Ingenium (Canada’s Museums of Science and Innovation) is hosting the second in a series of Indigenous Star Knowledge Symposia. (There’s a more comprehensive description of the series in my Sept. 18, 2020 posting, which also features the Fall Equinox event (the first in the series) and information about a traveling exhibit. )
Adisokan: Winter Solstice, Stars and Storytelling will be held on December 21, 2020 (from the event page),
December 21, 2020 from 3 p.m. to 5 p.m. EST
Adisokan is the Algonquin word for storytelling with special cultural meaning. Join us for stories about the stars from three Indigenous nations – Mapuche (Chile), Algonquin (Quebec), and Dene (Northwest Territories). Indigenous teachings, spirit, language, world views and an exploration of the word and role of stories in Indigenous culture.
Anita Tenasco, Kitigan Zibi, Quebec (Algonquin)
Joan Tenasco, Kitigan Zibi, Quebec (Algonquin)
Chris Canon, University of Alaska (with Dene partners in the NWT)
Yasmin Catricheo, Chile (Mapuche)
Moderated by Wilfred Buck, Ininew, Manitoba
Anita Tenasco is an Anishinabeg from Kitigan Zibi. She has a Bachelor’s degree in history and teaching from the University of Ottawa, as well as a First Nations leadership certificate from Saint Paul’s University, in Ottawa. She has also taken courses in public administration at ENAP (The University of Public Administration). In Kitigan Zibi, she has held various positions in the field of education and, since 2005, is director of education in her community.
Anita was an active participant in the Honouring Our Ancestors project, in which the Anishinabeg Nation of Kitigan Zibi, under Gilbert Whiteduck’s direction, was successful in the restitution of the remains of ancestors conserved at the Canadian Museum of History, in Gatineau. Anita also participated in the organizing of a conference on repatriation, in Kitigan Zibi, in 2005. She plays an important role in this research project.
Chris Cannon is a Ph.D. student in cultural anthropology at the University of Alaska Fairbanks. His research interests are in Northern Dene (Athabaskan) language and culture with a particular emphasis on astronomical knowledge within and across Dene ethnolinguistic groups. He enjoys traveling the land with traditional knowledge bearers and has collaborated on several projects to transform his research into other materials and deliverables that are of greater use to Dene communities and the general public, including a poster-sized Gwich’in star chart (in press).
Yasmin Catricheo is the STEM Education Scholar at AUI’s Office of Education and Public Engagement. She is a physics educator from Chile, and of Mapuche origin. Yasmin is passionate about the teaching of science and more recently has focused in the area of astronomy and STEM. In her professional training she has taken a range of courses in science and science education, and researched the benefits of scientific argumentation in the physics classroom, earning a master’s degree in education from the University of Bío-Bío. Yasmín is also a member of the indigenous group “Mapu Trafun”, and she works closely with the Mapuche community to recover the culture and communicate the message of the Mapuche Worldview. In 2018 Yasmín was selected as the Chilean representative for Astronomy in Chile Educator Ambassador Program (ACEAP) founded by NSF.
Wilfred Buck is a member of the Opaskwayak Cree Nation. He obtained his B.Ed. & Post Bacc. from the University of Manitoba.
As an educator Wilfred has had the opportunity and good fortune to travel to South and Central America as well as Europe and met, shared and listened to Indigenous people from all over the world.
He is a husband, father of four, son, uncle, brother, nephew, story-teller, mad scientist, teacher, singer, pipe-carrier, sweat lodge keeper, old person and sun dance leader. Researching Ininew star stories Wilfred found a host of information which had to be interpreted and analyzed to identify if the stories were referring to the stars. The journey began… The easiest way to go about doing this, he was told, was to look up.
“The greatest teaching that was ever given to me, other than my wife and children, is the ability to see the humor in the world”…Wilfred Buck
The night sky has inspired speculation, discovery, and stories throughout time and from all the peoples of this planet. The information derived from observing the stars and moon has led to voyages on land, on sea, through space, and into the recesses of minds and hearts.
Currently, an ancient celestial practice, celebration of solstices and equinoxes seems to be gaining popularity and acceptance.
Indigenous Star Knowledge Symposia: A series of local and international gatherings, on the land and online
Organised by Ingenium in collaboration with the Institute of Indigenous Research and Studies at the University of Ottawa, and hosted on traditional Algonquin Anishnaabeg territory, this series of symposia (chosen on the dates of the Fall equinox, Winter solstice, Spring equinoxes and Summer solstice) will combine spiritual ceremony, presentations, activities and dialogue, both online and on the land. The symposia will feature gatherings of Indigenous Knowledge Keepers, Elders, educators and scholars to share and exchange towards reclaiming, preserving, and revitalizing Star Knowledge with Indigenous communities worldwide.
Our original plan was to have a symposium in September 2020, but due to Covid-19 we have reshaped the entire program to spread out the timeline while combining physical and digitally-inclusive experiences. This blended format greatly expands our original intent to offer a space for teaching and learning, while bringing hope and healing through the Indigenous Star Knowledge and our work.
Fall Equinox: Protocols before Knowledge, Seasonal and regional themes
September 21, 2020 (7 p.m. Est Ottawa, Canada); September 22, 2020 (9:00 a.m. Lismore, Australia)
For Indigenous people astronomy and cosmology are intricately intertwined. Star Knowledge, like everything else, is all about relationships and teaches us our place in the universe.
Shawn Wilson is Opaskwayak Cree from Manitoba. He works at Gnibi College of Indigenous Australian Peoples and is also an Adjunct Professor at Østfold University College in Norway. Shawn will discuss how understanding Indigenous Star Knowledge develops a deeper understanding of the very nature of reality. To gain this understanding requires us to develop deeper relationships with Sky Country.
Stuart Barlo is a Yuin man from the south coast of New South Wales, and is Dean of Gnibi College of Indigenous Australian Peoples. Stuart will talk about the journey of being able to speak about Sky Country. The journey requires learning how to prepare yourself and create a safe space to develop relationship with Sky Country.
Wilfred Buck, Manitoba First Nations Education Resource Center
*Postponed and adapted due to COVID* Coinciding with a ceremony at Kitigan Zibi, Quebec to launch the Algonquin Star Knowledge Project. Offering of Tobacco and Prayer on the land with Peter Decontie, Wilfred Buck, Anita Tenasco and members of the Algonquin community.
It gets a little confusing but I gather that the symposia are linked to a larger initiative, which has its roots in a 2017 exhibition (co-curated by Wilfred Buck and Annette S. Lee) at Canada’s Science and Technology Museum. ***Video link removed Dec. 8, 2020***
One Sky, Many Worlds; Indigenous Voices in Astronomy
I gather various parties have been working together to produce not only the symposia but a new traveling exhibition “One Sky, Many Worlds; Indigenous Voices in Astronomy.”
I was going to call this item a brochure but its URL includes the words “exhibition book.” Regardless, it’s where you can get more details about “One Sky, Many Worlds” and how it was developed. Do take a look at it, there are many beautiful images, including Margaret Nazon’s beadworks of art, one of which I featured at the beginning of this posting. There are many works of Indigenous astronomy-based art featured in the ‘brochure’. For some reason, the text is white against a dark background. Perhaps they were trying to evoke the stars against the night sky? Unfortunately, it makes the text less readable, which would seem to defeat the purpose of bothering with text in the first place. Also, it can lead to having to deal with cranky writers who worry their work won’t be read. (Just a thought)
New Partnership with Ingenium: Canada’s Museums of Science and Innovation
Nomad are proud to be selected as Ingenium’s partner to develop and tour an exciting new international travelling exhibition ‘One Sky, Many Worlds: Indigenous Voices in Astronomy’. This ground-breaking new exhibition will illustrate in a spectacular immersive display environment how for tens of thousands of years Indigenous people have been building a relationship with the night sky.
The exhibition will showcase artifacts representing global collections, whilst numerous mechanical and digital interactive elements will enhance visitors’ learning and understanding in an engaging, active way that reminds every human being that we come from the stars.
Led by Indigenous knowledge keepers, One Sky, Many Worlds: Indigenous Voices in Astronomy, is an 8,000 sq ft traveling exhibition that explores Indigenous Star Knowledge from locations around the globe. Featuring content from North America, South Africa, Australia, Mexico, South America, Asia, Hawaii, and New Zealand, One Sky asks questions, and shares experiences that will resonate with all people who look up and wonder about the night sky. The exhibition is available for tour internationally from summer 2021. [emphasis mine]
Nomad Exhibitions are innovative creators of international museum quality touring exhibitions.
Nomad offers a unique portfolio of high quality touring exhibitions combining curatorial excellence, state of the art design and seamless turnkey production. Our exhibitions are designed to facilitate exceptional international collaborations between cultural institutions on major exhibition projects, providing museum professionals with a tailored exhibition hosting experience.
Nomad Exhibitions is located in Edinburgh, Scotland, UK.
One Sky, Many Worlds is a collaborative exhibition led by Indigenous Knowledge Keepers, both young and old, from around the world. The exhibition explores the enduring relationship and connection that Indigenous people have with the night sky and how it has provided –and continues to provide – a practical, cultural, and spiritual guidebook for life.
One Sky, Many Worlds is, at its core, experiential. A strong emphasis on exceptional objects and intriguing ideas will be carefully complemented by a variety of interactive elements and spaces designed to engage visitors in active participation.
Each exhibition section will feature an immersive experience, audio visual content, and a selection of digital interactives, many of which will be touch free. For example, visitors will be transported from the Mississippi through the Milky Way on to the Pacific Ocean via a beautiful, [emphasis mine] immersive projection experience; visitors will be engaged in stories as told by Indigenous Elders in their own language; and visitors will also have the opportunity to participate in dynamic activities that show the links between earth and sky and allow them to see the constellations in a whole new way.
The example is a bit puzzling since ‘the Mississippi’ could mean either the ‘state of Mississippi’ or the ‘Mississippi River’ neither of which have any connection to the Pacific Ocean. But, perhaps astronomy buffs would understand this better than I do.
As to why either the state or the river would be the starting point for transportation via the Milky Way, that is a mystery. Especially after taking a look at Sharmila Kuthunu’s July 1, 2019 article, “How to See the Milky Way in 5 Easy Steps” for Space Tourism Guide,
Home to 400 billion stars, our galaxy is a barred spiral that spans 100,000 light years in diameter. While that might seem huge, the Milky Way is only clearly visible from April through October in the northern hemisphere and is hidden below the horizon for half the year.
It rises in the southeast, crosses over the horizon and sets in the southwest. Since it rises and sets in the southern hemisphere, those living in the south can see it directly overhead. The largest view of the galaxy can be seen from southern hemisphere destinations like South Africa, Chile, and Australia [emphasis mine].
Given that there was a global collaboration and the Milky Way is visible from any number of starting points, the choice of whichever Mississippi the writer intended to highlight seems odd. (See geography of Mississippi River; geography of Mississippi state [be sure to follow the red arrow to the green rectangle bordering the Gulf of Mexico])
Most likely, it’s my ignorance showing.
Plus, when I saw Nomad was offering an example, I was hoping there’d be a description or a story representing Indigenous astronomy. If you look at the brochure/exhibition book you’ll see they had a broad range of Indigenous societies represented on the team. The nomad description seems like a lost opportunity.
Regardless of my nitpicking, both the symposia and the travelling exhibition are exciting and I hope they get the attention they deserve.
If you’re as ignorant about astronomy as I am, you might find this piece about the Milky Way on the US National Aeronautics and Space Administration (NASA) website helpful.
At long last, the end is in sight! This last part is mostly a collection of items that don’t fit elsewhere or could have fit elsewhere but that particular part was already overstuffed.
