at the way biological science is represented, so (it’s) not reduced to your stereotypical tropes about evolutionary biology and cloning, but also to provide some accuracy for the scripts.

– See more at: http://www.space.ca/article/Orphan-Black-science-consultant#sthash.7P36bbPa.dpuf

For anyone not familiar with the series, from the Wikipedia essay (Note: Links have been removed),

Orphan Black is a Canadian science fiction television series starring Tatiana Maslany as several identical women who are revealed to be clones.

Are we becoming machines?

According to the advertisement (being broadcast in January 2013 on US television channels) for HTC’s Droid smartphone, we’ve already become machines,


This advertisement isn’t the only instance, look at this from a Jan. 17, 2013 news release on EurekAlert,

A nano-gear in a nano-motor inside you

To live is to move. You strike to swat that irritable mosquito, which skilfully evades the hand of death. How did that happen? Who moved your hand, and what saved the mosquito? Enter the Molecular Motors, nanoscale protein-machines in the muscles of your hand and wings of the mosquito. You need these motors to swat mosquitoes, blink your eyes, walk, eat, drink… just name it. Millions of motors tug as a team within your muscles, and you swat the mosquito. This is teamwork at its exquisite best.

It’s not unusual to have bodily processes described in terms that one uses for machines (particularly in science-related publications), what’s different here (for me at least) is the intimacy in the ad. The phone is plugged into your chest and the upgrade is to your brain.

This ad is part of a continuum in the popular culture conversation (e.g. Deux Ex game featuring human enhancement and augmentation as  mentioned in my Aug. 30, 2011 posting and in my Aug. 18, 2011 posting) and the prosthetic in the ear seems to be a reference to cochlear implants but now they are for anyone who might care to augment their hearing past the limits of what has been possible for humans. Congratulations, you’ve been upgraded.