Podcasting science for the people
March 2009 was the birth date for a podcast, then called Skeptically Speaking and now known as Science for the People (Wikipedia entry). Here’s more from the Science for the People About webpage,
Science for the People is a long-format interview podcast that explores the connections between science, popular culture, history, and public policy, to help listeners understand the evidence and arguments behind what’s in the news and on the shelves.
Every week, our hosts sit down with science researchers, writers, authors, journalists, and experts to discuss science from the past, the science that affects our lives today, and how science might change our future.
Rachelle Saunders: Producer & Host
I love to learn new things, and say the word “fascinating” way too much. I like to talk about intersections and how science and critical thinking intersect with everyday life, politics, history, and culture. By day I’m a web developer, and I definitely listen to way too many podcasts.
Created in 2007 with the generous funding of the Social Sciences and Humanities Research Council of Canada Strategic Knowledge Cluster grant, Situating Science is a seven-year project promoting communication and collaboration among humanists and social scientists that are engaged in the study of science and technology.
You can find out more about Situating Science’s final days in my August 16, 2013 posting where I included a lot of information about one of their last events titled, “Science and Society 2013 Symposium; Emerging Agendas for Citizens and the Sciences.”
The “think-tank” will dovetail nicely with a special symposium in Ottawa on Science and Society Oct. 21-23. For this symposium, the Cluster is partnering with the Institute for Science, Society and Policy to bring together scholars from various disciplines, public servants and policy workers to discuss key issues at the intersection of science and society. [emphasis mine] The discussions will be compiled in a document to be shared with stakeholders and the wider public.
The team will continue to seek support and partnerships for projects within the scope of its objectives. Among our top priorities are a partnership to explore sciences, technologies and their publics as well as new partnerships to build upon exchanges between scholars and institutions in India, Singapore and Canada.
The Situating Science folks did attempt to carry on the organization’s work by rebranding the organization to call it the Canadian Consortium for Situating Science and Technology (CCSST). It seems to have been a short-lived volunteer effort.
Meanwhile, the special symposium held in October 2013 appears to have been the springboard for another SSHRC funded multi-year initiative, this time focused on science collaborations between Canada, India, and Singapore, Cosmopolitanism and the Local in Science and Nature from 2014 – 2017. Despite their sunset year having been in 2017, their homepage boasts news about a 2020 Congress and their Twitter feed is still active. Harking back, here’s what the project was designed to do, from the About Us page,
Welcome to our three year project that will establish a research network on “Cosmopolitanism” in science. It closely examines the actual types of negotiations that go into the making of science and its culture within an increasingly globalized landscape. This partnership is both about “cosmopolitanism and the local” and is, at the same time, cosmopolitan and local.
Anyone who reads this blog with any frequency will know that I often comment on the fact that when organizations such as the Council of Canadian Academies bring in experts from other parts of the world, they are almost always from the US or Europe. So, I was delighted to discover the Cosmopolitanism project and featured it in a February 19, 2015 posting.
Expose a hitherto largely Eurocentric scholarly community in Canada to widening international perspectives and methods,
Build on past successes at border-crossings and exchanges between the participants,
Facilitate a much needed nation-wide organization and exchange amongst Indian and South East Asian scholars, in concert with their Canadian counterparts, by integrating into an international network,
Open up new perspectives on the genesis and place of globalized science, and thereby
Offer alternative ways to conceptualize and engage globalization itself, and especially the globalization of knowledge and science.
Bring the managerial team together for joint discussion, research exchange, leveraging and planning – all in the aid of laying the grounds of a sustainable partnership
Eco Art (also known as ecological art or environmental art)
I’m of two minds as to whether I should have tried to stuff this into the art/sci subsection in part 2. On balance, I decided that this merited its own section and that part 2 was already overstuffed.
Let’s start in Newfoundland and Labrador with Marlene Creates (pronounced Kreets), here’s more about her from her website’s bio webpage,
Marlene Creates (pronounced “Kreets”) is an environmental artist and poet who works with photography, video, scientific and vernacular knowledge, walking and collaborative site-specific performance in the six-acre patch of boreal forest in Portugal Cove, Newfoundland and Labrador, Canada, where she lives.
For almost 40 years her work has been an exploration of the relationship between human experience, memory, language and the land, and the impact they have on each other. …
Currently her work is focused on the six acres of boreal forest where she lives in a ‘relational aesthetic’ to the land. This oeuvre includes Water Flowing to the Sea Captured at the Speed of Light, Blast Hole Pond River, Newfoundland 2002–2003, and several ongoing projects:
Marlene Creates received a Governor General’s Award in Visual and Media Arts for “Lifetime Artistic Achievement” in 2019. …
An October 1, 2018 article by Yasmin Nurming-Por for Canadian Art magazine features 10 artists who focus on environmental and/or land art themes,
As part of her 2016 master’s thesis exhibition, Fredericton [New Brunswick] artist Gillian Dykeman presented the video Dispatches from the Feminist Utopian Future within a larger installation that imagined various canonical earthworks from the perspective of the future. It’s a project that addresses the inherent sense of timelessness in these massive interventions on the natural landscape from the perspective of contemporary land politics. … she proposes a kind of interaction with the invasive and often colonial gestures of modernist Land art, one that imagines a different future for these earthworks, where they are treated as alien in a landscape and as beacons from a feminist future.
If you have the time, I recommend reading the article in its entirety.
Oddly, I did not expect Vancouver to have such an active eco arts focus. The City of Vancouver Parks Board maintains an Environmental Art webpage on its site listing a number of current and past projects.
I cannot find the date for when this Parks Board initiative started but I did find a document produced prior to a Spring 2006 Arts & Ecology think tank held in Vancouver under the auspices of the Canada Council for the Arts, the Canadian Commission for UNESCO, the Vancouver Foundation, and the Royal Society for the Encouragement of the Arts, Manufactures and Commerce (London UK).
In all likelihood, Vancouver Park Board’s Environmental Art webpage was produced after 2006.
I imagine the document and the think tank session helped to anchor any then current eco art projects and encouraged more projects.
While its early days were in 2008, EartHand Gleaners (Vancouver-based) wasn’t formally founded as an arts non-for-profit organization until 2013. You can find out more about them and their projects here.
Eco Art has been around for decades according to the eco art think tank document but it does seemed to have gained momentum here in Canada over the last decade.
Photography and the Natural Sciences and Engineering Research Council of Canada (NSERC)
Exploring the jack pine tight knit family tree. Credit: Dana Harris Brock University (2018)
Pictured are developing phloem, cambial, and xylem cells (blue), and mature xylem cells (red), in the outermost portion of a jack pine tree. This research aims to identify the influences of climate on the cellular development of the species at its northern limit in Yellowknife, NT. The differences in these cell formations is what creates the annual tree ring boundary.
Science Exposed is a photography contest for scientists which has been run since 2016 (assuming the Past Winners archive is a good indicator for the programme’s starting year).
The 2020 competition recently closed but public voting should start soon. It’s nice to see that NSERC is now making efforts to engage members of the general public rather than focusing its efforts solely on children. The UK’s ASPIRES project seems to support the idea that adults need to be more fully engaged with STEM (science, technology, engineering, and mathematics) efforts as it found that children’s attitudes toward science are strongly influenced by their parents’ and relatives’ attitudes.(See my January 31, 2012 posting.)
Ingenious, the book and Ingenium, the science museums
To celebrate Canada’s 150th anniversary in 2017, then Governor General David Johnston and Tom Jenkins (Chair of the board for Open Text and former Chair of the federal committee overseeing the ‘Review of Federal Support to R&’D [see my October 21, 2011 posting about the resulting report]) wrote a boo about Canada’s inventors and inventions.
Johnston and Jenkins jaunted around the country launching their book (I have more about their June 1, 2017 Vancouver visit in a May 30, 2017 posting; scroll down about 60% of the way]).
The book’s full title, “Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier ” outlines their thesis neatly.
Not all that long after the book was launched, there was a name change (thankfully) for the Canada Science and Technology Museums Corporation (CSTMC). It is now known as Ingenium (covered in my August 10, 2017 posting).
The reason that name change was such a relief (for those who don’t know) is that the corporation included three national science museums: Canada Aviation and Space Museum, Canada Agriculture and Food Museum, and (wait for it) Canada Science and Technology Museum. On the list of confusing names, this ranks very high for me. Again, I give thanks for the change from CSTMC to Ingenium, leaving the name for the museum alone.
2017 was also the year that the newly refurbished Canada Science and Technology Museum was reopened after more than three years (see my June 23, 2017 posting about the November 2017 reopening and my June 12, 2015 posting for more information about the situation that led to the closure).
A Saskatchewan lab, Convergence, Order of Canada, Year of Science, Animated Mathematics, a graphic novel, and new media
Since this section is jampacked, I’m using subheads.
Dr. Brian Eameshosts an artist-in-residence,Jean-Sebastien (JS) Gauthier at the University of Saskatchewan’s College of Medicine Eames Lab. A February 16, 2018 posting here featured their first collaboration together. It covered evolutionary biology, the synchrotron (Canadian Light Source [CLS]) in Saskatoon, and the ‘ins and outs’ of a collaboration between a scientist an artist. Presumably the art-in-residence position indicates that first collaboration went very well.
In January 2020, Brian kindly gave me an update on their current projects. Jean-Sebastin successfully coded an interactive piece for an exhibit at the 2019 Nuit Blanche Saskatoon event using Connect (Xbox). More recently, he got a VR [virtual reality] helmet for an upcoming project or two.
Our Glass is a work of interactive SciArt co-created by artist JS Gauthier and biologist Dr Brian F. Eames. It uses cutting-edge 3D microscopic images produced for artistic purposes at the Canadian Light Source, Canada’s only synchrotron facility. Our Glass engages viewers of all ages to peer within an hourglass showing how embryonic development compares among animals with whom we share a close genetic heritage.
Eames also mentioned they were hoping to hold an international SciArt Symposium at the University of Saskatchewan in 2021.
Cat Lau’s December 23, 2019 posting for the Science Borealis blog provides insight into Zaelzer-Perez’s relationship to science and art,
Cristian: I have had a relationship with art and science ever since I have had memory. As a child, I loved to do classifications, from grouping different flowers to collecting leaves by their shapes. At the same time, I really loved to draw them and for me, both things never looked different; they (art and science) have always worked together.
I started as a graphic designer, but the pursuit to learn about nature was never dead. At some point, I knew I wanted to go back to school to do research, to explore and learn new things. I started studying medical technologies, then molecular biology and then jumped into a PhD. At that point, my life as a graphic designer slipped down, because of the focus you have to give to the discipline. It seemed like every time I tried to dedicate myself to one thing, I would find myself doing the other thing a couple years later.
I came to Montreal to do my post-doc, but I had trouble publishing, which became problematic in getting a career. I was still loving what I was doing, but not seeing a future in that. Once again, art came back into my life and at the same time I saw that science was becoming really hard to understand and scientists were not doing much to bridge the gap.
For a writer of children’s science books, an appointment to the Order of Canada is a singular honour. I cannot recall a children’s science book writer previous to Shar Levine being appointed as a Member of the Order of Canada. Known as ‘The Science Lady‘, Levine was appointed in 2016. Here’s more from her Wikipedia entry, Note: Links have been removed,
Shar Levine (born 1953) is an award-winning, best selling Canadian children’s author, and designer.
Shar has written over 70 books and book/kits, primarily on hands-on science for children. For her work in Science literacy and Science promotion, Shar has been appointed to the 2016 Order of Canada. In 2015, she was recognized by the University of Alberta and received their Alumni Honour Award. Levine, and her co-author, Leslie Johnstone, were co-recipients of the Eve Savory Award for Science Communication from the BC Innovation Council (2006) and their book, Backyard Science, was a finalist for the Subaru Award, (hands on activity) from the American Association for the Advancement of Science, Science Books and Films (2005). The Ultimate Guide to Your Microscope was a finalist-2008 American Association for the Advancement of Science/Subaru Science Books and Films Prize Hands -On Science/Activity Books.
The Order of Canada is how our country honours people who make extraordinary contributions to the nation.
Since its creation in 1967—Canada’s centennial year—more than 7 000 people from all sectors of society have been invested into the Order. The contributions of these trailblazers are varied, yet they have all enriched the lives of others and made a difference to this country. Their grit and passion inspire us, teach us and show us the way forward. They exemplify the Order’s motto: DESIDERANTES MELIOREM PATRIAM (“They desire a better country”).
Year of Science in British Columbia
In the Fall of 2010, the British Columbia provincial government announced a Year of Science (coinciding with the school year) . Originally, it was supposed to be a provincial government-wide initiative but the idea percolated through any number of processes and emerged as a year dedicated to science education for youth (according to the idea’s originator, Moira Stilwell who was then a Member of the Legislative Assembly [MLA]’ I spoke with her sometime in 2010 or 2011).
As the ‘year’ drew to a close, there was a finale ($1.1M in funding), which was featured here in a July 6, 2011 posting.
The larger portion of the money ($1M) was awarded to Science World while $100,000 ($0.1 M) was given to the Pacific Institute of Mathematical Sciences To my knowledge there have been no followup announcements about how the money was used.
Animation and mathematics
In Toronto, mathematician Dr. Karan Singh enjoyed a flurry of interest due to his association with animator Chris Landreth and their Academy Award (Oscar) Winning 2004 animated film, Ryan. They have continued to work together as members of the Dynamic Graphics Project (DGP) Lab at the University of Toronto. Theirs is not the only Oscar winning work to emerge from one or more of the members of the lab. Jos Stam, DGP graduate and adjunct professor won his third in 2019.
A graphic novel and medical promise
An academic at Simon Fraser University since 2015, Coleman Nye worked with three other women to produce a graphic novel about medical dilemmas in a genre described as’ ethno-fiction’.
Lissa: A Story about Medical Promise, Friendship, and Revolution (2017) by Sherine Hamdy and Coleman Nye, two anthropologists and Art by Sarula Bao and Caroline Brewer, two artists.
As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. Years later, Anna learns that she may carry the hereditary cancer gene responsible for her mother’s death. Meanwhile, Layla’s family is faced with a difficult decision about kidney transplantation. Their friendship is put to the test when these medical crises reveal stark differences in their perspectives…until revolutionary unrest in Egypt changes their lives forever.
The first book in a new series [ethnoGRAPIC; a series of graphic novels from the University of Toronto Press], Lissa brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.
I hope to write more about this graphic novel in a future posting.
I don’t know if this could be described as a movement yet but it’s certainly an interesting minor development. Two new media centres have hosted, in the last four years, art/sci projects and/or workshops. It’s unexpected given this definition from the Wikipedia entry for New Media (Note: Links have been removed),
New media are forms of media that are computational and rely on computers for redistribution. Some examples of new media are computer animations, computer games, human-computer interfaces, interactive computer installations, websites, and virtual worlds.
In Manitoba, the Video Pool Media Arts Centre hosted a February 2016 workshop Biology as a New Art Medium: Workshop with Marta De Menezes. De Menezes, an artist from Portugal, gave workshops and talks in both Winnipeg (Manitoba) and Toronto (Ontario). Here’s a description for the one in Winnipeg,
This workshop aims to explore the multiple possibilities of artistic approaches that can be developed in relation to Art and Microbiology in a DIY situation. A special emphasis will be placed on the development of collaborative art and microbiology projects where the artist has to learn some biological research skills in order to create the artwork. The course will consist of a series of intense experimental sessions that will give raise to discussions on the artistic, aesthetic and ethical issues raised by the art and the science involved. Handling these materials and organisms will provoke a reflection on the theoretical issues involved and the course will provide background information on the current diversity of artistic discourses centred on biological sciences, as well a forum for debate.
VIVO Media Arts Centre in Vancouver hosted the Invasive Systems in 2019. From the exhibition page,
Picture this – a world where AI invades human creativity, bacteria invade our brains, and invisible technological signals penetrate all natural environments. Where invasive species from plants to humans transform spaces where they don’t belong, technology infiltrates every aspect of our daily lives, and the waste of human inventions ravages our natural environments.
This weekend festival includes an art-science exhibition [emphasis mine], a hands-on workshop (Sat, separate registration required), and guided discussions and tours by the curator (Sat/Sun). It will showcase collaborative works by three artist/scientist pairs, and independent works by six artists. Opening reception will be on Friday, November 8 starting at 7pm; curator’s remarks and performance by Edzi’u at 7:30pm and 9pm.
New Westminster’s (British Columbia) New Media Gallery recently hosted an exhibition, ‘winds‘ from June 20 – September 29, 2019 that could be described as an art/sci exhibition,
Landscape and weather have long shared an intimate connection with the arts. Each of the works here is a landscape: captured, interpreted and presented through a range of technologies. The four artists in this exhibition have taken, as their material process, the movement of wind through physical space & time. They explore how our perception and understanding of landscape can be interpreted through technology.
These works have been created by what might be understood as a sort of scientific method or process that involves collecting data, acute observation, controlled experiments and the incorporation of measurements and technologies that control or collect motion, pressure, sound, pattern and the like. …
Council of Canadian Academies, Publishing, and Open Access
Established in 2005, the Council of Canadian Academies (CCA) (Wikipedia entry) is tasked by various departments and agencies to answer their queries about science issues that could affect the populace and/or the government. In 2014, the CCA published a report titled, Science Culture: Where Canada Stands. It was in response to the Canada Science and Technology Museums Corporation (now called Ingenium), Industry Canada, and Natural Resources Canada and their joint request that the CCA conduct an in-depth, independent assessment to investigate the state of Canada’s science culture.
I gave a pretty extensive analysis of the report, which I delivered in four parts: Part 1, Part 2 (a), Part 2 (b), and Part 3. In brief, the term ‘science culture’ seems to be specifically, i.e., it’s not used elsewhere in the world (that we know of), Canadian. We have lots to be proud of. I was a little disappointed by the lack of culture (arts) producers on the expert panel and, as usual, I bemoaned the fact that the international community included as reviewers, members of the panel, and as points for comparison were drawn from the usual suspects (US, UK, or somewhere in northern Europe).
Science publishing in Canada took a bit of a turn in 2010, when the country’s largest science publisher, NRC (National Research Council) Research Publisher was cut loose from the government and spun out into the private, *not-for-profit publisher*, Canadian Science Publishing (CSP). From the CSP Wikipedia entry,
Since 2010, Canadian Science Publishing has acquired five new journals:
Canadian Science Publishing offers researchers options to make their published papers freely available (open access) in their standard journals and in their open access journal, (from the CSP Wikipedia entry)
Arctic Science aims to provide a collaborative approach to Arctic research for a diverse group of users including government, policy makers, the general public, and researchers across all scientific fields
FACETS is Canada’s first open access multidisciplinary science journal, aiming to advance science by publishing research that the multi-faceted global community of research. FACETS is the official journal of the Royal Society of Canada’s Academy of Science.
Anthropocene Coasts aims to understand and predict the effects of human activity, including climate change, on coastal regions.
In addition, Canadian Science Publishing strives to make their content accessible through the CSP blog that includes plain language summaries of featured research. The open-access journal FACETS similarly publishes plain language summaries.
CSP announced (on Twitter) a new annual contest in 2016,
New CONTEST! Announcing Visualizing Science! Share your science images & win great prizes! Full details on the blog http://cdnsciencepub.com/blog/2016-csp-image-contest-visualizing-science.aspx1:45 PM · Sep 19, 2016·TweetDeck
The 2016 blog posting is no longer accessible. Oddly for a contest of this type, I can’t find an image archive for previous contests. Regardless, a 2020 competition has been announced for Summer 2020. There are some details on the VISUALIZING SCIENCE 2020 webpage but some are missing, e.g., no opening date, no deadline. They are encouraging you to sign up for notices.
Back to open access, in a January 22, 2016 posting I featured news about Montreal Neuro (Montreal Neurological Institute [MNI] in Québec, Canada) and its then new policy giving researchers world wide access to its research and made a pledge that it would not seek patents for its work.
Fish, Newfoundland & Labrador, and Prince Edward Island
AquAdvantage’s genetically modified salmon was approved for consumption in Canada according to my May 20, 2016 posting. The salmon are produced/farmed by a US company (AquaBounty) but the the work of genetically modifying Atlantic salmon with genetic material from the Chinook (a Pacific ocean salmon) was mostly undertaken at Memorial University in Newfoundland & Labrador.
The process by which work done in Newfoundland & Labrador becomes the property of a US company is one that’s well known here in Canada. The preliminary work and technology is developed here and then purchased by a US company, which files patents, markets, and profits from it. Interestingly, the fish farms for the AquAdvantage salmon are mostly (two out of three) located on Prince Edward Island.
Intriguingly, 4.5 tonnes of the modified fish were sold for consumption in Canada without consumers being informed (see my Sept. 13, 2017 posting, scroll down about 45% of the way).
It’s not all sunshine and roses where science culture in Canada is concerned. Incidents where Canadians are not informed let alone consulted about major changes in the food supply and other areas are not unusual. Too many times, scientists, politicians, and government policy experts want to spread news about science without any response from the recipients who are in effect viewed as a ‘tabula rasa’ or a blank page.
Tying it all up
This series has been my best attempt to document in some fashion or another the extraordinary range of science culture in Canada from roughly 2010-19. Thank you! This series represents a huge amount of work and effort to develop science culture in Canada and I am deeply thankful that people give so much to this effort.
I have inevitably missed people and organizations and events. For that I am very sorry. (There is an addendum to the series as it’s been hard to stop but I don’t expect to add anything or anyone more.)
I want to mention but can’t expand upon,the Pan-Canadian Artificial Intelligence Strategy, which was established in the 2017 federal budget (see a March 31, 2017 posting about the Vector Institute and Canada’s artificial intelligence sector).
Science Borealis, the Canadian science blog aggregator, owes its existence to Canadian Science Publishing for the support (programming and financial) needed to establish itself and, I believe, that support is still ongoing. I think thanks are also due to Jenny Ryan who was working for CSP and championed the initiative. Jenny now works for Canadian Blood Services. Interestingly, that agency added a new programme, a ‘Lay Science Writing Competition’ in 2018. It’s offered n partnership with two other groups, the Centre for Blood Research at the University of British Columbia and Science Borealis
While the Royal Astronomical Society of Canada does not fit into my time frame as it lists as its founding date December 1, 1868 (18 months after confederation), the organization did celebrate its 150th anniversary in 2018.
Vancouver’s Electric Company often produces theatrical experiences that cover science topics such as the one featured in my June 7, 2013 posting, You are very star—an immersive transmedia experience.
Let’s Talk Science (Wikipedia entry) has been heavily involved with offering STEM (science, technology, engineering, and mathematics) programming both as part of curricular and extra-curricular across Canada since 1993.
This organization predates confederation having been founded in 1849 by Sir Sandford Fleming and Kivas Tully in Toronto. for surveyors, civil engineers, and architects. It is the Royal Canadian Institute of Science (Wikipedia entry)_. With almost no interruption, they have been delivering a regular series of lectures on the University of Toronto campus since 1913.
The Perimeter Institute for Theoretical Physics is a more recent beast. In 1999 Mike Lazirides, founder of Research In Motion (now known as Blackberry Limited), acted as both founder and major benefactor for this institute in Waterloo, Ontario. They offer a substantive and imaginative outreach programmes such as Arts and Culture: “Event Horizons is a series of unique and extraordinary events that aim to stimulate and enthral. It is a showcase of innovative work of the highest international standard, an emotional, intellectual, and creative experience. And perhaps most importantly, it is a social space, where ideas collide and curious minds meet.”
While gene-editing hasn’t seemed to be top-of-mind for anyone other than those in the art/sci community that may change. My April 26, 2019 posting focused on what appears to be a campaign to reverse Canada’s criminal ban on human gene-editing of inheritable cells (germline). With less potential for controversy, there is a discussion about somatic gene therapies and engineered cell therapies. A report from the Council of Canadian is due in the Fall of 2020. (The therapies being discussed do not involve germline editing.)
I recently stumbled across ‘un balados’ (podcast), titled, 20%. Started in January 2019 by the magazine, Québec Science, the podcast is devoted to women in science and technology. 20%, the podcast’s name, is the statistic representing the number of women in those fields. “Dans les domaines de la science et de la technologie, les femmes ne forment que 20% de la main-d’oeuvre.” (from the podcast webpage) The podcast is a co-production between “Québec Science [founded in 1962] et l’Acfas [formerly, l’Association Canadienne-Française pour l’Avancement des Sciences, now, Association francophone pour le savoir], en collaboration avec la Commission canadienne pour l’UNESCO, L’Oréal Canada et la radio Choq.ca.” (also from the podcast webpage)
Does it mean anything?
There have been many developments since I started writing this series in late December 2019. In January 2020, Iran shot down one of its own planes. That error killed some 176 people , many of them (136 Canadians and students) bound for Canada. The number of people who were involved in the sciences, technology, and medicine was striking.
It was a shocking loss and will reverberate for quite some time. There is a memorial posting here (January 13, 2020), which includes links to another memorial posting and an essay.
As I write this we are dealing with a pandemic, COVID-19, which has us all practicing physical and social distancing. Congregations of large numbers are expressly forbidden. All of this is being done in a bid to lessen the passage of the virus, SARS-CoV-2 which causes COVID-19.
In the short term at least, it seems that much of what I’ve described in these five parts (and the addendum) will undergo significant changes or simply fade away.
As for the long term, with this last 10 years having hosted the most lively science culture scene I can ever recall, I’m hopeful that science culture in Canada will do more than survive but thrive.
*”for-profit publisher, Canadian Science Publishing (CSP)” corrected to “not-for-profit publisher, Canadian Science Publishing (CSP)” and this comment “Not bad for a for-profit business, eh?” removed on April 29, 2020 as per Twitter comments,
Hi Maryse, thank you for alerting us to your blog. To clarify, Canadian Science Publishing is a not-for-profit publisher. Thank you as well for sharing our image contest. We’ve updated the contest page to indicate that the contest opens July 2020!
Should you be in Ottawa, Canada on January 30, 2020 you might want to check out the Curiosity on Stage event: ‘When your city is smarter than you’ at the Canada Science and Technology Museum (from the Ingenium event page),
Curiosity on Stage: Evening Edition – When your city is smarter than you
Location Event Hall
When January 30, 2020
Times 7 p.m. – 8:30 p.m. (a reception will be held before the event, from 6:30 p.m. – 7 p.m.)
Fee Description $10 for non-members, $7 for museum members and students.
Language Comments Please note that this presentation will be in English, with simultaneous translation into French, and a bilingual Q & A.
Please note that the topics under discussion are intended for mature audiences. Recommended for participants ages 15 and up.
In June 2019, Google’s Sidewalk Labs released a long-awaited development proposal for a Toronto waterfront community, and in doing so created the largest ever smart city experiment in the world. For some, Sidewalk Labs’ proposal promises the key elements of a sustainable and inclusive city. For others, the proposal illustrates the dangers of letting a private corporation invade further into our private lives.
As part of our “Living in the Machine Age” theme, join a lively discussion exploring the future of cities in an increasingly algorithmic world. The session will end with a panel discussion and question-and-answer period.
6:30 p.m. – 7 p.m.: Light refreshments and networking opportunities
7 p.m. – 8:30 p.m.: Presentations and panel discussion
8:30 p.m. – 9 p.m.: Light refreshments and networking opportunities
Dr Tracey P. Lauriault – Assistant Professor, Carleton University
Marc René de Cotret – Director, Service Transformation of City of Ottawa
Dr Tracey P. Lauriault – Assistant Professor, Carleton University
Dr Tracey P. Lauriault, Assistant Professor, Critical Media and Big Data, School of Journalism and Communication, and Cross Appointed to the MA in Digital Humanities and Faculty of the Institute for Data Science, Carleton University.
Lauriault’s work on open data, big data, open smart cities, is international, transdisciplinary and multi-sectoral. She is one of the founders of critical data studies and of open data in Canada and founded Open Smart Cities with OpenNorth a data and technology governance approach shaping how Canadian cities roll out their ‘smart’ programs. Her scholarship is critical and engaged, and as a data and technological citizen, she works with the makers, governors and stakeholders of these data, processes and infrastructures, not only to better understand them but also to ensure that these do not cause harm and more so that they are governed in an ethical, accountable and transparent way so as to balance economic development, social progress and environmental responsibility.
Marc René de Cotret – Director, Service Transformation of City of Ottawa
Marc René de Cotret joined the City of Ottawa’s Innovative Client Services Department as the Director of Service Transformation in April 2017.
He leads the Service Transformation team, which is responsible for delivering the City’s strategic planning process, smart city strategy, digital and innovation initiatives, open data program, and organizational effectiveness efforts to cultivate a culture of innovation and client-centric service delivery.
Prior to joining the City, Marc was an Associate Partner with the Digital Operations practice of IBM’s Global Business Services. He has extensive consulting experience in strategy, business operations, and transformation. He has worked for large-scale clients in numerous sectors including all levels of government, public safety, health care, construction and engineering, defense, pulp & paper, industrial shipbuilding, nuclear regulatory, and taxation.
Marc has a master’s degree in Business Administration from the University of Ottawa.
There are some interesting events coming up in that constellation of science museums clustered under the Ingenium brand name in Ottawa. I’m highlighting two of the events here in date order.
Canada Agriculture and Food Museum on December 5, 2019
That is an actual gingerbread house made by Catherine Beddall, the featured artist at the Canada Agriculture and Food Museum’s December 5, 2019 event. Here’s more from a November 27, 2019 Ingenium newsletter (received via email),
Canada Agriculture and Food Museum Thursday, December 5, 2019 (7 p.m. to 8:30 p.m.) Fee: $10 + tax | Members: $7 + tax (with promo code) Language: English only, with a bilingual Q-and-A
Join Catherine Beddall — an award-winning gingerbread artist — to learn the tips and tricks behind making a successful gingerbread project. The author of The Magic of Gingerbread, Beddall has created antique clocks, space rockets, and even a chess board from gingerbread. Find your inspiration…just in time to make your own gingerbread creation for the holidays!
For full details and to register, visit our website.
Catherine Beddall is, quite simply, a gingerbread mastermind. Forget basic little houses covered in gumdrops — Beddall is a food artist and gingerbread is her favourite medium. From an antique clock to space rockets and even a chess board, there’s no limit to Beddall’s creative designs. With Christmas on the horizon, this award-winning pastry chef is planning a visit to the Canada Agriculture and Food Museum to share some beginner tips with visitors. The Ingenium Channel caught up with her to learn more about her gingerbread obsession.
it’s a fun, interesting interview liberally spiced with pictures of Beddall’s work.
Kids learn to make electronic plushie gifts on December 14, 2019 in Ottawa
Also from the November 27, 2019 Ingenium newsletter (received via email),
Canada Science and Technology Museum Saturday, Dec. 14, 2019 (10 a.m. and 1:30 p.m.) Fee: $17 + tax | Members: $15 ($2 discount with promo code) + tax Language: Bilingual
Kids ages 8 and up will love the chance to design their own electronic plushie (note that registration includes admission for one child and one accompanying adult). Using conductive thread, participants will learn incorporate sewable circuitry components into a unique toy.
For full details and to register, visit our website.
I found more here on the event webpage,
*Registration includes admission for one child and one accompanying adult.
Fan of the DIY [do it yourself] movement? Want to fabricate a thoughtful gift for the holidays? You are invited to use your creativity to make a handmade gift.
Want to improve your sewing AND circuitry skills at the same time? Join us for an electronic textile workshop — just in time for the holidays! Explore how to incorporate sewable circuitry components using conductive thread into your very own hand-made plushie! Use your creativity to design and decorate your plushie; the result might just be the perfect gift for your special someone.
Registration is required. Parents/guardians must remain at the museum for the duration of the workshop, and are welcome to attend the session.
Ingenium members will receive a discount code to apply towards the admission fee! Watch for the discount code in the exclusive member newsletter.
It looks like there are two sessions to choose from and each is 90 minutes in duration.
I don’t know what’s happened but either there are way more science type events or I’ve changed some pattern of internet use and am stumbling across more of them. I vote for the former.
In any event, this is the third ’roundup’ of science type things and/or events that I’ve published this October 2019. *ETA October 23, 2019: The events are in one or other of the science museums in Ottawa, the internships (part-time) are in Washington, DC, and Sci_Tunes is aimed at teachers in the UK although I imagine anyone is free to enjoy them.*
All three of the museums that are included in the Ingenium portmanteau (formerly the Canada Science and Technology Museums Corporation) have events and Ingenium itself is announcing a science type thing (a video game).
AI (artificial intelligence) and climate change at the Canada Museum of Science and Technology
From an October 16, 2019 Ingenium announcement (received via email),
Canada Science and Technology Museum Oct. 24, 2019 (6:30 p.m. – 8:30 p.m.) Fee: $10 for non-members, $7 for members and students. Registration required. Language: English presentation with simultaneous translation into French, and a bilingual Q & A.
Climate Change and Artificial Intelligence – two topics essential to the future of our society, each with their own inherent challenges. What if they could work together for the greater good?
Join invited speakers from Watergeeks.io and BluWave AI for a discussion that will explore the potential to use AI to reduce greenhouse gas emissions, build climate resilience,and help Canada lead in the clean tech economy. Don’t miss this essential evening, the first in the thematic series “Living in the Machine Age.”
For anyone who may be confused about the museum name (as I was for so very long): The corporation is the governing entity for three museums, Canada Science and Technology, Canada Agriculture and Food Museum, and Canada Aviation and Space Museum. Changing the corporate name from Canada Science and Technology Museums Corporation to Ingenium was welcome news (to me, if no one else).
Sky High Magic at the Canada Aviation and Space Museum
From an October 16, 2019 Ingenium announcement (received via email) ,
Canada Aviation and Space Museum
Jan. 5, 2020, Feb. 17, 2020, and March 8, 2020
Fee: $8 per ticket, $6 for members (with the discount code)
Mark your calendar…the Sky High Magic
Series is coming back to the Canada Aviation and Space Museum! With
shows running through March 2020, this year’s line up features talented,
high-energy magicians who will dazzle you with amazing illusions —
mixed with a whirlwind of comedy.
StarBlox Inc. is a mashup of a puzzler and a brawler — in space! Ingenium’s experts worked on the science in the game to immerse players in a realistic world. For example, when playing on the Jovian moon Io, you’ll need to dodge waves of lava. In real life, these can measure over 50 km high!
The game includes 72 unlockable photobook entries about the planets, moons, and asteroids in the game, with images from NASA. Check out the StarBlox Inc. trailer.
I’ve included a copy of the trailer here,
It seems more like a entrepreneur’s starter kit than a game. The overarching theme seems to be that the business of transportation and delivery is a zero sum game. Philosophically, they seem to be espousing capitalism as a form of the ‘strongest survive’ tenet.
OTTAWA, ON, September 30, 2019 – Nintendo Switch players can now join the team at StarBlox Incorporated – where sorting cargo is a contact sport!
A unique mash up of a puzzler and a brawler, Ingenium – Canada’s Museums of Science and Innovation – developed the game for Nintendo Switch in partnership with Seed Interactive. Crafted for scientific accuracy by Ingenium’s expert science advisors and curatorial staff, StarBlox Inc. features stunning planetary backdrops which have been meticulously designed to ensure that players are fully immersed in a realistic world.
As players deliver cargo to the far corners of the solar system, each of the planets, moons and asteroids presents new challenges – from black holes to gravity to waves of lava. This interactive game tests quickness and ability to efficiently to beat the competition. But watch out – the shipping world is fierce! An opponent can sabotage work by stealing blocks, delivering punches or even throwing someone in the incinerator!
Game features include: Two local competitive multiplayer modes for up to four people Single player “Career mode” Seventy-two unlockable photobook entries about the planets, moons and asteroids in the game, with images provided by NASA
StarBlox Inc. is now available for pre-purchase in North America, and will launch in the Nintendo eShop on Nintendo Switch later this fall.
“As science communicators, Ingenium is proud to create digital experiences that reach beyond the four walls of our Museums. This latest foray into the world of gaming is just one of the many ways in which we are leveraging our world class collection and team of experts to engage people regardless of where they are – nationally and internationally.” – Christina Tessier, President and CEO, Ingenium – Canada’s Museums of Science and Innovatio
“Seed Interactive creates entertainment with a purpose. As digital innovators we utilize games and interactive technologies to create exciting and accessible education, health and wellness and entertainment products.” -Aaron McLean, Founder and C.O.O, SEED Interactive Inc
The game was released October 18, 2019.
Hercules and the last straw at the Canada Agriculture and Food Museum
From an October 21, 2019 Ingenium announcement (received via email),
Hercules and The Last Straw
Friday, November 8, 2019 5:30 p.m. to 8 p.m. Canada Agriculture and Food Museum
We are pleased to invite you to join us at the Canada Agriculture and Food Museum at 5:30 p.m. on Friday, November 8, 2019 for a special evening of art and inspiration.
Ingenium is thrilled to partner with celebrated artist Elaine Goble as she shares her artistic perspectives on the fascinating connection between the STEAM subjects of Science, Technology, Engineering, Arts, and Mathematics, and personal wellness. The Canada Agriculture and Food Museum is one of three museums of Ingenium – Canada’s Museums of Science and Innovation.
For the first time, three of Ms. Goble’s large-sized animal portraits will be on view simultaneously. The vernissage and presentation will be held in the museum’s Learning Centre, where guests will be welcome to view the artworks and meet the artist before the presentation. Ms. Goble’s pieces will be complemented by several other agriculture-related artworks from Ingenium’s national science and technology collection.
Light refreshments and a cash bar will be offered.
In honour of Ms. Goble’s commitment to using art as a catalyst for curiosity and expression, a $20 donation to the museum’s art programming is requested. A tax receipt will be issued to all ticket holders and donors. If you cannot attend but would like to make a donation, please visit the Ingenium Foundation’s website .
Please RSVP using this link before November 3. As space for this event is limited, please reserve early to ensure you don’t miss out on this evening devoted to art, ingenuity, and the human spirit. A reminder with more information, including detailed driving and parking directions, will be emailed to all registrants several days before the event.
Here’s the image they’re using to accompany the publicity for the event,
Presumably, that is either Hercules or a stand-in for him.
Perimeter Institute and ‘Homes away from home’ with Elizabeth Tasker
I tried but these Perimeter Institute (PI) events are very popular and they are already at the wait list stage mere hours after making tickets available. However, there are other ways to attend as you’ll see.
Here’s more from an October 18, 2019 announcement from PI (received via email),
Homes away from home WEDNESDAY, NOVEMBER 6  at 7 PM ET Elizabeth Tasker, Japan Aerospace Exploration Agency
Since the discovery of the first exoplanets in the early 1990s, we have detected more than 4,000 worlds beyond our solar system. Many of these are similar in size to our Earth, leading to an obvious question: could any be habitable?
On November 6 , astrophysicist and author Elizabeth Tasker will take audiences for a speculative stroll through a few of the alien worlds we’ve discovered in the galaxy, and ponder whether someone else may already call them home. Read more ➞
Become a member of our donor thank you program! Learn more.
Here’s a bit more detail from the event’s ticket page,
PI Public Lecture Series:
Title: Homes away from home – the hunt for habitable planets
Since the discovery of the first exoplanets in the early 1990s, we have detected more than 4,000 worlds beyond our solar system. Many of these are similar in size to our Earth, leading to an obvious question: could any be habitable?
For now, we typically only know the size and orbit of these planets, but nothing about their surface conditions. Although we cannot know for sure if these worlds could support life, we can use models to speculate on what we might find there.
In her Nov. 6  talk at Perimeter Institute, astrophysicist and author Elizabeth Tasker will take audiences for a speculative stroll through a few of the alien worlds we’ve discovered in the galaxy, and ponder whether someone else may already call them home.
Elizabeth Tasker is an astrophysicist at the Japan Aerospace Exploration Agency (JAXA). Her research explores the formation of stars and planets using computer simulations. She is particularly interested in how diverse planets might be and what different conditions might exist beyond our Solar System. Elizabeth is also a keen science communicator and writer for the NASA NExSS “Many Worlds” online column. Her popular science book, The Planet Factory, was published out in paperback in Canada last April.
Wilson Center Spring 2020 science and technology internships
From an October 21, 2019 Wilson Center announcement (received via email),
The Science and Technology Innovation Program (STIP) is currently welcoming applicantions for the spring semester of 2020. Our internships are designed to provide the opportunity for current students or recent graduates for practical experience in an environment that successfully combines scholarship with public policy. We recommend exploring our website to determine if your research interests align with current STIP programming around emerging technologies, i.e.:
5G * Artificial Intelligence * Big Data * Citizen Science * Cybersecurity * Disinformation * Marine Debris/Ocean Plastics * One Health * Open Science * Public Communication of Science * Serious Games
We offer two types of internships: graduate-level research and undergraduate-level research internships. All internships must be served in Washington, D.C. and cannot be served remotely. Internships are unpaid unless otherwise stated.
Tools like Foldscope, a $1 microscope, and Arduino, a microprocessor for creating customized scientific instrumentation, show how low cost hardware (including open, proprietary, and mixed solutions) can accelerate research while making it more transparent and participatory.
These tools have the potential to change how, and by whom, science is done, within professional spaces and broader communities. But more work is needed to understand the capacity and future potential for low-cost hardware to accelerate and broaden participation in scientific research. We are seeking a research intern with an interest in exploring democratized scientific research and technological development through the lens of low cost hardware.
Our world is drowning in plastic pollution. Humans produce about 300 million tons of plastic waste every year, equivalent to the weight of the entire human population in 2018. Nowhere is this crisis more visible than in our oceans, which by 2050 could contain more plastic than fish. Further complicating this issue are city-state actors, such as the United States, EU and China, who have vastly different approaches in how to negate the issue area. The global public needs to understand the impact of plastic pollution and how to end its leakage into the ocean.
We are seeking a research intern with an interest in exploring the ocean plastics issue in a shared role between the China Environment Forum and Science and Technology Innovation Program’s Serious Games Initiative.
The deadline for Spring 2020 internships is November 15, 2019.
Cosmic Shambles and Sci-Tunes
Cosmic Shambles (officially, The Cosmic Shambles Network) is a science blog network that rose from the ashes of the Guardian science blog network. These days they have podcasts, videos, blogs, and more. This latest project is described in an October 21, 2019 posting on the Cosmic Shambles blog,
In association with The Stephen Hawking Foundation and science troubadour Jonny Berliner, The Cosmic Shambles Network is proud to present Sci-Tunes.
Coming soon, a series of educational music videos on GCSE [General Certificate of Secondary Education examinations in the UK] Physics, written and performed by Jonny Berliner, funded by The Stephen Hawking Foundation, and produced by The Cosmic Shambles Network. The full videos will be released in November  and accompanied by free resources packs for both teachers and students. …
If you’re in Ottawa on May 18, 2019 and available from 1 – 1:30 pm and have paid your entry fee to the Canada Science and Technology Museum, there’s a special talk. From a ‘Curiosity on Stage’ event page,
Have you ever wondered what it’s like to work in the fields of science, technology, engineering, and math? Curiosity on Stage is a series of short, interactive presentations that brings you face-to-face with researchers and innovators. Each week, a featured speaker delivers an engaging presentation followed by an interactive Q-and-A session. Curiosity on Stage invites you to learn directly from people working in the science and technology-related fields. Find out what they do and why it matters – and leave inspired by their stories of curiosity, overcoming obstacles, and innovation.
While everyone is welcome on the Demo Stage, this program is recommended for ages 10+.
This week: Juan Geuer: The Science of Art
[Speaker:] Wendy Moir, Ottawa Art Gallery
Wendy Moir earned her Master’s degree in art history from Carleton University and a Bachelor of Arts in art history and English literature at Queen’s University. She is passionate about art education and has taught visual literacy at galleries in Kingston, Halifax, and Ottawa since 2003. Wendy currently teaches Canadian art history in the diploma program at the Ottawa School of Art and is an educator at the Ottawa Art Gallery.
This week, Wendy will be showcasing the work of Juan Geuer. Juan Geuer’s art, along with seven other artists he either collaborated with, influenced, or worked with in parallel, is showcased in the Ottawa Art Gallery exhibition Carbon + Light: Juan Geuer’s Luminous Precision. This presentation discusses his life in the National Capital Region and his ground-breaking artwork that sits at the threshold between science and art.
I’d never heard of Juan Geuer before but the title for the current exhibition of his work at the Ottawa Art Gallery immediately caught my attention, CARBON + LIGHT JUAN GEUER’S LUMINOUS PRECISION. Here’s the description from the exhibition webpage,
March 9 – August 18, 2019
Canadian artist Juan Geuer’s groundbreaking work sits in the threshold between science and art.
It bridges the human condition, in all its various states, and the carbon-based ecosystems and oxygenated atmospheres upon which we depend.
The exhibition Carbon + Light celebrates this artist’s significant legacy as a fearless truth seeker. Through his inventive approach to installation, he pointed out the onset of the Anthropocene long before the term emerged to denote the geological period in which we now find ourselves embedded. Here, Geuer’s work will be in dialogue with artists with whom he either collaborated, influenced, or worked with in parallel, from Michael Snow to Catherine Richards.
The exhibition will also showcase the importance of Ottawa as the site within which Geuer’s surprising practice emerged, suggesting that time and location were instrumental to his ability to develop his unique investigation.
The National Gallery of Canada (also in Ottawa) Has collected some of Geuer’s work and has a biography,
Juan Geuer’s goal is “to study our perception beyond science and art and to investigate our creative ability for adapting new visions”.
For Juan Geuer science is an activity as creative, inspired, and dependent upon perception as art. He is interested in the parallels between scientists and artists and their respective involvements with observation — their attempts to view nature in ways ever more complete, the scientist with apparatus, formulae and statistics, the artist by attention and understanding of the filters that colour perception.
Juan Geuer was brought up in a family of Dutch artists and became himself an artist, working first in glass in the 1940s and later turning to easel painting and murals. He left Holland with his family just before the beginning of World War II and immigrated to Bolivia.
By the time he came to Canada in 1954, he had traveled widely and tried his hand at several professions. In Canada, he worked as a draftsman at the Dominion Observatory of the National Research Council through the late 50s, the 60s and the70s, where he was exposed daily to the beauties and intricacies of science. Having only a little academic background in science, he learned from the scientists and, always an independent thinker, drew his own conclusions. Geuer maintains that both science and art are creative endeavours requiring of their practitioners an open-mindedness and a willingness to accept nature’s surprises.
By the 1960s, Geuer had become disenchanted with the idea of producing art as a commodity for sale to a limited public; he began to seek alternatives that might better reflect the creativity in everyday life. Eventually he began to view his scientific activity as inseparable from his art. He turned from painting to making more conceptual work in the early 1970s. Juan Geuer’s interest in finding a meeting ground between science and art is clearly stated as a mission of his company, The Truth-Seeker Company, formed in 1973. Geuer sees science as a theoretical network of systems that can only be verified by referral to the real world, or nature. But that which we know as nature is still only a concept based on the perceptions of our senses. Science can extend sensory perception by instruments that enable us to observe and analyze nature, thereby enriching our understanding of it.
Conversely, art for Geuer requires an open attitude to nature, a willingness to accept what is given, if the artist is to act “as the mirror which transmutes itself into as many colours as exist in the things placed before it,” (Leonardo da Vinci’s quote on an artist’s purpose). Geuer reaffirms in his art the necessity of humanity maintaining an honest dialogue with nature.
Some of Geuer’s works incorporate scientific apparatus. Other works use or analyze natural phenomena, like the colours of polarized light or earthquake activity. For Geuer, the equipment and methods of science can be useful to the artist who cares to understand them and to use them to allow the ordinary person entry into the universes that science can reveal.
In Karonhia, 1990, a work owned by the National Gallery, a simple scientific device is at work in aid of the observation of nature – mirrors. The mirrors are positioned with precision to reflect the sky, providing an opportunity for observation of its changing colours and weather conditions. Designed in response to the conditions of the architecture, Karonhia which means “sky” in the Mohawk language, frames and reflects the sky in four directions from four observation points, providing a constant daytime show of natural visual phenomena that draws visitors’ attention to an aspect of nature that is sometimes taken for granted.
H20, another work in the Gallery’s collection incorporates sophisticated and original equipment used for the observation of another natural phenomenon, water. Laser light is passed through a drop of water as it forms, swells and falls from a controlled source. The water drop acts as both lens and image. Its image is projected onto a wall by the laser light passing through it, where the viewer can watch it, large-scale. The magnification is itself fascinating – one can see the surface tension of the drop, a force that for Geuer is a dynamic and mysterious force, believed to be based on hydrogen bonding, that permeates all biological processes. One might also see bacteria and other matter if they are present – each drop becomes a unique microcosm, observable for the duration of its existence. In H20, Geuer brings the unimaginable into a form that can be perceived and contemplated.
Geuer has extensively exhibited his work both within Canada and internationally, in solo and group exhibitions. Key among his exhibitions were his showing of several pieces at the List Visual Arts Centre of MIT in 1986 and his solo exhibition in Rotterdam at the Museum Boymans-van Beuningen in 1985.
I’m going to end this post with a link to a film made by Ed Folger about one of Geuer’s most seminal works, WIS (Water in Suspense) but first, there’s this excerpt from a May 7, 2009 obituary on Canadian Broadcasting Corporation (CBC) online news,
Ed Folger, who is finishing a video that documents one of Geuer’s pieces, said Geuer was intent on showing people the underlying rhythms of the earth and making the imperceptible visible.
Geuer saw art in lasers and swinging pendulums and used them, along with mirrors, in many of his creations.
“If you just look at a drop of water, you can’t see the movement of the molecules, but if you put a laser through it, these fabulous patterns are projected out,” said Folger.
One of Geuer’s seminal pieces — a seismometer that records motion — is permanently installed at the Ottawa Art Gallery.
“Wonderment! He kept using that word over and over again. Wonderment. It’s what people should feel,” said Folger.
Unfortunately, much of Geuer’s work is too complicated to be shown often, said Folger.
Geuer’s website describes one creation, Hellot Glasses, made in 1996, as small mirrors that allow viewers to “live vicariously in one another’s gaze.”
In an interview he gave at the age of 91, Geuer gave a hint of how it might feel to look through his own gaze.
“Every day, I get up with this wonderful feeling, and I think I can do something new today, something nobody else has done. I will find something,” he said.
Today (May 7, 2019), I’m writing up a Canadian science hodge podge of a post.
From a sheep shearing festival in May to summer camps for kids: Ingenium’s Canadian science museums
Ingenium, for those who don’t know, is the corporate ‘parent’ for the Canada Science and Technology Museum, the Canada Aviation and Space Museum, and the Canada Agriculture and Food Museum. Confusingly, the ‘parent’ was once called the Canada Science and Technology Museums Corporation (CSTMC).
I recently featured the da Vinci exhibit (May 2 – September 2, 2019) being held at the Canada Science and Technology Museum in a May 1, 2019 posting (scroll down about 70% of the way). It seems now it’s time for the other two.
Canada Agriculture and Food Museum and its sheep (May) and kids’ summer camps
The Sheep Shearing Festival is being held in Ottawa on Victoria Day weekend but only on two days of the weekend, Saturday, May 18 and Sunday, May 19, 2019. Here’s more from festival webpage,
Sheep Shearing Festival
When: May 18, 2019 – May 19, 2019 Times: 9:30 am – 4:00 pm Fee: Included with admission Language: Bilingual
The Canada Agriculture and Food Museum presents the annual Sheep Shearing Festival. Visitors will be able to learn all about wool by participating in various activities and demonstrations. Visitors of all ages can attend sheep shearing, sheep herding and sheepdog agility demonstrations, as well as meeting an alpaca. They can also learn about carding and knitting, all important steps in the transformation of a raw fleece into wool. They can also see a craftsman doing traditional finger-weaving or spin the quiz wheel and test their knowledge about fibers from various sources. Visitors can enjoy cooking demonstrations that feature goat cheese as well as watch a classic movie. Keep an eye out for Little Bo Peep, who still needs help finding her sheep!
Note: The Festival is held on Saturday and Sunday but not the Monday of the long weekend. Regular May demonstrations will be in effect on Monday.
Activities: Sheep Shearing Demonstration The Art of Leather Sheepdog Agility Demonstration- weather permitting Sheep Herding Demonstration Goat Cheese and Herb Biscuits Family Movie Presentation Shawville 4-H Club Demonstration Felt Making Wool Carding Meet a Lamb and its Family Meet Yanni the Alpaca Children’s Craft Animal or Plant?” Quiz Finger Weaving Afternoon Milking Local Fiber artists and mini market Food Services ($) Wagon Rides ($) –weather permitting
With summer fast approaching, the moment has arrived for us to shear our sheep. Visitors can attend a sheep shearing demonstration, where they will see a professional sheep shearer at work as one of our dynamic guides explains the entire process
The Art of Leather(ongoing activity with a break between 12 p.m. and 1 p.m.)
There is more to leather than durable boots and stylish handbags – leather is a fascinating by-product! With expert artisan Lynn McNabb, visitors will be able to see how leather is prepared and how it can be ultimately crafted into beautiful and functional items.
Visitors will be enthralled by this demonstration performed by members of the “Ottawa Valley Border Collie Club”, who will captivate your attention with their Border Collies, who race through a course filled with obstacles of all sorts.
At this demonstration, visitors will see a shepherd and his specially trained dogs in action, as they work as a team to herd a flock of sheep.
Goat Cheese and Herb Biscuits (ongoing)
Did you know that goat’s milk is the most consumed milk in the world? Try a sample of our delicious goat cheese and herb biscuits.
Family Movie Presentation(English showing at 10:00 a.m. and French showing at 1:00 p.m.)
Join us for a classic movie presentation of the beloved film Babe. There will be popcorn for purchase and all proceeds go to the museum’s Youth Fund.
Shawville 4-H Club Demonstration (9:45 a.m., 11:45 a.m. and 1:45 p.m.)
Watch as the Shawville 4-H Club demonstrates how they train their 4-H farm animals and how they get them ready for showing and how they are evaluated. Meet and greet the animals and their trainers in between the demonstrations. This is a fun educational activity not to be missed!
Felt Making (ongoing activity)
With the help of a guide, visitors can make felt from a piece of sheep’s wool while discovering the history and science of the world’s oldest fabric.
Wool Carding (ongoing activity)
At this station, visitors can learn about carding, an important step in the transformation of wool. They can even try their hand at this activity with a pair of carders!
Meet a Lamb and its Family (ongoing activity)
Meet the sheep family and see who guards the sheep!
Meet Yanni the Alpaca (ongoing activity)
Visitors will meet an alpaca and learn all about this fascinating animal. They will learn about their life cycle, the reason we raise them on farms, as well as the particularities of their fleece.
Children’s Craft (ongoing activity)
Come join the fun with a themed sheep craft to take home.
“Animal or Plant?” Quiz (ongoing activity)
At this station, visitors will spin the wheel and test their knowledge about fibres from various sources. Will they know if the fibre comes from an animal or a plant?
Finger Weaving (ongoing activity)
Visitors will be able to see a craftsman doing some finger-weaving – a traditional craft that is used to make all sorts of products, including the famous arrow sash!
Afternoon Milking (4 p.m. – 4:30 p.m.)
The milking of the museum’s dairy cows takes place twice daily. Over the course of this demonstration, visitors will be impressed by the technologies used in modern dairying as they see the herdspeople milk the entire herd. A museum guide will be on site to explain the process and to answer questions.
Also… Local Fiber artists and mini market (ongoing activity) Willow Lane Alpacas Apple Road Goat Milk Soaps Janet Tulloch, artist Rebecca Dufton, artist SweetLegs Orleans with Sania
Food Services ($) The Hot Potato Company will be on site to offer food services.
Wagon Rides ($) (10 a.m. – 2 p.m.) weather permitting! Enjoy a tour through the fields of the Central Experimental Farm on the Tally-Ho wagon.
Summer camp at the farm
A series of week long summer camps at the Agriculture Museum’s famr are open to children whose parents thought to book ahead. The season starts on Monday, June 24, 2019 and ends Friday, August 23, 2019. Here’s more from the Summer Camps at the Farm webpage,
Bring the country to kids in the city with fascinating summer camps at the Canada Agriculture and Food Museum. Hands-on activities educate children while they care for the museum’s farm animals and gardens, cook foods, make crafts, and play games
Additional Information Camps must be pre-booked. A child is not allowed to be registered for more than one week of camp. However, a second week may be booked if this camp is Sprouting Chefs culinary camp. Ingenium reserves the right to cancel the registrations for any child booked into more than one agricultural camp at the Canada Agriculture and Food Museum. Children must be the required age by August 31, 2019. Counsellor-to-child ratio is a minimum of 1 to 8. One snack will be provided daily and lunch on Friday. Each child receives a camp T-shirt. You may cancel your registration up to two (2) weeks before the start of your camp week. There is a $30 fee for cancellations. No refunds will be issued for cancellations after the two week cut-off.
You may want to register soon as some the camp sessions are already sold out.
Canada Aviation and Space Museum features music and science summer camps
They have a shorter season running from July 2 – August 23, 2019 and, yes, one session is already sold out. Here’s more from the Music & Aviation Day Camp webpage,
The Canada Aviation and Space Museum is pleased to collaborate with Sonart Music School to offer weekly Music and Aviation Summer Day Camps at the Museum, from July 2nd to August 23rd, 2019.
Each day includes music lessons, aerodynamics demonstrations, outdoor activities and the children also perform in a concert at the end of the week!
Campers take off on a full flight of activities artfully balanced between music and aviation. Children become familiar with aeronautical concepts, including the principles of flight, and are introduced to various musical instruments such as drums, guitar, piano, voice, and violin. Your child will be challenged to push his or her limits through fascinating activities and captivating projects.
Go here to register. You can find out more about Sonart Music School here. Good luck with getting into the events and registering for the camp sessions you’d like!
Bee hygiene at the University of British Columbia (UBC)
After the news about a draft report* from the United Nations claiming that up to one million species are at risk due to humans (see April 23, 2019 news item on phys.org for more about the draft report), I thought this UBC research news might sound a more hopeful note.
There are parts of this video, which I found strangely hypnotic,
While poor hygiene may be a deal breaker in human relationships, in bee colonies it can be a matter of life and death.
Which is why, for two weeks in May, a lab at UBC runs a high-tech matchmaking service for bees: swipe right for hygienic bees, swipe left if not.
“Certain worker bees exhibit something called ‘hygienic behaviour,’ where they recognize nest mates that are infected by a pest or pathogen and remove them from the colony,” said Leonard Foster, a biochemist and professor at the Michael Smith Laboratories at UBC. “This is one way that bees defend against the varroa mite, which is typically responsible for about 40 per cent of Canadian colonies that are lost every year.”
According to Foster, the varroa mite is currently one of the most important factors in bee health, but only about five per cent of bees exhibit the defensive hygienic behaviour.
“We believe hygienic bees have a certain class of protein involved in detecting odours associated with pest and pathogen infections,” said Foster, who is also director of the PCF. “These odours trigger a grooming impulse, with the odour molecule binding to a protein and sending a signal.”
Beekeepers from across the Lower Mainland ship bees to the lab to be analyzed ahead of the spring swarm period, when bees mate and new honey bee colonies form
The researchers study the bees’ antennae, which contain the protein that can signal hygienic behaviour. Because all worker bees in a hive have a single mother, the scientists can gauge the state of the whole hive by looking at a few of these bees.
Once Foster’s team identifies the most hygienic colonies, beekeepers bring new queen bees and male ‘drones,’ raised from those colonies to hives isolated on Bowen Island, where they will mate and produce a new generation of bees.
“This isn’t genetic modification – we aren’t changing the structure of the bees,” said Foster. “We merely finding the most hygienic ones from the natural populations, and allowing beekeepers to match queen bees with the most appropriate candidates.”
Protein analysis is more accurate than behavioural observations and this type of research allows for more effective and faster selective breeding.
“Our research shows that you can predict the behaviour of specific colonies by understanding their protein structures better,” said Foster. “We don’t need to painstakingly monitor colonies wondering if they are going to be hygienic or not. We hope this will provide beekeepers a tool that will make their lives easier.”
And, because I love bee beards,
*ETA May 7, 2019 at 1440 PDT: There’s even more recent information about disappearing species in a summary released by the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES): “IPBES: Nature’s dangerous decline ‘unprecedented,’ species extinction rates ‘accelerating’; Current global response insufficient; ‘transformative changes’ needed to restore and protect nature; opposition from vested interests can be overcome for public good; most comprehensive assessment of its kind; 1 million species threatened with extinction.” A May 6, 2019 IPBES news release on EurrekAlert.
It seems May 2019 is destined to be a big month where science events in Canada are concerned. I have three national science science promotion programmes, Science Odyssey, Science Rendezvous, and Pint of Science Festival Canada (part of an international effort); two local (Vancouver, Canada) events, an art/sci café from Curiosity Collider and a SciCats science communication workshop; a national/local event at Ingenium’s Canada Science and Technology Museum in Ottawa, and an international social media (Twitter) event called #Museum Week.
Science Odyssey 2019 (formerly Science and Technology Week)
In 2016 the federal Liberal government rebranded a longstanding science promotion/education programme known as Science and Technology Week to Science Odyseey and moved it from the autumn to the spring. (Should you be curious about this change, there’s a video on YouTube with Minister of Science Kirsty Duncan and Parliamentary Secretary for Science Terry Beech launching “Science Odyssey, 10 days of innovation and science discovery.” My May 10, 2016 posting provides more details about the change.)
Moving forward to the present day, the 2019 edition of Science Odyseey will run from May 4 – May 19, 2019 for a whopping16 days. The Science Odyssey website can be found here.
Once you get to the website and choose your language, on the page where you land, you’ll find if you scroll down, there’s an option to choose a location (ignore the map until after you’ve successfully chosen a location and clicked on the filter button (it took me at least twice before achieving success; this seems to be a hit and miss affair).
Once you have applied the filter, the map will change and make more sense but I liked using the text list which appears after the filter has been applied better. Should you click on the map, you will lose the filtered text list and have to start over.
Science Rendezvous 2019
I’m not sure I’d call Science Rendezvous the largest science festival in Canada (it seems to me Beakerhead might have a chance at that title) but it did start in 2008 as its Wikipedia entry mentions (Note: Links have been removed),
Science Rendezvous is the largest [emphasis mine] science festival in Canada; its inaugural event happened across the Greater Toronto Area (GTA) on Saturday, May 10, 2008. By 2011 the event had gone national, with participation from research institutes, universities, science groups and the public from all across Canada – from Vancouver to St. John’s to Inuvik. Science Rendezvous is a registered not-for-profit organization dedicated to making great science accessible to the public. The 2017 event took place on Saturday May 13 at more than 40 simultaneous venues.
This free all-day event aims to highlight and promote great science in Canada. The target audience is the general public, parents, children and youth, with an ultimate aim of improving enrollment and investment in sciences and technology in the future.
Science Rendezvous is being held on May 11, 2019 and its website can be found here.You can find events listed by province here. There are no entries for Alberta, Nunavut, or Prince Edward Island this year.
Science Rendezvous seems to have a relationship to Science Odyssey, my guess is that they are receiving funds. In any case , you may find that an event on the Science Rendezvous site is also on the Science Odyssey site or vice versa, depending on where you start.
Pint of Science Festival (Canada)
The 2019 Pint of Science Festival will be in 25 cities across Canada from May 20 – 22, 2019. Reminiscent of the Café Scientifique events (Vancouver, Canada) where science and beer are closely interlinked, so it is with the Pint of Science Festival, which has its roots in the UK. (Later, I have something about Guelph, Ontario and its ‘beery’ 2019 Pint event.)
Here’s some history about the Canadian inception and its UK progenitor. From he Pint of Science of Festival Canada website, the About Us page,
About Us Pint of Science is a non-profit organisation that brings some of the most brilliant scientists to your local pub to discuss their latest research and findings with you. You don’t need any prior knowledge, and this is your chance to meet the people responsible for the future of science (and have a pint with them). Our festival runs over a few days in May every year,but we occasionally run events during other months.
A propos de nous Pinte de Science est une organisation à but non lucratif qui amène quelques brillants scientifiques dans un bar près de chez vous pour discuter de leurs dernières recherches et découvertes avec le public. Vous n’avez besoin d’aucune connaissance préalable, et c’est l’occasion de rencontrer les responsables de l’avenir de la science (et de prendre une pinte avec eux). Notre festival se déroule sur quelques jours au mois de mai chaque année, mais nous organisons parfois quelques événements exceptionnels en dehors des dates officielles du festival.
History In 2012 Dr Michael Motskin and Dr Praveen Paul were two research scientists at Imperial College London in the UK. They started and organised an event called ‘Meet the Researchers’. It brought people affected by Parkinson’s, Alzheimer’s, motor neurone disease and multiple sclerosis into their labs to show them the kind of research they do. It was inspirational for both visitors and researchers. They thought if people want to come into labs to meet scientists, why not bring the scientists out to the people? And so Pint of Science was born. In May 2013 they held the first Pint of Science festival in just three UK cities. It quickly took off around the world and is now in nearly 300 cities. Read more here. Pint of Science Canada held its first events in 2016, a full list of locations can be found here.
L’Histoire En 2012, Dr Michael Motskin et Dr Praveen Paul étaient deux chercheurs à l’Imperial College London, au Royaume-Uni. Ils ont organisé un événement intitulé «Rencontrez les chercheurs» et ont amené les personnes atteintes de la maladie de Parkinson, d’Alzheimer, de neuropathie motrice et de sclérose en plaques dans leurs laboratoires pour leur montrer le type de recherche qu’ils menaient. C’était une source d’inspiration pour les visiteurs et les chercheurs. Ils ont pensé que si les gens voulaient se rendre dans les laboratoires pour rencontrer des scientifiques, pourquoi ne pas les faire venir dans des bars? Et ainsi est née une Pinte de Science. En mai 2013, ils ont organisé le premier festival Pinte de Science dans trois villes britanniques. Le festival a rapidement décollé dans le monde entier et se trouve maintenant dans près de 300 villes. Lire la suite ici . Pinte de Science Canada a organisé ses premiers événements en 2016. Vous trouverez une liste complète des lieux ici.
I clicked on ‘Vancouver’ and found a range of bars, dates, and topics. It’s worth checking out every topic because the title doesn’t necessarily get the whole story across. Kudos to the team putting this together. Where these things are concderned, I don’t get surprised often. Here’s how it happened, I was expecting another space travel story when I saw this title: ‘Above and beyond: planetary science’. After clicking on the arrow,
Geology isn’t just about the Earth beneath our feet. Join us for an evening out of this world to discover what we know about the lumps of rock above our heads too!
Thank you for the geology surprise. As for the international part of this festival, you can find at least one bar in Europe, Asia and Australasia, the Americas, and Africa.
Beer and Guelph (Ontario)
I also have to tip my hat to Science Borealis (Canada’s science blog aggregator) for the tweet which led me to Pint of Science Guelph and a very special beer/science ffestival announcement,
Pint of Science Guelph will be held over three nights (May 20, 21, and 22) at six different venues, and will feature twelve different speakers. Each venue will host two speakers with talks ranging from bridging the digital divide to food fraud to the science of bubbles and beer. There will also be trivia and lots of opportunity to chat with the various researchers to learn more about what they do, and why they do it.
But wait! There’s more! Pint of Science Guelph is (as far as I’m aware) the first Pint of Science (2019) in Canada to have its own beer. Thanks to the awesome folks at Wellington Brewery, a small team of Pint of Science Guelph volunteers and speakers spent last Friday at the brewery learning about the brewing process by making a Brut IPA. This tasty beverage will be available as part of the Pint of Science celebration. Just order it by name – Brain Storm IPA.
The event starts promptly at 8pm (doors open at 7:30pm). $5.00-10.00 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.
SciCATs (Science Communication Action Team, uh, something) is a collective of science communicators (and cat fans) providing free, open source, online, skills-based science communication training, resources, and in-person workshops.
We believe that anyone, anywhere should be able to learn the why and the how of science communication!
For the past two years, SciCATs has been developing online resources and delivering science communication workshops to diverse groups of those interested in science communication. We are now hosting an open, public event to help a broader audience of those passionate about science to mix, mingle, and build their science communication skills – all while having fun.
SciCATs’ Fundamentals of Science Communication is a three-hour interactive workshop [emphasis mine] followed by one hour of networking.
For this event, our experienced SciCATs facilitators will lead the audience through our most-requested science communication modules: Why communicate science Finding your message Telling your science as a story Understanding your audience [emphasis mine]
This workshop is ideal for people who are new to science communication [empahsis mine] or those who are more experienced. You might be an undergraduate or graduate student, researcher, technician, or other roles that have an interest in talking to the public about what you do. Perhaps you just want to hang out and meet some local science communicators. This is a great place to do it!
After the workshop we have a reservation at Chaqui Grill (1955 Cornwall), it will be a great opportunity to continue to network with all of the Sci-Cats and science communicators that attend over a beverage! They do have a full dinner menu as well.
Date and Time Sun, May 5, 2019 2:00 PM – 5:00 PM PDT
Location H.R. MacMillan Space Centre 1100 Chestnut Street Vancouver, BC V6J 3J9
Refund Policy Refunds up to 1 day before event
You can find out more about SciCats and its online resources here.
da Vinci in Canada from May 2 to September 2, 2019
This show is a big deal and it’s about to open in Ottawa in our national Science and Technology Museum (one of the Ingenium museums of science), which makes it national in name and local in practice since most of us will not make it to Ottawa during the show’s run.
Canada Science and Technology Museum from May 2 to September 2, 2019.
For the first time in Canada, the Canada Science and Technology Museum presents Leonardo da Vinci – 500 Years of Genius, the most comprehensive exhibition experience on Leonardo da Vinci to tour the world. Created by Grande Exhibitions in collaboration with the Museo Leonardo da Vinci in Rome and a number of experts and historians from Italy and France, this interactive experience commemorates 500 years of Leonardo’s legacy, immersing visitors in his extraordinary life like never before.
Demonstrating the full scope of Leonardo da Vinci’s achievements, Leonardo da Vinci – 500 Years of Genius celebrates one of the most revered and dynamic intellects of all time. Revolutionary SENSORY4™ technology allows visitors to take a journey into the mind of the ultimate Renaissance man for the very first time.
Discover for yourself the true genius of Leonardo as an inventor, artist, scientist, anatomist, engineer, architect, sculptor and philosopher. See and interact with over 200 unique displays, including machine inventions, life-size reproductions of Leonardo’s Renaissance art, entertaining animations giving insight into his most notable works, and touchscreen versions of his actual codices.
Leonardo da Vinci – 500 Years of Genius also includes the world’s exclusive Secrets of Mona Lisa exhibition – an analysis of the world’s most famous painting, conducted at the Louvre Museum by renowned scientific engineer, examiner and photographer of fine art Pascal Cotte.
Whether you are a history aficionado or discovering Leonardo for the first time, Leonardo da Vinci – 500 Years of Genius is an entertaining, educational and enlightening experience the whole family will love.
For a change I’ve placed the video after its transcript,
The April 30, 2019 Ingenium announcement (received via email) hints at something a little more exciting than walking around and looking at cases,
Discover the true genius of Leonardo as an inventor, artist, scientist, anatomist, engineer, architect, sculptor, and philosopher. See and interact with more than 200 unique displays, including machine inventions, life-size reproductions of Leonardo’s Renaissance art, touchscreen versions of his life’s work, and an immersive, walkthrough cinematic experience. Leonardo da Vinci – 500 Years of Genius [includes information about entry fees] the exclusive Secrets of Mona Lisa exhibition – an analysis of the world’s most famous painting.
I imagine there will be other events associated with this exhbition but for now there’s an opening night event, which is part of the museum’s Curiosity on Stage series (ticket purchase here),
Curiosity on Stage: Evening Edition – Leonardo da Vinci: 500 Years of Genius
Join the Italian Embassy and the Canada Science and Technology Museum for an evening of discussion and discovery on the quintessential Renaissance man, Leonardo da Vinci. Invited speakers from the Galileo Museum in Italy, Carleton University, and the University of Ottawa will explore the historical importance of da Vinci’s diverse body of work, as well as the lasting impact of his legacy on science, technology, and art in our age.
Be among the first to visit the all-new exhibition “Leonardo da Vinci – 500 Years of Genius”! Your Curiosity on Stage ticket will grant you access to the exhibit in its entirety, which includes life-size reproductions of Leonardo’s art, touchscreen versions of his codices, and so much more!
Speakers: Andrea Bernardoni (Galileo Museum) – Senior Researcher Angelo Mingarelli (Carleton University) – Mathematician Hanan Anis (University of Ottawa) – Professor in Electrical and Computer Engineering Lisa Leblanc (Canada Science and Technology Museum) – Director General; Panel Moderator
Join the conversation and share your thoughts using the hashtag #CuriosityOnStage.
Agenda: 5:00 – 6:30 pm: Explore the “Leonardo da Vinci: 500 Years of Genius” exhibit. Light refreshments and networking opportunities. 6:30 – 8:30 pm: Presentations and Panel discussion Cost: Members: $7 Students: $7 with discount code “SALAI” (valid student ID required on night of event) Non-members: $10 *Parking fees are included with admission.
Tickets are not yet sold out.
#Museum Week 2019
#Museum Week (website) is being billed as “The first worldwide cultural event on social networks. The latest edition is being held from May 13 – 19, 2019. As far as I’m aware, it’s held on Twitter exclusively. You can check out the hash tag feed (#Museum Week) as it’s getting quite active even now.
They don’t have a list of participants for this year which leaves me feeling a little sad. It’s kind of fun to check out how many and which institutions in your country are planning to participate. I would have liked to have seen whether or not the Canada Science and Technology Museum and Science World Vancouver will be there. (I think both participated last year.) Given how busy the hash tag feed becomes during the event, I’m not likely to see them on it even if they’re tweeting madly.
May 2019 looks to be a very busy month for Canadian science enthusiasts! No matter where you are there is something for you.
I did a very quick search for today’s (March 8, 2019) women in science stories and found three to highlight here. First, a somewhat downbeat Canadian story.
Can Canadians name a woman scientist or engineer?
According to Emily Chung’s March 8, 2019 article on the Canadian Broadcasting Corporation’s (CBC) online news site, the answer is: no,
You’ve probably heard of Stephen Hawking, Albert Einstein and Mark Zuckerberg.
But can you name a woman scientist or engineer? Half of Canadians can’t, suggests a new poll.
The online survey of 1,511 Canadians was commissioned by the non-profit group Girls Who Code and conducted by the market research firm Maru/Blue from March 1-3 and released for International Women’s Day today [March 8, 2019].
It was intended to collect data about how people felt about science, technology, engineering and math (STEM) careers and education in Canada, said Reshma Saujani, founder and CEO of the group, which aims to close the gender gap in technology by teaching girls coding skills.
The poll found:
When asked how many women scientists/engineers they could name, 52 per cent of respondents said “none.”
When asked to picture a computer scientist, 82 per cent of respondents immediately imagined a man rather than a woman.
77 per cent of respondents think increased media representation of women in STEM careers or leadership roles would help close the gender gap in STEM.
Sandra Corbeil, who’s involved a Women in STEM initiative at Ingenium, the organization that oversees Canada’s national museums of science and innovation, agrees that women scientists are under-recognized.
… Ingenium organized an event where volunteers from the public collaborated to add more women scientists to the online encyclopedia Wikipedia for the International Day of Women and Girls in Science this past February .
The 21 participants added four articles, including Dr. Anna Marion Hilliard, who developed a simple pap test for early detection of cervical cancer and Marla Sokolowski, who discovered an important gene that affects both metabolism and behaviour in fruit flies. The volunteer editors also updated and translated several other entries.
Similar events have been held around the world to boost the representation of women on Wikipedia, where as of March 4, 2019, only 17.7 per cent of biographies were of women — even 2018’s winner of the Nobel Prize in Physics, Donna Strickland, didn’t have a Wikipedia entry until the prize was announced.
Corbeil acknowledged that in science, the individual contributions of scientists, whether they are men or women, tend to not be well known by the public.[emphasis mine]
“We don’t treat them like superstars … to me, it’s something that we probably should change because their contributions matter.”
Chung points to a criticism of the Girls Who Code poll, they didn’t ask Canadians whether they could name male scientists or engineers. While Reshma Saujani acknowledged the criticism, she also brushed it off (from Chung’s article),
Saujani acknowledges that the poll didn’t ask how many male scientists or engineers they could name, but thinks the answer would “probably” be different. [emphasis mine]
Chung seems to be hinting (with the double quotes around the word probably) but I’m going to be blunt, that isn’t good science but, then, Saujani is not a scientist (from the reshmasujani.com’s About page),
Reshma began her career as an attorney and activist. In 2010, she surged onto the political scene as the first Indian American woman to run for U.S. Congress. During the race, Reshma visited local schools and saw the gender gap in computing classes firsthand, which led her to start Girls Who Code. She has also served as Deputy Public Advocate for New York City and ran a spirited campaign for Public Advocate in 2013.
I’m inclined to believe that Saujani is right but I’d want to test the hypothesis. I have looked at what I believe to be the entire report here. I’m happy to see the questions but I do have a few questions about the methodology (happily, also included in the report),
… online survey was commissioned by Girls Who Code of 1,511 randomly selected Canadian adults who are Maru Voice panelists.
If it’s an online survey, how can the pollsters be sure the respondents are Canadian or sure about any other of the demographic details? What is a Maru Voice panelist? Is there some form of self-selection inherent in being a Maru Voice panelist? (If I remember my social science research guidelines properly, self-selected groups are not the same as the general population.)
All I’m saying, this report is interesting but seems problematic so treat it with a little caution.
Celebrating women in science in UK (United Kingdom)
This story comes from the UK’s N8 Research Partnership (I’m pretty sure that N8 is meant to be pronounced as ‘innate’). On March 7, 2019 they put up a webpage celebrating women in science,
All #N8women deliver our vision of making the N8 Research Partnership an exceptionally effective cluster of research innovation and training excellence; we celebrate all of your contributions and thank you for everything that you do. Read more about the women below or find out about them on our social channels by searching #N8Women.
Professor Dame Sue Black
Professor Dame Sue Black from Lancaster University pioneered research techniques to identify an individual by their hand alone, a technique that has been used successfully in Court to identify perpetrators in relation to child abuse cases. Images have been taken from more than 5000 participants to form an open-source dataset which has allowed a breakthrough in the study of anatomical variation.
Professor Diana Williams
Professor Diana Williams from The University of Liverpool has led research with Farming Online into a digital application that predict when and where disease is likely to occur. This is hoped to help combat the £300m per year UK agriculture loses per year through the liver fluke parasite which affects livestock across the globe.
Professor Louise Heathwaite
Professor Louise Heathwaite from Lancaster University has gained not only international recognition for her research into environmental pollution and water quality, but she also received the royal seal of approval after being awarded a CBE in the Queen’s Birthday Honours 2018.
Professor Sue Black
Professor Sue Black from Durham University has helped support 100 women retrain into tech roles thanks to the development of online programme, TechUP. Supported by the Institute of Coding, the programme lasts six months and concludes with a job interview, internship or apprenticeship.
Dr Anna Olsson-Brown
Dr Anna Olsson-Brown from the University of Liverpool has been instrumental in research into next-generation drugs that can treat patients with more advanced, malignant cancers and help them deal with the toxicity that can accompany novel therapies.
Professor Katherine Denby
Professor Katherine Denby, Director of N8 Agrifood, based at the University of York has been at the forefront of developing novel ways to enhance and enable breeding of crops resistance to environmental stress and disease.
Most recently, she was involved in the development of a genetic control system that enables plants to strengthen their defence response against deadly pathogens.
Doctor Louise Ellis
Dr Louise Ellis, Director of Sustainability at the University of Leeds has been leading their campaign – Single Out: 2023PlasticFree – crucially commits the University and Union to phase out single-use plastic across the board, not just in catering and office spaces.
Professor Philippa Browning
Professor Philippa Browning from the University of Manchester wanted to be an astronaut when she was a child but found that there was a lack of female role models in her field. She is leading work on the interactions between plasmas and magnetic fields and is a mentor for young solar physicists.
Doctor Anh Phan
Dr Anh Phan is a Lecturer of Chemical Engineering in the School of Engineering at Newcastle University. She has been leading research into cold plasma pyrolysis, a process that could be used to turn plastic waste into green energy. This is a novel process that could revolutionise our problem with plastic and realise the true value of plastic waste.
So, Canadians take note of these women and the ones featured in the next item.
Canada Science and Technology Museum’s (an Ingenium museum) International Women’s Day video
It was posted on YouTube in 2017 but given the somewhat downbeat Canadian story I started with I thought this appropriate,
It’s never too late to learn about women in science and engineering. The women featured in the video are: Ursula Franklin, Maude Abbott, Janice Zinck, and Indira Samarasekera